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Virtuoso Baroque / Petri, Hannibal

Vitali / Telemann / Bach,J.s. / Petri / Hannibal
Release Date: 10/25/2011 
Label:  Our Recordings   Catalog #: 6220604  
Composer:  Johann Sebastian BachArcangelo CorelliGeorge Frideric HandelGiuseppe Tartini,   ... 
Performer:  Michala PetriLars Hannibal
Number of Discs: 1 
Recorded in: Stereo 
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Notes and Editorial Reviews



BAROQUE VIRTUOSO Michala Petri (rcr); Lars Hannibal (lt) (period instruments) OUR RECORDINGS 6220604 (SACD: 67:48)


VITALI Chaconne. TELEMANN Sonata in d, TWV 41:d4. BACH Sonata in F, BWV 1033. VIVALDI/CHÉDEVILLE Sonata in G, Read more RV 59. CORELLI La Folia, op. 5/12. TARTINI Sonata, “Devil’s Trill.” HANDEL Sonata in B?, HWV 377


This disc presents some of the most beautiful and most intricate music of the Baroque era. Tomaso Vitali may or may not have composed the Chaconne in G Minor that was credited to him in the 19th century by violinist Ferdinand David. Nonetheless, the work has been very popular with violinists. Jascha Heifetz played it in his first New York recital, for example. Here, Petri and Hannibal play it with great care and considerable bravura. Although it was written to be played by amateurs, the artists on this CD play an intricate decorated version that no amateur is likely ever to attempt. Needless to say, it charms the ear.


The Flute Sonata in C Major was originally thought to have been written by Johann Sebastian Bach. It may, however, have been composed by one of his sons in collaboration with the father. In any case, the scintillating four-movement work has been transposed to the key of F so it can be played on the recorder and it is rendered with glorious virtuosity by Petri with Hannibal providing the well-balanced continuo.


Antonio Vivaldi, the red-headed priest of Venice, was a very popular composer. For that reason he had many imitators. One of them was the French composer Nicolas Chédeville, who passed off some of his own music as having been written by the Venetian. The Chédeville/Vivaldi Sonata in G opens with a simple Largo that caresses the ear. It is followed with a truly Baroque Allegro in which Petri and Hannibal play with abandon. The Pastorale is an invitation to enjoy nature, possibly on a pleasant spring day. Then it is followed by a catchy Allegro finale that seems to invite the listener to a musical party. Petri and Hannibal serve it up with gusto.


Perhaps the best-known works on this disc are the Corelli La Folia and the Tartini “Devil’s Trill” Sonata. Both are played with intelligence and precision, but that is true of all the works on this disc. The Corelli gives us a memorable tune with which to stay grounded for a few moments. Tartini made up a great public relations story of having heard the devil play the trill he put in the sonata. Petri plays all the lustrous silvery decorations that illuminate the background provided by Hannibal’s lute. The disc finale is Handel’s B?-Major Sonata, with its memorable songlike base.


It’s a beautiful program and every bit of it is magnificently rendered. The balance between the instruments is excellent and the sound gives the feeling of a fine, small concert hall.


FANFARE: Maria Nockin
Read less

Works on This Recording

1.
Sonata for Flute and Harpsichord in C major, BWV 1033 by Johann Sebastian Bach
Performer:  Michala Petri (Recorder), Lars Hannibal (Archlute)
Period: Baroque 
Written: Germany 
2.
Sonatas (12) for Violin and Basso Continuo, Op. 5: no 12 in D minor "La Follia" by Arcangelo Corelli
Performer:  Michala Petri (Recorder), Lars Hannibal (Archlute)
Period: Baroque 
Written: 1700; Rome, Italy 
3.
Sonata for Recorder and Basso Continuo in B flat major, HWV 377 by George Frideric Handel
Performer:  Michala Petri (Recorder), Lars Hannibal (Archlute)
Period: Baroque 
4.
Sonata for Violin and Basso Continuo in G minor, B g5 "Devil's Trill" by Giuseppe Tartini
Performer:  Michala Petri (Recorder), Lars Hannibal (Archlute)
Period: Baroque 
Written: Italy 
5.
Sonata for Recorder and Basso Continuo no 4 in D minor, TV 41 no d4 by Georg Philipp Telemann
Performer:  Michala Petri (Recorder), Lars Hannibal (Archlute)
Period: Baroque 
Written: Germany 
6.
Chaconne in G minor by Tommaso Antonio Vitali
Performer:  Michala Petri (Recorder), Lars Hannibal (Archlute)
Period: Baroque 
7.
Sonata for Recorder and Basso Continuo in A major, Op. 13 no 4/RV 59 by Antonio Vivaldi
Performer:  Michala Petri (Recorder), Lars Hannibal (Archlute)
Period: Baroque 
Written: 1737; Venice, Italy 

Sound Samples

Chaconne in G minor (arr. for recorder and lute)
Essercizii musici: Recorder Sonata in D minor, TWV 41:d4: I. Affettuoso
Essercizii musici: Recorder Sonata in D minor, TWV 41:d4: II. Presto
Essercizii musici: Recorder Sonata in D minor, TWV 41:d4: III. Grave
Essercizii musici: Recorder Sonata in D minor, TWV 41:d4: IV. Allegro
Flute Sonata in C major, BWV 1033: I. Andante - Presto
Flute Sonata in C major, BWV 1033: II. Allegro
Flute Sonata in C major, BWV 1033: III. Adagio
Flute Sonata in C major, BWV 1033: IV. Menuet I-II
Sonata No. 4 in A major, Op. 13, RV 59, "Il pastor fido": I. Preludio: Largo
Sonata No. 4 in A major, Op. 13, RV 59, "Il pastor fido": II. Allegro ma non presto
Sonata No. 4 in A major, Op. 13, RV 59, "Il pastor fido": III. Pastorale
Sonata No. 4 in A major, Op. 13, RV 59, "Il pastor fido": IV. Allegro
Recorder Sonata, Op. 5, No. 12, "La Follia"
Violin Sonata in G minor, "The Devil's Trill" (arr. for recorder and lute): I. Larghetto affetuoso
Violin Sonata in G minor, "The Devil's Trill" (arr. for recorder and lute): II. Allegro
Violin Sonata in G minor, "The Devil's Trill" (arr. for recorder and lute): III. Grave - Allegro assai
Recorder Sonata in B flat major, HWV 377: I. (Corrente)
Recorder Sonata in B flat major, HWV 377: II. Adagio
Recorder Sonata in B flat major, HWV 377: III. Allegro

Customer Reviews

Average Customer Review:  1 Customer Review )
 Baroque and Attractive music, Lute and Flute reco November 27, 2012 By S Cohenroellvaneyck (SOUTH WENTWORTHVILLE, NSW) See All My Reviews "This is another CD with baroque recorder music. Highlights, by ever increasing skills by known virtuosi. Rare, not often encountered pieces surprised me and I found it very good to hear. E.g. play the sample track-13- allegro which is so arousing and lovely." Report Abuse
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