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A Cleare Day / Kenneth Weiss

Weiss,Kenneth
Release Date: 07/12/2011 
Label:  Satirino   Catalog #: 111   Spars Code: n/a 
Composer:  John MundayWilliam ByrdAnonymousOrlando Gibbons,   ... 
Performer:  Kenneth Weiss
Number of Discs: 1 
Recorded in: Stereo 
Length: 1 Hours 4 Mins. 

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Notes and Editorial Reviews



A CLEARE DAY: Pieces from the Fitzwilliam Virginal Book Kenneth Weiss (hpd, vgnl) SATIRINO SR111 (63:35)


Selections by Munday, Dowland, Byrd, Philips, Anonymous, Farnaby, Gibbons, Peerson, Tomkins, Richardson, Bull


This is an attractive, well-played collection of 14 pieces from the Fitwilliam Virginal Book. Kenneth Weiss has both the style brisé Read more down to perfect effect in such works as Philips’s Amarilli di Julio Romano , and the more virtuosic keyboard style used in such variational settings as Farnaby’s popular Wooddy-Cock . He phrases flexibly, chooses a range of effective tempos, and possesses all the technique demanded of the more complex pieces.


One interesting aspect of this recording is its use of three modern keyboards based on period instruments, their qualities suited to different aspects of this music. There’s a 2006 virginal, modeled on a 1585 Verona original, whose richly mellow tone makes so much of reflective pieces such as Gibbons’s Pavana . A 2005 single-manual harpsichord, based on a Ruckers original, has a bright, almost brassy tone, useful for Tomkins’s strutting Barafostus Dreame , and the almost arrogant Galliarda-Variation of Ferdinando Robinson. Another harpsichord, this time from 2007 and modeled on a 1697 instrument made by Carlo Grimaldi in Messina, Sicily, has that loud “ping” attack common to many contemporary Italian instruments, as well as their fast drop-off. I agree with Weiss’s use of it in both Wooddy-Cock and Bull’s Walsingham set of variations, as it helps clarify contrapuntal textures and maintain the underlying rhythmic pulse of the music.


If I do have a complaint, it’s a minor one regarding the selection of pieces Weiss has made. There are almost 300 of these in the manuscript, yet many aren’t currently available on easily accessed recordings—and here we have some of the most popular, often-anthologized works. Too bad a mix of well-known and seldom-heard music wasn’t featured instead.


The sound is excellent, and the liner notes, by musicologist Richard Langham Smith, more urbane, well read, and specific than is typical in these compilation discs, a couple of errors identifying which of the specific instruments is in use aside. My recommendation? There have been a few other keyboard discs based on the Fitzwilliam Virginal Book over the years, but the application of three such attractive keyboards give this one a distinctive sound, and distinct edge. Dare we hope that Weiss and Satirino will be moved to produce a second volume?


FANFARE: Barry Brenesal
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Works on This Recording

1.
Fantasia, for harpsichord by John Munday
Performer:  Kenneth Weiss (Harpsichord)
Venue:  Live  Centre Culturel de l'Entente Cordiale - 
Length: 3 Minutes 56 Secs. 
2.
Galliard in D minor no 2, MB 53 by William Byrd
Performer:  Kenneth Weiss (Harpsichord)
Period: Renaissance 
Written: England 
Venue:  Live  Centre Culturel de l'Entente Cordiale - 
Length: 1 Minutes 28 Secs. 
3.
Why aske you by Anonymous
Performer:  Kenneth Weiss (Virginal)
Venue:  Live  Centre Culturel de l'Entente Cordiale - 
Length: 1 Minutes 10 Secs. 
4.
Pavane no 16 in G minor by Orlando Gibbons
Performer:  Kenneth Weiss (Virginal)
Period: Renaissance 
Written: England 
Venue:  Live  Centre Culturel de l'Entente Cordiale - 
Length: 2 Minutes 46 Secs. 
5.
The woods so wild, MB 85 by William Byrd
Performer:  Kenneth Weiss (Harpsichord)
Period: Renaissance 
Written: England 
Venue:  Live  Centre Culturel de l'Entente Cordiale - 
Length: 3 Minutes 55 Secs. 
6.
The Queen's Alman, MB 10 by William Byrd
Performer:  Kenneth Weiss (Virginal)
Period: Renaissance 
Written: England 
Venue:  Live  Centre Culturel de l'Entente Cordiale - 
Length: 3 Minutes 3 Secs. 
7.
Pavana-Variation, for harpsichord by Ferdinando Richardson
Performer:  Kenneth Weiss (Harpsichord)
Venue:  Live  Centre Culturel de l'Entente Cordiale - 
Length: 4 Minutes 41 Secs. 
8.
Galliarda-Variation, for harpsichord by Ferdinando Richardson
Performer:  Kenneth Weiss (Harpsichord)
Venue:  Live  Centre Culturel de l'Entente Cordiale - 
Length: 3 Minutes 13 Secs. 
9.
The Fall of the Leafe, for harpsichord, P6/3 by Martin Peerson
Performer:  Kenneth Weiss (Virginal)
Period: Baroque 
Venue:  Live  Centre Culturel de l'Entente Cordiale - 
Length: 1 Minutes 56 Secs. 
10.
Pavana Lachrimae by John Dowland
Performer:  Kenneth Weiss (Harpsichord)
Period: Renaissance 
Written: England 
Venue:  Live  Centre Culturel de l'Entente Cordiale - 
Length: 5 Minutes 31 Secs. 
11.
Woody-Cock, MB 40 by Giles Farnaby
Performer:  Kenneth Weiss (Harpsichord)
Period: Baroque 
Written: England 
Venue:  Live  Centre Culturel de l'Entente Cordiale - 
Length: 6 Minutes 43 Secs. 
12.
Barafostus Dreame (Musica Britannica 62) by Thomas Tomkins
Performer:  Kenneth Weiss (Harpsichord)
Period: Baroque 
Written: England 
Venue:  Live  Centre Culturel de l'Entente Cordiale - 
Length: 5 Minutes 35 Secs. 
13.
Fitzwilliam Virginal Bk: Amarilli di Julio Romano by Peter Philips
Performer:  Kenneth Weiss (Virginal)
Period: Renaissance 
Written: England 
Venue:  Live  Centre Culturel de l'Entente Cordiale - 
Length: 3 Minutes 29 Secs. 
14.
Walsingham, for keyboard, MB 85 by John Bull
Performer:  Kenneth Weiss (Harpsichord)
Period: Renaissance 
Venue:  Live  Centre Culturel de l'Entente Cordiale - 
Length: 16 Minutes 5 Secs. 

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