Notes and Editorial Reviews
Includes aria(s) by various composers. Soloist: Renata Scotto.
Includes aria(s) by various composers. Soloist: Renata Scotto. Read less
Works on This Recording
1.
I puritani: Qui la voce sua soave by Vincenzo Bellini
Performer:
Renata Scotto (Soprano)
Conductor:
Ermanno Wolf-Ferrari
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1835; Italy
Date of Recording: 03/1958
Venue: Abbey Road Studios, London, England
Length: 5 Minutes 48 Secs.
Language: Italian
2.
Gianni Schicchi: O mio babbino caro by Giacomo Puccini
Performer:
Renata Scotto (Soprano)
Conductor:
Ermanno Wolf-Ferrari
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1918; Italy
Date of Recording: 03/1958
Venue: Abbey Road Studios, London, England
Length: 2 Minutes 23 Secs.
Language: Italian
3.
Turandot: Signore, ascolta by Giacomo Puccini
Performer:
Renata Scotto (Soprano)
Conductor:
Ermanno Wolf-Ferrari
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1926; Italy
Date of Recording: 03/1958
Venue: Abbey Road Studios, London, England
Length: 2 Minutes 25 Secs.
Language: Italian
4.
Madama Butterfly: Un bel dì vedremo by Giacomo Puccini
Performer:
Renata Scotto (Soprano)
Conductor:
Sir John Barbirolli
Orchestra/Ensemble:
Rome Opera House Orchestra
Period: Romantic
Written: 1904; Italy
Date of Recording: 08/1966
Venue: Rome Opera House, Rome, Italy
Length: 4 Minutes 41 Secs.
Language: Italian
5.
Madama Butterfly: Con onor muore by Giacomo Puccini
Performer:
Renata Scotto (Soprano)
Conductor:
Sir John Barbirolli
Orchestra/Ensemble:
Rome Opera House Orchestra
Period: Romantic
Written: 1904; Italy
Date of Recording: 08/1966
Venue: Rome Opera House, Rome, Italy
Length: 5 Minutes 34 Secs.
Language: Italian
6.
Lucia di Lammermoor: Il dolce suono "Mad Scene" by Gaetano Donizetti
Performer:
Renata Scotto (Soprano)
Conductor:
Ermanno Wolf-Ferrari
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1835; Italy
Date of Recording: 03/1958
Venue: Abbey Road Studios, London, England
Length: 15 Minutes 7 Secs.
Language: Italian
7.
La traviata: Ah, fors' è lui...Sempre libera by Giuseppe Verdi
Performer:
Renata Scotto (Soprano)
Conductor:
Ermanno Wolf-Ferrari
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1853; Italy
Date of Recording: 03/1958
Venue: Abbey Road Studios, London, England
Length: 7 Minutes 30 Secs.
Language: Italian
8.
Mefistofele: L'altra notte in fondo al mare by Arrigo Boito
Performer:
Renata Scotto (Soprano)
Conductor:
Ermanno Wolf-Ferrari
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1868; Italy
Date of Recording: 03/1958
Venue: Abbey Road Studios, London, England
Length: 4 Minutes 17 Secs.
9.
Turandot: Tu, che di gel sei cinta by Giacomo Puccini
Performer:
Renata Scotto (Soprano)
Conductor:
Ermanno Wolf-Ferrari
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1926; Italy
Date of Recording: 03/1958
Venue: Abbey Road Studios, London, England
Length: 2 Minutes 35 Secs.
Language: Italian
10.
Il barbiere di Siviglia: Una voce poco fa...Io sono dolcile by Gioachino Rossini
Performer:
Renata Scotto (Soprano)
Conductor:
Ermanno Wolf-Ferrari
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1816; Italy
Date of Recording: 03/1958
Venue: Abbey Road Studios, London, England
Length: 6 Minutes 21 Secs.
Language: Italian
Sound Samples
Il Barbiere di Siviglia (2001 Digital Remaster): Una voce poco fa (Act 1)
I Puritani (2001 Digital Remaster): Qui la voce...Vien diletto (Mad Scene)
Gianni Schicchi (2001 Digital Remaster): O mio babbino caro
Turandot (2001 Digital Remaster): Signore, ascolta (Act 1)
Madama Butterfly (2001 Digital Remaster): Un bel dì vedremo (Act 2)
Madama Butterfly (2001 Digital Remaster): Con onor muore (Act 3)
Il dolce suono from Lucia di Lammermoor (2001 Digital Remaster)
La Traviata: E strano! è strano!...Sempre libera (Act 1) (2001 Digital Remaster)
Mefistofele (2001 Digital Remaster): L'altra notte in fondo al mare (Act 3)
Turandot (2001 Digital Remaster): Tu che di gel sei cincta (Act 3)
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