This is an even more enjoyable disc than the same artists’ first volume of Canteloube’s luscious folksong arrangements. It features many of the better-known songs, including the gorgeous ‘Baïlèro’; Dawn Upshaw sings with all her customary sensitivity and ravishing tone, and Nagano draws refined and colourful playing from his Lyon orchestra. Maurice Emmanuel’s orchestral versions of Burgundy folksongs make an appropriate companion.
Performance: 5 (out of 5), Sound: 5 (out of 5)
-- Stephen Maddock, BBC Music Magazine
Somehow, I missed the first CD of Songs of the Auvergne (Erato 96559) by these artists, issued about three years ago. Now I regret it, for these are high-qualityRead more performances, with Upshaw's sweet, somewhat girlish voice cushioned on a layer of lush orchestral sound, laid on with discretion by Nagano. Several sopranos have given us fine recordings of their kind, ranging from the more operatic voices of Kiri Te Kanawa, Frederica von Stade (both complete), and Anna Moffo, who is joined by Leopold Stokowski in ravishing performances of (unfortunately) a small group of the songs, to the more folksy, very sympathetic renditions of the whole set (and then some) by Netania Davrath and the pseudonymous "Pierre de la Roche" (Does anybody know who this mysterious conductor was . . . ? Vanguard ain't talkin'). Upshaw's style lies somewhere in between the more sophisticated "operatic" singers and the simpler, more straightforward Davrath. As an appropriate bonus, Upshaw and Nagano offer six folk songs from Burgundy, orchestrated in a sparer style than Canteloube's by Maurice Emmanuel (1862 1938), another French musician who believed that his people's folk songs and their modal origins provided a solid basis for the music of the future. Erato provides texts in German, English, French, medieval French (Emmanuel), and Auvergne dialect (Canteloube).
Chansons bourguignonnes (30), Op. 15: no 10, Noëlby Maurice Emmanuel Performer:
Dawn Upshaw (Soprano)
Lyon Opera Orchestra
Period: Romantic Written: 1913; France Notes: Orchestrated: Maurice Emmanuel (1914-1936)
Spoiled gloryJuly 23, 2017By Gary Ott (West Allis, WI)See All My Reviews"I bought this recording because I love the Songs of the Auvergne, and this recording featured Dawn Up shaw. It seemed to me this was a cinch to be a favorite. Unfortunately, there's a spoiler. It sounds as if Upshaw is singing in two different venues, one large and bare and a bit bright, the other intimate but cloying. This is not to say Nagano and Upshaw are lacking. The orchestra is lush, but not translucent, and Upshaw's voice is deliquescent. But the two venue thing is impossible to ignore. This is not a recording for a high definition sound system."Report Abuse