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Bach - Earthly and Divine [6 CDs+Book]

Bach,J.s.
Release Date: 11/08/2011 
Label:  Alpha Productions   Catalog #: 889   Spars Code: DDD 
Composer:  Raphaël ImbertFerruccio BusoniJohann Sebastian Bach
Performer:  André RossiRaphaël ImbertJean-Luc Di FrayaJean-Marc Fabiano,   ... 
Conductor:  Raphaël ImbertGustav LeonhardtRaphaël PichonFrançoise Lasserre,   ... 
Orchestra/Ensemble:  Café ZimmermannAkademia EnsembleLa Chapelle Royale,   ... 
Number of Discs: 6 
Recorded in: Stereo 
Length: 2 Hours 25 Mins. 

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Notes and Editorial Reviews

A beautiful color book plus six CDs in a magnificent set! This is a truly hedonistic experience centered on Johann Sebastian Bach, including a rich array of texts, music, and illustrations. It is not only an invitation to rediscover Bach, but also to break with the austere, neo-Romantic image of the composer that still survives today. Savor the sensuality, spirituality, and sheer genius of Johann Sebastian Bach!

Featured Artists
Bruno Cocset, Dmitry Badiarov, Alain Gervreau: cellos
Gustav Leonhardt, Bertrand Cuiller, Jan Willem Jansen, Arnaud de Pasquale, Céline Frisch, Yves Rechsteiner, Blandine Rannou, Elisabeth Joyé, Jocelyne Cuiller, Benjamin Alard: harpsichords
Hélène
Read more Schmitt, Pablo Valetti: violins
Lucille Boulanger: viola da gamba
Pascal Monteilhet: theorbo
Edin Karamazon: lute
Léon Berben, Barnard Foccroulle: organs
Café Zimmermann
Les Chantres du Centre e Musique Baroque de Versailles
Monika Frimmer, Robin Blaze, Markus Schäfer, Stephan MacLeod: vocal soloists

Track Listings
J.S. BACH: Selections from the Cello Suites, Solo Violin Partitas, Goldberg Variations, Harpsichord Suites, Inventions, Sinfonias, English Suites, Clavier Übung, Toccatas, and much more

R E V I E W:

"I’m all in favour of discs or sets that help people new to classical music discover great composers, especially Johann Sebastian Bach, whose varied works can only be presented in a large anthology. Alpha Records has done just that, putting together six discs of music from their collections - their own recordings, plus those of their partners, Fuga, Ramée, Ricercar and Zig-Zag Térritoires. The roster of artists - some of whom are listed above - is impressive, and the extent of these works vast. Yet do they really give a listener an idea of Bach’s music?
 
This is more than just a set of six CDs. It comes with a very attractive hardcover book - about 200 pages long, with many illustrations - in a box about the size of a season of TV series on DVD. The discs are separated by the type of music or instruments, yet these separations are not only arbitrary, but also imprecise. For example, the first disc, “Bowed Strings,” features some solo cello works, the Ciaccona for solo violin, but also sonatas for violin and harpsichord. The “Secular Music for Large Ensembles” is only secular in that it’s not sacred. In other words, none of the concertos this disc contains are especially “secular” in tone; the one cantata is indeed secular, though.
 
As with any sampler, there are good and bad points. First, many of the works are presented only partially. For example, the first disc starts off with two movements of the Suite no. 1 for solo cello, BWV 1007; only two movements. It’s followed by two movements from another cello suite played on violoncello da spala; then a full work, the Sonata in g minor, BWV 1029, then a single movement of a solo violin work. As the set goes on, this pattern continues: there are some full works, some excerpts. There’s no real attempt at making coherent programs on each disc, other than the grouping by type of instrument or whether the music is secular or sacred.
 
In addition, as these are all taken from different recordings, with different sound and even volume, the shift from one track to the next can be a bit jarring; I would have expected Alpha to have at least normalized the volume on each disc. Even more jarring can be the subtle differences in tuning from one work to the next.
 
There are many excellent performances and recordings on this set, and the musicians and ensembles that record for Alpha and their partner labels are among the best out there. Notably present are harpsichord works by Blandine Rannou, and concertos by Café Zimmermann, whose recordings of Bach’s concertos may set a new benchmark for these works.
 
This is less a set for classical record collectors than for those new to classical music. As the music industry suffers, it can be useful to present attractive products that go beyond the music to attract buyers by offering something that makes a good gift. This set does just that. With an interesting book about Bach’s life and works, lushly illustrated, this is an excellent present for those friends who you would like to help discover Bach’s amazing range of music. It also serves as a fine sampler of the many recordings on these labels. Not all the performances or recordings are excellent, but many are."
 
-- Kirk McElhearn, MusicWeb International
Read less

Works on This Recording

1. Improvisation on Bach's Keyboard Concerto BWV 1056, for jazz ensemble by Raphaël Imbert
Performer:  André Rossi (Organ), Raphaël Imbert (Saxophone), Jean-Luc Di Fraya (Voice),
Jean-Luc Di Fraya (Percussion), Raphaël Imbert (Clarinet)
Conductor:  Raphaël Imbert
Length: 2 Minutes 38 Secs. 
2. Chaconne for Piano in D minor (after Bach, BWV 1004), K B24 by Ferruccio Busoni
Performer:  Jean-Marc Fabiano (Accordion)
Period: 20th Century 
Written: ?1897 
Length: 17 Minutes 14 Secs. 
3. Suite for Cello solo no 1 in G major, BWV 1007: 1st movement, Prelude by Johann Sebastian Bach
Performer:  Bruno Cocset (Cello)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Length: 2 Minutes 4 Secs. 
4. Suite for Cello solo no 1 in G major, BWV 1007: 2nd movement, Allemande by Johann Sebastian Bach
Performer:  Bruno Cocset (Cello)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Length: 4 Minutes 23 Secs. 
5. Suite for Cello solo no 1 in G major, BWV 1007: 3rd movement, Courante by Johann Sebastian Bach
Performer:  Dmitry Badiarov (Cello)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Length: 2 Minutes 47 Secs. 
6. Suite for Cello solo no 1 in G major, BWV 1007: 4th movement, Sarabande by Johann Sebastian Bach
Performer:  Dmitry Badiarov (Cello)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Length: 2 Minutes 59 Secs. 
7. Sonata for Viola da Gamba and Harpsichord no 3 in G minor, BWV 1029 by Johann Sebastian Bach
Performer:  Bruno Cocset (), Bertrand Cuiller (Harpsichord)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Length: 12 Minutes 8 Secs. 
8. Partita for Violin solo no 2 in D minor, BWV 1004: 5th movement, Chaconne by Johann Sebastian Bach
Performer:  Yves Rechsteiner (Pedal Harpsichord)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Length: 9 Minutes 53 Secs. 
9. Sonata for Violin and Basso Continuo in E minor, BWV 1023: 1st movement, Prelude by Johann Sebastian Bach
Performer:  Helene Schmitt (Violin), Alain Gerveau (Cello), Jan Willem Jansen (Harpsichord)
Period: Baroque 
Written: 1714-1717 
Length: 1 Minutes 15 Secs. 
10. Sonata for Violin and Basso Continuo in E minor, BWV 1023: 2nd movement, Adagio ma non tanto by Johann Sebastian Bach
Performer:  Alain Gerveau (Cello), Helene Schmitt (Violin), Jan Willem Jansen (Harpsichord)
Period: Baroque 
Written: 1714-1717 
Length: 3 Minutes 39 Secs. 
11. Sonata for Violin and Basso Continuo in E minor, BWV 1023: 3rd movement, Allemande by Johann Sebastian Bach
Performer:  Alain Gerveau (Cello), Helene Schmitt (Violin), Jan Willem Jansen (Harpsichord)
Period: Baroque 
Written: 1714-1717 
Length: 4 Minutes 32 Secs. 
12. Sonata for Violin and Basso Continuo in E minor, BWV 1023: 4th movement, Gigue by Johann Sebastian Bach
Performer:  Alain Gerveau (Cello), Helene Schmitt (Violin), Jan Willem Jansen (Harpsichord)
Period: Baroque 
Written: 1714-1717 
Length: 3 Minutes 0 Secs. 
13. Sonata for Violin and Harpsichord no 3 in E major, BWV 1016 by Johann Sebastian Bach
Performer:  Céline Frisch (Harpsichord), Pablo Valetti (Violin)
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
Length: 14 Minutes 40 Secs. 
14. Sonata for Viola da Gamba and Harpsichord no 2 in D major, BWV 1028: 1st movement, Adagio by Johann Sebastian Bach
Performer:  Arnaud de Pasquale (Harpsichord), Lucile Boulanger ()
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Length: 1 Minutes 59 Secs. 
15. Sonata for Viola da Gamba and Harpsichord no 2 in D major, BWV 1028: Allegro moderato by Johann Sebastian Bach
Performer:  Arnaud de Pasquale (Harpsichord), Lucile Boulanger ()
Period: Baroque 
Written: 1720 
Length: 4 Minutes 19 Secs. 
16. Suite for Cello solo no 6 in D major, BWV 1012: 1st movement, Prelude by Johann Sebastian Bach
Performer:  Pascal Monteilhet (Theorbo-Lute)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Length: 4 Minutes 34 Secs. 
17. Suite for Cello solo no 6 in D major, BWV 1012: 6th movement, Gigue by Johann Sebastian Bach
Performer:  Pascal Monteilhet (Theorbo-Lute)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Length: 4 Minutes 22 Secs. 
18. Partita for Violin solo no 2 in D minor, BWV 1004: 3rd movement, Sarabande by Johann Sebastian Bach
Performer:  Edin Karamazov (Theorbo-Lute)
Period: Baroque 
Written: 1720; Cöthen, Germany 
Length: 4 Minutes 31 Secs. 
19. Partita for Violin solo no 2 in D minor, BWV 1004: 4th movement, Gigue by Johann Sebastian Bach
Performer:  Edin Karamazov (Theorbo-Lute)
Period: Baroque 
Written: 1720; Cöthen, Germany 
Length: 4 Minutes 24 Secs. 
20. Toccata, Adagio and Fugue in C major, BWV 564: Adagio by Johann Sebastian Bach
Performer:  Yves Rechsteiner (Pedal Harpsichord)
Written: 1708-17 
Length: 2 Minutes 49 Secs. 
21. Goldberg Variations, BWV 988: Theme "Aria" by Johann Sebastian Bach
Performer:  Céline Frisch (Harpsichord)
Period: Baroque 
Written: 1741-1742; Nuremberg, Germany 
Length: 3 Minutes 48 Secs. 
22. Goldberg Variations, BWV 988: Variation no 1 by Johann Sebastian Bach
Performer:  Céline Frisch (Harpsichord)
Period: Baroque 
Written: Nuremberg, Germany 
Length: 2 Minutes 9 Secs. 
23. French Suite no 5 in G major, BWV 816 by Johann Sebastian Bach
Performer:  Blandine Rannou (Harpsichord)
Period: Baroque 
Written: circa 1724; Leipzig, Germany 
Length: 11 Minutes 1 Secs. 
24. English Suite no 3 in G minor, BWV 808: no 1, Prelude by Johann Sebastian Bach
Performer:  Blandine Rannou (Harpsichord)
Period: Baroque 
Written: circa 1715; Weimar, Germany 
Length: 3 Minutes 38 Secs. 
25. English Suite no 3 in G minor, BWV 808: no 4, Sarabande by Johann Sebastian Bach
Performer:  Blandine Rannou (Harpsichord)
Period: Baroque 
Written: circa 1715; Weimar, Germany 
Length: 4 Minutes 11 Secs. 
26. English Suite no 3 in G minor, BWV 808: Gavotte by Johann Sebastian Bach
Performer:  Blandine Rannou (Harpsichord)
Period: Baroque 
Written: circa 1715; Weimar, Germany 
Length: 3 Minutes 4 Secs. 
27. Two-Part Invention no 15 in B minor, BWV 786 by Johann Sebastian Bach
Performer:  Elisabeth Joyé (Harpsichord)
Period: Baroque 
Written: 1723; Cöthen, Germany 
Length: 1 Minutes 37 Secs. 
28. Three-Part Invention no 15 in B minor, BWV 801 by Johann Sebastian Bach
Performer:  Elisabeth Joyé (Harpsichord)
Period: Baroque 
Written: 1723; Cöthen, Germany 
Length: 1 Minutes 33 Secs. 
29. Prelude in A minor, BWV 922 by Johann Sebastian Bach
Performer:  Jocelyne Cuiller (Clavichord)
Period: Baroque 
Length: 6 Minutes 20 Secs. 
30. Partita for Keyboard no 2 in C minor, BWV 826: Sinfonia by Johann Sebastian Bach
Performer:  Benjamin Alard (Harpsichord)
Period: Baroque 
Written: 1726-1731; Leipzig, Germany 
Length: 4 Minutes 36 Secs. 
31. Partita for Keyboard no 2 in C minor, BWV 826: Capriccio by Johann Sebastian Bach
Performer:  Benjamin Alard (Harpsichord)
Period: Baroque 
Written: 1726-1731; Leipzig, Germany 
Length: 4 Minutes 21 Secs. 
32. Fantasie in C minor, BWV 1121 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Written: after 1712; ?Weimar, Germany 
Length: 2 Minutes 51 Secs. 
33. Aria Variata in a, BWV 989 "In the Italian Style" by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Written: by 1714; Weimar, Germany 
Length: 15 Minutes 18 Secs. 
34. Italian Concerto, BWV 971: 1st movement, Allegro by Johann Sebastian Bach
Performer:  Benjamin Alard (Harpsichord)
Period: Baroque 
Written: 1735; Leipzig, Germany 
Length: 4 Minutes 22 Secs. 
35. Toccata in E minor, BWV 914 by Johann Sebastian Bach
Performer:  Céline Frisch (Harpsichord)
Period: Baroque 
Written: by 1708; ?Weimar, Germany 
Length: 7 Minutes 13 Secs. 
36. Toccata and Fugue in D minor, BWV 565 by Johann Sebastian Bach
Performer:  Léon Berben (Harpsichord)
Period: Baroque 
Written: by 1708; Germany 
Length: 8 Minutes 55 Secs. 
37. Concerto for Organ solo in A minor, BWV 593 (after Vivaldi) by Johann Sebastian Bach
Performer:  Bernard Foccroulle (Organ)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Length: 4 Minutes 2 Secs. 
38. Trio Sonata for Organ no 3 in D minor, BWV 527 by Johann Sebastian Bach
Performer:  Benjamin Alard (Organ)
Period: Baroque 
Written: circa 1727; Leipzig, Germany 
Length: 13 Minutes 6 Secs. 
39. Brandenburg Concerto no 5 in D major, BWV 1050 by Johann Sebastian Bach
Performer:  Céline Frisch (), Pablo Valetti ()
Orchestra/Ensemble:  Café Zimmermann
Period: Baroque 
Written: 1720-1721; ?Cöthen, Germany 
Length: 19 Minutes 51 Secs. 
40. Angenehmes Wiederau, freue dich, BWV 30a: Recitative by Johann Sebastian Bach
Performer:  Stephan Macleod (), Monika Frimmer (), Markus Schäfer ()
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Café Zimmermann
Period: Baroque 
Written: 1737 
Length: 0 Minutes 38 Secs. 
41. Angenehmes Wiederau, freue dich, BWV 30a: Bass Aria by Johann Sebastian Bach
Performer:  Stephan Macleod ()
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Café Zimmermann
Period: Baroque 
Written: 1737 
Length: 4 Minutes 28 Secs. 
42. Angenehmes Wiederau, freue dich, BWV 30a: no 5, Was die Seele kann ergötzen by Johann Sebastian Bach
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Café Zimmermann
Period: Baroque 
Written: 1737 
Length: 5 Minutes 15 Secs. 
43. Concerto for Harpsichord in F minor, BWV 1056 by Johann Sebastian Bach
Performer:  André Rossi (Organ), Jean-Luc Di Fraya (Percussion), Jean-Luc Di Fraya (Voice),
Raphaël Imbert (Clarinet), Raphaël Imbert (Saxophone)
Conductor:  Raphaël Imbert
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
Length: 11 Minutes 34 Secs. 
44. Concerto for Flute, Violin and Harpsichord in A minor, BWV 1044 "Triple Concerto" by Johann Sebastian Bach
Performer:  Michael Form (Flute)
Orchestra/Ensemble:  Café Zimmermann
Period: Baroque 
Written: circa 1730; Leipzig, Germany 
Length: 18 Minutes 20 Secs. 
45. Suite for Orchestra no 3 in D major, BWV 1068 by Johann Sebastian Bach
Orchestra/Ensemble:  Café Zimmermann
Period: Baroque 
Written: circa 1729-1731; Leipzig, Germany 
Length: 16 Minutes 6 Secs. 
46. Der Gerechte kommt um [after Kuhanu] by Johann Sebastian Bach
Conductor:  Raphaël Pichon
Period: Baroque 
Written: 1717-1718 
Length: 6 Minutes 17 Secs. 
47. Weinen, Klagen, Sorgen, Zagen, BWV 12: no 1, Sinfonia in F minor by Johann Sebastian Bach
Conductor:  Françoise Lasserre
Orchestra/Ensemble:  Akademia Ensemble
Period: Baroque 
Written: 1714; Cöthen, Germany 
Length: 2 Minutes 33 Secs. 
48. Weinen, Klagen, Sorgen, Zagen, BWV 12: no 3, Wir müssen durch viel Trübsal by Johann Sebastian Bach
Performer:  Benoît Arnould (), Marcel Beekman (), Veronika Winter ()
Conductor:  Françoise Lasserre
Orchestra/Ensemble:  Akademia Ensemble
Period: Baroque 
Written: 1714; Weimar, Germany 
Length: 0 Minutes 44 Secs. 
49. Weinen, Klagen, Sorgen, Zagen, BWV 12: no 4, Kreuz und Krone sind verbunden by Johann Sebastian Bach
Conductor:  Françoise Lasserre
Orchestra/Ensemble:  Akademia Ensemble
Period: Baroque 
Written: 1714; Cöthen, Germany 
Length: 5 Minutes 50 Secs. 
50. Saint John Passion, BWV 245: no 1, Herr, unser Herrscher by Johann Sebastian Bach
Conductor:  Benoit Haller
Orchestra/Ensemble:  La Chapelle Royale
Period: Baroque 
Written: 1724; Leipzig, Germany 
Length: 9 Minutes 25 Secs. 
51. Saint John Passion, BWV 245: no 11, Von den Stricken meiner Sünden by Johann Sebastian Bach
Conductor:  Benoit Haller
Orchestra/Ensemble:  La Chapelle Royale
Period: Baroque 
Written: 1724; Leipzig, Germany 
Length: 4 Minutes 47 Secs. 
52. Saint John Passion, BWV 245: no 12, Simon Petrus aber folgete Jesu nach by Johann Sebastian Bach
Conductor:  Benoit Haller
Orchestra/Ensemble:  La Chapelle Royale
Period: Baroque 
Written: 1724; Leipzig, Germany 
Length: 0 Minutes 13 Secs. 
53. Saint John Passion, BWV 245: no 13, Ich folge dir gleichfalls by Johann Sebastian Bach
Performer:  Salome Haller ()
Conductor:  Benoit Haller
Orchestra/Ensemble:  La Chapelle Royale
Period: Baroque 
Written: 1724; Leipzig, Germany 
Length: 3 Minutes 40 Secs. 
54. Partite sopra "O Gott, du frommer Gott", BWV 767 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Written: circa 1700; Lüneburg, Germany 
Length: 15 Minutes 26 Secs. 
55. Missa brevis in F major, BWV 233: Gloria by Johann Sebastian Bach
Conductor:  Raphaël Pichon
Period: Baroque 
Written: 1738-1739 
Length: 5 Minutes 13 Secs. 
56. Missa brevis in F major, BWV 233: Domine Deus by Johann Sebastian Bach
Performer:  Christian Immler ()
Conductor:  Raphaël Pichon
Period: Baroque 
Written: after 1735; Leipzig, Germany 
Length: 3 Minutes 18 Secs. 
57. Missa brevis in F major, BWV 233: Qui tollis peccata mundi by Johann Sebastian Bach
Performer:  Eugenie Warnier ()
Conductor:  Raphaël Pichon
Period: Baroque 
Written: after 1735; Leipzig, Germany 
Length: 4 Minutes 48 Secs. 
58. Chorale Preludes (6) BWV 645-650 "Schübler": no 1, Wachet auf, ruft uns die Stimme, BWV 645 by Johann Sebastian Bach
Performer:  Bruno Cocset (Violin)
Period: Baroque 
Written: circa 1748-1749; Leipzig, Germany 
Length: 3 Minutes 5 Secs. 
59. Orgelbüchlein: Christ Lag in Todesbanden, BWV 625 by Johann Sebastian Bach
Performer:  Francis Jacob (Organ)
Period: Baroque 
Written: 1713-1724; Weimar, Germany 
Length: 3 Minutes 15 Secs. 
60. Den Tod niemand bezwingen kunt, BWV 278 by Johann Sebastian Bach
Performer:  Caroline Magalhaes ()
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Length: 1 Minutes 23 Secs. 
61. Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: Excerpt(s) by Johann Sebastian Bach
Performer:  Greta de Reyghère (), Guy de Mey (), Max van Egmond (),
James Bowman ()
Orchestra/Ensemble:  Ricercar Consort
Period: Baroque 
Written: 1707; Mühlhausen, Germany 
Length: 9 Minutes 27 Secs. 
62. Clavierbüchlein no 2 for Anna Magdalena Bach: Minuet in G minor, BWV Anh. 115 [now known to be by Christian Pezold] by Johann Sebastian Bach
Performer:  Koen Plaetnick (Marimba)
Period: Baroque 
Written: 1725 
Length: 2 Minutes 11 Secs. 
63. Clavierbüchlein no 2 for Anna Magdalena Bach: Musette in D major, BWV Anh. 126 [doubtful] by Johann Sebastian Bach
Performer:  Koen Plaetnick (Marimba)
Period: Baroque 
Written: 1725; Germany 
Length: 1 Minutes 25 Secs. 
64. Well-Tempered Clavier, Book 1: Prelude and Fugue no 8 in E flat minor, BWV 853 - Prelude by Johann Sebastian Bach
Performer:  Andrei Vieru (Piano)
Period: Baroque 
Written: 1722; Cöthen, Germany 
Length: 5 Minutes 11 Secs. 
65. Well-Tempered Clavier, Book 1: Prelude and Fugue no 8 in E flat minor, BWV 853 - Fugue by Johann Sebastian Bach
Performer:  Andrei Vieru (Piano)
Period: Baroque 
Written: 1722; Cöthen, Germany 
Length: 4 Minutes 56 Secs. 
66. Musikalisches Opfer, BWV 1079: Canon à 2 Violini in unisono "Concerto grosso" by Johann Sebastian Bach
Performer:  Toon Fret (Flute), Benjamin Dieltjens (Clarinet), Toon Fret (),
Wibert Aerts (Violin), Thomas Dieltjens (Harpsichord), Thomas Dieltjens (Piano),
Thomas Dieltjens (Organ), Martijn Vink (Cello), Benjamin Dieltjens ()
Period: Baroque 
Written: 05/1747-07/1747; Germany 
Length: 0 Minutes 45 Secs. 
67. Musikalisches Opfer, BWV 1079: no 3c, Canon à 2, per motum contrarium by Johann Sebastian Bach
Performer:  Benjamin Dieltjens (Clarinet), Benjamin Dieltjens (), Toon Fret (),
Toon Fret (Flute), Wibert Aerts (Violin), Thomas Dieltjens (Organ),
Thomas Dieltjens (Harpsichord), Thomas Dieltjens (Piano), Martijn Vink (Cello)
Period: Baroque 
Written: 05/1747-07/1747; Germany 
Length: 0 Minutes 53 Secs. 
68. Musikalisches Opfer, BWV 1079: no 3e, Canon à 2, per augmentationem, contrario motu by Johann Sebastian Bach
Performer:  Martijn Vink (Cello), Thomas Dieltjens (Piano), Benjamin Dieltjens (),
Benjamin Dieltjens (Clarinet), Toon Fret (), Toon Fret (Flute),
Wibert Aerts (Violin), Thomas Dieltjens (Harpsichord), Thomas Dieltjens (Organ)
Period: Baroque 
Written: 05/1747-07/1747; Germany 
Length: 1 Minutes 17 Secs. 
69. Jesu, meine Freude, BWV 227 by Johann Sebastian Bach
Performer:  Raphaël Imbert (Clarinet), André Rossi (Organ), Jean-Luc Di Fraya (Percussion),
Jean-Luc Di Fraya (Voice), Raphaël Imbert (Saxophone)
Conductor:  Raphaël Imbert
Period: Baroque 
Written: 1723; Leipzig, Germany 
Length: 6 Minutes 7 Secs. 
70. Vergnügte Ruh, beliebte Seelenlust, BWV 170: no 1, Vergnügte Ruh' by Johann Sebastian Bach
Performer:  Jean-Luc Di Fraya (Percussion), Gérard Lesne (Voice), Raphaël Imbert (Clarinet),
Raphaël Imbert (Saxophone), Jean-Luc Di Fraya (Voice), André Rossi (Organ)
Conductor:  Raphaël Imbert
Period: Baroque 
Written: 1726; Leipzig, Germany 
Length: 5 Minutes 44 Secs. 
71. Wir müssen durch viel Trübsal in das Reich Gottes eingehen, BWV 146: Sinfonia in D minor by Johann Sebastian Bach
Performer:  Raphaël Oleg (Organ)
Period: Baroque 
Written: 1728; Leipzig, Germany 
Length: 8 Minutes 7 Secs. 
72. Art of the Fugue, BWV 1080: Contrapunctus no 1 by Johann Sebastian Bach
Performer:  Raphaël Imbert (Saxophone), Christian Wolff (), Raphaël Imbert (Clarinet),
Marie Béreau (), André Rossi (Organ), Jean-Luc Di Fraya (Percussion),
Jean-Luc Di Fraya (Voice), Luigi Vecchioni (), Vinciane Boulanger ()
Conductor:  Raphaël Imbert
Period: Baroque 
Written: circa 1745-1750; Leipzig, Germany 
Length: 3 Minutes 22 Secs. 
73. Art of the Fugue, BWV 1080: Contrapunctus no 9 by Johann Sebastian Bach
Performer:  Jean-Luc Di Fraya (Voice), Raphaël Imbert (Clarinet), Raphaël Imbert (Saxophone),
André Rossi (Organ), Jean-Luc Di Fraya (Percussion)
Conductor:  Raphaël Imbert
Period: Baroque 
Written: circa 1745-1750; Leipzig, Germany 
Length: 2 Minutes 42 Secs. 

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