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Pletnev Live At Carnegie Hall - Bach, Busoni, Chopin, Et Al


Release Date: 01/30/2001 
Label:  Deutsche Grammophon   Catalog #: 471157   Spars Code: DDD 
Composer:  Johann Sebastian BachLudwig van BeethovenFrédéric ChopinSergei Rachmaninov,   ... 
Performer:  Mikhail Pletnev
Number of Discs: 2 
Recorded in: Stereo 
Length: 1 Hours 42 Mins. 

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Works on This Recording

1. Partita for Violin solo no 2 in D minor, BWV 1004: 5th movement, Chaconne by Johann Sebastian Bach
Performer:  Mikhail Pletnev (Piano)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Date of Recording: 11/2000 
Venue:  Live  Carnegie Hall, New York City 
Length: 14 Minutes 21 Secs. 
Notes: Transcribed: Ferruccio Busoni 
2. Sonata for Piano no 32 in C minor, Op. 111 by Ludwig van Beethoven
Performer:  Mikhail Pletnev (Piano)
Period: Classical 
Written: 1821-1822; Vienna, Austria 
Date of Recording: 11/2000 
Venue:  Live  Carnegie Hall, New York City 
Length: 26 Minutes 34 Secs. 
3. Scherzo for Piano no 1 in B minor, B 65/Op. 20 by Frédéric Chopin
Performer:  Mikhail Pletnev (Piano)
Period: Romantic 
Written: 1831-1832; Poland 
Date of Recording: 11/2000 
Venue:  Live  Carnegie Hall, New York City 
Length: 10 Minutes 3 Secs. 
4. Scherzo for Piano no 2 in B flat minor/D flat major, B 111/Op. 31 by Frédéric Chopin
Performer:  Mikhail Pletnev (Piano)
Period: Romantic 
Written: 1837; Paris, France 
Date of Recording: 11/2000 
Venue:  Live  Carnegie Hall, New York City 
Length: 10 Minutes 33 Secs. 
5. Scherzo for Piano no 3 in C sharp minor, B 125/Op. 39 by Frédéric Chopin
Performer:  Mikhail Pletnev (Piano)
Period: Romantic 
Written: 1839; Mallorca (Majorca),  
Date of Recording: 11/2000 
Venue:  Live  Carnegie Hall, New York City 
Length: 7 Minutes 49 Secs. 
6. Scherzo for Piano no 4 in E major, B 148/Op. 54 by Frédéric Chopin
Performer:  Mikhail Pletnev (Piano)
Period: Romantic 
Written: 1842; Paris, France 
Date of Recording: 11/2000 
Venue:  Live  Carnegie Hall, New York City 
Length: 10 Minutes 25 Secs. 
7. Etudes-tableaux (9) for Piano, Op. 39: no 5 in E flat minor by Sergei Rachmaninov
Performer:  Mikhail Pletnev (Piano)
Period: Romantic 
Written: 1916-1917; Russia 
Date of Recording: 11/2000 
Venue:  Live  Carnegie Hall, New York City 
Length: 5 Minutes 25 Secs. 
8. Poèmes (2) for Piano, Op. 32: no 1 in F sharp major by Alexander Scriabin
Performer:  Mikhail Pletnev (Piano)
Period: 20th Century 
Written: 1903; Russia 
Date of Recording: 11/2000 
Venue:  Live  Carnegie Hall, New York City 
Length: 3 Minutes 25 Secs. 
9. Sonata for Harpsichord in D minor, K 9/L 413 by Domenico Scarlatti
Performer:  Mikhail Pletnev (Piano)
Period: Baroque 
Written: by 1738 
Date of Recording: 11/2000 
Venue:  Live  Carnegie Hall, New York City 
Length: 2 Minutes 56 Secs. 
10. Etudes (15) de virtuosité, Op. 72 "Per aspera ad astra": no 6 in F major by Moritz Moszkowski
Performer:  Mikhail Pletnev (Piano)
Period: Romantic 
Written: by 1903; Germany 
Date of Recording: 11/2000 
Venue:  Live  Carnegie Hall, New York City 
Length: 1 Minutes 37 Secs. 
11. Oriental Fantasy for Piano, Op. 18 "Islamey" by Mily Balakirev
Performer:  Mikhail Pletnev (Piano)
Period: Romantic 
Written: 1869/1902; Russia 
Date of Recording: 11/2000 
Venue:  Live  Carnegie Hall, New York City 
Length: 8 Minutes 48 Secs. 

Sound Samples

Partita for Violin Solo No.2 in D minor, BWV 1004: Chaconne in D minor
Piano Sonata No.32 in C minor, Op.111: 1. Maestoso - Allegro con brio ed appassionato
Piano Sonata No.32 in C minor, Op.111: 2. Arietta (Adagio molto semplice e cantabile)
Scherzo No.1 in B minor, Op.20
Scherzo No.2 in B flat minor, Op.31
Scherzo No.3 in C sharp minor, Op.39
Scherzo No.4 in E, Op.54
Etude-Tableau in E flat minor, Op.39, No.5: Appassionato
2 Poèmes, Op.32: 1. Poème in F sharp
Sonata in D minor, K.9
Etude in F major, op.72, no.6: Presto
Islamey: Presto con fuoco

Customer Reviews

Average Customer Review:  1 Customer Review )
 Nix for Applause. October 16, 2012 By Dr. Mitchell Gurk (Spencer, MA) See All My Reviews "Beautiful performances and great program marred by excessive applause. On record the applause is even more intrusive than in person. Especially repugnant due to the excellence of these readings and great tone." Report Abuse
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