Notes and Editorial Reviews
Hänssler CLASSIC is proud to present Helmuth Rilling's landmark recording of the complete Bach Cantatas in a new, specially-price collector's edition. Rilling was the first conductor to ever record the complete Bach cantatas and still, 25 years after they were first released in celebration of the Bach tercentennial in 1985, they remain the standard by which all other interpretations are judged.
Praise for some of the original recordings that make up this set:
Complete Cantatas
"There is no question as to the excellence and distinction of many of Rilling's soloists, which feature a number of famous Bach specialists of the last quartet of a century...Rilling has proved a pragmatist in matters
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of historical performance practice; he adopts brisk tempos and light accents at times, but allows himself considerable expressive and agogic freedom." – Penguin Guide [2003/4 Edition]
In particular, Rilling's unaffectedly musical, period-performance-influenced but undogmatic approach seems designed to sustain long-term listener satisfaction. He's so strong in the basic qualities that matter most. For example, he has the best soloists of any major series of Bach vocal works--names like Arlene Auger, Juliane Banse, Matthias Goerne, Christophe Prégardien, Christine Schäfer--the list reads like a "who's who" of major late-20th-century singers. The choral singing also is uniformly superb.
– David Hurwitz, ClassicsToday.com
Christmas Cantatas
The intensity of colour and expression in these works is stunning – the surging, brass-capped elation of Unser Mund sei voll Lachens, so full of the simple joy of the Christian message, the searching meditation on temptation in Selig ist der Mann, the seemingly bottomless well of spiritual sustenance plumbed in the chorale conclusions. Rilling’s performances (on modern instruments) are neatly tailored and naturally benevolent in nature, buoyant with the wholesomeness and warmth that this great music so frequently emanates. There is simply no better way of celebrating a musical Christmas.
– Terry Blain, BBC Music Magazine
Secular Cantatas
I'm not sure whether Helmuth Rilling has acquired a reputation for seriousness, though his recorded legacy—crowned by his complete Bach sacred cantatas series—has tended toward music of high purpose; for a primarily choral conductor, it couldn't be otherwise. Nevertheless, he shows a light touch on this disc that is in keeping with this music's intent to entertain. Rilling continues to buck trends. His instruments are modern, and his choir is relatively large (49 voices) but always precise and flexible. He does not always forsake velocity, as collectors of the sacred cantatas series will recall: Pales's wonderful second aria and its appended instrumental interlude skip smartly along. "Sheep" obeys the speed limit, but just barely. As usual, Rilling has assembled a splendid set of young soloists, who not only sing well but also get with the action.
– George Chien, Fanfare
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Works on This Recording
1.
Wie schön leuchtet der Morgenstern, BWV 1 by Johann Sebastian Bach
Performer:
Walter Heldwein (Bass),
Philippe Huttenlocher (Bass),
Aldo Baldin (Tenor),
Arleen Augér (Soprano),
Helen Watts (Alto),
Inga Nielsen (Soprano),
Gabriele Schreckenbach (Alto),
Adalbert Kraus (Tenor),
Lutz-Michael Harder (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1725; Leipzig, Germany
2.
Ach Gott, vom Himmel sieh' darein, BWV 2 by Johann Sebastian Bach
Performer:
Walter Heldwein (Bass),
Lutz-Michael Harder (Tenor),
Adalbert Kraus (Tenor),
Inga Nielsen (Soprano),
Gabriele Schreckenbach (Alto),
Arleen Augér (Soprano),
Helen Watts (Alto),
Aldo Baldin (Tenor),
Philippe Huttenlocher (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
3.
Ach Gott, wie manches Herzeleid, BWV 3 by Johann Sebastian Bach
Performer:
Walter Heldwein (Bass),
Lutz-Michael Harder (Tenor),
Adalbert Kraus (Tenor),
Inga Nielsen (Soprano),
Gabriele Schreckenbach (Alto),
Arleen Augér (Soprano),
Helen Watts (Alto),
Aldo Baldin (Tenor),
Philippe Huttenlocher (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1725; Leipzig, Germany
4.
Christ lag in Todesbanden, BWV 4 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1708; Weimar, Germany
5.
Wo soll ich fliehen hin?, BWV 5 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
6.
Bleib bei uns, denn es will Abend werden, BWV 6 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1725; Leipzig, Germany
7.
Christ, unser Herr, zum Jordan kam, BWV 7 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
8.
Liebster Gott, wenn werd' ich sterben?, BWV 8 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
9.
Meine Seel' erhebt den Herren, BWV 10 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
10.
Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio" by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1735; Leipzig, Germany
11.
Weinen, Klagen, Sorgen, Zagen, BWV 12 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1714; Weimar, Germany
12.
Meine Seufzer, meine Tränen, BWV 13 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1726; Leipzig, Germany
13.
Wär Gott nicht mit uns diese Zeit, BWV 14 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1735; Leipzig, Germany
14.
Herr Gott, dich loben wir, BWV 16 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1726; Leipzig, Germany
15.
Wer Dank opfert, der preiset mich, BWV 17 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1726; Leipzig, Germany
16.
Gleich wie der Regen und Schnee vom Himmel fällt, BWV 18 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: ?1715; Cöthen, Germany
17.
Es erhub sich ein Streit, BWV 19 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Frankfurt Kantorei,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1726; Leipzig, Germany
18.
O Ewigkeit, du Donnerwort, BWV 20 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Frankfurt Kantorei,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
19.
Ich hatte viel Bekümmernis, BWV 21 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1714; Cöthen, Germany
20.
Jesus nahm zu sich die Zwölfe, BWV 22 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1723; Cöthen, Germany
21.
Du wahrer Gott und Davids Sohn, BWV 23 by Johann Sebastian Bach
Performer:
Arleen Augér (Soprano),
Helen Watts (Alto),
Aldo Baldin (Tenor),
Niklaus Tüller (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1723; Cöthen, Germany
Language: German
22.
Ein ungefärbt Gemüte von deutscher Treu und Güte, BWV 24 by Johann Sebastian Bach
Performer:
Helen Watts (Alto),
Katharina Pugh (Alto),
Walter Heldwein (Bass),
Arleen Augér (Soprano),
Adalbert Kraus (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1723; Leipzig, Germany
Language: German
23.
Es ist nichts Gesundes an meinem Leibe, BWV 25 by Johann Sebastian Bach
Performer:
Adalbert Kraus (Tenor),
Arleen Augér (Soprano),
Philippe Huttenlocher (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1723; Leipzig, Germany
Language: German
24.
Ach wie flüchtig, ach wie nichtig, ist der Menschen Leben, BWV 26 by Johann Sebastian Bach
Performer:
Adalbert Kraus (Tenor),
Philippe Huttenlocher (Bass),
Doris Soffel (Alto),
Arleen Augér (Soprano)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
Language: German
25.
Wer weiss, wie nahe mir mein Ende, BWV 27 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Period: Baroque
Written: 1726; Leipzig, Germany
26.
Gottlob! nun geht das Jahr zu Ende, BWV 28 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Period: Baroque
Written: 1725; Leipzig, Germany
27.
Wir danken dir, Gott, BWV 29 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Period: Baroque
Written: 1731; Leipzig, Germany
28.
Freue dich, erlöste Schar, BWV 30 by Johann Sebastian Bach
Performer:
Wolfgang Schöne (Bass),
Philippe Huttenlocher (Bass),
Arleen Augér (Soprano),
Aldo Baldin (Tenor),
Mechthild Georg (Alto),
Adalbert Kraus (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart,
Indiana University Chamber Singers
Period: Baroque
Written: 1738; Leipzig, Germany
29.
Der Himmel lacht! die Erde jubilieret, BWV 31 by Johann Sebastian Bach
Performer:
Philippe Huttenlocher (Bass),
Wolfgang Schöne (Bass),
Arleen Augér (Soprano),
Adalbert Kraus (Tenor),
Mechthild Georg (Alto),
Aldo Baldin (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart,
Indiana University Chamber Singers
Period: Baroque
Written: 1715; Cöthen, Germany
30.
Liebster Jesu, mein Verlangen, BWV 32 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1726; Leipzig, Germany
31.
Allein zu dir, Herr Jesu Christ, BWV 33 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
32.
O ewiges Feuer, O Ursprung der Liebe, BWV 34 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: after 1740; Leipzig, Germany
33.
Geist und Seele wird verwirret, BWV 35 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1726; Leipzig, Germany
34.
Schwingt freudig euch empor, BWV 36 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1731; Leipzig, Germany
35.
Wer da gläubet und getauft wird, BWV 37 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
36.
Aus tiefer Not schrei'ich zu dir, BWV 38 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
37.
Brich dem Hungrigen dein Brot, BWV 39 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1726; Leipzig, Germany
38.
Dazu ist erschienen der Sohn Gottes, BWV 40 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1723; Leipzig, Germany
39.
Jesu, nun sei gepreiset, BWV 41 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1725; Leipzig, Germany
40.
Am Abend aber desselbigen Sabbats, BWV 42 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1725; Leipzig, Germany
41.
Gott fähret auf mit Jauchzen, BWV 43 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1726; Leipzig, Germany
42.
Sie werden euch in den Bann tun, BWV 44 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
43.
Es ist dir gesagt, Mensch, was gut ist, BWV 45 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1726; Leipzig, Germany
44.
Schauet doch und sehet, ob irgend ein Schmerz sei, wie mein Schmerz, BWV 46 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1723; Leipzig, Germany
45.
Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1726; Leipzig, Germany
46.
Ich elender Mensch, wer wird mich erlösen vom Leibe dieses Todes, BWV 48 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1723; Leipzig, Germany
47.
Ich geh' und suche mit Verlangen, BWV 49 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1726; Leipzig, Germany
48.
Nun ist das Heil und die Kraft, BWV 50 [fragment] by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: ?1723; ?Leipzig, Germany
49.
Jauchzet Gott in allen Landen, BWV 51 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Written: 1730
50.
Falsche Welt, dir trau' ich nicht, BWV 52 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1726; Leipzig, Germany
51.
Widerstehe doch der Sünde, BWV 54 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1714; Cöthen, Germany
52.
Ich armer Mensch, ich Sündenknecht, BWV 55 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1726; Leipzig, Germany
53.
Ich will den Kreuzstab gerne tragen, BWV 56 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1726; Leipzig, Germany
54.
Selig ist der Mann, der die Anfechtung erdulet, BWV 57 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Written: 1725
55.
Ach Gott, wie manches Herzeleid, BWV 58 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1727; Leipzig, Germany
56.
Wer mich liebet, der wird mein Wort halten, BWV 59 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: circa 1723-1724; Leipzig, Germany
57.
O Ewigkeit, du Donnerwort, BWV 60 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1723; Leipzig, Germany
58.
Nun komm, der Heiden Heiland, BWV 61 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1714; Cöthen, Germany
59.
Nun komm, der Heiden Heiland, BWV 62 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
60.
Christen, ätzet diesen Tag, BWV 63 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1713-1715; Cöthen, Germany
61.
Sehet, welch eine Liebe, BWV 64 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1723; Leipzig, Germany
62.
Sie werden aus Saba alle kommen, BWV 65 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
63.
Erfreut euch, ihr Herzen, entweichet ihr Schmerzen, es lebet der Heiland, BWV 66 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
64.
Halt im Gedächtnis Jesum Christ, der auferstanden ist von der Todten, BWV 67 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
65.
Also hat Gott die Welt geliebt, BWV 68 by Johann Sebastian Bach
Performer:
Arleen Augér (Soprano),
Philippe Huttenlocher (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1725; Leipzig, Germany
66.
Lobe den Herrn, meine Seele; und vergiss nicht, was er dir Gutes getan, BWV 69 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: circa 1743; Leipzig, Germany
67.
Wachet! Betet! Betet! Wachet!, BWV 70 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1723; Leipzig, Germany
68.
Gott ist mein König, BWV 71 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1708; Mühlhausen, Germany
69.
Alles nur nach Gottes Willen, BWV 72 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1726; Leipzig, Germany
70.
Herr, wie du willt, so schicks mit mir, BWV 73 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
71.
Wer mich liebet, der wird mein Wort halten, BWV 74 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1725; Leipzig, Germany
72.
Die Elenden sollen essen, dass sie satt werden, BWV 75 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1723; Cöthen, Germany
73.
Die Himmel erzählen die Ehre Gottes, BWV 76 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1723; Leipzig, Germany
74.
Du sollst Gott, deinen Herren Lieben, BWV 77 by Johann Sebastian Bach
Performer:
Helen Donath (Soprano),
Wolfgang Schöne (Bass),
Adalbert Kraus (Tenor),
Julia Hamari (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1723; Leipzig, Germany
75.
Jesu, der du meine Seele, BWV 78 by Johann Sebastian Bach
Performer:
Aldo Baldin (Tenor),
Carolyn Watkinson (Alto),
Arleen Augér (Soprano),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
76.
Gott, der Herr, ist Sonn und Schild, BWV 79 by Johann Sebastian Bach
Performer:
Philippe Huttenlocher (Bass),
Arleen Augér (Soprano),
Julia Hamari (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1725; Leipzig, Germany
77.
Ein feste Burg ist unser Gott, BWV 80 by Johann Sebastian Bach
Performer:
Arleen Augér (Soprano),
Gabriele Schreckenbach (Alto),
Philippe Huttenlocher (Bass),
Lutz-Michael Harder (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Gächinger Kantorei Stuttgart,
Württemberg Chamber Orchestra Heilbronn
Period: Baroque
Written: by 1744; Leipzig, Germany
78.
Jesus schläft, was soll ich hoffen?, BWV 81 by Johann Sebastian Bach
Performer:
Adalbert Kraus (Tenor),
Julia Hamari (Alto),
Siegmund Nimsgern (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
79.
Ich habe genug, BWV 82 by Johann Sebastian Bach
Performer:
Dietrich Fischer-Dieskau (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium
Period: Baroque
Written: 1727; Cöthen, Germany
80.
Erfreute Zeit im neuen Bunde, BWV 83 by Johann Sebastian Bach
Performer:
Helen Watts (Alto),
Adalbert Kraus (Tenor),
Walter Heldwein (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
81.
Ich bin vergnügt mit meinem Glücke, das mir der liebe Gott beschert, BWV 84 by Johann Sebastian Bach
Performer:
Arleen Augér (Soprano)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Gächinger Kantorei Stuttgart,
Württemberg Chamber Orchestra Heilbronn
Period: Baroque
Written: 1727; Leipzig, Germany
82.
Ich bin ein guter Hirt, BWV 85 by Johann Sebastian Bach
Performer:
Adalbert Kraus (Tenor),
Arleen Augér (Soprano),
Gabriele Schreckenbach (Alto),
Walter Heldwein (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1725; Leipzig, Germany
83.
Wahrlich, wahrlich ich sage euch, BWV 86 by Johann Sebastian Bach
Performer:
Arleen Augér (Soprano),
Adalbert Kraus (Tenor),
Helen Watts (Alto),
Walter Heldwein (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
84.
Bisher habt ihr nichts gebeten in meinem Namen, BWV 87 by Johann Sebastian Bach
Performer:
Julia Hamari (Alto),
Aldo Baldin (Tenor),
Walter Heldwein (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1725; Leipzig, Germany
85.
Siehe, ich will viel Fischer aussenden, BWV 88 by Johann Sebastian Bach
Performer:
Adalbert Kraus (Tenor),
Wolfgang Schöne (Bass),
Ingeborg Reichelt (Soprano),
Verena Gohl-Müller (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Stuttgart Gedächtniskirche Figuralchor
Period: Baroque
Written: 1726; Leipzig, Germany
86.
Was soll ich aus dir machen, Ephraim, BWV 89 by Johann Sebastian Bach
Performer:
Helen Watts (Alto),
Arleen Augér (Soprano),
Philippe Huttenlocher (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1723; Leipzig, Germany
87.
Es reisset euch ein schrecklich Ende, ihr sündlichen verächter, hin, BWV 90 by Johann Sebastian Bach
Performer:
Adalbert Kraus (Tenor),
Helen Watts (Alto),
Siegmund Nimsgern (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1723; Leipzig, Germany
88.
Gelobet seist du, Jesu Christ, BWV 91 by Johann Sebastian Bach
Performer:
Helen Watts (Alto),
Helen Donath (Soprano),
Adalbert Kraus (Tenor),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Frankfurt Kantorei,
Gächinger Kantorei Stuttgart
...
Period: Baroque
Written: 1724; Leipzig, Germany
89.
Ich hab in Gottes Herz und Sinn mein Herz und Sinn ergeben, BWV 92 by Johann Sebastian Bach
Performer:
Philippe Huttenlocher (Bass),
Gabriele Schreckenbach (Alto),
Helen Watts (Alto),
Arleen Augér (Soprano),
Aldo Baldin (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1725; Leipzig, Germany
90.
Wer nur den lieben Gott lässt walten, BWV 93 by Johann Sebastian Bach
Performer:
Adalbert Kraus (Tenor),
Walter Heldwein (Bass),
Ann Murray (Alto),
Arleen Augér (Soprano)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
91.
Was frag ich nach der Welt und allen ihren Schatten wenn ich mich nur an dir, mein Jesu, BWV 94 by Johann Sebastian Bach
Performer:
Else Paaske (Alto),
Wolfgang Schöne (Bass),
Aldo Baldin (Tenor),
Hanns-Friedrich Kunz (Bass),
Helen Donath (Soprano)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
92.
Christus, der ist mein Leben, BWV 95 by Johann Sebastian Bach
Performer:
Arleen Augér (Soprano),
Walter Heldwein (Bass),
Adalbert Kraus (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1723; Leipzig, Germany
93.
Herr Christ, der ein'ge Gottessohn, BWV 96 by Johann Sebastian Bach
Performer:
Helen Donath (Soprano),
Marga Höffgen (Alto),
Adalbert Kraus (Tenor),
Siegmund Nimsgern (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
94.
In allen meinen Taten, BWV 97 by Johann Sebastian Bach
Performer:
Helen Donath (Soprano),
Adalbert Kraus (Tenor),
Heldrun Gardow (Alto),
Philippe Huttenlocher (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1734; Leipzig, Germany
95.
Was Gott tut, das ist wohlgetan, BWV 98 by Johann Sebastian Bach
Performer:
Lutz-Michael Harder (Tenor),
Walter Heldwein (Bass),
Julia Hamari (Alto),
Arleen Augér (Soprano)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1726; Leipzig, Germany
96.
Was Gott tut, das ist wohlgetan, BWV 99 by Johann Sebastian Bach
Performer:
John Bröcheler (Bass),
Helen Watts (Alto),
Arleen Augér (Soprano),
Lutz-Michael Harder (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
97.
Was Gott tut, das ist wohlgetan, BWV 100 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: circa 1735; Leipzig, Germany
Venue: Gedächtniskirche, Stuttgart, Germany
Length: 22 Minutes 12 Secs.
Language: German
98.
Nimm von uns, Herr, du treuer Gott, BWV 101 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
Venue: Gedächtniskirche, Stuttgart, Germany
Length: 24 Minutes 0 Secs.
Language: German
99.
Herr, deine Augen sehen nach dem Glauben, BWV 102 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1726; Leipzig, Germany
Date of Recording: 02/1972
Venue: Gedächtniskirche, Stuttgart, Germany
Length: 23 Minutes 35 Secs.
Language: German
100.
Ihr werdet weinen und heulen, aber die Welt wird sich Freuen, BWV 103 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1725; Leipzig, Germany
Venue: Gedächtniskirche, Stuttgart, Germany
Length: 16 Minutes 20 Secs.
Language: German
101.
Du Hirte Israel, höre, BWV 104 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
Venue: Gedächtniskirche, Stuttgart, Germany
Length: 16 Minutes 45 Secs.
Language: German
102.
Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1723; Leipzig, Germany
Venue: Gedächtniskirche, Stuttgart, Germany
Length: 25 Minutes 20 Secs.
Language: German
103.
Gottes Zeit ist die allerbeste, BWV 106 "Actus tragicus" by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: by 1708; Mühlhausen, Germany
Venue: Gedächtniskirche, Stuttgart, Germany
Length: 21 Minutes 34 Secs.
Language: German
104.
Was willst du dich betrüben, o meine liebe Seel', BWV 107 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
Venue: Gedächtniskirche, Stuttgart, Germany
Length: 17 Minutes 2 Secs.
Language: German
105.
Es ist euch gut, das ich hingehe, BWV 108 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1725; Leipzig, Germany
Venue: Gedächtniskirche, Stuttgart, Germany
Length: 16 Minutes 37 Secs.
Language: German
106.
Ich glaube, lieber Herr, hilf meinem Unglauben!, BWV 109 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1723; Leipzig, Germany
Venue: Gedächtniskirche, Stuttgart, Germany
Length: 25 Minutes 12 Secs.
Language: German
107.
Unser Mund sei voll Lachens, BWV 110 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1725; Leipzig, Germany
Venue: Gedächtniskirche, Stuttgart, Germany
Length: 26 Minutes 33 Secs.
Language: German
108.
Was mein Gott will, das g'scheh allzeit, BWV 111 by Johann Sebastian Bach
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1725; Leipzig, Germany
Venue: Gedächtniskirche, Stuttgart, Germany
Length: 19 Minutes 58 Secs.
Language: German
109.
Der Herr ist mein getreuer Hirt, BWV 112 by Johann Sebastian Bach
Performer:
Walter Heldwein (Bass),
Gabriele Schreckenbach (Alto),
Inga Nielsen (Soprano),
Aldo Baldin (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1731; Leipzig, Germany
110.
Herr Jesu Christ, du höchstes Gut, BWV 113 by Johann Sebastian Bach
Performer:
Gabriele Schreckenbach (Alto),
Arleen Augér (Soprano),
Adalbert Kraus (Tenor),
Niklaus Tüller (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Frankfurt Kantorei,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
111.
Ach, lieben Christen, seid getrost, BWV 114 by Johann Sebastian Bach
Performer:
Julia Hamari (Alto),
Kurt Equiluz (Tenor),
Gabriele Schnaut (Soprano),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Frankfurt Kantorei,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
112.
Mache dich, mein Geist, bereit, BWV 115 by Johann Sebastian Bach
Performer:
Arleen Augér (Soprano),
Helen Watts (Alto),
Wolfgang Schöne (Bass),
Lutz-Michael Harder (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
113.
Du Freidefürst, Herr Jesu Christ, BWV 116 by Johann Sebastian Bach
Performer:
Philippe Huttenlocher (Bass),
Arleen Augér (Soprano),
Helen Watts (Alto),
Lutz-Michael Harder (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
114.
Sei Lob und Ehr dem höchsten Gut, BWV 117 by Johann Sebastian Bach
Performer:
Mechthild Georg (Alto),
Adalbert Kraus (Tenor),
Andreas Schmidt (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Gächinger Kantorei Stuttgart,
Württemberg Chamber Orchestra Heilbronn
Period: Baroque
Written: 1724; Leipzig, Germany
115.
Preise, Jerusalem, den Herrn, BWV 119 by Johann Sebastian Bach
Performer:
Ann Murray (Alto),
Arleen Augér (Soprano),
Adalbert Kraus (Tenor),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1723; Leipzig, Germany
116.
Gott, mann lobet dich in der Stille, BWV 120 by Johann Sebastian Bach
Performer:
Helen Donath (Soprano),
Hildegard Laurich (Alto),
Adalbert Kraus (Tenor),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1728-1729; Leipzig, Germany
117.
Christum wir sollen loben schon, BWV 121 by Johann Sebastian Bach
Performer:
Adalbert Kraus (Tenor),
Doris Soffel (Alto),
Arleen Augér (Soprano),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
118.
Das neugeborne Kindelein, BWV 122 by Johann Sebastian Bach
Performer:
Niklaus Tüller (Bass),
Adalbert Kraus (Tenor),
Helen Donath (Soprano),
Helen Watts (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Frankfurt Kantorei
Period: Baroque
Written: 1724; Leipzig, Germany
119.
Liebster Immanuel, Herzog der Frommen, BWV 123 by Johann Sebastian Bach
Performer:
Helen Watts (Alto),
Adalbert Kraus (Tenor),
Philippe Huttenlocher (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1725; Leipzig, Germany
120.
Meinen Jesum lass ich nicht, BWV 124 by Johann Sebastian Bach
Performer:
Wolfgang Schöne (Bass),
Arleen Augér (Soprano),
Aldo Baldin (Tenor),
Helen Watts (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1725; Leipzig, Germany
121.
Mit Fried und Freud ich fahr dahin, BWV 125 by Johann Sebastian Bach
Performer:
Wolfgang Schöne (Bass),
Marga Höffgen (Alto),
Kurt Equiluz (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Stuttgart Gedächtniskirche Figuralchor
Period: Baroque
Written: 1725; Leipzig, Germany
122.
Erhalt uns, Herr, bei dienem Wort, BWV 126 by Johann Sebastian Bach
Performer:
Adalbert Kraus (Tenor),
Helen Watts (Alto),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1725; Leipzig, Germany
Language: German
123.
Herr Jesu Christ, wahr' Mensch und Gott, BWV 127 by Johann Sebastian Bach
Performer:
Wolfgang Schöne (Bass),
Arleen Augér (Soprano),
Lutz-Michael Harder (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1725; Leipzig, Germany
Language: German
124.
Auf Christi Himmelfahrt allein, BWV 128 by Johann Sebastian Bach
Performer:
Gabriele Schreckenbach (Alto),
Aldo Baldin (Tenor),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Written: 1725
Language: German
125.
Gelobet sei der Herr, mein Gott, BWV 129 by Johann Sebastian Bach
Performer:
Philippe Huttenlocher (Bass),
Arleen Augér (Soprano),
Gabriele Schreckenbach (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1726; Leipzig, Germany
Language: German
126.
Herr Gott, dich loben alle wir, BWV 130 by Johann Sebastian Bach
Performer:
Gabriele Schnaut (Alto),
Kathrin Graf (Soprano),
Adalbert Kraus (Tenor),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Stuttgart Gedächtniskirche Figuralchor,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
127.
Aus der Tiefen rufe ich, Herr, zu dir, BWV 131 by Johann Sebastian Bach
Performer:
Adalbert Kraus (Tenor),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium
Period: Baroque
Written: 1707; Mühlhausen, Germany
128.
Bereitet die Wege, bereitet die Bahn!, BWV 132 by Johann Sebastian Bach
Performer:
Arleen Augér (Soprano),
Helen Watts (Alto),
Kurt Equiluz (Tenor),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium
Period: Baroque
Written: 1715; Weimar, Germany
129.
Ich freue mich in dir, BWV 133 by Johann Sebastian Bach
Performer:
Hedda Rothweiler (Oboe d'amore),
Kurt Etzold (Bassoon),
Hubert Buchberger (Violin),
Klaus Kärcher (Oboe d'amore),
Philippe Huttenlocher (Bass),
Aldo Baldin (Tenor),
Doris Soffel (Alto),
Hans-Joachim Erhard (Harpsichord),
Hans-Joachim Erhard (Organ),
Albert Michael Locher (Double Bass),
Hans Haublein (Cello),
Arleen Augér (Soprano)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
Date of Recording: 1980
Venue: Gedächtnis Church, Stuttgart, Germany
Length: 20 Minutes 26 Secs.
Language: German
130.
Ein Herz, das seinen Jesum lebend weiss, BWV 134 by Johann Sebastian Bach
Performer:
Jürgen Wolf (Cello),
Peter Gartiser (Double Bass),
Montserrat Torrent (Organ),
Walter Forchert (Violin),
Günter Pfitzenmaier (Bassoon),
Hedda Rothweiler (Oboe),
Jacques Chambon (Oboe),
Adalbert Kraus (Tenor),
Helen Watts (Alto),
Martha Schuster (Harpsichord)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
Date of Recording: 1976-77
Venue: Gedächtnis Church, Stuttgart, Germany
Length: 31 Minutes 20 Secs.
Language: German
131.
Ach Herr, mich armen Sünder straf nicht in deinem Zorn, BWV 135 by Johann Sebastian Bach
Performer:
Hans-Joachim Erhard (Harpsichord),
Hedda Rothweiler (Oboe),
Hans-Joachim Erhard (Organ),
Philippe Huttenlocher (Bass),
Adalbert Kraus (Tenor),
Helen Watts (Alto),
Günther Passin (Oboe),
Barbara Haupt-Brauckmann (Cello),
Klaus Thunemann (Bassoon),
Hans Wolf (Trumpet),
Thomas Lom (Double Bass),
Hermann Josef Kahlenbach (Trombone)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
Date of Recording: 02/1979
Venue: Gedächtnis Church, Stuttgart, Germany
Length: 14 Minutes 41 Secs.
Language: German
132.
Erforsche mich, Gott, und erfahre mein Herz, prüfe mich und erfahre, wie ich's meine, BWV 136 by Johann Sebastian Bach
Performer:
Kurt Equiluz (Tenor),
Niklaus Tüller (Bass),
Helen Watts (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1723; Leipzig, Germany
Language: German
133.
Lobe den Herrn, den mächtigen König der Ehren, BWV 137 by Johann Sebastian Bach
Performer:
Adalbert Kraus (Tenor),
Walter Heldwein (Bass),
Arleen Augér (Soprano),
Gabriele Schreckenbach (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1725; Leipzig, Germany
Language: German
134.
Warum betrübst du dich, mein Herz?, BWV 138 by Johann Sebastian Bach
Performer:
Ria Bollen (Alto),
Arleen Augér (Soprano),
Aldo Baldin (Tenor),
Philippe Huttenlocher (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1723; Leipzig, Germany
Language: German
135.
Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen!, BWV 139 by Johann Sebastian Bach
Performer:
Philippe Huttenlocher (Bass),
Adalbert Kraus (Tenor),
Inga Nielsen (Soprano),
Helen Watts (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724-1725; Leipzig, Germany
Language: German
136.
Wachet auf, ruft uns die Stimme, BWV 140 by Johann Sebastian Bach
Performer:
Arleen Augér (Soprano),
Aldo Baldin (Tenor),
Philippe Huttenlocher (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Württemberg Chamber Orchestra Heilbronn
Period: Baroque
Written: 1731; Leipzig, Germany
137.
Lobe den Herrn, meine Seele, BWV 143 by Johann Sebastian Bach
Performer:
Adalbert Kraus (Tenor),
Eva Csapó (Soprano),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Frankfurt Kantorei,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: Leipzig, Germany
138.
Nimm, was dein ist, und gehe hin, BWV 144 by Johann Sebastian Bach
Performer:
Helen Watts (Alto),
Arleen Augér (Soprano),
Adalbert Kraus (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium
Period: Baroque
Written: 1724; Leipzig, Germany
139.
Ich lebe, mein Herze, zu deinem Ergötzen, BWV 145 by Johann Sebastian Bach
Performer:
Andreas Schmidt (Bass),
Constanza Cuccaro (Soprano),
Adalbert Kraus (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Württemberg Chamber Orchestra Heilbronn
Period: Baroque
Written: 1729; Leipzig, Germany
140.
Wir müssen durch viel Trübsal in das Reich Gottes eingehen, BWV 146 by Johann Sebastian Bach
Performer:
Kurt Equiluz (Tenor),
Hanns-Friedrich Kunz (Bass),
Helen Donath (Soprano),
Marga Höffgen (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium
Period: Baroque
Written: 1728; Leipzig, Germany
141.
Herz und Mund und Tat und Leben, BWV 147 by Johann Sebastian Bach
Performer:
Wolfgang Schöne (Bass),
Arleen Augér (Soprano),
Helen Watts (Alto),
Kurt Equiluz (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Frankfurt Kantorei,
Gächinger Kantorei Stuttgart
Written: 1723
142.
Bringet dem Herrn Ehre seines Namens, betet an den Herrn in Heil'gem Schmuck, BWV 148 by Johann Sebastian Bach
Performer:
Helen Watts (Alto),
Kurt Equiluz (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1723; Leipzig, Germany
Language: German
143.
Man singet mit Freuden vom Sieg, BWV 149 by Johann Sebastian Bach
Performer:
Philippe Huttenlocher (Bass),
Aldo Baldin (Tenor),
Arleen Augér (Soprano),
Mechthild Georg (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1728; Leipzig, Germany
Language: German
144.
Nach dir, Herr, verlanget mich, BWV 150 by Johann Sebastian Bach
Performer:
Hanns-Friedrich Kunz (Bass),
Magdalene Schreiber (Soprano),
Peter Maus (Tenor),
Margret Jetter (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: circa 1708-1709; Cöthen, Germany
Language: German
145.
Süsser Trost, mein Jesus kömmt, BWV 151 by Johann Sebastian Bach
Performer:
Hanns-Friedrich Kunz (Bass),
Nobuko Yamamoto (Soprano),
Hildegard Laurich (Alto),
Adalbert Kraus (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Frankfurt Kantorei
Written: 1725
Language: German
146.
Tritt auf die Glaubensbahn, BWV 152 by Johann Sebastian Bach
Performer:
Arleen Augér (Soprano),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1714; Cöthen, Germany
Language: German
147.
Schau, lieber Gott, wie meine Feind', BWV 153 by Johann Sebastian Bach
Performer:
Ann Murray (Alto),
Walter Heldwein (Bass),
Adalbert Kraus (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
Language: German
148.
Mein liebster Jesus ist verloren, BWV 154 by Johann Sebastian Bach
Performer:
Walter Heldwein (Bass),
Ann Murray (Alto),
Aldo Baldin (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
Language: German
149.
Mein Gott, wie lang, ach lange, BWV 155 by Johann Sebastian Bach
Performer:
Ingeborg Reichelt (Soprano),
Norma Lerer (Alto),
Friedreich Melzer (Tenor),
Hanns-Friedrich Kunz (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1716; Cöthen, Germany
Language: German
150.
Ich steh' mit einem Fuss im Grabe, BWV 156: Sinfonia/Arioso by Johann Sebastian Bach
Performer:
Kurt Equiluz (Tenor),
Hildegard Laurich (Alto),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Stuttgart Gedächtniskirche Figuralchor
Period: Baroque
Written: 1729; Leipzig, Germany
Language: German
151.
Ich lasse dich nicht, du segnest mich denn, BWV 157 by Johann Sebastian Bach
Performer:
Philippe Huttenlocher (Bass),
Adalbert Kraus (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: ?1728; Leipzig, Germany
Language: German
152.
Der Friede sei mit dir, BWV 158 by Johann Sebastian Bach
Performer:
Philippe Huttenlocher (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: after 1723; Leipzig, Germany
Language: German
153.
Sehet, wir gehn hinauf gen Jerusalem, BWV 159 by Johann Sebastian Bach
Performer:
Julia Hamari (Alto),
Aldo Baldin (Tenor),
Philippe Huttenlocher (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1729; Leipzig, Germany
Language: German
154.
Komm, du süsse Todesstunde, BWV 161 by Johann Sebastian Bach
Performer:
Adalbert Kraus (Tenor),
Hildegard Laurich (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Frankfurt Kantorei
Period: Baroque
Written: 1715; Cöthen, Germany
Language: German
155.
Ach, ich sehe, itzt, da ich zu Hochzeit gehe, BWV 162 by Johann Sebastian Bach
Performer:
Kurt Equiluz (Tenor),
Arleen Augér (Soprano),
Alyce Rogers (Alto),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Frankfurt Kantorei
Period: Baroque
Written: 1715; Cöthen, Germany
Language: German
156.
Nur jedem das Seine, BWV 163 by Johann Sebastian Bach
Performer:
Niklaus Tüller (Bass),
Adalbert Kraus (Tenor),
Arleen Augér (Soprano),
Helen Watts (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1715; Cöthen, Germany
Language: German
157.
Ihr, die ihr euch von Christo nennet, BWV 164 by Johann Sebastian Bach
Performer:
Walter Heldwein (Bass),
Lutz-Michael Harder (Tenor),
Edith Wiens (Soprano),
Julia Hamari (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1728; Leipzig, Germany
Language: German
158.
O heiliges Geist- und Wasserbad, das Gottes Reich uns einverliebet, BWV 165 by Johann Sebastian Bach
Performer:
Arleen Augér (Soprano),
Kurt Equiluz (Tenor),
Wolfgang Schöne (Bass),
Alyce Rogers (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Frankfurt Kantorei
Period: Baroque
Written: 1715; Cöthen, Germany
Language: German
159.
Wo gehest du hin?, BWV 166 by Johann Sebastian Bach
Performer:
Aldo Baldin (Tenor),
Wolfgang Schöne (Bass),
Helen Watts (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
Language: German
160.
Ihr Menschen, rühmet Gottes Liebe, BWV 167 by Johann Sebastian Bach
Performer:
Adalbert Kraus (Tenor),
Heldrun Gardow (Alto),
Niklaus Tüller (Bass),
Kathrin Graf (Soprano)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Stuttgart Gedächtniskirche Figuralchor
Period: Baroque
Written: 1723; Leipzig, Germany
Language: German
161.
Tue Rechnung! Donnerwort, BWV 168 by Johann Sebastian Bach
Performer:
Nancy Burns (Soprano),
Theo Altmeyer (Tenor),
Siegmund Nimsgern (Bass),
Verena Gohl-Müller (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Frankfurt Kantorei
Period: Baroque
Written: 1725; Leipzig, Germany
Language: German
162.
Gott soll allein mein Herze haben, BWV 169 by Johann Sebastian Bach
Performer:
Carolyn Watkinson (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Gächinger Kantorei Stuttgart,
Württemberg Chamber Orchestra Heilbronn
Period: Baroque
Written: 1726; Leipzig, Germany
163.
Vergnügte Ruh, beliebte Seelenlust, BWV 170 by Johann Sebastian Bach
Performer:
Julia Hamari (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium
Period: Baroque
Written: 1726; Leipzig, Germany
164.
Gott, wie dein Name, so ist auch dein Ruhm, BWV 171 by Johann Sebastian Bach
Performer:
Walter Heldwein (Bass),
Aldo Baldin (Tenor),
Arleen Augér (Soprano),
Julia Hamari (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Gächinger Kantorei Stuttgart,
Württemberg Chamber Orchestra Heilbronn
Period: Baroque
Written: ?1729; Leipzig, Germany
165.
Lobe den Erschallet, ihr Lieder, erklinget ihr Saiten!, BWV 172 by Johann Sebastian Bach
Performer:
Wolfgang Schöne (Bass),
Eva Csapó (Soprano),
Doris Soffel (Alto),
Adalbert Kraus (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Frankfurt Kantorei,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1714; Weimar, Germany
Language: German
166.
Erhöhtes Fleisch und Blut, BWV 173 by Johann Sebastian Bach
Performer:
Niklaus Tüller (Bass),
Adalbert Kraus (Tenor),
Judith Beckmann (Soprano),
Helen Watts (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
Language: German
167.
Ich liebe den Höchsten von ganzem Gemüte, BWV 174 by Johann Sebastian Bach
Performer:
Julia Hamari (Soprano),
Wolfgang Schöne (Bass),
Aldo Baldin (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart,
Württemberg Chamber Orchestra Heilbronn
Period: Baroque
Written: 1729; Leipzig, Germany
Language: German
168.
Er rufet seinen Schafen mit Namen und führet sie hinaus, BWV 175 by Johann Sebastian Bach
Performer:
Carolyn Watkinson (Alto),
Peter Schreier (Tenor),
Philippe Huttenlocher (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1725; Leipzig, Germany
Language: German
169.
Es ist ein trotzig und verzagt Ding um aller Menschen Herze, BWV 176 by Johann Sebastian Bach
Performer:
Carolyn Watkinson (Alto),
Walter Heldwein (Bass),
Inga Nielsen (Soprano)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1725; Leipzig, Germany
Language: German
170.
Ich ruf zu dir, Herr Jesu Christ, BWV 177 by Johann Sebastian Bach
Performer:
Arleen Augér (Soprano),
Julia Hamari (Alto),
Peter Schreier (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1732; Leipzig, Germany
Language: German
171.
Wo Gott, der Herr, nicht bei uns hält wenn unsre Feinden toben, BWV 178 by Johann Sebastian Bach
Performer:
Kurt Equiluz (Tenor),
Gabriele Schreckenbach (Alto),
Aldo Baldin (Tenor),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
Language: German
172.
Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei, BWV 179 by Johann Sebastian Bach
Performer:
Arleen Augér (Soprano),
Kurt Equiluz (Tenor),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1723; Leipzig, Germany
Language: German
173.
Schmücke dich, o liebe Seele, lass die dunkle Sünden höhle, komm an's helle Licht gegangen, BWV 180 by Johann Sebastian Bach
Performer:
Carolyn Watkinson (Alto),
Walter Heldwein (Bass),
Arleen Augér (Soprano),
Adalbert Kraus (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
Language: German
174.
Leichtgesinnte Flattergeister, BWV 181 by Johann Sebastian Bach
Performer:
Kurt Equiluz (Tenor),
Gabriele Schnaut (Alto),
Niklaus Tüller (Bass),
Arleen Augér (Soprano),
Gabriele Schreckenbach (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
Language: German
175.
Himmelskönig sei willkommen, BWV 182 by Johann Sebastian Bach
Performer:
Philippe Huttenlocher (Bass),
Aldo Baldin (Tenor),
Doris Soffel (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1714; Cöthen, Germany
176.
Sie werden euch in den Bann tun, BWV 183 by Johann Sebastian Bach
Performer:
Walter Heldwein (Bass),
Julia Hamari (Alto),
Arleen Augér (Soprano),
Peter Schreier (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1725; Leipzig, Germany
177.
Erwünschtes Freudenlicht, BWV 184 by Johann Sebastian Bach
Performer:
Niklaus Tüller (Bass),
Gabriele Schnaut (Alto),
Arleen Augér (Soprano),
Adalbert Kraus (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
178.
Barmherziges Herze der ewigen Liebe, BWV 185 by Johann Sebastian Bach
Performer:
Hildegard Laurich (Alto),
Arleen Augér (Soprano),
Philippe Huttenlocher (Bass),
Aldo Baldin (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Frankfurt Kantorei
Period: Baroque
Written: 1715; Cöthen, Germany
179.
Ärgre dich, o Seele, nicht, BWV 186 by Johann Sebastian Bach
Performer:
Arleen Augér (Soprano),
Philippe Huttenlocher (Bass),
Helen Watts (Alto),
Kurt Equiluz (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1723; Leipzig, Germany
180.
Es wartet alles auf dich, dass du ihnen Speise, BWV 187 by Johann Sebastian Bach
Performer:
Maria Friesenhausen (Soprano),
Hildegard Laurich (Alto),
Wolfgang Schöne (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1726; Leipzig, Germany
181.
Ich habe meine Zuversicht auf den getreuen Gott gericht, BWV 188 by Johann Sebastian Bach
Performer:
Aldo Baldin (Tenor),
Walter Heldwein (Bass),
Arleen Augér (Soprano),
Julia Hamari (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Gächinger Kantorei Stuttgart,
Württemberg Chamber Orchestra Heilbronn
Period: Baroque
Written: ?1728; Leipzig, Germany
Language: German
182.
Singet dem Herrn ein neues Lied, BWV 190 by Johann Sebastian Bach
Performer:
Helen Watts (Alto),
Kurt Equiluz (Tenor),
Niklaus Tüller (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
Language: German
183.
Gloria in excelsis Deo, BWV 191 by Johann Sebastian Bach
Performer:
Adalbert Kraus (Tenor),
Nobuko Yamamoto (Soprano)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Written: after 1740
Language: German
184.
Nun danket alle Gott, BWV 192 by Johann Sebastian Bach
Performer:
Helen Donath (Soprano),
Niklaus Tüller (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1730; Leipzig, Germany
Language: German
185.
Ihr Tore zu Zion, BWV 193 by Johann Sebastian Bach
Performer:
Arleen Augér (Soprano),
Judith Beckmann (Soprano),
Julia Hamari (Alto),
Adalbert Kraus (Tenor),
Walter Heldwein (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1727; Germany
186.
Höchsterwünschtes Freudenfest, BWV 194 by Johann Sebastian Bach
Performer:
Arleen Augér (Soprano),
Judith Beckmann (Soprano),
Julia Hamari (Alto),
Adalbert Kraus (Tenor),
Walter Heldwein (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1724; Leipzig, Germany
187.
Dem Gerechten muss das Licht, BWV 195 by Johann Sebastian Bach
Performer:
Elisabeth Graf (Alto),
Shihomi Inoue-Heller (Soprano),
Andreas Schmidt (Baritone),
Oly Pfaff (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Gächinger Kantorei Stuttgart,
Württemberg Chamber Orchestra Heilbronn
Period: Baroque
Written: circa 1737; Leipzig, Germany
Language: German
188.
Der Herr denket an uns, BWV 196 by Johann Sebastian Bach
Performer:
Niklaus Tüller (Bass),
Doris Soffel (Soprano),
Aldo Baldin (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: ?1708; Weimar, Germany
Language: German
189.
Gott ist unser Zuversicht, BWV 197 by Johann Sebastian Bach
Performer:
Constanza Cuccaro (Soprano),
Mechthild Georg (Alto),
Philippe Huttenlocher (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Gächinger Kantorei Stuttgart,
Württemberg Chamber Orchestra Heilbronn
Period: Baroque
Written: 1739-1742; Leipzig, Germany
Language: German
190.
Lass, Fürstin, lass noch einen Strahl, BWV 198 by Johann Sebastian Bach
Performer:
Philippe Huttenlocher (Bass),
Gabriele Schreckenbach (Alto),
Arleen Augér (Soprano),
Aldo Baldin (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1727; Leipzig, Germany
191.
Mein Herze schwimmt im Blut, BWV 199 by Johann Sebastian Bach
Performer:
Arleen Augér (Soprano)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1714; Cöthen, Germany
192.
Bekennen will ich seinen Namen, BWV 200 by Johann Sebastian Bach
Performer:
Mechthild Georg (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: ?1742; Leipzig, Germany
193.
Der Streit zwischen Phoebus und Pan, BWV 201 by Johann Sebastian Bach
Performer:
James Taylor (Tenor),
Lothar Odinius (Tenor),
Sibylla Rubens (Soprano),
Ingeborg Danz (Alto),
Matthias Goerne (Bass),
Dietrich Henschel (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: ?1729; Leipzig, Germany
194.
Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata" by Johann Sebastian Bach
Performer:
Sibylla Rubens (Soprano)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium
Period: Baroque
Written: circa 1718-1723; Cöthen, Germany
195.
Amore traditore, BWV 203 by Johann Sebastian Bach
Performer:
Dietrich Henschel (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium
Period: Baroque
Written: Germany
196.
Ich bin in mir vergnügt, BWV 204 by Johann Sebastian Bach
Performer:
Sibylla Rubens (Soprano)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium
Period: Baroque
Written: 1726-1727; Leipzig, Germany
197.
Der zufriedengestellte Äolus, BWV 205 by Johann Sebastian Bach
Performer:
Yvonne Naef (Alto),
Christoph Genz (Tenor),
Andreas Schmidt (Baritone),
Sibylla Rubens (Soprano)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1725; Leipzig, Germany
Language: German
198.
Quodlibet, BWV 524 [fragment] by Johann Sebastian Bach
Performer:
Andreas Schmidt (Baritone),
Harro Bertz (Double Bass),
Michael Behringer (Harpsichord),
Michael Gross (Cello),
Sibylla Rubens (Soprano),
Ingeborg Danz (Alto),
Marcus Ullmann (Tenor)
Conductor:
Helmuth Rilling
Period: Baroque
Written: 1707; Cöthen, Germany
Language: German
199.
Schleicht spielende Wellen, BWV 206 by Johann Sebastian Bach
Performer:
Christine Schäfer (Soprano),
Michael Volle (Bass),
Ingeborg Danz (Alto),
Stanford Olsen (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 10/07/1733; Leipzig, Germany
200.
Auf, schmetternde Töne, BWV 207a by Johann Sebastian Bach
Performer:
Christine Schäfer (Soprano),
Michael Volle (Bass),
Ingeborg Danz (Alto),
Stanford Olsen (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1735; Leipzig, Germany
201.
Vereingte Zwietracht der wechselnden Saiten, BWV 207 by Johann Sebastian Bach
Performer:
Marcus Ullmann (Tenor),
Klaus Häger (Bass),
Marlis Petersen (Soprano)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1726; Germany
202.
Was mir behagt, ist nur die muntre Jagd!, BWV 208 "Hunt Cantata" by Johann Sebastian Bach
Performer:
Eva Kirchner (Soprano),
James Taylor (Tenor),
Matthias Goerne (Bass),
Sibylla Rubens (Soprano)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1713; Cöthen, Germany
203.
Non sa che sia dolore, BWV 209 by Johann Sebastian Bach
Performer:
Sibylla Rubens (Soprano)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium
Period: Baroque
Written: ?1734; Leipzig, Germany
204.
O holder Tag, erwünschte Zeit, BWV 210 by Johann Sebastian Bach
Performer:
Sibylla Rubens (Soprano)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium
Period: Baroque
Written: ?1740; Leipzig, Germany
205.
Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata" by Johann Sebastian Bach
Performer:
Thomas Quasthoff (Bass),
Christine Schäfer (Soprano),
James Taylor (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium
Period: Baroque
Written: circa 1734-1735; Leipzig, Germany
206.
Mer Hahn en neue Oberkeet, BWV 212 "Peasant Cantata" by Johann Sebastian Bach
Performer:
Harro Bertz (Double Bass),
Francis Goutou (Cello),
Christine Schäfer (Soprano),
Boris Kleiner (Harpsichord),
Thomas Quasthoff (Bass),
Jan Karas (French Horn),
Jean-Claude Gérard (Flute)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1742; Leipzig, Germany
Language: German
207.
Hercules auf dem Scheidewege, BWV 213 by Johann Sebastian Bach
Performer:
Andreas Schmidt (Baritone),
Sibylla Rubens (Soprano),
Ingeborg Danz (Alto),
Constanze Schumacher (Alto),
Marcus Ullmann (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: by 1733; Leipzig, Germany
Language: German
208.
Tönet, ihr Pauken! Erschallet Trompeten!, BWV 214 by Johann Sebastian Bach
Performer:
Sibylla Rubens (Soprano),
Ingeborg Danz (Alto),
Marcus Ullmann (Tenor),
Andreas Schmidt (Baritone)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: 1733; Leipzig, Germany
Language: German
209.
Preise dein Glücke, gesegnetes Sachsen, BWV 215 by Johann Sebastian Bach
Performer:
Dietrich Henschel (Bass),
Sibylla Rubens (Soprano),
Markus Schäfer (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium,
Gächinger Kantorei Stuttgart
Period: Baroque
Written: Germany
Language: German
210.
Angenehmes Wiederau, freue dich, BWV 30a by Johann Sebastian Bach
Performer:
Marcus Ullmann (Tenor),
Christiane Oelze (Soprano),
Andreas Schmidt (Bass),
Ingeborg Danz (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium
Period: Baroque
Written: 1737; Leipzig, Germany
Date of Recording: 03/2000
Venue: Stadthalle Leonberg, Germany
Length: 34 Minutes 20 Secs.
Language: German
211.
Schwingt freudig euch empor, BWV 36c by Johann Sebastian Bach
Performer:
Marcus Ullmann (Tenor),
Eva Oltiványi (Soprano),
Andreas Schmidt (Bass)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium
Period: Baroque
Written: 1725; Leipzig, Germany
Date of Recording: 03/2000
Venue: Stadthalle, Leonberg, Germany
Length: 24 Minutes 37 Secs.
Language: German
212.
Die Freude reget sich, BWV 36b by Johann Sebastian Bach
Performer:
Ingeborg Danz (Alto),
Christiane Oelze (Soprano),
Marcus Ullmann (Tenor)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium
Period: Baroque
Written: ?1735; Germany
Date of Recording: 03/2000
Venue: Stadthalle, Leonberg, Germany
Length: 6 Minutes 57 Secs.
Language: German
213.
Die Zeit, die Tag und Jahre macht, BWV 134a by Johann Sebastian Bach
Performer:
Marcus Ullmann (Tenor),
Ingeborg Danz (Alto)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium
Period: Baroque
Written: 1719; Cöthen, Germany
Date of Recording: 04/2000
Venue: Stadthalle, Leonberg, Germany
Length: 36 Minutes 8 Secs.
Language: German
214.
Durchlauchtster Leopold, BWV 173a by Johann Sebastian Bach
Performer:
Klaus Häger (Bass),
Marlis Petersen (Soprano)
Conductor:
Helmuth Rilling
Orchestra/Ensemble:
Stuttgart Bach Collegium
Period: Baroque
Written: circa ?1722; Germany
Date of Recording: 03/2000
Venue: Stadthalle, Leonberg, Germany
Length: 19 Minutes 12 Secs.
Language: German
Customer Reviews
Average Customer Review: 
( 6 Customer Reviews )
Great Muisc - Great Set - Great Value October 6, 2013
By J. Markley (Chapman, KS) See All My Reviews
"This is a fabulous set and a tremendous value. The performers are first rate. The music is some of the greatest composed. Some may argue about a more purist, historical approach, but the performances are wonderful. Highly recommended."
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"What can one say?" October 6, 2013
By Fred J Harris (Downers Grove, IL) See All My Reviews
"Wonderfully performed, perfectly recorded, a delight in every way. Both the choral and solo voices are so clear that the German text is understandable. The balance between the singers and instruments could not be improved."
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Bach's most outstanding work October 5, 2013
By Ivan Arguelles (Berkeley, CA) See All My Reviews
"The entire set of Bach's cantatas is a revelation. Bach obviously poured the best of his creative spirit and energies into the cantatas. Listened to as a whole, as one organic composition, is to be in touch with western classical music at its most sublime and inventive. 70 cds might seem too much, but cd after cd offers multiple surprises of joy and awe. The sheer imagination and inventiveness in both instrumental and vocal settings indeed astounds the ear! Bach's depth of feeling is unsurpassed, and the range of emotions from the tragic to the sublime with all shades and nuances in between is simply amazing. The collective whole of the cantatas clearly sets Bach above and beyond the rank of great composers."
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