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Wieniawski: Violin Concertos / Itzhak Perlman


Release Date: 08/24/2012 
Label:  Warner Classics   Catalog #: 5660592   Spars Code: ADD 
Composer:  Henri Wieniawski
Performer:  Samuel Sanders,  Itzhak Perlman
Conductor:  Seiji Ozawa
Orchestra/Ensemble:  London Philharmonic Orchestra
Number of Discs: 1 
Recorded in: Stereo 
Length:  1 Hours 12 Mins. 

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This CD is reissued by ArkivMusic.

Notes and Editorial Reviews

Superb playing of superb virtuoso music.

"Poor Wieniawski!", Tchaikovsky wrote to their mutual patroness Nadezhda von Meek. "I reckon him very gifted. . . . His charming Legend and a few parts of the D minor concerto give evidence of a serious creative talent". When he died, in Moscow in 1880, not yet 45, one of the great talents of nineteenth-century violin virtuosity was lost; he is the link between the Franco-Belgian school and the modern Russians, who have always followed Tchaikovsky in holding him in great honour. He was the first violin professor at Anton Rubinstein's new Conservatory in St Petersburg in 1862; his assistant was Leopold Auer, who followed some of his methods and was the teacher Read more of Elrnan, Heifetz and Zimbalist. His work and his music are directly connected to a style of violin playing we may still hear on our concert platforms today.

The music, too, could do with an occasional airing. The Second Concerto has not lacked enthusiasts to echo Tchaikovsky's admiration; and it is, indeed, easy to see how the easy lyrical line and the gipsy exuberance of the finale would appeal to Tchaikovsky. The First Concerto, in F sharp minor, earns a dismissive comment in the current edition of Grove, I see, which seems less than fair: the middle movement, a Preghiera, is a dark, intense and very beautiful movement and the finale has a lively kick to it, a sense of joie de vivre and of joy in mastery of the instrument. It is obviously very much the music of the man of whom the young Hubay could write (in a translation of a notice written for a Budapest paper in 1877), "Wieniawski is equally far removed from German sentimentality and Italian exaggerated sweetness of which Paganini himself was not free. Even in moments of highest emotion and ardour he never transgresses elegance of style and noble taste".

The latter sentence could well describe Perlman's glowing performances. Perlman captures the warmth and fervour and brilliance and the more than slight salting of showmanship which are part of what is also a genuine lyrical gift. This is superb playing of superb virtuoso music, well worth attention from many music-lovers to whom Wieniawski can be hardly more than a name. The recording is suitably warm and vivid.

-- Gramophone [5/1973, reviewing the original LP release of the two concertos]
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Works on This Recording

1.
Etudes-Caprices (8) for 2 Violins, Op. 18: no 4 in A minor by Henri Wieniawski
Performer:  Samuel Sanders (Piano), Itzhak Perlman (Violin)
Period: Romantic 
Written: 1863; St. Petersburg, Russ 
2.
Mazurkas (2), Op. 19: no 1 in G major "Obertass" by Henri Wieniawski
Performer:  Samuel Sanders (Piano), Itzhak Perlman (Violin)
Period: Romantic 
Written: circa 1860; St. Petersburg, Russ 
3.
Polonaise brillante for Violin and Piano no 1 in D major, Op. 4 by Henri Wieniawski
Performer:  Samuel Sanders (Piano), Itzhak Perlman (Violin)
Period: Romantic 
Written: 1853; Russia 
4.
Polonaise brillante for Violin and Piano no 2 in A major, Op. 21 by Henri Wieniawski
Performer:  Samuel Sanders (Piano), Itzhak Perlman (Violin)
Period: Romantic 
Written: 1870; St. Petersburg, Russ 
5.
Concerto for Violin no 1 in F sharp minor, Op. 14 by Henri Wieniawski
Performer:  Itzhak Perlman (Violin)
Conductor:  Seiji Ozawa
Orchestra/Ensemble:  London Philharmonic Orchestra
Period: Romantic 
Written: 1853; Russia 
6.
Concerto for Violin no 2 in D minor, Op. 22 by Henri Wieniawski
Performer:  Itzhak Perlman (Violin)
Conductor:  Seiji Ozawa
Orchestra/Ensemble:  London Philharmonic Orchestra
Period: Romantic 
Written: 1862; St. Petersburg, Russ 
7.
Scherzo-Tarantelle in G minor, Op. 16 by Henri Wieniawski
Performer:  Samuel Sanders (Piano), Itzhak Perlman (Violin)
Period: Romantic 
Written: 1856 

Customer Reviews

Average Customer Review:  ( 1 Customer Review )
 Interesting and enjoyable April 29, 2014 By Robert K. (Round Hill, VA) See All My Reviews "Nice surprise. Different than the usual Shubert, Beethoven, Mozart, Hydan....mind expanding without being off the table. Try it...you will probably like it!" Report Abuse
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