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Weber: Der Freischütz / Kleiber, Janowitz, Mathis, Schreier

Release Date: 04/14/1998 
Label:  Dg The Originals Catalog #: 457736   Spars Code: ADD 
Composer:  Carl Maria von Weber
Performer:  Franz CrassSiegfried VogelBernd WeiklTheo Adam,   ... 
Conductor:  Carlos Kleiber
Orchestra/Ensemble:  Leipzig Radio ChorusDresden Staatskapelle
Number of Discs: 2 
Recorded in: Stereo 
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Notes and Editorial Reviews

For sheer thrills, no one has yet outshone Kleiber’s swashbuckling 1973 Der Freischütz. True, for scrupulous textual honesty, there are strong rivals. On Teldec, Harnoncourt underscores Weber’s brilliant instrumental detail, and benefits from not just Orgonasova’s Agathe and Salminen’s brutalising Kaspar, but Cachemaille’s Kuno, Schäfer’s Ännchen and Moll’s Hermit. Some earlier versions have weathered particularly well. Jochum (DG budget price) allows Weber’s miraculous orchestration to ratchet up tension, free of dazzling ‘effects’ (unlike Kubelík/Decca). Keilberth’s 1958 EMI reading, with Prey and Frick, was a yardstick, sharing with Furtwängler’s cough-ridden Salzburg performances arguably the best Agathe of Read more all:Elisabeth Grümmer. But if you can hang in with his tempi (contrast Davis’s granite Philips version), Kleiber win hands down. The Staatskapelle is putty in his fingers. Janowitz’s melting Agathe, Schreier’s assertive Max, Mathis and Adam remain my dream cast.

Performance: 5 (out of 5), Sound: 5 (out of 5)

-- Roderic Dunnett, BBC Music Magazine Read less

Works on This Recording

Der Freischütz, J 277 by Carl Maria von Weber
Performer:  Franz Crass (Bass), Siegfried Vogel (Bass), Bernd Weikl (Baritone),
Theo Adam (Bass Baritone), Peter Schreier (Tenor), Edith Mathis (Soprano),
Günther Leib (Baritone), Gundula Janowitz (Soprano)
Conductor:  Carlos Kleiber
Orchestra/Ensemble:  Leipzig Radio Chorus,  Dresden Staatskapelle
Period: Romantic 
Written: 1817-1821; Dresden, Germany 
Date of Recording: 1973 
Language: German 

Sound Samples

Der Freischütz: Overture
Der Freischütz / Act 1: "Viktoria! Viktoria! ..." - Bauern-Marsch - "Schau der Herr mich an als König!"
Der Freischütz / Act 1: Dialogue: "Was gibt's hier?"
Der Freischütz / Act 1: "O diese Sonne" - "Das Wild in Fluren und Triften"
Der Freischütz / Act 1: Dialogue: "Ein braver Mann"
Der Freischütz / Act 1: Walzer
Der Freischütz / Act 1: "Nein, länger trag' ich nicht die Qualen" - "Durch die Wälder, durch die Auen"
Der Freischütz / Act 1: Dialogue: "Kamerad!"
Der Freischütz / Act 1: "Hier im irdschen Jammertal"
Der Freischütz / Act 3: Dialogue: "Genug der Freuden des Mahls"
Der Freischütz / Act 1: Dialogue: "Bruderherz!"
Der Freischütz / Act 3: "Schaut, o schaut! Er traf die eigne Braut!"
Der Freischütz / Act 1: "Schweig - damit dich niemand warnt!"
Der Freischütz / Act 2: "Schelm! Halt fest!"
Der Freischütz / Act 3: Wer legt auf ihn so strengen Bann?
Der Freischütz / Act 2: Dialogue: "So! Da oben mag ich den Herrn Urältervater"
Der Freischütz / Act 2: "Kommt ein schlanker Bursch gegangen"
Der Freischütz / Act 2: Dialogue: "Und der Bursch nicht minder schön"
Der Freischütz / Act 2: "Wie nahte mir der Schlummer" - "Leise, leise, fromme Weise!"
Der Freischütz / Act 2: Dialogue: "Meine Agathe!"
Der Freischütz / Act 2: "Wie? Was? Entsetzen!"
Der Freischütz / Act 2: "Milch des Mondes fiel aufs Kraut" - "Samiel! Samiel! Erschein!" - "Ha!-Furchtbar gähnt der düstre Abgrund"
Der Freischütz / Act 3: Entr'acte
Der Freischütz / Act 3: Dialogue: "Ein herrliches Jagdwetter!"
Der Freischütz / Act 3: "Und ob die Wolke sie verhülle"
Der Freischütz / Act 3: Dialogue: "Du hast dich dazugehalten!"
Der Freischütz / Act 3: "Einst träumte meiner sel'gen Base" - "Trübe Augen, Liebchen, taugen"
Der Freischütz / Act 3: Dialogue: "Nun muß ich aber den Kranz holen"
Der Freischütz / Act 3: Wir winden dir den Jungfernkranz
Der Freischütz / Act 3: "Was gleicht wohl auf Erden dem Jägervergnügen?"

Customer Reviews

Average Customer Review:  1 Customer Review )
 Excellent! July 22, 2013 By Henry S. (Springfield, VA) See All My Reviews "Der Freischutz may be properly regarded as the foundation of German romantic opera. Dating from the early decades of the 19th century, Weber's masterwork, centering on a shooting competition (hence the title) reaches back into old Germanic legends and ancient folk tales to tell an intriguing tale of superstition, fear, greed, and ultimate triumph of reason and humanity over all these negative social characteristics. Carlos Kleiber's early 1970's recording of this stirring opera features a wonderful cast, superb work by the Dresden chorus, and of course the legendary sound of Dresden's great Staatskapelle. Anyone listening to this recording for the first time will note that spoken dialog plays a significant part, such as one finds in some of Mozart's Italian operas. Rest assured that this in no way detracts from the work as a whole; it's how Weber created the opera, and it works. There are plenty of thrills and chills throughout this remarkable recording, among the eerie and even spooky Wolf's Glen scene and the blazing triumph of the work's conclusion. All in all, I submit that this is a landmark recording, which should find favor with anyone who likes opera. Strongly recommended." Report Abuse
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