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Rossini: La Cambiale Di Matrimonio / Franklin, Priante, Samsonova, Zanfardino, Mastrototaro

Rossini / Priante / Samsonova / Wbpo / Franklin
Release Date: 06/28/2011 
Label:  Naxos   Catalog #: 8660302   Spars Code: DDD 
Composer:  Gioachino Rossini
Performer:  Vito PrianteTomas WijaFrancesca Russo ErmolliGiulio Mastrototaro,   ... 
Conductor:  Christopher Franklin
Orchestra/Ensemble:  Wurttemberg Philharmonic Orchestra
Number of Discs: 1 
Length: 1 Hours 12 Mins. 

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Notes and Editorial Reviews

Lively and involving … a fine addition to the expanding list of Rossini operas on Naxos.

Rossini’s La cambiale di matrimonio was his first opera to be performed, premiered in 1810 at the Teatro San Moise in Venice. It ran for thirteen performances, which was not bad in the fast-paced Italian opera business. At the time Rossini was still a student at the Bologna Conservatory and in fact La cambiale di matrimonio was his second opera; Demetro e Polibio, written for another opera company was not premiered until 1812.

The libretto to La cambiale was by the experienced hand of Gaetano Rossi, who wrote the librettos for Tancredi and Semiramide. La
Read more cambiale isn’t quite in that class; it is based on a five-act comedy from 1790 which owes a lot to the comedies of Goldoni. The plot concerns the English merchant, Tobia Mill (Vita Priante), who desires to wed his daughter to a Canadian business contact Slook (Giulio Mastrototaro) very much as a business transaction. The daughter Fanny (Julija Samsonova) is in love with Eduardo Milfort (Daniele Zanfardino). The plot is helped along by Mill’s clerk Norton (Tomasz Wija) and the maid Clarina (Francesca Russo Ermolli). Needless to say all ends happily with Slook returning home disappointed.

La cambiale di matrimonio has not been that frequently on disc; not that the work is lacking in the necessary qualities but probably more because of the extensive dialogue – there is a great deal of it. In fact, in another composer’s hands it could have become little more than a comic play with songs. Instead Rossini creates a series of brilliant ensembles which certainly make the piece worth hearing.

This performance was recorded live at the Rossini in Wildbad festival with a cast which included four native Italians. This shows: the recording is vivid and entrancing, capturing the lively performance with dialogue rattling along at quite a rate of knots; there is also a bit of stage noise. The drawback is that Naxos provide only a detailed synopsis; you can download an Italian libretto but there doesn’t seem to be an English one which might put people off.

There are only four solo numbers - arias for Fanny and Clarina, entrance Cavatinas for Mill and for Slook. As was to become his wont in his serious operas, Rossini drives the plot through a series of duets, trios and ensembles with the first of his famous multi-part, dramatic finales.

The cast are perhaps not perfect, but their performances are all infectious. Priante and Mastrototaro are both a delight as the pair of buffo basses, making light of the fact that the tessitura of the parts seems to go rather high. They throw off Rossini’s roulades with a degree of abandon. Samsonova does not sing Fanny with quite the right amount of entrancing ripeness, at times her tone becomes a bit slender above the stave. Her account of the duet with Slook - where she has to repeatedly tell him that she will never be his - is inclined to be untidy, but this might also be the effect of the dramatic moment. These are not serious problems, she fits into the ensemble nicely. Zanfardino’s Milfort does not get an aria, though he duets with Samsonova; Zanfardino has a nicely slim lyric voice.

Wija and Russo Ermolli provide strong support in the important roles of Clarina and Norton. Russo Ermolli impresses in her aria. This Clarina is a young woman not a blowsy old maid and Russo Ermolli captures this nicely.

Under the lively direction of Christopher Franklin the Württemberg Philharmonic Orchestra acquits itself well, providing vivid support. They use a harpsichord for continuo.

This is a lively and involving account of Rossini’s first opera. Whilst not perfect, it does bring out the comic drama of the piece and is certainly a fine addition to the expanding list of Rossini operas on Naxos.
-- Robert Hugill, MusicWeb International
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Works on This Recording

1.
La cambiale di matrimonio by Gioachino Rossini
Performer:  Vito Priante (Baritone), Tomas Wija (Bass), Francesca Russo Ermolli (Mezzo Soprano),
Giulio Mastrototaro (Baritone), Julija Samsonova (Soprano), Daniele Zanfardino (Tenor)
Conductor:  Christopher Franklin
Orchestra/Ensemble:  Wurttemberg Philharmonic Orchestra
Period: Romantic 
Written: 1810; Italy 

Sound Samples

La cambiale di matrimonio: Sinfonia
La cambiale di matrimonio: Scene 1: Introduzione: Non c'e il vecchio sussurrone (Clarina, Norton)
La cambiale di matrimonio: Scene 2: Cavatina: Chi mai trova il dritto, il fondo (Mill)
La cambiale di matrimonio: Scene 2: Stretta dell'introduzione: Ecco una lettera per voi, signore (Norton, Clarina, Mill)
La cambiale di matrimonio: Scene 2: Recitativo: Ma, signore, questa lettera (Norton, Mill, Clarina)
La cambiale di matrimonio: Scene 3: Duetto: Tornami a dir che m'ami (Edoardo, Fanny)
La cambiale di matrimonio: Scene 3: Recitativo: Si, cara mia, speriam: fra pochi giorni (Edoardo, Fanny) - Scene 4: Avete voi veduto (Norton, Fanny) - Scene 5: Presto, presto (Mill, Fanny, Edoardo)
La cambiale di matrimonio: Scene 6: Cavatina: Grazie ... grazie ... (Slook, Fanny, Clarina, Edoardo, Mill)
La cambiale di matrimonio: Scene 6: Recitativo: Sicche dunque istruitemi (Slook, Fanny, Mill, Edoardo, Norton) - Scene 7: Servo! (Slook, Fanny)
La cambiale di matrimonio: Scene 7: Duetto: Darei per si bel fondo (Slook, Fanny)
La cambiale di matrimonio: Scene 8: Terzetto: Quell'amabile visino (Edoardo, Slook, Fanny)
La cambiale di matrimonio: Scene 9: Recitativo: Non si fara (Norton, Clarina)
La cambiale di matrimonio: Scene 9: Aria: Anch'io son giovine (Clarina)
La cambiale di matrimonio: Scene 10: Recitativo: Eccolo appunto: pare pensieroso (Norton, Slook) - Scene 11: Ipotecato! (Slook, Mill)
La cambiale di matrimonio: Scene 11: Dite presto, dove sta (Mill, Slook)
La cambiale di matrimonio: Scene 12: Recitativo: Venite, sono andati (Clarina, Fanny, Edoardo) - Scene 13: Bravi! (Slook, Fanny, Edoardo)
La cambiale di matrimonio: Scene 13: Aria: Come tacer, come frenare i moti (Fanny)
La cambiale di matrimonio: Scene 13: Recitativo: Eppur lo cred'anch'io (Slook) - Scene 14: Metti la tutto (Mill)
La cambiale di matrimonio: Scene 14: Finale: Portero cosi il cappello (Mill, Slook) - Scene 15: Qual ira, oh ciel, v'accende (Fanny, Mill, Clarina, Slook)
La cambiale di matrimonio: Final Scene: Vi prego (Edoardo, Mill, Slook, Clarina, Fanny, Norton)

Customer Reviews

Average Customer Review:  1 Customer Review )
 Lighthearted Rossini June 6, 2013 By T Price Zimmermann (Huntersville, NC) See All My Reviews "Light-hearted Rossini light-heartedly rendered by an appropriately youthful cast and expertly led by Christopher Franklin who kept the pace brisk at the baton of the resonant Wuerttemberg Philharmonic. I found some of the male voices a bit strident, more than would seemingly be necessary to project in a medium-sized hall." Report Abuse
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