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Holst: Cotswolds Symphony, Walt Whitman Overture, A Hampshire Suite / Bostock

Holst / Munich Symphony Orchestra / Bostock
Release Date: 03/13/2012 
Label:  Musical Concepts   Catalog #: 1170   Spars Code: DDD 
Composer:  Gustav Holst
Conductor:  Douglas Bostock
Orchestra/Ensemble:  Munich Philharmonic Orchestra
Number of Discs: 1 
Recorded in: Stereo 
Length: 1 Hours 5 Mins. 

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Notes and Editorial Reviews

Reveals curious or satisfying facets of a great original.

This collection was first issued on the Danish label ClassicO (CLASSCD 284) with whom Boult pupil, Douglas Bostock collaborated over the British Symphonic Collection. As one of the early issues you can read reviews by Richard Adams and Gerald Fenech elsewhere on the site. Ten discs from that series found their way into a Membran box but quite a few stragglers escaped and the Holst was one of them.
 
The selection comprises a majority of early works with one very late one. The Cotswolds symphony is in four movements. The first is sprightly, spliced with Grainger, lightened by Tchaikovskian levity and carrying the outdoor spirit of a
Read more walk in the Cotswolds and the exhilaration of the rising hill-crest. The second is a long, sustained Elegy ( In Memoriam William Morris). This is even more un-English than the first movement. The mood is more occluded with the dreamy moodiness suggesting Tchaikovsky out of Rimsky into Rachmaninov. The third movement gently saunters along with all the confidence of youth. Brahmsian gestures meld with the open air mood of the Beethoven Pastoral. The finale reminded me of Parry and then of the Tchaikovsky suites and then of Dvorák without the darkness of Othello and of Symphony No. 7. The fairly profound Morris movement seems ill-sorted in this company; a bit like Introit amid the outer ‘thorns’ of the Finzi Violin Concerto.
 
The Walt Whitman overture recalls early Parry and the Dvorak Slavonic Rhapsodies. It lacks the intensity of the Morris movement. The Suite No. 2 (aka A Hampshire Suite) was arranged by Gordon Jacob in the mid-1940s. It’s familiar Holst, unlike the two preceding works. It goes with a catchy swing, a smile and a wink.
 
Similarly well-known are the Perfect Fool ballet movements. Here they are played attentively but with a straight face. Perhaps if the opera itself were better known and recorded then people would get a better sense of the music. This is one of the few versions I know by a non-English orchestra. The music is mature Holst with the usual cracking writing and playing for the trombones. The Scherzo is all that was completed of a planned symphony. The performance seems not as smack bang on the note as the late 1960s Boult on Lyrita but it has all the requisite virile rush and Apollonian dynamism. Bostock rather nicely brings out at 2.55 a haunting calm from which at 3: 30 a solo violin cries out. The piece ends with a sudden upwelling of energy and barking brass.
 
The useful notes are by Jeffrey Davis. Pace the cover, the orchestra is the Munich Symphony; not the Munich Philharmonic. And by the way Alto it's ClassicO not ClassiCo. However, where it matters, this release will appeal to those who want to explore their Holst beyond The Planets. Not everything here is up to that standard – what is? – but all five works will reveal curious or satisfying facets of a great original.
 
-- Rob Barnett, MusicWeb International
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Works on This Recording

1.
Symphony in F major, Op. 8/H 47 "The Cotswolds" by Gustav Holst
Conductor:  Douglas Bostock
Orchestra/Ensemble:  Munich Philharmonic Orchestra
Period: 20th Century 
Written: 1899; England 
Length: 26 Minutes 0 Secs. 
2.
Walt Whitman Overture, Op. 7/H 42 by Gustav Holst
Conductor:  Douglas Bostock
Period: 20th Century 
Written: 1899; England 
Length: 7 Minutes 35 Secs. 
3.
Suite for Military Band no 2 in F major, Op. 28 no 2 by Gustav Holst
Conductor:  Douglas Bostock
Period: 20th Century 
Written: 1911; England 
Length: 11 Minutes 21 Secs. 
4.
The Perfect Fool, Op. 39/H 150: Ballet Music by Gustav Holst
Conductor:  Douglas Bostock
Period: 20th Century 
Written: 1918-1922; England 
Length: 0 Minutes 57 Secs. 
5.
Scherzo for Orchestra, H 192 by Gustav Holst
Conductor:  Douglas Bostock
Period: 20th Century 
Written: 1933-1934; England 
Length: 5 Minutes 55 Secs. 

Customer Reviews

Average Customer Review:  1 Customer Review )
 Dancing with ankle weights June 3, 2020 By Miles R. (Cambridge, MA) See All My Reviews "One characteristic of much of Holst's music is his love of dance rhythms. The performances in this collection, though well played, too often sound as if Maestro Bostock had identified the *tempo giusto* and then deliberately dialed the metronome down two clicks. It makes for exasperating listening. I found myself constantly apostrophizing the recording, "MOVE it, blast you!" like a passenger in an automobile vainly pushing against the dashboard to make it go faster. The program itself is an attractive one, for reasons well stated by Rob Barnett in the review quoted above. But I would look elsewhere for performances of these pieces---to the collection on Naxos conducted by JoAnn Falletta, for example, which shares with this one the *Cotswolds Symphony* and the *Whitman Overture*." Report Abuse
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