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Zelenka: Sacred Music / King's Consort

Zelenka / Sampson / Blaze / Gilchrist / King
Release Date: 02/14/2012 
Label:  Helios   Catalog #: 55424  
Composer:  Jan Dismas Zelenka
Performer:  Michael GeorgeRobin BlazeCarolyn SampsonJames Gilchrist,   ... 
Conductor:  Robert King
Orchestra/Ensemble:  King's Consort
Number of Discs: 1 
Length: 1 Hours 14 Mins. 

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Notes and Editorial Reviews



ZELENKA Litaniae de Venerabili Sacramento. Regina caeli laetare. Salve Regina, mater misericordiae. Officium defunctorum: selections Robert King, cond; Carolyn Sampson, Rebecca Outram (sop); Robin Blaze (ct); James Gilchrist (ten); Michael George, Peter Harvey (bs); King’s Consort; King’s Consort Ch HELIOS CDH55424 (73:52 Text and Translation)


This is a rerelease of Hyperion CDA67350, recorded in 2001. The three complete works on this disc don’t Read more appear elsewhere in the current U.S. catalog, so they are welcome, indeed.


The Litaniae de Venerabili Sacramento was completed in 1727 for a Corpus Christi procession that was performed in the Saxon court’s Catholic church, so as not to anger the largely Protestant public. It is a work that packs great textural variety and contrapuntal ingenuity into a relatively short time. Passing dissonances between the vocal parts (Kyrie I) add to the theatrical character of the music, which never misses a sudden shift of tone to vary the emotional effect ( Praecelsum et admirabile ; the contrasts of mood and pacing between chorus and soloists in Peccatores, te rogamus ). Zelenka’s deftly smiling Regina caeli laetare (pre-1728) is a Marian antiphon in augmented movement on three high voices, against a quickly walking bass line. The two sopranos and countertenors engage in a mix of three-part harmony to excellent effect. The five-movement Salve Regina, mater misericordiae of 1730 is actually an arrangement by Zelenka of an anonymous work he first copied in 1719. The scoring is attractive, but the piece as a whole lacks the distinctive style of the composer.


Four excerpts from the Officium defunctorum conclude the disc. Composed in 1733, its 19 movements comprise a stark Invitatorium followed by nine pairs of Lessons and Responses. The entire work is available with Václav Luks directing the Collegium Vocale (Accent 24244), and it furnishes strong enough competition to make that recording mandatory, if you enjoy what King does in this one. The soloists are pretty much a wash, but Luks takes a considerably faster pace than King in the Invitatorium and second Lesson, along with stronger accents and a more theatrical approach to the text’s interpretation.


Five out of six of the soloists are excellent, with fine enunciation and agility, and firm tone. I am no more convinced by Michael George’s tight, congested sound in the Litaniae , however, than I was in the Philip Pickett recording (Decca 473713) of Blow’s Venus and Adonis . Robert King shapes the music carefully, bringing out its contrasts and intense lyricism with a subtle touch. Textures are always transparent, and due attention paid to expressive variety. With excellent timings, and a fetching new budget price, this reissue is very welcome.


FANFARE: Barry Brenesal
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Works on This Recording

1. Litaniae de venerabili sacramento, Z 147 by Jan Dismas Zelenka
Performer:  Michael George (Bass), Robin Blaze (Countertenor), Carolyn Sampson (Soprano),
James Gilchrist (Tenor)
Conductor:  Robert King
Orchestra/Ensemble:  King's Consort
Period: Baroque 
Written: 1727; Dresden, Germany 
Language: Latin 
2. Regina coeli laetare, Z 134 by Jan Dismas Zelenka
Performer:  Rebecca Outram (Soprano), Robin Blaze (Countertenor), Carolyn Sampson (Soprano)
Conductor:  Robert King
Orchestra/Ensemble:  King's Consort
Period: Baroque 
Written: circa 1726-1727; Dresden, Germany 
Language: Latin 
3. Salve regina, mater misericordiae, Z 135 by Jan Dismas Zelenka
Performer:  Carolyn Sampson (Soprano)
Conductor:  Robert King
Orchestra/Ensemble:  King's Consort
Period: Baroque 
Written: 1730; Dresden, Germany 
Language: Latin 
4. Officium defunctorum, Z 47: Lectiones (3) by Jan Dismas Zelenka
Performer:  Carolyn Sampson (Soprano), James Gilchrist (Tenor), Peter Harvey (Bass)
Conductor:  Robert King
Orchestra/Ensemble:  King's Consort
Period: Baroque 
Written: 1733; Dresden, Germany 
Language: Latin 
5. Officium defunctorum, Z 47: Invitatorium by Jan Dismas Zelenka
Performer:  Robin Blaze (Countertenor)
Conductor:  Robert King
Orchestra/Ensemble:  King's Consort
Period: Baroque 
Written: 1733; Dresden, Germany 
Language: Latin 

Customer Reviews

Average Customer Review:  1 Customer Review )
 Zelenka is the Man!!! September 25, 2012 By Clifford H C. (Thompson, MB) See All My Reviews "Zelenka: Sacred Music / King's Consort Of all the baroque composers I have come to know and love... Zelenka has turned out to be one of my favorites. His compositions never stop surprising me and delighting my senses. In the hands of a group of talented musicians like the King’s Consort, they really bring this music alive. Each of these pieces show off Zelenka’s abilities in very different ways. From the restrained sorrow of the Officium defunctorum to the joy of Regina coeli laetare." Report Abuse
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