Notes and Editorial Reviews
The jacket cover on Ensemble Liaison’s new recording shows the musicians floating on air. They have a similarly elevating effect on the trios for clarinet, cello and piano by Beethoven, Brahms and Bruch that constitute the disc’s repertoire.
Beethoven’s Trio in B-flat major, Op 11, begins at a frisky clip, its first-movement marking of Allegro con brio given full, fleet consideration. Clarinettist David Griffiths, cellist Svetlana Bogosavljevic and pianist Timothy Young emphasise the score’s Classicism, shaping the score with trim and tender assurance. The Adagio’s lyricism enjoys nuanced definition, and the ensemble manages to be both giddy and elegant in the finale’s buoyant variations.
As they do in the
Beethoven, Griffiths and Bogosavljevic keep vibrato in check in Brahms’ Trio in A minor, Op 114, while applying ample warmth to the poetic writing. With Young maintaining sure balances, the performers sensitively limn the composer’s distinctive blend of Classical and Romantic elements. Their generous fire and propulsion in the last movement stand in contrast to the autumnal beauty and charm of the central movements.
Ensemble Liaison’s artistry is so attuned to animated and songful gestures that a listener may regret that only four of Bruch’s Eight Pieces for Clarinet, Cello and Piano, Op 83, are offered here. Even so, the musicians are supremely refined – and controlled: listen to Griffiths’ exceptional command of soft dynamics – as they revel in the wistful, rapturous and proud writing.
So, would it be too much to ask they they perform the other half of the collection on their next disc?
-- Donald Rosenberg, Gramophone [1/2012]
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