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Haydn: Flute Trios / Uwe Grodd, Martin Rummel, Christopher Hinterhuber

Haydn / Grodd / Rummel / Hinterhuber
Release Date: 11/15/2011 
Label:  Naxos   Catalog #: 8572667  
Composer:  Franz Joseph Haydn
Performer:  Martin RummelUwe GroddChristopher Hinterhuber
Number of Discs: 1 
Length: 0 Hours 59 Mins. 

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Notes and Editorial Reviews

Most performances of these delightful works replace the flute with violin as part of larger surveys of Haydn’s complete piano trios, but the flute originals (if such they are) work excellently. Indeed, the brighter tone of the flute in contrast to that of the piano and cello gives the various melodic lines an even greater feeling of independence (even the cello, go figure). The performances are vital and full of Haydnesque high spirits. Grodd’s flute is balanced a touch closely, but his tone can take the exposure, and Hinterhuber’s keyboard work really sparkles in the allegros. He uses a Bösendorfer instrument but scales his tone in a way that is appropriate to the idiom. This disc makes a fine supplement to the more usual sets of Read more Haydn piano trios.

-- David Hurwitz, ClassicsToday.com
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Works on This Recording

1.
Trio for Piano, Flute and Cello in G major, H 15 no 15 by Franz Joseph Haydn
Performer:  Martin Rummel (Cello), Uwe Grodd (Flute), Christopher Hinterhuber (Piano)
Period: Classical 
Written: 1790; Eszterhazá, Hungary 
2.
Trio for Piano, Flute and Cello in F major, H 15 no 17 by Franz Joseph Haydn
Performer:  Martin Rummel (Cello), Uwe Grodd (Flute), Christopher Hinterhuber (Piano)
Period: Classical 
Written: 1790; Eszterhazá, Hungary 
3.
Trio for Piano, Flute and Cello in D major, H 15 no 16 by Franz Joseph Haydn
Performer:  Martin Rummel (Cello), Uwe Grodd (Flute), Christopher Hinterhuber (Piano)
Period: Classical 
Written: 1790; Eszterhazá, Hungary 

Customer Reviews

Average Customer Review:  1 Customer Review )
 Haydn, the trendsetter with many followers July 15, 2012 By S Cohenroellvaneyck (SOUTH WENTWORTHVILLE, NSW) See All My Reviews "A surprising scintillating beginning.
One could think it was from WA Mozart or Bellini with such warm sounding flute music. However it was they who followed him
The musical pieces here can be regarded
as examples how to compose
or as how to arrange sequences of fast and slow pieces
or how to entertain
Uncomplicated music to ease the mind of listeners,
always "papa Haydn" to his contemporary admirers
And still going
"
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