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Dowland: I Saw My Lady Weep, Etc / Thomas E. Binkley, Et Al


Release Date: 10/08/2002 
Label:  Archiv Produktion (Dg)   Catalog #: 471721   Spars Code: ADD 
Composer:  John Dowland
Performer:  Nigel RogersAndrea von RammGrayston BurgessKarl-Heinz Klein
Conductor:  Thomas Binkley
Orchestra/Ensemble:  Studio for Early Music
Number of Discs: 1 
Recorded in: Stereo 
Length: 0 Hours 55 Mins. 

Low Stock: Currently 3 or fewer in stock. Usually ships in 24 hours, unless stock becomes depleted.  

This CD is reissued by ArkivMusic.

Works on This Recording

1.
Second Booke of Songes or Ayres: no 1, I saw my lady weepe by John Dowland
Performer:  Nigel Rogers (Tenor)
Conductor:  Thomas Binkley
Orchestra/Ensemble:  Studio for Early Music
Period: Renaissance 
Written: by 1600; England 
Language: English 
2.
A Pilgrimes Solace: no 9, Goe, nightly cares, the enemy to rest by John Dowland
Performer:  Andrea von Ramm (Mezzo Soprano)
Conductor:  Thomas Binkley
Orchestra/Ensemble:  Studio for Early Music
Period: Renaissance 
Written: 1612; England 
Language: English 
3.
Firste Booke of Songes or Ayres: no 5, Can she excuse my wrongs? by John Dowland
Performer:  Grayston Burgess (Countertenor)
Conductor:  Thomas Binkley
Orchestra/Ensemble:  Studio for Early Music
Period: Renaissance 
Written: 1597; England 
Language: English 
4.
Lachrimae or Seaven Teares: Lachrimae antiquae novae by John Dowland
Conductor:  Thomas Binkley
Orchestra/Ensemble:  Studio for Early Music
Period: Renaissance 
Written: 1604; England 
5.
A Pilgrimes Solace: no 8, Tell me, true Love by John Dowland
Performer:  Grayston Burgess (Countertenor)
Conductor:  Thomas Binkley
Orchestra/Ensemble:  Studio for Early Music
Period: Renaissance 
Written: 1612; England 
Language: English 
6.
Second Booke of Songes or Ayres: no 19, Shall I sue, shall I seeke for grace? by John Dowland
Performer:  Nigel Rogers (Tenor)
Conductor:  Thomas Binkley
Orchestra/Ensemble:  Studio for Early Music
Period: Renaissance 
Written: 1600; England 
Language: English 
7.
Second Booke of Songes or Ayres: no 3, Sorrow sorrow stay, lend true repentant teares by John Dowland
Performer:  Nigel Rogers (Tenor)
Conductor:  Thomas Binkley
Orchestra/Ensemble:  Studio for Early Music
Period: Renaissance 
Written: 1600; England 
Language: English 
8.
In darkness let mee dwell by John Dowland
Performer:  Grayston Burgess (Countertenor)
Conductor:  Thomas Binkley
Orchestra/Ensemble:  Studio for Early Music
Period: Renaissance 
Written: 1610; England 
Language: English 
9.
Lachrimae or Seaven Teares: Lachrimae verae by John Dowland
Conductor:  Thomas Binkley
Orchestra/Ensemble:  Studio for Early Music
Period: Renaissance 
Written: 1604; England 
10.
A Pilgrimes Solace: no 14, Thou mightie God by John Dowland
Performer:  Karl-Heinz Klein (Bass), Nigel Rogers (Tenor), Andrea von Ramm (Mezzo Soprano),
Grayston Burgess (Countertenor)
Conductor:  Thomas Binkley
Orchestra/Ensemble:  Studio for Early Music
Period: Renaissance 
Written: 1612; England 
Language: English 
11.
Third and Last Booke of Songes or Aires: no 5, Me, me and none but me by John Dowland
Performer:  Nigel Rogers (Tenor)
Conductor:  Thomas Binkley
Orchestra/Ensemble:  Studio for Early Music
Period: Renaissance 
Written: 1603; England 
Language: English 
12.
Second Booke of Songes or Ayres: no 14, Come ye heavie states of night by John Dowland
Performer:  Andrea von Ramm (Mezzo Soprano)
Conductor:  Thomas Binkley
Orchestra/Ensemble:  Studio for Early Music
Language: English 

Sound Samples

Second Booke of Songes, 1600: 1. I saw my lady weep
A Pilgrim's Solace (1612): 9. Go nightly cares
First Booke of Songes, 1597: 5. Can she excuse my wrongs
Lachrimae, 1604: Lachrimae Antiquae Novae
A Pilgrim's Solace (1612): 8. Tell me, true love
Second Booke of Songes, 1600: 19. Shall I sue
Second Booke of Songes, 1600: 3. Sorrow, stay
Second Booke of Songes, 1600: 14. Come ye heavy states of night
A Musicall Banquet: 10. In darkness let me dwell
Lachrimae, 1604: Lachrimae Verae
A Pilgrim's Solace (1612): 14. Thou mighty God
Third Booke of Songes, 1603: 5. Me, me and none but me

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