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Verdi: Un Ballo In Maschera / Gavazzeni, Callas, Et Al

Release Date: 11/05/2002 
Label:  Emi Classics   Catalog #: 67918   Spars Code: ADD 
Composer:  Giuseppe Verdi
Performer:  Ettore BastianiniGiulietta SimionatoEugenia RattiGiuseppe Morresi,   ... 
Conductor:  Gianandrea Gavazzeni
Orchestra/Ensemble:  Milan Teatro alla Scala OrchestraMilan Teatro alla Scala Chorus
Number of Discs: 2 
Recorded in: Mono 
Length: 2 Hours 12 Mins. 

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Notes and Editorial Reviews

Like others in EMI's recent issues of complete opera recordings featuring Maria Callas, this December 1957 Un Ballo has long been available on numerous LP and CD labels. And like the others I've heard, EMI's refurbished transfer is superior in tonal integrity and in vivid, present sound, though with occasional patches of distortion and imbalances typical of live stage recordings. The only real question for Callas fans is whether they need another Callas Un Ballo, since they probably have her EMI studio recording with di Stefano, Gobbi, and Barbieri recorded a year earlier under Antonio Votto's routine direction. The short answer is: Yes. Callas' Amelia is more effective here, more vital and spontaneous than in the studio. On the La Scala Read more stage, she's working in a more conducive environment--not only the "live" versus studio situation, but also with a cast and conductor better matched to her extraordinary talents. Vocally, she's not at her smoothest, and some sustained high notes have a slight hint of wobbles to come. But such shortcomings are minor--insignificant alongside the electricity she generates.

The Riccardo is Giuseppe di Stefano, here singing with more passion and fire than on Callas' studio Un Ballo. Ettore Bastianini's Renato is ideal, his rich baritone filling in Verdi's lines with a vocal plushness and evenness throughout its range. He was often criticized for not matching his ample voice with commensurate subtlety and elegance, but here he's vocally superior to Tito Gobbi on Callas' studio set, and he yields nothing in interpretive subtlety to his rival. Among the many highlights is the way Bastianini and Callas play off each other in Act 3, which includes an "Eri tu" that can't fail to move the hardest heart. Giulietta Simionato, reigning Queen of Italian mezzos in the 1950s, is equally superb as Ulrica, her fresh, wide-ranging voice and dramatic power an improvement over the veteran Fedora Barbieri in EMI's studio set.

The critical difference between this recording and the studio one is Gavazzeni's conducting, full of vivid colors and sharp accents that bring the drama to life. Every opera collection needs a Callas Un Ballo and this one is her finest. Others on this high level must include the 1940 Met version with Milanov and Björling and the 1943 Serafin with Caniglia and Gigli. If you want a stereo supplement to those, the EMI Muti offers good singing and high-voltage conducting.
--Dan Davis, ClassicsToday.com Read less

Works on This Recording

Un ballo in maschera by Giuseppe Verdi
Performer:  Ettore Bastianini (Baritone), Giulietta Simionato (Mezzo Soprano), Eugenia Ratti (Soprano),
Giuseppe Morresi (Bass Baritone), Antonio Cassinelli (Bass), Marco Stefanoni (Bass),
Angelo Mercuriali (Tenor), Antonio Ricci (Tenor), Giuseppe Di Stefano (Tenor),
Maria Callas (Soprano)
Conductor:  Gianandrea Gavazzeni
Orchestra/Ensemble:  Milan Teatro alla Scala Orchestra,  Milan Teatro alla Scala Chorus
Period: Romantic 
Written: 1859; Italy 
Date of Recording: 12/07/1957 
Venue:  La Scala, Milan, Italy 
Length: 131 Minutes 36 Secs. 
Language: Italian 

Customer Reviews

Average Customer Review:  1 Customer Review )
 Mediocre recording February 18, 2014 By Michael Savignol (Weston, CT) See All My Reviews "Unfortunately- this 2002 live on stage is a mediocre recording. too many back stage noise and the remastering did not do the job. Casting excellent. La Scala should invest in better recording equipment. Peccato!" Report Abuse
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