Notes and Editorial Reviews
Guaranteed to bring hours of pleasure - a must-have for Poulenc fans.
This second volume of a projected complete survey of Poulenc's songs – a delightful prospect – begins with one of his earliest and longest examples, the waltz-song
Toréador, which Poulenc described as a caricature of a music-hall song. Christopher Maltman sings it stylishly, with Malcolm Martineau contributing his usual artistry in conjuring a whole world of colours and moods from the piano part. With its subtle tempo fluctuations, it's a tricky song to bring off, but the pair achieve remarkable unanimity. Felicity Lott sings the three settings of Louise Lalanne (- a pseudonym for Marie Laurencin in Nos. 1 and 3, Apollinaire No.2)
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with her own distinctive artistry, if not always complete comfort or tonal beauty, while Martineau is quite sensational.
The two major items on this CD are the cycle
Tel jour, telle nuit and
Le travail du peintre. In the cycle, which is among the composer's masterpieces, Felicity Lott is still able to float some of the very highest notes, but elsewhere she takes a moment to settle on the centre. Her musicianship is still a lesson for all, making the fact that the poems are more naturally expressed by a man almost of no account, but one has to make other allowances. To find her in her prime, one should listen to her wonderful performance of the same cycle on
Hommage à Francis Poulenc (Forlane). Alternatively, choose the last track on this CD for her ravishing performance of
Les chemins de l'amour.
The thumb-nail sketches of seven artists - Picasso, Chagall, Braque, Gris, Klee, Miró and Villon - grouped as
Le travail de peintre (poems by Eluard), are sensitively sung by Maltman, though his slow vibrato occasionally threatens to distract. In the two Apollinaire settings Robert Murray sings superbly, showing a marvellous range of vocal colours and especially brilliant in
Dans le jardin d'Anna. I should have been glad to hear more than nine minutes of him. Lorna Anderson has slightly more to do and is excellent in the three Lorca settings. Jonathan Lemalu (five and a half minutes) has burnished tone, heard to splendid effect in
Hymne, and he is equally impressive in the completely different mood of
La tragique histoire du petit René. Saddest of all is the measly two and a half minutes allowed for our enjoyment of the wonderful legato lines of Lisa Milne. Her
Nuage is captivating.
So, generally these fine singers score pretty high in their projection and pronunciation of diverse texts, and their all-round musicianship. One's regrets over the short allocation of time given to some of them surely speaks for itself. Nevertheless, I am tempted to say that Martineau is the most outstanding performer here. I should love to hear him in Poulenc's solo piano music.
As in Volume One, it is good to have texts included, but again there are a couple of typos in the poems. Also as in the previous volume, Roger Nichols' notes are authoritative but do not cover every song. Why is this?
Overall this CD is guaranteed to bring hours of pleasure - a must-have for Poulenc fans.
-- Philip Borg-Wheeler, MusicWeb International
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Works on This Recording
1.
Toréador by Francis Poulenc
Performer:
Christopher Maltman (Baritone),
Malcolm Martineau (Piano)
Period: 20th Century
Written: 1918/1932; France
2.
Poèmes (3) de Louise Lalanne by Francis Poulenc
Performer:
Felicity Lott (Soprano),
Malcolm Martineau (Piano)
Period: 20th Century
Written: 1931; France
3.
Poèmes (2) d'Apollinaire by Francis Poulenc
Performer:
Robert Murray (Tenor),
Malcolm Martineau (Piano)
Period: 20th Century
Written: 1938; France
4.
Chansons (3) de Lorca by Francis Poulenc
Performer:
Lorna Anderson (Soprano),
Malcolm Martineau (Piano)
Period: 20th Century
Written: 1947; France
5.
Paul et Virginie by Francis Poulenc
Performer:
Lorna Anderson (Soprano),
Malcolm Martineau (Piano)
Period: 20th Century
Written: 1946; France
6.
Mélodies 1956 (2): no 2, Nuage by Francis Poulenc
Performer:
Lisa Milne (Soprano),
Malcolm Martineau (Piano)
Period: 20th Century
Written: 1956; France
7.
Hymne by Francis Poulenc
Performer:
Jonathan Lemalu (Bass Baritone),
Malcolm Martineau (Piano)
Period: 20th Century
Written: 1949; France
8.
Ce doux petit visage by Francis Poulenc
Performer:
Lorna Anderson (Soprano),
Malcolm Martineau (Piano)
Period: 20th Century
Written: 1939; France
9.
Poèmes (2) d'Aragon by Francis Poulenc
Performer:
Lorna Anderson (Soprano),
Malcolm Martineau (Piano)
Period: 20th Century
Written: 1943; France
10.
Priez pour paix by Francis Poulenc
Performer:
Lorna Anderson (Soprano),
Malcolm Martineau (Piano)
Period: 20th Century
Written: 1938; France
11.
Tel jour, telle nuit by Francis Poulenc
Performer:
Felicity Lott (Soprano),
Malcolm Martineau (Piano)
Period: 20th Century
Written: 1936-1937; France
12.
Chansons pour enfants (4): no 2, La tragique historie du petit René by Francis Poulenc
Performer:
Jonathan Lemalu (Bass Baritone),
Malcolm Martineau (Piano)
Period: 20th Century
Written: 1934; France
13.
Chansons pour enfants (4): no 3, Le petit garçon trop bien.. by Francis Poulenc
Performer:
Lorna Anderson (Soprano),
Malcolm Martineau (Piano)
Period: 20th Century
Written: 1934; France
14.
Le travail du peintre by Francis Poulenc
Performer:
Christopher Maltman (Baritone),
Malcolm Martineau (Piano)
Period: 20th Century
Written: 1956; France
15.
Léocadia: Les chemins de l'amour by Francis Poulenc
Performer:
Felicity Lott (Soprano),
Malcolm Martineau (Piano)
Period: 20th Century
Written: 1940; France
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