Notes and Editorial Reviews
ENGLISH LOVE
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Mark Stone (bar); Stephen Barlow (pn)
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STONE RECORDS 5060192780000 (73: 47
Text and Translation)
VAUGHAN WILLIAMS
Silent noon. Love bade me welcome.
DOWLAND
Awake, sweet love. Come again! Sweet Love doth now invite.
QUILTER
Go, lovely rose. Love’s philosophy.
PURCELL/BRITTEN
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I attempt from Love’s sickness to fly. If music be the food of love.
BRIDGE
Come to me in my dreams. Love went a-riding.
HANDEL/SOMERVEIL
Silent worship.
IRELAND
If we must part. Love is a sickness full of woes.
HAYDN
Piercing eyes. Pleasing pain.
BUTTERWORTH
With rue my heart is laden. When I was one-and-twenty.
WARLOCK
Take, o take thine lips away. Thou gav’st me leave to kiss.
HANDEL/PROUT
Where’er you walk.
FINZI
To Lizbie Browne. I said to Love.
BRITTEN
The salley gardens. Wild with passion.
BARLOW
If thou would’st ease thine heart
This is another lovely recording in the series of English song discs by Mark Stone on his own artist-led label. There are two duplications with the Butterworth disc he has also released, but the disc is generous enough even if you subtract the three-and-a-half minute duration of the pair.
Stone’s light, lyric baritone is perfectly suited for this mostly gentle material, and he sings with great sensitivity to text and to dynamic shading. The voice can lose body when he pushes it too hard, and he does have occasional problems with intonation (for example, the end of the verse “For Love has more pow’r and less mercy than fate/to make us seek ruin and love those that hate” from Purcell’s
I attempt from Love’s sickness to fly
). But those moments are fleeting, and the overriding impression of the disc is one of some beautiful, tender, and warm songs delivered with sincerity, musicality, and an attractive natural baritone voice.
Many of these songs have received fine individual recordings, but as a collection the disc is
sui generis
. With its range from Dowland (born in 1563) to Barlow (born in 1954) it covers a lot of ground. Some of the material that is rarely encountered is some of the best. Gerald Finzi’s two songs, for example, offer particularly fine examples of setting words to music with total integration and a natural flow.
I said to Love
is the most starkly dramatic of the songs on this disc, and receives a powerful performance. The two songs of Peter Warlock underline the tragedy of his suicide at age 36. He had a strong, lyrical gift, and these songs stay in the memory long after hearing them. The final song on the disc is by Stone’s pianist, Stephen Barlow, and is excellent.
Perhaps the best collection of various English songs on one disc is “Silent Noon,” the DG recording by Bryn Terfel and Malcolm Martineau (477 5336). If you love this repertoire, that is essential. Stone doesn’t have the overwhelming vocal and dramatic presence of Terfel, but there is very little duplication between the two recordings. Terfel’s has a wider range of subject matter, and therefore of mood. But Stone’s should not be thought of as entirely intimate and gentle. He aptly subtitles the disc “Songs of Passion, Pain & Pleasure,” and the high drama of songs like Britten’s
Wild with passion
offer contrast to the more lyrical ones that otherwise dominate. Barlow is a fine pianist who sounds at home in all of the styles represented here. Excellent notes accompany the disc.
FANFARE: Henry Fogel
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I first encountered the voice of the English baritone, Mark Stone, when I reviewed the first volume of his edition of the complete songs of Roger Quilter - when will Volume Two appear, I wonder? I commented then that he “possesses a good, pleasing voice, which he uses with intelligence and good taste.” And I think that verdict holds good in terms of this new release. As was the case on that Quilter release, he receives excellent support from Stephen Barlow.
And that Quilter project has had a surprising outcome. In his booklet note Mark Stone relates that when he and Stephen Barlow were researching Quilter’s songs they came across references to four songs which are now lost. Stone had the happy idea of suggesting to Barlow that he should compose his own versions of the songs in question “in the style of, and as a homage to, Quilter.” At the very end of this disc we hear the second of that quartet, presumably receiving its first recording. It’s an engaging setting of words by Thomas Lovell Beddoes (1803-1849), who, by chance or design, also furnished the text for Britten’s Wild with passion. Barlow’s song is a gently melancholic piece. It sounds completely convincing and it’s also rather lovely in its own right. I’d like very much to hear the complete set.
All the other composers on the programme are represented by two songs and the recital has been thoughtfully designed. For the most part, each pair of songs by the more recent English composers contrast nicely with each other. In between each pairing is placed a single example of a song from an earlier age, an arrangement that works well.
The Vaughan Williams pair begins with an account of Silent Noon that’s a touch too slow for my taste. Stone sings expressively, though he displays an occasional tendency to over-emphasise individual words - in this case the word “rosy”, which occurs as early as the second line. This habit crops up on a few other occasions in the recital. It’s not a major flaw but the effect is a little jarring when it happens, not least because it means the line is broken. Happily, an eloquent account of Love bade me welcome is much more successful.
I enjoyed the Quilter group. Love’s philosophy features on the aforementioned Quilter recital and once again it’s done well, with both performers conveying the eagerness of the setting. They’re equally adept at catching the mood of Go, lovely rose. In the Ireland coupling I much prefer, as a song, Love is a sickness full of woes to its more lachrymose companion. Bridge is represented by two very fine songs. Love went a-riding is probably the better known. This histrionic offering is given a proud, dramatic performance and Stephen Barlow seems to make light of the fiendish piano part. Somewhat less familiar, perhaps, is Come to me in my dreams. This is a wonderful song and Stone puts it across very well, especially the gentle longing of the first and last stanzas.
Bridge’s most famous pupil, Britten, is represented both as composer and arranger. His arrangement of The salley gardens is very well known. However, I can’t recall hearing his Beddoes setting, Wild with passion, before. This short song was, like A Ceremony of Carols, a product of Britten’s voyage back across the Atlantic when he and Peter Pears returned from the USA during the Second World War. It’s appropriately tempestuous. Britten is also credited with the Purcell arrangements. His realisation of If music be the food of love is a bit florid for my taste but Stone copes well with the ornate line. I like the way that he fines down his voice for I attempt from Love’s sickness to fly. Stephen Barlow’s accompaniments to both of these songs are tasteful.
In fact all the early songs are well done. Both performers display a light touch for the Dowland pieces and the same is true for the Handel offerings. In these Stone adds just the right amount of decoration to the vocal line in the da capo sections and I particularly warmed to his account of Silent worship. The two Haydn pieces are fairly slight but they are nonetheless delightful and good-humoured.
This is an intelligently planned and well-executed recital. We are certainly not short of discs of English song these days – hurrah!. This one is well worth hearing and I appreciate the thought that has gone into the choice of the items included in the programme and the positioning of them within it. The sessions took place in the pleasing acoustics of Potton Hall, Suffolk, which is seemingly becoming a venue of choice for recordings of song recitals. The documentation is good and is clearly laid out.
-- John Quinn, MusicWeb International Read less
Works on This Recording
1.
If thou would'st ease thine heart by Stephen Barlow
Performer:
Mark Stone (Baritone),
Stephen Barlow (Piano)
2.
Love went a-riding, H 114 by Frank Bridge
Performer:
Mark Stone (Baritone),
Stephen Barlow (Piano)
Period: 20th Century
Written: 1914; England
3.
Come to me in my dreams, H 71 by Frank Bridge
Performer:
Mark Stone (Baritone),
Stephen Barlow (Piano)
Period: 20th Century
Written: 1906; England
4.
Wild with passion by Benjamin Britten
Performer:
Mark Stone (Baritone),
Stephen Barlow (Piano)
Period: 20th Century
Written: 1942; England
5.
Folksongs (7), Volume 1: no 1, Salley Gardens by Benjamin Britten
Performer:
Mark Stone (Baritone),
Stephen Barlow (Piano)
Period: 20th Century
Written: 1943; England
6.
Songs (6) from A Shropshire Lad: When I was one-and-twenty by George Butterworth
Performer:
Mark Stone (Baritone),
Stephen Barlow (Piano)
Period: 20th Century
Written: 1911; England
7.
Bredon Hill and Other Songs: With rue my heart is laden by George Butterworth
Performer:
Mark Stone (Baritone),
Stephen Barlow (Piano)
Period: 20th Century
Written: 1912; England
8.
Firste Booke of Songes or Ayres: no 17, Come againe, sweet love doth now envite by John Dowland
Performer:
Mark Stone (Baritone),
Stephen Barlow (Piano)
Period: Renaissance
Written: 1597; England
9.
Awake sweet love, P 92 by John Dowland
Performer:
Mark Stone (Baritone),
Stephen Barlow (Piano)
Period: Renaissance
Written: England
10.
I Said to Love, Op. 19b by Gerald Finzi
Performer:
Mark Stone (Baritone),
Stephen Barlow (Piano)
Period: 20th Century
Written: England
11.
Earth and Air and Rain, Op. 15: no 7, To Lizbie Browne by Gerald Finzi
Performer:
Mark Stone (Baritone),
Stephen Barlow (Piano)
Period: 20th Century
Written: 1928-1932; England
12.
Tolomeo, HWV 25: Non lo dirò con labbro "Silent Worship" by George Frideric Handel
Performer:
Mark Stone (Baritone),
Stephen Barlow (Piano)
Period: Baroque
Written: by 1728; London, England
13.
Semele, HWV 58: Where'er you walk by George Frideric Handel
Performer:
Mark Stone (Baritone),
Stephen Barlow (Piano)
Period: Baroque
Written: 1744; London, England
14.
Original Canzonettas Book 2, H 26a: no 35, Piercing eyes by Franz Joseph Haydn
Performer:
Mark Stone (Baritone),
Stephen Barlow (Piano)
Period: Classical
Written: 1795; London, England
15.
Original Canzonettas Book 1, H 26a: no 29, Pleasing pain by Franz Joseph Haydn
Performer:
Mark Stone (Baritone),
Stephen Barlow (Piano)
Period: Classical
Written: 1794; London, England
16.
Love is a sickness full of woes by John Ireland
Performer:
Mark Stone (Baritone),
Stephen Barlow (Piano)
Period: 20th Century
Written: England
17.
If we must part by John Ireland
Performer:
Mark Stone (Baritone),
Stephen Barlow (Piano)
Period: 20th Century
Written: 1929; England
18.
Indian Queen, Z 630: I attempt from Love's sickness to fly by Henry Purcell
Performer:
Mark Stone (Baritone),
Stephen Barlow (Piano)
Period: Baroque
Written: 1695; England
19.
If music be the food of love, Z 379 by Henry Purcell
Performer:
Mark Stone (Baritone),
Stephen Barlow (Piano)
Period: Baroque
Written: 1692-1695; England
20.
Songs (3), Op. 3: no 1, Love's Philosophy by Roger Quilter
Performer:
Mark Stone (Baritone),
Stephen Barlow (Piano)
Period: 20th Century
Written: 1905; England
21.
English Love Lyrics (5), Op. 24: no 3, Go, lovely rose by Roger Quilter
Performer:
Mark Stone (Baritone),
Stephen Barlow (Piano)
Period: 20th Century
Written: 1922; England
22.
Mystical Songs (5): no 3, Love bade me welcome by Ralph Vaughan Williams
Performer:
Mark Stone (Baritone),
Stephen Barlow (Piano)
Period: 20th Century
Written: 1911; England
23.
House of life: no 2, Silent Noon by Ralph Vaughan Williams
Performer:
Mark Stone (Baritone),
Stephen Barlow (Piano)
Period: 20th Century
Written: 1903; England
24.
Take, o take those lips away by Peter Warlock
Performer:
Mark Stone (Baritone),
Stephen Barlow (Piano)
Period: 20th Century
Written: 1916; England
25.
Short Songs (2): no 2, Thou gav'st me leave to kiss by Peter Warlock
Performer:
Mark Stone (Baritone),
Stephen Barlow (Piano)
Period: 20th Century
Written: 1923; England
Sound Samples
The House of Life: No. 2. Silent Noon
5 Mystical Songs (version for voice and keyboard): 5 Mystical Songs: No. 3. Love bade me welcome (version for voice and piano)
Book of Songs, Book 1: Come again, sweet love doth now invite: Book of Songs, Book 1: Awake sweet love, thou art returned
5 English Love Lyrics, Op. 24: No. 3. Go, Lovely Rose
3 Songs, Op. 3 (text by P.B. Shelley): 3 Songs, Op. 3: No. 1. Love's Philosophy
The Indian Queen, Z. 630 (arr. B. Britten): The Indian Queen, Z. 630, Act III: Solo: I Attempt from Love's Sickness (arr. B. Britten)
Come to me in my Dreams: Come to me in my dreams
Tolomeo, HWV 25, Act I: Aria: Non Io diro col labbro (arr. Somervell): Tolomeo, HWV 25, Act I: Aria: Non Io diro col labbro (Silent worship) (arr. A. Somervell)
Love is a Sickness Full of Woes
6 Original Canzonettas, Book 2, Hob.XXVIa:31-36 (text by Anonymous): 6 Original Canzonettas, Book 2, Hob.XXVIa:31-36: No. 5. Piercing Eyes, Hob.XXVIa:35
Bredon Hill and Other Songs: No. 5. With Rue My Heart is Laden
6 Songs from A Shropshire Lad: No. 2. When I was one-and-twenty
6 Original Canzonettas, Book 1, Hob.XXIVa:25-30: No. 5. Pleasing Pain, Hob.XXVIa:29
Take, O take those lips away
Thou gav'st me leave to kiss
Semele, HWV 58 (arr. E. Prout): Semele, HWV 58, Act II Scene 3: Aria: Where'er you walk (arr. E. Prout)
Earth and Air and Rain, Op. 15: No. 7. To Lizbie Browne
I said to Love, Op. 19b: I said to Love
If music be the food of love, Z. 379 (arr. B. Britten)
Folk Song Arrangements, Vol. 1, "British Isles": No. 1. The Salley Gardens
Book of Songs, Book 1: Come again, sweet love doth now invite
If thou would'st ease thine heart
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