Notes and Editorial Reviews
Tadeáš Salva was one of the foremost Slovakian composers of his generation. His studies equipped him with a thorough awareness of the new Polish School, and his temperament inclined him toward a synthesis between contemporary technique and the inspiration of folklore. The cello was his favourite instrument. The Concerto is vibrantly orchestrated, absorbingly contoured and shares something of Penderecki’s aesthetic. The Slovak Concerto Grosso marries Stravinskian virtuosity with folk impressions, the Three Arias and Little Suite are touching, inspired miniatures whilst the unfinished Preludes illustrate Salva’s richness of originality and imagination.
Tadeáš Salva was one of the foremost Slovakian composers of his generation. His studies equipped him with a thorough awareness of the new Polish School, and his temperament inclined him toward a synthesis between contemporary technique and the inspiration of folklore. The cello was his favourite instrument. The Concerto is vibrantly orchestrated, absorbingly contoured and shares something of Penderecki’s aesthetic. The Slovak Concerto Grosso marries Stravinskian virtuosity with folk impressions, the Three Arias and Little Suite are touching, inspired miniatures whilst the unfinished Preludes illustrate Salva’s richness of originality and imagination. Read less
Works on This Recording
1.
Concerto for Cello by Tadeas Salva
Performer:
Eugen Prochac (Cello)
Conductor:
Marian Lejava
Orchestra/Ensemble:
Slovak Radio Symphony Orchestra
Period: 20th Century
Written: 1967
2.
Arias for Cello and Piano by Tadeas Salva
Performer:
Eugen Prochac (Cello),
Nora Skuta (Piano)
Period: 20th Century
Written: 1990
4.
Slovak Concerto Grosso no 3 by Tadeas Salva
Performer:
Juraj Cizmarovic (Violin),
Eugen Prochac (Cello),
Bernadetta Sunavska (Organ)
Period: 20th Century
Written: 1987
5.
Preludes (8) for 2 Cellos by Tadeas Salva
Performer:
Eugen Prochac (Cello),
Ján Slávik (Cello)
Period: 20th Century
Written: 1995
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