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Barsanti: 6 Concerti Grossi / Branchetto Musicale

Barsanti / Cavallini
Release Date: 09/27/2011 
Label:  Dynamic   Catalog #: 8023   Spars Code: DDD 
Composer:  Francesco Barsanti
Orchestra/Ensemble:  Banchetto Musicale
Number of Discs: 1 
Recorded in: Stereo 
Length: 1 Hours 13 Mins. 

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Notes and Editorial Reviews

Francesco Barsanti is not a household name. Now and then he turns up in concert programmes and on disc, mostly with some Scottish tunes. This can be explained from his biography. He was one of the many Italian performing musicians and composers who moved to London to look for employment. He arrived there in 1714, together with his friend Francesco Geminiani; both were from Lucca. For a number of years he played the flute and the oboe in the orchestra of the Italian opera. In 1735 he married a woman from Scotland. He developed a special liking for Scottish tunes Read more which he arranged or incorporated into his compositions. He found aristocratic patrons in Scotland and composed some of his best music, his Concerti grossi op. 3 and his Overtures op. 4. In 1743 he returned to London where he started to work as a viola player. From that time he gave up writing any original compositions. When he died in 1772 he was poor and almost completely forgotten.

The concerti grossi which are the subject of this disc belong to a genre to which various composers contributed. Italian music was very popular among the musical societies of mostly amateurs which were active in many English towns. They played not only original music such as the concerti grossi by Corelli but also arrangements, for instance of violin sonatas. Francesco Geminiani took profit from the demand for Italian music by arranging Corelli's violin sonatas op. 5 as concerti grossi. His own violin sonatas were arranged as concerti grossi by his English admirer Charles Avison, who also made arrangements of keyboard sonatas by Domenico Scarlatti. Barsanti followed their example with his six Concerti grossi after Giovanni Battista Sammartini and these were printed in 1757.

These were arrangements of Sammartini's Sonate Notturne op. 6, scored for two violins and basso continuo. He was one of the most celebrated Italian composers of his time and a representative of the modern galant idiom. For this reason his compositions found wide appreciation. He also made quite an impression with his symphonies which paved the way for the classical style and inspired Haydn in his early symphonies. Sammartini's music was also known in England, and therefore an arrangement of the sonatas op. 6 for a larger body of strings was a good move by Barsanti.

Although they were printed as concerti grossi and contain a concertino of two violins, viola and cello, they have little in common with the traditional concerti grossi as written by the likes of Corelli and Handel. There are no dotted rhythms, there is little counterpoint and the conventional fugal movements are absent. These concerti grossi are in the same galant idiom as the original sonatas by Sammartini. Even so, this is by no means all just easy-listening stuff. Some slow movements, like the largo from the Concerto II in A and the opening movements of the Concertos IV in G and V in A, both with the indication 'affettuoso', are quite expressive. Another particularly fine movement is the pastorale which opens the Concerto VI in E. All that said, the difference between these concerti grossi and the earlier specimens of the genre is evident.

The performances which were originally recorded in 1997 are lively and spirited, albeit technically not always to the highest standard. In particular the intonation is less than perfect now and then. I would also have liked a warmer and more intimate acoustic. Yet this disc offers good entertainment and is well worth listening to, because of the quality of the music and the performances. All of which makes this reissue welcome. The liner-notes give good background information and the booklet includes a list of the instruments used.

-- Johan van Veen, MusicWeb International Read less

Works on This Recording

1.
Concerti Grossi (6) from Sonate Notturne, Op.6 by Francesco Barsanti
Orchestra/Ensemble:  Banchetto Musicale
Period: Baroque 
 Venue:  Salvatorsaal, Wien 
Length: 3 Minutes 44 Secs. 

Customer Reviews

Average Customer Review:  ( 1 Customer Review )
 This is the cd you must buy to launch 2015. January 7, 2015 By Anthony G. (valley stream, NY) See All My Reviews "I never expected such tuneful, joyful, irresistible music during Barsanti's epoch. Why this music is not better known and played is beyond me. This is the cd you must buy to launch 2015 auspiciously.I adore this collection." Report Abuse
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