Hänssler CLASSIC is proud to present Helmuth Rilling's landmark recording of the complete Bach Cantatas in a new, specially-price collector's edition. Rilling was the first conductor to ever record the complete Bach cantatas and still, 25 years after they were first released in celebration of the Bach tercentennial in 1985, they remain the standard by which all other interpretations are judged.
Praise for some of the original recordings that make up this set:
Complete Cantatas
"There is no question as to the excellence and distinction of many of Rilling's soloists, which feature a number of famous Bach specialists of the last quartet of a century...Rilling has proved a pragmatist in mattersRead more of historical performance practice; he adopts brisk tempos and light accents at times, but allows himself considerable expressive and agogic freedom." – Penguin Guide [2003/4 Edition]
In particular, Rilling's unaffectedly musical, period-performance-influenced but undogmatic approach seems designed to sustain long-term listener satisfaction. He's so strong in the basic qualities that matter most. For example, he has the best soloists of any major series of Bach vocal works--names like Arlene Auger, Juliane Banse, Matthias Goerne, Christophe Prégardien, Christine Schäfer--the list reads like a "who's who" of major late-20th-century singers. The choral singing also is uniformly superb.
– David Hurwitz, ClassicsToday.com
Christmas Cantatas
The intensity of colour and expression in these works is stunning – the surging, brass-capped elation of Unser Mund sei voll Lachens, so full of the simple joy of the Christian message, the searching meditation on temptation in Selig ist der Mann, the seemingly bottomless well of spiritual sustenance plumbed in the chorale conclusions. Rilling’s performances (on modern instruments) are neatly tailored and naturally benevolent in nature, buoyant with the wholesomeness and warmth that this great music so frequently emanates. There is simply no better way of celebrating a musical Christmas.
– Terry Blain, BBC Music Magazine
Secular Cantatas
I'm not sure whether Helmuth Rilling has acquired a reputation for seriousness, though his recorded legacy—crowned by his complete Bach sacred cantatas series—has tended toward music of high purpose; for a primarily choral conductor, it couldn't be otherwise. Nevertheless, he shows a light touch on this disc that is in keeping with this music's intent to entertain. Rilling continues to buck trends. His instruments are modern, and his choir is relatively large (49 voices) but always precise and flexible. He does not always forsake velocity, as collectors of the sacred cantatas series will recall: Pales's wonderful second aria and its appended instrumental interlude skip smartly along. "Sheep" obeys the speed limit, but just barely. As usual, Rilling has assembled a splendid set of young soloists, who not only sing well but also get with the action.
Wie schön leuchtet der Morgenstern, BWV 1by Johann Sebastian Bach Performer:
Walter Heldwein (Bass),
Philippe Huttenlocher (Bass),
Aldo Baldin (Tenor),
Arleen Augér (Soprano),
Helen Watts (Alto),
Inga Nielsen (Soprano),
Gabriele Schreckenbach (Alto),
Adalbert Kraus (Tenor),
Lutz-Michael Harder (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1725; Leipzig, Germany
2.
Ach Gott, vom Himmel sieh' darein, BWV 2by Johann Sebastian Bach Performer:
Walter Heldwein (Bass),
Lutz-Michael Harder (Tenor),
Adalbert Kraus (Tenor),
Inga Nielsen (Soprano),
Gabriele Schreckenbach (Alto),
Arleen Augér (Soprano),
Helen Watts (Alto),
Aldo Baldin (Tenor),
Philippe Huttenlocher (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany
3.
Ach Gott, wie manches Herzeleid, BWV 3by Johann Sebastian Bach Performer:
Walter Heldwein (Bass),
Lutz-Michael Harder (Tenor),
Adalbert Kraus (Tenor),
Inga Nielsen (Soprano),
Gabriele Schreckenbach (Alto),
Arleen Augér (Soprano),
Helen Watts (Alto),
Aldo Baldin (Tenor),
Philippe Huttenlocher (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1725; Leipzig, Germany
4.
Christ lag in Todesbanden, BWV 4by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1708; Weimar, Germany
5.
Wo soll ich fliehen hin?, BWV 5by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany
6.
Bleib bei uns, denn es will Abend werden, BWV 6by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1725; Leipzig, Germany
7.
Christ, unser Herr, zum Jordan kam, BWV 7by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany
8.
Liebster Gott, wenn werd' ich sterben?, BWV 8by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany
9.
Meine Seel' erhebt den Herren, BWV 10by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany
10.
Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio"by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1735; Leipzig, Germany
Wär Gott nicht mit uns diese Zeit, BWV 14by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1735; Leipzig, Germany
Wer Dank opfert, der preiset mich, BWV 17by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1726; Leipzig, Germany
16.
Gleich wie der Regen und Schnee vom Himmel fällt, BWV 18by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: ?1715; Cöthen, Germany
17.
Es erhub sich ein Streit, BWV 19by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Frankfurt Kantorei,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1726; Leipzig, Germany
18.
O Ewigkeit, du Donnerwort, BWV 20by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Frankfurt Kantorei,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany
19.
Ich hatte viel Bekümmernis, BWV 21by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1714; Cöthen, Germany
20.
Jesus nahm zu sich die Zwölfe, BWV 22by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1723; Cöthen, Germany
21.
Du wahrer Gott und Davids Sohn, BWV 23by Johann Sebastian Bach Performer:
Arleen Augér (Soprano),
Helen Watts (Alto),
Aldo Baldin (Tenor),
Niklaus Tüller (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1723; Cöthen, Germany Language: German
22.
Ein ungefärbt Gemüte von deutscher Treu und Güte, BWV 24by Johann Sebastian Bach Performer:
Helen Watts (Alto),
Katharina Pugh (Alto),
Walter Heldwein (Bass),
Arleen Augér (Soprano),
Adalbert Kraus (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1723; Leipzig, Germany Language: German
23.
Es ist nichts Gesundes an meinem Leibe, BWV 25by Johann Sebastian Bach Performer:
Adalbert Kraus (Tenor),
Arleen Augér (Soprano),
Philippe Huttenlocher (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1723; Leipzig, Germany Language: German
24.
Ach wie flüchtig, ach wie nichtig, ist der Menschen Leben, BWV 26by Johann Sebastian Bach Performer:
Adalbert Kraus (Tenor),
Philippe Huttenlocher (Bass),
Doris Soffel (Alto),
Arleen Augér (Soprano)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany Language: German
Allein zu dir, Herr Jesu Christ, BWV 33by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany
32.
O ewiges Feuer, O Ursprung der Liebe, BWV 34by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: after 1740; Leipzig, Germany
33.
Geist und Seele wird verwirret, BWV 35by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1726; Leipzig, Germany
Wer da gläubet und getauft wird, BWV 37by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany
36.
Aus tiefer Not schrei'ich zu dir, BWV 38by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany
37.
Brich dem Hungrigen dein Brot, BWV 39by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1726; Leipzig, Germany
38.
Dazu ist erschienen der Sohn Gottes, BWV 40by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1723; Leipzig, Germany
39.
Jesu, nun sei gepreiset, BWV 41by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1725; Leipzig, Germany
40.
Am Abend aber desselbigen Sabbats, BWV 42by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1725; Leipzig, Germany
41.
Gott fähret auf mit Jauchzen, BWV 43by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1726; Leipzig, Germany
42.
Sie werden euch in den Bann tun, BWV 44by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany
43.
Es ist dir gesagt, Mensch, was gut ist, BWV 45by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1726; Leipzig, Germany
Ich geh' und suche mit Verlangen, BWV 49by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1726; Leipzig, Germany
48.
Nun ist das Heil und die Kraft, BWV 50 [fragment]by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: ?1723; ?Leipzig, Germany
49.
Jauchzet Gott in allen Landen, BWV 51by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Written: 1730
50.
Falsche Welt, dir trau' ich nicht, BWV 52by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1726; Leipzig, Germany
51.
Widerstehe doch der Sünde, BWV 54by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1714; Cöthen, Germany
52.
Ich armer Mensch, ich Sündenknecht, BWV 55by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1726; Leipzig, Germany
53.
Ich will den Kreuzstab gerne tragen, BWV 56by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1726; Leipzig, Germany
Ach Gott, wie manches Herzeleid, BWV 58by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1727; Leipzig, Germany
56.
Wer mich liebet, der wird mein Wort halten, BWV 59by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: circa 1723-1724; Leipzig, Germany
57.
O Ewigkeit, du Donnerwort, BWV 60by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1723; Leipzig, Germany
58.
Nun komm, der Heiden Heiland, BWV 61by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1714; Cöthen, Germany
59.
Nun komm, der Heiden Heiland, BWV 62by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany
60.
Christen, ätzet diesen Tag, BWV 63by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1713-1715; Cöthen, Germany
61.
Sehet, welch eine Liebe, BWV 64by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1723; Leipzig, Germany
62.
Sie werden aus Saba alle kommen, BWV 65by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany
Also hat Gott die Welt geliebt, BWV 68by Johann Sebastian Bach Performer:
Arleen Augér (Soprano),
Philippe Huttenlocher (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1725; Leipzig, Germany
Gott ist mein König, BWV 71by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1708; Mühlhausen, Germany
69.
Alles nur nach Gottes Willen, BWV 72by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1726; Leipzig, Germany
70.
Herr, wie du willt, so schicks mit mir, BWV 73by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany
71.
Wer mich liebet, der wird mein Wort halten, BWV 74by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1725; Leipzig, Germany
72.
Die Elenden sollen essen, dass sie satt werden, BWV 75by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1723; Cöthen, Germany
73.
Die Himmel erzählen die Ehre Gottes, BWV 76by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1723; Leipzig, Germany
74.
Du sollst Gott, deinen Herren Lieben, BWV 77by Johann Sebastian Bach Performer:
Helen Donath (Soprano),
Wolfgang Schöne (Bass),
Adalbert Kraus (Tenor),
Julia Hamari (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1723; Leipzig, Germany
75.
Jesu, der du meine Seele, BWV 78by Johann Sebastian Bach Performer:
Aldo Baldin (Tenor),
Carolyn Watkinson (Alto),
Arleen Augér (Soprano),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany
76.
Gott, der Herr, ist Sonn und Schild, BWV 79by Johann Sebastian Bach Performer:
Philippe Huttenlocher (Bass),
Arleen Augér (Soprano),
Julia Hamari (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1725; Leipzig, Germany
77.
Ein feste Burg ist unser Gott, BWV 80by Johann Sebastian Bach Performer:
Arleen Augér (Soprano),
Gabriele Schreckenbach (Alto),
Philippe Huttenlocher (Bass),
Lutz-Michael Harder (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Gächinger Kantorei Stuttgart,
Württemberg Chamber Orchestra Heilbronn
Period: Baroque Written: by 1744; Leipzig, Germany
78.
Jesus schläft, was soll ich hoffen?, BWV 81by Johann Sebastian Bach Performer:
Adalbert Kraus (Tenor),
Julia Hamari (Alto),
Siegmund Nimsgern (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany
79.
Ich habe genug, BWV 82by Johann Sebastian Bach Performer:
Dietrich Fischer-Dieskau (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium
Period: Baroque Written: 1727; Cöthen, Germany
80.
Erfreute Zeit im neuen Bunde, BWV 83by Johann Sebastian Bach Performer:
Helen Watts (Alto),
Adalbert Kraus (Tenor),
Walter Heldwein (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany
Ich bin ein guter Hirt, BWV 85by Johann Sebastian Bach Performer:
Adalbert Kraus (Tenor),
Arleen Augér (Soprano),
Gabriele Schreckenbach (Alto),
Walter Heldwein (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1725; Leipzig, Germany
83.
Wahrlich, wahrlich ich sage euch, BWV 86by Johann Sebastian Bach Performer:
Arleen Augér (Soprano),
Adalbert Kraus (Tenor),
Helen Watts (Alto),
Walter Heldwein (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany
84.
Bisher habt ihr nichts gebeten in meinem Namen, BWV 87by Johann Sebastian Bach Performer:
Julia Hamari (Alto),
Aldo Baldin (Tenor),
Walter Heldwein (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1725; Leipzig, Germany
85.
Siehe, ich will viel Fischer aussenden, BWV 88by Johann Sebastian Bach Performer:
Adalbert Kraus (Tenor),
Wolfgang Schöne (Bass),
Ingeborg Reichelt (Soprano),
Verena Gohl-Müller (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Stuttgart Gedächtniskirche Figuralchor
Period: Baroque Written: 1726; Leipzig, Germany
86.
Was soll ich aus dir machen, Ephraim, BWV 89by Johann Sebastian Bach Performer:
Helen Watts (Alto),
Arleen Augér (Soprano),
Philippe Huttenlocher (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1723; Leipzig, Germany
87.
Es reisset euch ein schrecklich Ende, ihr sündlichen verächter, hin, BWV 90by Johann Sebastian Bach Performer:
Adalbert Kraus (Tenor),
Helen Watts (Alto),
Siegmund Nimsgern (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1723; Leipzig, Germany
88.
Gelobet seist du, Jesu Christ, BWV 91by Johann Sebastian Bach Performer:
Helen Watts (Alto),
Helen Donath (Soprano),
Adalbert Kraus (Tenor),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Frankfurt Kantorei,
Gächinger Kantorei Stuttgart
...
Period: Baroque Written: 1724; Leipzig, Germany
89.
Ich hab in Gottes Herz und Sinn mein Herz und Sinn ergeben, BWV 92by Johann Sebastian Bach Performer:
Philippe Huttenlocher (Bass),
Gabriele Schreckenbach (Alto),
Helen Watts (Alto),
Arleen Augér (Soprano),
Aldo Baldin (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1725; Leipzig, Germany
90.
Wer nur den lieben Gott lässt walten, BWV 93by Johann Sebastian Bach Performer:
Adalbert Kraus (Tenor),
Walter Heldwein (Bass),
Ann Murray (Alto),
Arleen Augér (Soprano)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany
91.
Was frag ich nach der Welt und allen ihren Schatten wenn ich mich nur an dir, mein Jesu, BWV 94by Johann Sebastian Bach Performer:
Else Paaske (Alto),
Wolfgang Schöne (Bass),
Aldo Baldin (Tenor),
Hanns-Friedrich Kunz (Bass),
Helen Donath (Soprano)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany
92.
Christus, der ist mein Leben, BWV 95by Johann Sebastian Bach Performer:
Arleen Augér (Soprano),
Walter Heldwein (Bass),
Adalbert Kraus (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1723; Leipzig, Germany
93.
Herr Christ, der ein'ge Gottessohn, BWV 96by Johann Sebastian Bach Performer:
Helen Donath (Soprano),
Marga Höffgen (Alto),
Adalbert Kraus (Tenor),
Siegmund Nimsgern (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany
94.
In allen meinen Taten, BWV 97by Johann Sebastian Bach Performer:
Helen Donath (Soprano),
Adalbert Kraus (Tenor),
Heldrun Gardow (Alto),
Philippe Huttenlocher (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1734; Leipzig, Germany
95.
Was Gott tut, das ist wohlgetan, BWV 98by Johann Sebastian Bach Performer:
Lutz-Michael Harder (Tenor),
Walter Heldwein (Bass),
Julia Hamari (Alto),
Arleen Augér (Soprano)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1726; Leipzig, Germany
96.
Was Gott tut, das ist wohlgetan, BWV 99by Johann Sebastian Bach Performer:
John Bröcheler (Bass),
Helen Watts (Alto),
Arleen Augér (Soprano),
Lutz-Michael Harder (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany
97.
Was Gott tut, das ist wohlgetan, BWV 100by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: circa 1735; Leipzig, Germany Venue: Gedächtniskirche, Stuttgart, Germany Length: 22 Minutes 12 Secs. Language: German
98.
Nimm von uns, Herr, du treuer Gott, BWV 101by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany Venue: Gedächtniskirche, Stuttgart, Germany Length: 24 Minutes 0 Secs. Language: German
99.
Herr, deine Augen sehen nach dem Glauben, BWV 102by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1726; Leipzig, Germany Date of Recording: 02/1972 Venue: Gedächtniskirche, Stuttgart, Germany Length: 23 Minutes 35 Secs. Language: German
100.
Ihr werdet weinen und heulen, aber die Welt wird sich Freuen, BWV 103by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1725; Leipzig, Germany Venue: Gedächtniskirche, Stuttgart, Germany Length: 16 Minutes 20 Secs. Language: German
101.
Du Hirte Israel, höre, BWV 104by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany Venue: Gedächtniskirche, Stuttgart, Germany Length: 16 Minutes 45 Secs. Language: German
102.
Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1723; Leipzig, Germany Venue: Gedächtniskirche, Stuttgart, Germany Length: 25 Minutes 20 Secs. Language: German
103.
Gottes Zeit ist die allerbeste, BWV 106 "Actus tragicus"by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: by 1708; Mühlhausen, Germany Venue: Gedächtniskirche, Stuttgart, Germany Length: 21 Minutes 34 Secs. Language: German
104.
Was willst du dich betrüben, o meine liebe Seel', BWV 107by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany Venue: Gedächtniskirche, Stuttgart, Germany Length: 17 Minutes 2 Secs. Language: German
105.
Es ist euch gut, das ich hingehe, BWV 108by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1725; Leipzig, Germany Venue: Gedächtniskirche, Stuttgart, Germany Length: 16 Minutes 37 Secs. Language: German
106.
Ich glaube, lieber Herr, hilf meinem Unglauben!, BWV 109by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1723; Leipzig, Germany Venue: Gedächtniskirche, Stuttgart, Germany Length: 25 Minutes 12 Secs. Language: German
107.
Unser Mund sei voll Lachens, BWV 110by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1725; Leipzig, Germany Venue: Gedächtniskirche, Stuttgart, Germany Length: 26 Minutes 33 Secs. Language: German
108.
Was mein Gott will, das g'scheh allzeit, BWV 111by Johann Sebastian Bach Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1725; Leipzig, Germany Venue: Gedächtniskirche, Stuttgart, Germany Length: 19 Minutes 58 Secs. Language: German
109.
Der Herr ist mein getreuer Hirt, BWV 112by Johann Sebastian Bach Performer:
Walter Heldwein (Bass),
Gabriele Schreckenbach (Alto),
Inga Nielsen (Soprano),
Aldo Baldin (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1731; Leipzig, Germany
Ach, lieben Christen, seid getrost, BWV 114by Johann Sebastian Bach Performer:
Julia Hamari (Alto),
Kurt Equiluz (Tenor),
Gabriele Schnaut (Soprano),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Frankfurt Kantorei,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany
112.
Mache dich, mein Geist, bereit, BWV 115by Johann Sebastian Bach Performer:
Arleen Augér (Soprano),
Helen Watts (Alto),
Wolfgang Schöne (Bass),
Lutz-Michael Harder (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany
113.
Du Freidefürst, Herr Jesu Christ, BWV 116by Johann Sebastian Bach Performer:
Philippe Huttenlocher (Bass),
Arleen Augér (Soprano),
Helen Watts (Alto),
Lutz-Michael Harder (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany
114.
Sei Lob und Ehr dem höchsten Gut, BWV 117by Johann Sebastian Bach Performer:
Mechthild Georg (Alto),
Adalbert Kraus (Tenor),
Andreas Schmidt (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Gächinger Kantorei Stuttgart,
Württemberg Chamber Orchestra Heilbronn
Period: Baroque Written: 1724; Leipzig, Germany
115.
Preise, Jerusalem, den Herrn, BWV 119by Johann Sebastian Bach Performer:
Ann Murray (Alto),
Arleen Augér (Soprano),
Adalbert Kraus (Tenor),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1723; Leipzig, Germany
116.
Gott, mann lobet dich in der Stille, BWV 120by Johann Sebastian Bach Performer:
Helen Donath (Soprano),
Hildegard Laurich (Alto),
Adalbert Kraus (Tenor),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1728-1729; Leipzig, Germany
117.
Christum wir sollen loben schon, BWV 121by Johann Sebastian Bach Performer:
Adalbert Kraus (Tenor),
Doris Soffel (Alto),
Arleen Augér (Soprano),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany
118.
Das neugeborne Kindelein, BWV 122by Johann Sebastian Bach Performer:
Niklaus Tüller (Bass),
Adalbert Kraus (Tenor),
Helen Donath (Soprano),
Helen Watts (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Frankfurt Kantorei
Period: Baroque Written: 1724; Leipzig, Germany
119.
Liebster Immanuel, Herzog der Frommen, BWV 123by Johann Sebastian Bach Performer:
Helen Watts (Alto),
Adalbert Kraus (Tenor),
Philippe Huttenlocher (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1725; Leipzig, Germany
120.
Meinen Jesum lass ich nicht, BWV 124by Johann Sebastian Bach Performer:
Wolfgang Schöne (Bass),
Arleen Augér (Soprano),
Aldo Baldin (Tenor),
Helen Watts (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1725; Leipzig, Germany
121.
Mit Fried und Freud ich fahr dahin, BWV 125by Johann Sebastian Bach Performer:
Wolfgang Schöne (Bass),
Marga Höffgen (Alto),
Kurt Equiluz (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Stuttgart Gedächtniskirche Figuralchor
Period: Baroque Written: 1725; Leipzig, Germany
122.
Erhalt uns, Herr, bei dienem Wort, BWV 126by Johann Sebastian Bach Performer:
Adalbert Kraus (Tenor),
Helen Watts (Alto),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1725; Leipzig, Germany Language: German
123.
Herr Jesu Christ, wahr' Mensch und Gott, BWV 127by Johann Sebastian Bach Performer:
Wolfgang Schöne (Bass),
Arleen Augér (Soprano),
Lutz-Michael Harder (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1725; Leipzig, Germany Language: German
124.
Auf Christi Himmelfahrt allein, BWV 128by Johann Sebastian Bach Performer:
Gabriele Schreckenbach (Alto),
Aldo Baldin (Tenor),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Written: 1725 Language: German
125.
Gelobet sei der Herr, mein Gott, BWV 129by Johann Sebastian Bach Performer:
Philippe Huttenlocher (Bass),
Arleen Augér (Soprano),
Gabriele Schreckenbach (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1726; Leipzig, Germany Language: German
Aus der Tiefen rufe ich, Herr, zu dir, BWV 131by Johann Sebastian Bach Performer:
Adalbert Kraus (Tenor),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium
Period: Baroque Written: 1707; Mühlhausen, Germany
128.
Bereitet die Wege, bereitet die Bahn!, BWV 132by Johann Sebastian Bach Performer:
Arleen Augér (Soprano),
Helen Watts (Alto),
Kurt Equiluz (Tenor),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium
Period: Baroque Written: 1715; Weimar, Germany
129.
Ich freue mich in dir, BWV 133by Johann Sebastian Bach Performer:
Hedda Rothweiler (Oboe d'amore),
Kurt Etzold (Bassoon),
Hubert Buchberger (Violin),
Klaus Kärcher (Oboe d'amore),
Philippe Huttenlocher (Bass),
Aldo Baldin (Tenor),
Doris Soffel (Alto),
Hans-Joachim Erhard (Harpsichord),
Hans-Joachim Erhard (Organ),
Albert Michael Locher (Double Bass),
Hans Haublein (Cello),
Arleen Augér (Soprano)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany Date of Recording: 1980 Venue: Gedächtnis Church, Stuttgart, Germany Length: 20 Minutes 26 Secs. Language: German
130.
Ein Herz, das seinen Jesum lebend weiss, BWV 134by Johann Sebastian Bach Performer:
Jürgen Wolf (Cello),
Peter Gartiser (Double Bass),
Montserrat Torrent (Organ),
Walter Forchert (Violin),
Günter Pfitzenmaier (Bassoon),
Hedda Rothweiler (Oboe),
Jacques Chambon (Oboe),
Adalbert Kraus (Tenor),
Helen Watts (Alto),
Martha Schuster (Harpsichord)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany Date of Recording: 1976-77 Venue: Gedächtnis Church, Stuttgart, Germany Length: 31 Minutes 20 Secs. Language: German
131.
Ach Herr, mich armen Sünder straf nicht in deinem Zorn, BWV 135by Johann Sebastian Bach Performer:
Hans-Joachim Erhard (Harpsichord),
Hedda Rothweiler (Oboe),
Hans-Joachim Erhard (Organ),
Philippe Huttenlocher (Bass),
Adalbert Kraus (Tenor),
Helen Watts (Alto),
Günther Passin (Oboe),
Barbara Haupt-Brauckmann (Cello),
Klaus Thunemann (Bassoon),
Hans Wolf (Trumpet),
Thomas Lom (Double Bass),
Hermann Josef Kahlenbach (Trombone)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany Date of Recording: 02/1979 Venue: Gedächtnis Church, Stuttgart, Germany Length: 14 Minutes 41 Secs. Language: German
Lobe den Herrn, den mächtigen König der Ehren, BWV 137by Johann Sebastian Bach Performer:
Adalbert Kraus (Tenor),
Walter Heldwein (Bass),
Arleen Augér (Soprano),
Gabriele Schreckenbach (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1725; Leipzig, Germany Language: German
134.
Warum betrübst du dich, mein Herz?, BWV 138by Johann Sebastian Bach Performer:
Ria Bollen (Alto),
Arleen Augér (Soprano),
Aldo Baldin (Tenor),
Philippe Huttenlocher (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1723; Leipzig, Germany Language: German
135.
Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen!, BWV 139by Johann Sebastian Bach Performer:
Philippe Huttenlocher (Bass),
Adalbert Kraus (Tenor),
Inga Nielsen (Soprano),
Helen Watts (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724-1725; Leipzig, Germany Language: German
136.
Wachet auf, ruft uns die Stimme, BWV 140by Johann Sebastian Bach Performer:
Arleen Augér (Soprano),
Aldo Baldin (Tenor),
Philippe Huttenlocher (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Württemberg Chamber Orchestra Heilbronn
Period: Baroque Written: 1731; Leipzig, Germany
137.
Lobe den Herrn, meine Seele, BWV 143by Johann Sebastian Bach Performer:
Adalbert Kraus (Tenor),
Eva Csapó (Soprano),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Frankfurt Kantorei,
Gächinger Kantorei Stuttgart
Period: Baroque Written: Leipzig, Germany
138.
Nimm, was dein ist, und gehe hin, BWV 144by Johann Sebastian Bach Performer:
Helen Watts (Alto),
Arleen Augér (Soprano),
Adalbert Kraus (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium
Period: Baroque Written: 1724; Leipzig, Germany
139.
Ich lebe, mein Herze, zu deinem Ergötzen, BWV 145by Johann Sebastian Bach Performer:
Andreas Schmidt (Bass),
Constanza Cuccaro (Soprano),
Adalbert Kraus (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Württemberg Chamber Orchestra Heilbronn
Period: Baroque Written: 1729; Leipzig, Germany
140.
Wir müssen durch viel Trübsal in das Reich Gottes eingehen, BWV 146by Johann Sebastian Bach Performer:
Kurt Equiluz (Tenor),
Hanns-Friedrich Kunz (Bass),
Helen Donath (Soprano),
Marga Höffgen (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium
Period: Baroque Written: 1728; Leipzig, Germany
141.
Herz und Mund und Tat und Leben, BWV 147by Johann Sebastian Bach Performer:
Wolfgang Schöne (Bass),
Arleen Augér (Soprano),
Helen Watts (Alto),
Kurt Equiluz (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Frankfurt Kantorei,
Gächinger Kantorei Stuttgart
Written: 1723
Man singet mit Freuden vom Sieg, BWV 149by Johann Sebastian Bach Performer:
Philippe Huttenlocher (Bass),
Aldo Baldin (Tenor),
Arleen Augér (Soprano),
Mechthild Georg (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1728; Leipzig, Germany Language: German
144.
Nach dir, Herr, verlanget mich, BWV 150by Johann Sebastian Bach Performer:
Hanns-Friedrich Kunz (Bass),
Magdalene Schreiber (Soprano),
Peter Maus (Tenor),
Margret Jetter (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: circa 1708-1709; Cöthen, Germany Language: German
145.
Süsser Trost, mein Jesus kömmt, BWV 151by Johann Sebastian Bach Performer:
Hanns-Friedrich Kunz (Bass),
Nobuko Yamamoto (Soprano),
Hildegard Laurich (Alto),
Adalbert Kraus (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Frankfurt Kantorei
Written: 1725 Language: German
146.
Tritt auf die Glaubensbahn, BWV 152by Johann Sebastian Bach Performer:
Arleen Augér (Soprano),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1714; Cöthen, Germany Language: German
147.
Schau, lieber Gott, wie meine Feind', BWV 153by Johann Sebastian Bach Performer:
Ann Murray (Alto),
Walter Heldwein (Bass),
Adalbert Kraus (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany Language: German
148.
Mein liebster Jesus ist verloren, BWV 154by Johann Sebastian Bach Performer:
Walter Heldwein (Bass),
Ann Murray (Alto),
Aldo Baldin (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany Language: German
149.
Mein Gott, wie lang, ach lange, BWV 155by Johann Sebastian Bach Performer:
Ingeborg Reichelt (Soprano),
Norma Lerer (Alto),
Friedreich Melzer (Tenor),
Hanns-Friedrich Kunz (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1716; Cöthen, Germany Language: German
150.
Ich steh' mit einem Fuss im Grabe, BWV 156: Sinfonia/Ariosoby Johann Sebastian Bach Performer:
Kurt Equiluz (Tenor),
Hildegard Laurich (Alto),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Stuttgart Gedächtniskirche Figuralchor
Period: Baroque Written: 1729; Leipzig, Germany Language: German
151.
Ich lasse dich nicht, du segnest mich denn, BWV 157by Johann Sebastian Bach Performer:
Philippe Huttenlocher (Bass),
Adalbert Kraus (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: ?1728; Leipzig, Germany Language: German
152.
Der Friede sei mit dir, BWV 158by Johann Sebastian Bach Performer:
Philippe Huttenlocher (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: after 1723; Leipzig, Germany Language: German
153.
Sehet, wir gehn hinauf gen Jerusalem, BWV 159by Johann Sebastian Bach Performer:
Julia Hamari (Alto),
Aldo Baldin (Tenor),
Philippe Huttenlocher (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1729; Leipzig, Germany Language: German
154.
Komm, du süsse Todesstunde, BWV 161by Johann Sebastian Bach Performer:
Adalbert Kraus (Tenor),
Hildegard Laurich (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Frankfurt Kantorei
Period: Baroque Written: 1715; Cöthen, Germany Language: German
155.
Ach, ich sehe, itzt, da ich zu Hochzeit gehe, BWV 162by Johann Sebastian Bach Performer:
Kurt Equiluz (Tenor),
Arleen Augér (Soprano),
Alyce Rogers (Alto),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Frankfurt Kantorei
Period: Baroque Written: 1715; Cöthen, Germany Language: German
156.
Nur jedem das Seine, BWV 163by Johann Sebastian Bach Performer:
Niklaus Tüller (Bass),
Adalbert Kraus (Tenor),
Arleen Augér (Soprano),
Helen Watts (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1715; Cöthen, Germany Language: German
157.
Ihr, die ihr euch von Christo nennet, BWV 164by Johann Sebastian Bach Performer:
Walter Heldwein (Bass),
Lutz-Michael Harder (Tenor),
Edith Wiens (Soprano),
Julia Hamari (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1728; Leipzig, Germany Language: German
158.
O heiliges Geist- und Wasserbad, das Gottes Reich uns einverliebet, BWV 165by Johann Sebastian Bach Performer:
Arleen Augér (Soprano),
Kurt Equiluz (Tenor),
Wolfgang Schöne (Bass),
Alyce Rogers (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Frankfurt Kantorei
Period: Baroque Written: 1715; Cöthen, Germany Language: German
159.
Wo gehest du hin?, BWV 166by Johann Sebastian Bach Performer:
Aldo Baldin (Tenor),
Wolfgang Schöne (Bass),
Helen Watts (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany Language: German
Vergnügte Ruh, beliebte Seelenlust, BWV 170by Johann Sebastian Bach Performer:
Julia Hamari (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium
Period: Baroque Written: 1726; Leipzig, Germany
164.
Gott, wie dein Name, so ist auch dein Ruhm, BWV 171by Johann Sebastian Bach Performer:
Walter Heldwein (Bass),
Aldo Baldin (Tenor),
Arleen Augér (Soprano),
Julia Hamari (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Gächinger Kantorei Stuttgart,
Württemberg Chamber Orchestra Heilbronn
Period: Baroque Written: ?1729; Leipzig, Germany
165.
Lobe den Erschallet, ihr Lieder, erklinget ihr Saiten!, BWV 172by Johann Sebastian Bach Performer:
Wolfgang Schöne (Bass),
Eva Csapó (Soprano),
Doris Soffel (Alto),
Adalbert Kraus (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Frankfurt Kantorei,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1714; Weimar, Germany Language: German
166.
Erhöhtes Fleisch und Blut, BWV 173by Johann Sebastian Bach Performer:
Niklaus Tüller (Bass),
Adalbert Kraus (Tenor),
Judith Beckmann (Soprano),
Helen Watts (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany Language: German
167.
Ich liebe den Höchsten von ganzem Gemüte, BWV 174by Johann Sebastian Bach Performer:
Julia Hamari (Soprano),
Wolfgang Schöne (Bass),
Aldo Baldin (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart,
Württemberg Chamber Orchestra Heilbronn
Period: Baroque Written: 1729; Leipzig, Germany Language: German
168.
Er rufet seinen Schafen mit Namen und führet sie hinaus, BWV 175by Johann Sebastian Bach Performer:
Carolyn Watkinson (Alto),
Peter Schreier (Tenor),
Philippe Huttenlocher (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1725; Leipzig, Germany Language: German
169.
Es ist ein trotzig und verzagt Ding um aller Menschen Herze, BWV 176by Johann Sebastian Bach Performer:
Carolyn Watkinson (Alto),
Walter Heldwein (Bass),
Inga Nielsen (Soprano)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1725; Leipzig, Germany Language: German
170.
Ich ruf zu dir, Herr Jesu Christ, BWV 177by Johann Sebastian Bach Performer:
Arleen Augér (Soprano),
Julia Hamari (Alto),
Peter Schreier (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1732; Leipzig, Germany Language: German
171.
Wo Gott, der Herr, nicht bei uns hält wenn unsre Feinden toben, BWV 178by Johann Sebastian Bach Performer:
Kurt Equiluz (Tenor),
Gabriele Schreckenbach (Alto),
Aldo Baldin (Tenor),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany Language: German
172.
Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei, BWV 179by Johann Sebastian Bach Performer:
Arleen Augér (Soprano),
Kurt Equiluz (Tenor),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1723; Leipzig, Germany Language: German
173.
Schmücke dich, o liebe Seele, lass die dunkle Sünden höhle, komm an's helle Licht gegangen, BWV 180by Johann Sebastian Bach Performer:
Carolyn Watkinson (Alto),
Walter Heldwein (Bass),
Arleen Augér (Soprano),
Adalbert Kraus (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany Language: German
Himmelskönig sei willkommen, BWV 182by Johann Sebastian Bach Performer:
Philippe Huttenlocher (Bass),
Aldo Baldin (Tenor),
Doris Soffel (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1714; Cöthen, Germany
176.
Sie werden euch in den Bann tun, BWV 183by Johann Sebastian Bach Performer:
Walter Heldwein (Bass),
Julia Hamari (Alto),
Arleen Augér (Soprano),
Peter Schreier (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1725; Leipzig, Germany
Barmherziges Herze der ewigen Liebe, BWV 185by Johann Sebastian Bach Performer:
Hildegard Laurich (Alto),
Arleen Augér (Soprano),
Philippe Huttenlocher (Bass),
Aldo Baldin (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Frankfurt Kantorei
Period: Baroque Written: 1715; Cöthen, Germany
179.
Ärgre dich, o Seele, nicht, BWV 186by Johann Sebastian Bach Performer:
Arleen Augér (Soprano),
Philippe Huttenlocher (Bass),
Helen Watts (Alto),
Kurt Equiluz (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1723; Leipzig, Germany
180.
Es wartet alles auf dich, dass du ihnen Speise, BWV 187by Johann Sebastian Bach Performer:
Maria Friesenhausen (Soprano),
Hildegard Laurich (Alto),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1726; Leipzig, Germany
181.
Ich habe meine Zuversicht auf den getreuen Gott gericht, BWV 188by Johann Sebastian Bach Performer:
Aldo Baldin (Tenor),
Walter Heldwein (Bass),
Arleen Augér (Soprano),
Julia Hamari (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Gächinger Kantorei Stuttgart,
Württemberg Chamber Orchestra Heilbronn
Period: Baroque Written: ?1728; Leipzig, Germany Language: German
182.
Singet dem Herrn ein neues Lied, BWV 190by Johann Sebastian Bach Performer:
Helen Watts (Alto),
Kurt Equiluz (Tenor),
Niklaus Tüller (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany Language: German
183.
Gloria in excelsis Deo, BWV 191by Johann Sebastian Bach Performer:
Adalbert Kraus (Tenor),
Nobuko Yamamoto (Soprano)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Written: after 1740 Language: German
184.
Nun danket alle Gott, BWV 192by Johann Sebastian Bach Performer:
Helen Donath (Soprano),
Niklaus Tüller (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1730; Leipzig, Germany Language: German
185.
Ihr Tore zu Zion, BWV 193by Johann Sebastian Bach Performer:
Arleen Augér (Soprano),
Judith Beckmann (Soprano),
Julia Hamari (Alto),
Adalbert Kraus (Tenor),
Walter Heldwein (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1727; Germany
186.
Höchsterwünschtes Freudenfest, BWV 194by Johann Sebastian Bach Performer:
Arleen Augér (Soprano),
Judith Beckmann (Soprano),
Julia Hamari (Alto),
Adalbert Kraus (Tenor),
Walter Heldwein (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1724; Leipzig, Germany
187.
Dem Gerechten muss das Licht, BWV 195by Johann Sebastian Bach Performer:
Elisabeth Graf (Alto),
Shihomi Inoue-Heller (Soprano),
Andreas Schmidt (Baritone),
Oly Pfaff (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Gächinger Kantorei Stuttgart,
Württemberg Chamber Orchestra Heilbronn
Period: Baroque Written: circa 1737; Leipzig, Germany Language: German
188.
Der Herr denket an uns, BWV 196by Johann Sebastian Bach Performer:
Niklaus Tüller (Bass),
Doris Soffel (Soprano),
Aldo Baldin (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: ?1708; Weimar, Germany Language: German
189.
Gott ist unser Zuversicht, BWV 197by Johann Sebastian Bach Performer:
Constanza Cuccaro (Soprano),
Mechthild Georg (Alto),
Philippe Huttenlocher (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Gächinger Kantorei Stuttgart,
Württemberg Chamber Orchestra Heilbronn
Period: Baroque Written: 1739-1742; Leipzig, Germany Language: German
190.
Lass, Fürstin, lass noch einen Strahl, BWV 198by Johann Sebastian Bach Performer:
Philippe Huttenlocher (Bass),
Gabriele Schreckenbach (Alto),
Arleen Augér (Soprano),
Aldo Baldin (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1727; Leipzig, Germany
191.
Mein Herze schwimmt im Blut, BWV 199by Johann Sebastian Bach Performer:
Arleen Augér (Soprano)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1714; Cöthen, Germany
192.
Bekennen will ich seinen Namen, BWV 200by Johann Sebastian Bach Performer:
Mechthild Georg (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: ?1742; Leipzig, Germany
193.
Der Streit zwischen Phoebus und Pan, BWV 201by Johann Sebastian Bach Performer:
James Taylor (Tenor),
Lothar Odinius (Tenor),
Sibylla Rubens (Soprano),
Ingeborg Danz (Alto),
Matthias Goerne (Bass),
Dietrich Henschel (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: ?1729; Leipzig, Germany
194.
Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata"by Johann Sebastian Bach Performer:
Sibylla Rubens (Soprano)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium
Period: Baroque Written: circa 1718-1723; Cöthen, Germany
195.
Amore traditore, BWV 203by Johann Sebastian Bach Performer:
Dietrich Henschel (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium
Period: Baroque Written: Germany
196.
Ich bin in mir vergnügt, BWV 204by Johann Sebastian Bach Performer:
Sibylla Rubens (Soprano)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium
Period: Baroque Written: 1726-1727; Leipzig, Germany
197.
Der zufriedengestellte Äolus, BWV 205by Johann Sebastian Bach Performer:
Yvonne Naef (Alto),
Christoph Genz (Tenor),
Andreas Schmidt (Baritone),
Sibylla Rubens (Soprano)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1725; Leipzig, Germany Language: German
198.
Quodlibet, BWV 524 [fragment]by Johann Sebastian Bach Performer:
Andreas Schmidt (Baritone),
Harro Bertz (Double Bass),
Michael Behringer (Harpsichord),
Michael Gross (Cello),
Sibylla Rubens (Soprano),
Ingeborg Danz (Alto),
Marcus Ullmann (Tenor)
Conductor:
Helmuth Rilling
Period: Baroque Written: 1707; Cöthen, Germany Language: German
Auf, schmetternde Töne, BWV 207aby Johann Sebastian Bach Performer:
Christine Schäfer (Soprano),
Michael Volle (Bass),
Ingeborg Danz (Alto),
Stanford Olsen (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1735; Leipzig, Germany
201.
Vereingte Zwietracht der wechselnden Saiten, BWV 207by Johann Sebastian Bach Performer:
Marcus Ullmann (Tenor),
Klaus Häger (Bass),
Marlis Petersen (Soprano)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1726; Germany
202.
Was mir behagt, ist nur die muntre Jagd!, BWV 208 "Hunt Cantata"by Johann Sebastian Bach Performer:
Eva Kirchner (Soprano),
James Taylor (Tenor),
Matthias Goerne (Bass),
Sibylla Rubens (Soprano)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1713; Cöthen, Germany
203.
Non sa che sia dolore, BWV 209by Johann Sebastian Bach Performer:
Sibylla Rubens (Soprano)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium
Period: Baroque Written: ?1734; Leipzig, Germany
204.
O holder Tag, erwünschte Zeit, BWV 210by Johann Sebastian Bach Performer:
Sibylla Rubens (Soprano)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium
Period: Baroque Written: ?1740; Leipzig, Germany
205.
Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata"by Johann Sebastian Bach Performer:
Thomas Quasthoff (Bass),
Christine Schäfer (Soprano),
James Taylor (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium
Period: Baroque Written: circa 1734-1735; Leipzig, Germany
206.
Mer Hahn en neue Oberkeet, BWV 212 "Peasant Cantata"by Johann Sebastian Bach Performer:
Harro Bertz (Double Bass),
Francis Goutou (Cello),
Christine Schäfer (Soprano),
Boris Kleiner (Harpsichord),
Thomas Quasthoff (Bass),
Jan Karas (French Horn),
Jean-Claude Gérard (Flute)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1742; Leipzig, Germany Language: German
207.
Hercules auf dem Scheidewege, BWV 213by Johann Sebastian Bach Performer:
Andreas Schmidt (Baritone),
Sibylla Rubens (Soprano),
Ingeborg Danz (Alto),
Constanze Schumacher (Alto),
Marcus Ullmann (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: by 1733; Leipzig, Germany Language: German
208.
Tönet, ihr Pauken! Erschallet Trompeten!, BWV 214by Johann Sebastian Bach Performer:
Sibylla Rubens (Soprano),
Ingeborg Danz (Alto),
Marcus Ullmann (Tenor),
Andreas Schmidt (Baritone)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: 1733; Leipzig, Germany Language: German
209.
Preise dein Glücke, gesegnetes Sachsen, BWV 215by Johann Sebastian Bach Performer:
Dietrich Henschel (Bass),
Sibylla Rubens (Soprano),
Markus Schäfer (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque Written: Germany Language: German
210.
Angenehmes Wiederau, freue dich, BWV 30aby Johann Sebastian Bach Performer:
Marcus Ullmann (Tenor),
Christiane Oelze (Soprano),
Andreas Schmidt (Bass),
Ingeborg Danz (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium
Period: Baroque Written: 1737; Leipzig, Germany Date of Recording: 03/2000 Venue: Stadthalle Leonberg, Germany Length: 34 Minutes 20 Secs. Language: German
211.
Schwingt freudig euch empor, BWV 36cby Johann Sebastian Bach Performer:
Marcus Ullmann (Tenor),
Eva Oltiványi (Soprano),
Andreas Schmidt (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium
Period: Baroque Written: 1725; Leipzig, Germany Date of Recording: 03/2000 Venue: Stadthalle, Leonberg, Germany Length: 24 Minutes 37 Secs. Language: German
212.
Die Freude reget sich, BWV 36bby Johann Sebastian Bach Performer:
Ingeborg Danz (Alto),
Christiane Oelze (Soprano),
Marcus Ullmann (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium
Period: Baroque Written: ?1735; Germany Date of Recording: 03/2000 Venue: Stadthalle, Leonberg, Germany Length: 6 Minutes 57 Secs. Language: German
213.
Die Zeit, die Tag und Jahre macht, BWV 134aby Johann Sebastian Bach Performer:
Marcus Ullmann (Tenor),
Ingeborg Danz (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium
Period: Baroque Written: 1719; Cöthen, Germany Date of Recording: 04/2000 Venue: Stadthalle, Leonberg, Germany Length: 36 Minutes 8 Secs. Language: German
214.
Durchlauchtster Leopold, BWV 173aby Johann Sebastian Bach Performer:
Klaus Häger (Bass),
Marlis Petersen (Soprano)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium
Period: Baroque Written: circa ?1722; Germany Date of Recording: 03/2000 Venue: Stadthalle, Leonberg, Germany Length: 19 Minutes 12 Secs. Language: German
Customer Reviews
Average Customer Review: ( 7 Customer Reviews )
Still the best complete collection of Bach's CantDecember 17, 2019By Rimas D. (Etobicoke, ON)See All My Reviews"Although I like John Eliot Gardiner's recordings of Bach's Cantatas, Helmuth Rilling's recording of the entire Bach Cantatas is a superb achievement. The quality of singing and ensemble performance is second to none. What is most appealing is the consistency of performance. All of the Cantatas are well performed. The Hanssler recordings are warm and well balanced and competitively priced. I highly recommend this collection."Report Abuse
Great Muisc - Great Set - Great ValueOctober 6, 2013By J. Markley (Junction City, KS)See All My Reviews"This is a fabulous set and a tremendous value. The performers are first rate. The music is some of the greatest composed. Some may argue about a more purist, historical approach, but the performances are wonderful. Highly recommended."Report Abuse
"What can one say?"October 6, 2013By Fred J Harris (Downers Grove, IL)See All My Reviews"Wonderfully performed, perfectly recorded, a delight in every way. Both the choral and solo voices are so clear that the German text is understandable. The balance between the singers and instruments could not be improved."Report Abuse