Notes and Editorial Reviews
Rewiew of the Kempe orchestral recordings:
There's not a single performance here that doesn't glow with insight, intelligence, and inner warmth. How does one begin to describe these riches? Start with Kempe's absolute smoker of a Don Juan, continue on to the most lovable, rollicking Till Eulenspiegel imaginable (not quite as quick-witted as Kempe's earlier Berlin Philharmonic traversal), then bask in the conductor's frothy arrangement of the Rosenkavalier Waltzes. Likewise, all the concerted works are well done, as Kempe shadows his soloists with sophisticated elan. Until his RCA Alpine Symphony is reissued, Kempe's Dresden remake remains the most atmospheric and fluent version of
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this sprawling opus on disc. Paul Tortelier's lithe-toned, deeply felt cello playing elevates this third and finest of his recorded Don Quixotes to classic status alongside Rostropovitch/Karajan and Fournier/Szell. From the dark, brooding Metamorphosen to the playful pastiche of the ballet suites, Kempe lavishes love and care upon all he touches. This is the ultimate Richard Strauss orchestral collection. Don't pass it up! – Jed Distler, ClassicsToday.com
Review of the chamber music recordings, originally issued on the Arts Music label:
The performances are culled from live and studio sessions jointly produced by the Richard Strauss Institute and Munich and Bavarian Radio; all are of a high standard, even if you prefer alternative recordings of familiar fare like the Violin and Cello Sonatas and the late Sonatinas for Wind Ensemble. If one musician warrants singling out, it is Wolfgang Sawallisch, who gets a rare chance to flex his remarkable piano chops supporting the excellent cellist Peter Wöpke in the Op. 6 sonata. This is not to undervalue the excellent Mrongovius piano duo "de-orchestrating" the Second Symphony and Aus Italien, Gitti Priner's sensitive renderings of the lovely Op. 3 piano pieces, or the Bläser Ensemble Armadé's tonal opulence. – Jed Distler, ClassicsToday.com
Reviews of the Schwarzkopf/Karajan Der Rosenkavalier:
Schwarzkopf’s rapturously tragic Marschallin may be the star of Karajan’s intensely emotional 1956 recording, but with Christa Ludwig’s fervent Octavian, Teresa Stich-Randall’s refulgent Sophie and singers of the calibre of Ljuba Welitsch as Marianne and Nicolai Gedda as the Italian tenor, this is luxurious in every sense. – Claire Wrathall, BBC Music Magazine
This recording really does triumph over them all. – Gramophone
Review of the Marc/Sinopoli Elektra:
Sinopoli's Elektra bears all of the hallmarks of his great recording of Salome (possibly the finest ever recorded) - great transparency, an unnerving sense of a drama unfolding and a great rapport with his singers. Alessandra Marc is very fine in the title role, and absolutely compelling in her closing scene. What makes this recording so recommendable is the playing of the Vienna Philharmonic and the engineering... A wonderful, fully aural experience, as spectacular as any since CDs were first released. – Marc Bridle, MusicWeb International
Review of the Voigt/Sinopoli Ariadne auf Naxos:
Sinopoli gets playing from the Dresden forces that makes everything Strauss and Hoffmansthal were driving at absolutely clear... Deborah Voigt is absolutely lovely, singing with warmth and commitment, easily the equal of those stars of the so-called "Golden Age"; Natalie Dessay is in a class by herself, the voice bigger and richer than most Zerbinettas--but both her pyrotechnics and interpretation (what a fox!) are magnificent. And in Ben Heppner we at last find a tenor who can handle Strauss' almost impossible line: his voice rings out like a true hero, he's vocally secure enough to pay attention to the words, and he partners Voigt like Nureyev did Fonteyn. – Robert Levine, ClassicsToday.com
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A superb collection of some of the greatest performances of Richard Strauss’s orchestral, operatic, chamber and vocal works, brought together in a stunning 35-CD edition of fantastic value.
The collection begins with a survey of Strauss’s orchestral music, including the supremely popular symphonic poems - Don Juan, Don Quixote, Also sprach Zarathustra, Till Eulenspiegel, Tod und Verklärung, Eine Alpensinfonie and Ein Heldenleben are included, together with comparatively rare orchestral works such as the wonderful Burlesque for piano and orchestra. These recordings, performed by the Staatskapelle Dresden and conducted by Rudolf Kempe, are a particular highlight of this box set, some of the greatest recordings of the classical catalog.
Alongside an extensive survey of Strauss’s chamber music, performed by major international instrumentalists including Wolfgang Sawallisch (piano), Erno Sebestyen (violin), Wenn-Sinn Yang (cello), and the Sinnoffer Quartet, some of the definitive performances of Strauss’s best-loved operas are also featured. In particular, Herbert von Karajan’s Der Rosenkavalier remains unsurpassed.
This comprehensive box concludes with 3 CDs of Lieder, including the enduringly popular Vier letzte Lieder sung by Charlotte Margiono and a disc of historical recordings accompanied by Richard Strauss on piano.
• Contains a wealth of repertoire: the complete Orchestral Works, the complete Chamber Music, a generous selection of songs, the most famous operas and a disc of rare choral works.
• A star studded line-up of famous Strauss interpreters: Rudolf Kempe and his Staatskapelle Dresden (a Strauss orchestra par excellence!), Herbert von Karajan, Joseph Keilberth, Wolfgang Sawallisch, Giuseppe Sinopoli, Karl Böhm, and vocalists Elisabeth Schwarzkopf, Alessandra Marc, Deborah Voigt, Anne Sofie von Otter, Dietrich Fischer-Dieskau and Charlotte Margiono.
• Contains a historical recording of songs accompanied by Richard Strauss himself on the piano.
• Liner notes included on CD-ROM.
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Works on This Recording
1.
Also sprach Zarathustra, Op. 30 by Richard Strauss
Conductor:
Rudolf Kempe
Orchestra/Ensemble:
Staatskapelle Dresden
Period: Romantic
Written: 1895-1896; Germany
2.
Tod und Verklärung, Op. 24 by Richard Strauss
Conductor:
Rudolf Kempe
Orchestra/Ensemble:
Staatskapelle Dresden
Period: Romantic
Written: 1888-1889; Germany
5.
Don Juan, Op. 20 by Richard Strauss
Conductor:
Rudolf Kempe
Orchestra/Ensemble:
Staatskapelle Dresden
Period: Romantic
Written: 1888-1889; Germany
6.
Ein Heldenleben, Op. 40 by Richard Strauss
Conductor:
Rudolf Kempe
Orchestra/Ensemble:
Staatskapelle Dresden
Period: Romantic
Written: 1897-1898; Germany
8.
Eine Alpensinfonie, Op. 64 by Richard Strauss
Conductor:
Rudolf Kempe
Orchestra/Ensemble:
Staatskapelle Dresden
Period: Romantic
Written: 1911-1915; Germany
9.
Don Quixote, Op. 35 by Richard Strauss
Performer:
Paul Tortelier (Cello),
Max Rostal (Viola)
Conductor:
Rudolf Kempe
Orchestra/Ensemble:
Staatskapelle Dresden
Period: Romantic
Written: 1896-1897; Germany
11.
Aus Italien, Op. 16 by Richard Strauss
Conductor:
Rudolf Kempe
Orchestra/Ensemble:
Staatskapelle Dresden
Period: Romantic
Written: 1886; Germany
12.
Macbeth, Op. 23 by Richard Strauss
Conductor:
Rudolf Kempe
Orchestra/Ensemble:
Staatskapelle Dresden
Period: Romantic
Written: 1888/1891; Germany
15.
Schlagobers, Op. 70: Waltz by Richard Strauss
Conductor:
Rudolf Kempe
Orchestra/Ensemble:
Staatskapelle Dresden
Period: Romantic
Written: 1921-1922; Germany
16.
Josephslegende, Op. 63 by Richard Strauss
Conductor:
Rudolf Kempe
Orchestra/Ensemble:
Staatskapelle Dresden
Period: Romantic
Written: 1912-1914; Germany
17.
Concerto for Violin in D minor, Op. 8 by Richard Strauss
Performer:
Ulf Hoelscher (Violin)
Conductor:
Rudolf Kempe
Orchestra/Ensemble:
Staatskapelle Dresden
Period: Romantic
Written: 1880-1882; Germany
18.
Symphonia domestica, Op. 53 by Richard Strauss
Conductor:
Rudolf Kempe
Orchestra/Ensemble:
Staatskapelle Dresden
Period: Romantic
Written: 1902-1903; Germany
21.
Concerto for Oboe in D major, AV 144 by Richard Strauss
Performer:
Manfred Clement (Oboe)
Conductor:
Rudolf Kempe
Orchestra/Ensemble:
Staatskapelle Dresden
Period: Romantic
Written: 1945-1948; Germany
28.
Daphne-Etüde, AV 141 by Richard Strauss
Performer:
Ernö Sebestyen (Violin)
Period: Romantic
Written: 1945; Germany
48.
Andante for Horn and Piano, AV 86A by Richard Strauss
Performer:
Johannes Ritzkowsky (French Horn),
Wolfgang Sawallisch (Piano)
Period: Romantic
Written: 1888; Germany
Length: 4 Minutes 50 Secs.
51.
Aus alter Zeit, AV 57 by Richard Strauss
Performer:
Wolfgang Sawallisch (Piano)
Period: Romantic
Written: 1879; Germany
Length: 4 Minutes 11 Secs.
53.
Aus Italien, Op. 16 by Richard Strauss
Performer:
Begoña Uriarte (Piano),
Karl-Hermann Mrongovius (Piano)
Period: Romantic
Written: 1886; Germany
Length: 43 Minutes 4 Secs.
54.
Symphony in F minor, Op. 12 by Richard Strauss
Performer:
Begoña Uriarte (Piano),
Karl-Hermann Mrongovius (Piano)
Period: Romantic
Written: 1883-1884; Germany
59.
Königsmarsch, AV 100 by Richard Strauss
Performer:
Gitti Pirner (Piano)
Period: Romantic
Written: 1906; Germany
60.
Pieces (5) for Piano, Op. 3 by Richard Strauss
Performer:
Gitti Pirner (Piano)
Period: Romantic
Written: 1880-1881; Germany
Length: 24 Minutes 36 Secs.
63.
Enoch Arden, Op. 38 by Richard Strauss
Performer:
Elisabeth Woska (Spoken Vocals),
Begoña Uriarte (Piano)
Period: Romantic
Written: 1897; Germany
64.
Wedding Prelude, AV 108 by Richard Strauss
Performer:
Begoña Uriarte (Harmonium),
Karl-Hermann Mrongovius (Harmonium)
Orchestra/Ensemble:
Duo Uriarte-Mrongovius
Period: Romantic
Written: 1924; Germany
65.
Das Schloss am Meere, AV 92 by Richard Strauss
Performer:
Karl-Hermann Mrongovius (Piano),
Elisabeth Woska (Spoken Vocals)
Period: Romantic
Written: 1899
66.
Taillefer, Op. 52 by Richard Strauss
Performer:
Felicity Lott (Soprano),
Michael Volle (Baritone),
Johan Botha (Tenor)
Conductor:
Michel Plasson
Orchestra/Ensemble:
Dresden Philharmonic Orchestra
Period: Romantic
Written: 1903; Germany
67.
Wandrers Sturmlied, Op. 14 by Richard Strauss
Performer:
Felicity Lott (Soprano),
Johan Botha (Tenor),
Michael Volle (Baritone)
Conductor:
Michel Plasson
Orchestra/Ensemble:
Dresden Philharmonic Orchestra
Period: Romantic
Written: 1884; Germany
68.
Die Tageszeiten, Op. 76 by Richard Strauss
Performer:
Michael Volle (Baritone),
Johan Botha (Tenor),
Felicity Lott (Soprano)
Conductor:
Michel Plasson
Orchestra/Ensemble:
Dresden Philharmonic Orchestra
Period: Romantic
Written: 1928; Germany
69.
Der Rosenkavalier, Op. 59 by Richard Strauss
Performer:
Eberhard Wächter (Baritone),
Teresa Stich-Randall (Soprano),
Kerstin Meyer (Alto),
Franz Bierbach (Bass),
Erich Majkut (Tenor),
Gerhard Unger (Tenor),
Harald Pröglhöf (Baritone),
Ljuba Welitsch (Soprano),
Otto Edelmann (Bass),
Paul Kuen (Tenor),
Nicolai Gedda (Tenor),
Anny Felbermayer (Soprano),
Elisabeth Schwarzkopf (Soprano),
Karl Friedrich (Tenor),
Christa Ludwig (Mezzo Soprano)
Conductor:
Herbert von Karajan
Orchestra/Ensemble:
Philharmonia Chorus,
Loughton Girls School Chorus,
Bancroft School Boys' Choir
...
Period: Romantic
Written: 1909-1910; Germany
Date of Recording: 12/1956
Venue: Kingsway Hall, London, England
Length: 191 Minutes 28 Secs.
Language: German
70.
Elektra, Op. 58 by Richard Strauss
Performer:
Gabriela Sima (Soprano),
Elisabeth Wilke (Alto),
Siegfried Jerusalem (Tenor),
Hanna Schwarz (Mezzo Soprano),
Samuel Ramey (Bass),
Deborah Voigt (Soprano),
Christiane Hossfeld (Mezzo Soprano),
Karin Wieser (Soprano),
Walter Zeh (Baritone),
Helga Termer (Soprano),
Michael Howard (Tenor),
Annette Jahns (Mezzo Soprano),
Anne Schwanewilms (Soprano),
Katerina Beranova (Alto),
Goran Simic (Bass),
Alessandra Marc (Soprano)
Conductor:
Giuseppe Sinopoli
Orchestra/Ensemble:
Vienna Philharmonic Orchestra,
Vienna State Opera Chorus Konzertvereinigung
Period: 20th Century
Written: 1906-1908; Germany
Language: German
71.
Salome, Op. 54 by Richard Strauss
Performer:
Franz Grundheber (Baritone),
Dietrich Fischer-Dieskau (Baritone),
Mignon Dunn (Mezzo soprano),
Richard Cassilly (Tenor),
Ursula Boese (Mezzo soprano),
Willy Hartmann (Tenor),
Dame Gwyneth Jones (Soprano),
Kurt Moll (Bass),
Wieslaw Ochman (Tenor),
Carl Schultz (Baritone),
Hans Sotin (Bass),
Horst Wilhelm (Tenor)
Conductor:
Karl Böhm
Orchestra/Ensemble:
Hamburg State Opera Orchestra
Period: Romantic
Written: 1903-1905; Germany
Venue: Staatsoper, Hamburg
72.
Ariadne auf Naxos, Op. 60 by Richard Strauss
Performer:
Deborah Voigt (Soprano),
Anne Sofie von Otter (Mezzo Soprano),
Alberto Dohmen (Baritone),
Romuald Pekny (Spoken Vocals),
Ben Heppner (Tenor),
Matthias Henneberg (Tenor),
Stephan Genz (Baritone),
Jurgen Commichau (Bass),
Ian Thompson (Tenor),
Christoph Genz (Tenor),
Christiane Hossfeld (Soprano),
Sami Luttinen (Baritone),
Natalie Dessay (Soprano),
Angela Liebold (Mezzo Soprano),
Eva Kirchner (Soprano),
Michael Howard (Tenor),
Klaus Florian Vogt (Tenor)
Conductor:
Giuseppe Sinopoli
Orchestra/Ensemble:
Staatskapelle Dresden
Period: Romantic
Written: 1911/1916; Germany
Date of Recording: 2000
Venue: St. Luke's Church, Dresden, Germany
Length: 122 Minutes 4 Secs.
Language: German
73.
Die Frau ohne Schatten, Op. 65 by Richard Strauss
Performer:
Carl Hoppe (Bass),
Hertha Töpper (Mezzo Soprano),
Ingeborg Hallstein (Soprano),
Ingrid Bjöner (Soprano),
Georg Paskuda (Tenor),
Gerda Sommerschuh (Soprano),
Max Proebstl (Bass),
Hans Hotter (Bass Baritone),
Martha Mödl (Soprano),
Inge Borkh (Soprano),
Dietrich Fischer-Dieskau (Baritone),
Jess Thomas (Tenor),
Paul Kuen (Tenor)
Conductor:
Joseph Keilberth
Orchestra/Ensemble:
Bavarian State Opera Orchestra,
Bavarian State Opera Chorus
Period: Romantic
Written: 1914-1918; Germany
Date of Recording: 11/21/1963
Venue: Live National Theatre, Munich, Germany
74.
Friedenstag, Op. 81 by Richard Strauss
Performer:
Norbert Klesse (Boy Soprano),
Deborah Voigt (Soprano),
Alberto Dohmen (Baritone),
Johan Botha (Tenor),
Jon Villars (Tenor),
Alfred Reiter (Bass),
Tom Martinsen (Tenor),
Jochen Kupfer (Baritone),
André Eckert (Bass),
Jurgen Commichau (Bass),
Jochen Schmeckenbecher (Baritone),
Matthias Henneberg (Tenor),
Attila Jun (Baritone),
Sami Luttinen (Baritone),
Sabine Brohm (Soprano),
Ekkehard Pansa (),
Rafael Harnisch ()
Conductor:
Giuseppe Sinopoli
Orchestra/Ensemble:
Staatskapelle Dresden,
Dresden State Opera Chorus
Period: Romantic
Written: 1935-1936; Germany
Date of Recording: 09/1999
Venue: Lukas Church, Dresden, Germany
Length: 75 Minutes 58 Secs.
Language: German
75.
Lieder (8), Op. 10: no 1, Zueignung by Richard Strauss
Performer:
Mitsuko Shirai (Mezzo Soprano),
Hartmut Höll (Piano)
Period: Romantic
Written: 1885; Germany
Language: German
76.
Lieder (8), Op. 10: no 2, Nichts by Richard Strauss
Performer:
Mitsuko Shirai (Mezzo Soprano),
Hartmut Höll (Piano)
Period: Romantic
Written: 1885; Germany
Language: German
79.
Lieder (5), Op. 15: no 5, Heimkehr by Richard Strauss
Performer:
Mitsuko Shirai (Mezzo Soprano),
Hartmut Höll (Piano)
Period: Romantic
Written: 1884-1886; Germany
Language: German
82.
Mädchenblumen, Op. 22 by Richard Strauss
Performer:
Mitsuko Shirai (Mezzo Soprano),
Hartmut Höll (Piano)
Written: 1886-88
84.
Lieder (4), Op. 27: no 4, Morgen by Richard Strauss
Performer:
Mitsuko Shirai (Mezzo Soprano),
Hartmut Höll (Piano)
Period: Romantic
Written: 1894; Germany
Language: German
95.
Lieder (5), Op. 15: no 5, Heimkehr by Richard Strauss
Performer:
Richard Strauss (Piano),
Anton Dermota (Tenor)
Period: Romantic
Written: 1884-1886; Germany
Date of Recording: 1943
Venue: Reichssender Wien des Grossdeutschen RF
Language: German
98.
Lieder (6), Op. 37: no 1, Glückes genug by Richard Strauss
Performer:
Anton Dermota (Tenor),
Richard Strauss (Piano)
Period: Romantic
Written: 1898; Germany
Date of Recording: 1943
Venue: Reichssender Wien des Grossdeutschen RF
Language: German
99.
Lieder (8), Op. 49: no 2, In goldener Fülle by Richard Strauss
Performer:
Richard Strauss (Piano),
Anton Dermota (Tenor)
Period: Romantic
Written: 1901; Germany
Date of Recording: 1943
Venue: Reichssender Wien des Grossdeutschen RF
Language: German
100.
Lieder (5), Op. 32: no 2, Sehnsucht by Richard Strauss
Performer:
Richard Strauss (Piano),
Anton Dermota (Tenor)
Period: Romantic
Date of Recording: 1943
Venue: Reichssender Wien des Grossdeutschen RF
Language: German
101.
Lieder (5), Op. 69: no 5, Schlechtes Wetter by Richard Strauss
Performer:
Hilde Konetzni (Soprano),
Richard Strauss (Piano)
Period: Romantic
Written: 1918; Germany
Date of Recording: 1943
Venue: Reichssender Wien des Grossdeutschen RF
Language: German
102.
Lieder (3), Op. 88: no 2, Blick vom oberen Belvedere by Richard Strauss
Performer:
Hilde Konetzni (Soprano),
Richard Strauss (Piano)
Period: Romantic
Written: 1942; Germany
Date of Recording: 1943
Venue: Reichssender Wien des Grossdeutschen RF
Language: German
107.
Lieder (4), Op. 36: no 1, Das Rosenband by Richard Strauss
Performer:
Richard Strauss (Piano),
Alfred Poell (Baritone)
Period: Romantic
Written: 1897; Germany
Date of Recording: 1943
Venue: Reichssender Wien des Grossdeutschen RF
Language: German
108.
Lieder (5), Op. 48: no 5, Winterliebe by Richard Strauss
Performer:
Alfred Poell (Baritone),
Richard Strauss (Piano)
Period: Romantic
Date of Recording: 1943
Venue: Reichssender Wien des Grossdeutschen RF
Language: German
109.
Lieder (4), Op. 27: no 1, Ruhe, meine Seele by Richard Strauss
Performer:
Richard Strauss (Piano),
Alfred Poell (Baritone)
Period: Romantic
Written: 1894; Germany
Date of Recording: 1943
Venue: Reichssender Wien des Grossdeutschen RF
Language: German
110.
Lieder (4), Op. 27: no 3, Heimliche Aufforderung by Richard Strauss
Performer:
Richard Strauss (Piano),
Alfred Poell (Baritone)
Period: Romantic
Written: 1894; Germany
Date of Recording: 1943
Venue: Reichssender Wien des Grossdeutschen RF
Language: German
111.
Lieder (8), Op. 10: no 1, Zueignung by Richard Strauss
Performer:
Richard Strauss (Piano),
Maria Reining (Soprano)
Period: Romantic
Written: 1885; Germany
Date of Recording: 04/1942
Language: German
113.
Lieder (6), Op. 37: no 3, Meinem Kinde by Richard Strauss
Performer:
Maria Reining (Soprano),
Richard Strauss (Piano)
Period: Romantic
Written: 1897; Germany
Date of Recording: 04/1942
Language: German
114.
Lieder (5), Op. 41: no 1, Wiegenlied by Richard Strauss
Performer:
Richard Strauss (Piano),
Maria Reining (Soprano)
Period: Romantic
Written: 1899; Germany
Date of Recording: 04/1942
Language: German
116.
Lieder (4), Op. 27: no 2, Cäcilie by Richard Strauss
Performer:
Richard Strauss (Piano),
Maria Reining (Soprano)
Period: Romantic
Written: 1894; Germany
Date of Recording: 04/1942
119.
Lieder (8), Op. 10: no 3, Die Nacht by Richard Strauss
Performer:
Anton Dermota (Tenor),
Richard Strauss (Piano)
Period: Romantic
Written: 1885; Germany
Date of Recording: 04/1942
122.
Lieder (6), Op. 37: no 2, Ich liebe dich by Richard Strauss
Performer:
Anton Dermota (Tenor),
Richard Strauss (Piano)
Period: Romantic
Written: 1898; Germany
Date of Recording: 04/1942
Language: German
125.
Lieder (5), Op. 15: no 5, Heimkehr by Richard Strauss
Performer:
Richard Strauss (Piano),
Lea Piltti (Soprano)
Period: Romantic
Written: 1884-1886; Germany
Date of Recording: 04/1942
Language: German
127.
Lieder (6), Op. 17: no 2, Ständchen by Richard Strauss
Performer:
Richard Strauss (Piano),
Lea Piltti (Soprano)
Period: Romantic
Written: 1885-1887; Germany
Date of Recording: 04/1942
Language: German
128.
Lieder (8), Op. 49: no 1, Waldseligkeit by Richard Strauss
Performer:
Lea Piltti (Soprano),
Richard Strauss (Piano)
Period: Romantic
Written: 1901; Germany
Date of Recording: 04/1942
Language: German
129.
Lieder (8), Op. 49: no 1, Waldseligkeit by Richard Strauss
Performer:
Charlotte Margiono (Soprano)
Conductor:
Edo de Waart
Orchestra/Ensemble:
Netherlands Radio Philharmonic Orchestra
Period: Romantic
Written: 1901; Germany
130.
Lieder (8), Op. 10: no 3, Die Nacht by Richard Strauss
Performer:
Charlotte Margiono (Soprano)
Conductor:
Edo de Waart
Orchestra/Ensemble:
Netherlands Radio Philharmonic Orchestra
Period: Romantic
Written: 1885; Germany
131.
Lieder (8), Op. 10: no 1, Zueignung by Richard Strauss
Performer:
Charlotte Margiono (Soprano)
Conductor:
Edo de Waart
Orchestra/Ensemble:
Netherlands Radio Philharmonic Orchestra
Period: Romantic
Written: 1885; Germany
134.
Lieder (5), Op. 41: no 1, Wiegenlied by Richard Strauss
Performer:
Charlotte Margiono (Soprano)
Conductor:
Edo de Waart
Orchestra/Ensemble:
Netherlands Radio Philharmonic Orchestra
Period: Romantic
Written: 1899; Germany
135.
Lieder (5), Op. 39: no 4, Befreit by Richard Strauss
Performer:
Charlotte Margiono (Soprano)
Conductor:
Edo de Waart
Orchestra/Ensemble:
Netherlands Radio Philharmonic Orchestra
Period: Romantic
136.
Lieder (4), Op. 27: no 4, Morgen by Richard Strauss
Performer:
Charlotte Margiono (Soprano)
Conductor:
Edo de Waart
Orchestra/Ensemble:
Netherlands Radio Philharmonic Orchestra
Period: Romantic
Written: 1894; Germany
137.
Four Last Songs, AV 150 by Richard Strauss
Performer:
Charlotte Margiono (Soprano)
Conductor:
Edo de Waart
Orchestra/Ensemble:
Netherlands Radio Philharmonic Orchestra
Period: Romantic
Written: 1948; Germany
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