Notes and Editorial Reviews
The cornerstone of our Liszt 200 celebration is a 34-CD limited edition superbudget box in the style of our Brahms and Schumann boxes of previous years: a bold cube with flip lid adorned with three striking images of the composer.
Divided into six musical-genre sections, the box covers the range of Liszt’s vast oeuvre like no other box on the market.
The names of the participating pianists reads like a roll-call of great Liszt interpreters:
The pianists range from Krystian Zimerman (in the Concertos and B minor Sonata), Daniel Barenboim (Wagner opera transcriptions), Claudio Arrau (Verdi opera transcriptions), Nikita Magaloff ("scintillating" Paganini studies), Wilhelm Kempff , Robert Szidon,
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Lazar Berman (lazar berman ("fabulous" Années de pèlerinage), Jorge Bolet (“compelling” Concert Studies, Schubert transcriptions), to Alice Sara Ott (with her acclaimed 12 Transcendental Studies).
In the Orchestral Works, Giuseppe Sinopoli, Bernard Haitink, Sir Georg Solti and Iván Fischer maintain the highest standards.
The singers include Dietrich Fischer-Dieskau, in his classic recordings with Daniel Barenboim, as well as Hildegard Behrens and Brigitte Fassbaender.
It's the biggest and the best - at a supervalue price!
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Works on This Recording
1.
Concerto for Piano no 1 in E flat major, S 124 by Franz Liszt
Performer:
Krystian Zimerman (Piano)
Conductor:
Seiji Ozawa
Orchestra/Ensemble:
Boston Symphony Orchestra
Period: Romantic
Written: 1849/1856; Weimar, Germany
2.
Concerto for Piano no 2 in A major, S 125 by Franz Liszt
Performer:
Krystian Zimerman (Piano)
Conductor:
Seiji Ozawa
Orchestra/Ensemble:
Boston Symphony Orchestra
Period: Romantic
Written: 1839/1861; Weimar, Germany
3.
Totentanz, S 126 by Franz Liszt
Performer:
Krystian Zimerman (Piano)
Conductor:
Seiji Ozawa
Orchestra/Ensemble:
Boston Symphony Orchestra
Period: Romantic
Written: 1849/1859; Weimar, Germany
4.
Hungarian Fantasy for Piano and Orchestra, S 123 by Franz Liszt
Performer:
Shura Cherkassky (Piano)
Conductor:
Herbert von Karajan
Orchestra/Ensemble:
Berlin Philharmonic Orchestra
Period: Romantic
Written: ?1852; Weimar, Germany
Date of Recording: 12/1960
Venue: Jesus Christus Kirche, Berlin
Length: 15 Minutes 49 Secs.
5.
Malédiction, S 121 by Franz Liszt
Performer:
Jorge Bolet (Piano)
Conductor:
Iván Fischer
Orchestra/Ensemble:
London Symphony Orchestra
Period: Romantic
Written: circa 1840; Switzerland
6.
Concerto pathétique for 2 Pianos, S 258 by Franz Liszt
Performer:
Brenda Lucas (Piano),
John Ogdon (Piano)
Period: Romantic
Written: 1856
7.
Faust Symphony, S 108 by Franz Liszt
Performer:
Vinson Cole (Tenor)
Conductor:
Giuseppe Sinopoli
Orchestra/Ensemble:
Dresden Staatskapelle,
Dresden State Opera Chorus
Period: Romantic
Written: 1854-1857; Weimar, Germany
Date of Recording: 04/1995
8.
Dante Symphony, S 109 by Franz Liszt
Conductor:
Giuseppe Sinopoli
Orchestra/Ensemble:
Dresden State Opera Chorus,
Dresden Staatskapelle
Period: Romantic
Written: 1855-1856; Weimar, Germany
9.
Prometheus, S 99 by Franz Liszt
Conductor:
Sir Georg Solti
Orchestra/Ensemble:
London Philharmonic Orchestra
Period: Romantic
Written: 1850/1855; Weimar, Germany
10.
Les préludes, S 97 by Franz Liszt
Conductor:
Sir Georg Solti
Orchestra/Ensemble:
London Philharmonic Orchestra
Period: Romantic
Written: 1848/1854; Weimar, Germany
11.
Festklänge, S 101 by Franz Liszt
Conductor:
Sir Georg Solti
Orchestra/Ensemble:
London Philharmonic Orchestra
Period: Romantic
Written: 1853; Weimar, Germany
12.
Tasso - Lamento e trionfo, S 96 by Franz Liszt
Conductor:
Sir Georg Solti
Orchestra/Ensemble:
Orchestre de Paris
Period: Romantic
Written: 1849/1854; Weimar, Germany
13.
Mephisto Waltz no 2 for Orchestra, S 111 by Franz Liszt
Conductor:
Sir Georg Solti
Orchestra/Ensemble:
Orchestre de Paris
Period: Romantic
Written: 1880-1881; Budapest, Hungary
14.
Von der Wiege bis zum Grabe, S 107 by Franz Liszt
Conductor:
Sir Georg Solti
Orchestra/Ensemble:
Orchestre de Paris
Period: Romantic
Written: 1881-1882; Rome, Italy
15.
Héroďde funébre, S 102 by Franz Liszt
Conductor:
Bernard Haitink
Orchestra/Ensemble:
London Philharmonic Orchestra
Period: Romantic
Written: 1850/1854; Weimar, Germany
Date of Recording: 11/1971
Venue: London, England
Length: 27 Minutes 2 Secs.
16.
Hungaria, S 103 by Franz Liszt
Conductor:
Bernard Haitink
Orchestra/Ensemble:
London Philharmonic Orchestra
Period: Romantic
Written: 1854; Weimar, Germany
Date of Recording: 01/1970
Venue: London, England
Length: 23 Minutes 9 Secs.
17.
Hamlet, S 104 by Franz Liszt
Conductor:
Bernard Haitink
Orchestra/Ensemble:
London Philharmonic Orchestra
Period: Romantic
Written: 1858; Weimar, Germany
Date of Recording: 01/1970
Venue: London, England
Length: 13 Minutes 50 Secs.
18.
Die Hunnenschlacht, S 105 by Franz Liszt
Conductor:
Bernard Haitink
Orchestra/Ensemble:
London Philharmonic Orchestra
Period: Romantic
Written: 1857; Weimar, Germany
Date of Recording: 11/1970
Venue: London, England
Length: 14 Minutes 53 Secs.
19.
Ce qu'on entend sur la montagne, S 95 by Franz Liszt
Conductor:
Bernard Haitink
Orchestra/Ensemble:
London Philharmonic Orchestra
Period: Romantic
Written: 1849/1854; Weimar, Germany
20.
Orpheus, S 98 by Franz Liszt
Conductor:
Bernard Haitink
Orchestra/Ensemble:
London Philharmonic Orchestra
Period: Romantic
Written: 1853-1854; Weimar, Germany
21.
Die Ideale, S 106 by Franz Liszt
Conductor:
Bernard Haitink
Orchestra/Ensemble:
London Philharmonic Orchestra
Period: Romantic
Written: 1857; Weimar, Germany
Date of Recording: 11/1971
Venue: London, England
Length: 26 Minutes 49 Secs.
22.
Hungarian Rhapsodies (6) for Orchestra, S 359 by Franz Liszt
Conductor:
Iván Fischer
Orchestra/Ensemble:
Budapest Festival Orchestra
Period: Romantic
23.
Die Legende von der heiligen Elisabeth, S 2 by Franz Liszt
Performer:
Istvan Bercewy (Bass),
Klaus Lapins (Baritone),
Doreen Millmann (Alto),
Maria Szechowska (Soprano)
Conductor:
Siefried Heinrich
Orchestra/Ensemble:
Warsaw Polish Radio/TV Symphony Orchestra,
Frankfurt and Marburg Concert Choir,
Hersfeld Festival Choir
Period: Romantic
Written: 1857-1862; Weimar, Germany
Date of Recording: 1983
Length: 110 Minutes 40 Secs.
Language: German
24.
Missa Choralis, S 10 by Franz Liszt
Performer:
Lynton Atkinson (Treble),
Mark Tinkler (Treble),
Richard [Bass Vocal] Stuart (Bass),
William Kendall (Tenor),
Stephen Cleobury (Organ)
Conductor:
George Guest
Orchestra/Ensemble:
Christ Church Cathedral Choir
Period: Romantic
Written: 1865; Rome, Italy
Language: Latin
25.
Hungarian Coronation Mass, S 11 by Franz Liszt
Performer:
András Faragó (Bass),
Magda Tiszay (Mezzo Soprano),
József Simándy (Tenor),
Iren Szecsodi (Soprano)
Conductor:
János Ferencsik
Orchestra/Ensemble:
Hungarian State Orchestra,
Budapest Chorus
Period: Romantic
Written: 1867; Hungary
26.
Missa Solemnis zur Einweihung der Basilika in Gran, S 9 by Franz Liszt
Performer:
Maria Werner (Soprano),
Olga Szonyi (Soprano),
Alfonz Bartha (Tenor),
András Faragó (Bass)
Conductor:
János Ferencsik
Orchestra/Ensemble:
Hungarian State Orchestra,
Budapest Chorus
Period: Romantic
Written: 1855/1858; Weimar, Germany
27.
Via crucis, S 53 by Franz Liszt
Performer:
Reinbert De Leeuw (Piano)
Orchestra/Ensemble:
Netherlands Chamber Choir
Period: Romantic
Written: 1878-1879; Budapest, Hungary
28.
Legends of St Francis (2), S 354 by Franz Liszt
Conductor:
Gerd Albrecht
Orchestra/Ensemble:
Berlin Radio Symphony Orchestra
Period: Romantic
Written: 1863; Rome, Italy
29.
Cantico del sol di San Francesco d'Assisi, S 4 by Franz Liszt
Performer:
Walter Grönroos (Baritone)
Conductor:
Gerd Albrecht
Orchestra/Ensemble:
Berlin Radio Symphony Orchestra,
Berlin RIAS Chorus
Period: Romantic
Written: 1862/1881; Rome, Italy
30.
O lieb, so lang du lieben kannst, S 298 by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau (Baritone)
Period: Romantic
Written: circa 1845; Germany
Length: 5 Minutes 41 Secs.
31.
Es muss ein Wunderbares sein, S 314 by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau (Baritone)
Period: Romantic
Written: 1857; Weimar, Germany
Length: 2 Minutes 6 Secs.
32.
Die Loreley, S 369 (3rd version) by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau (Baritone)
Period: Romantic
Written: 1860; Germany
Length: 5 Minutes 39 Secs.
33.
Angiolin dal biondo crin, S 269 (3rd version) by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau (Baritone)
Period: Romantic
Written: 1839-1856
Length: 4 Minutes 45 Secs.
34.
Im Rhein, im schönen Strome, S 272 by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: 1840/1856; Germany
Length: 2 Minutes 38 Secs.
35.
La tombe et la rose, S 285 by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: 1844; Germany
Length: 3 Minutes 37 Secs.
36.
Le vieux vagabond, S 304 (LW N44) by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: 1848
Length: 6 Minutes 23 Secs.
37.
Gastibelza, S 286 by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: 1844
Length: 7 Minutes 47 Secs.
38.
Hohe Liebe, S 307 by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: circa 1849; Weimar, Germany
Length: 2 Minutes 21 Secs.
39.
Gestorben war ich, S 308 by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: circa 1849; Weimar, Germany
Length: 2 Minutes 13 Secs.
40.
Wie singt die Lerche schön, S 312 by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: circa 1856; Weimar, Germany
Length: 1 Minutes 59 Secs.
41.
Kling leise, mein Lied, S 301 by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: 1848; Weimar, Germany
Length: 4 Minutes 16 Secs.
42.
Es rauschen die Winde, S 294 no 2 by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: 1845/1860; Weimar, Germany
Length: 3 Minutes 24 Secs.
43.
Ein Fichtenbaum steht einsam, S 309 by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: 1855/1860; Weimar, Germany
Length: 2 Minutes 50 Secs.
44.
Schwebe, schwebe, blaues Auge, S 305 no 1 by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: 1845-1860
Length: 3 Minutes 41 Secs.
45.
Die Vätergruft, S 281 by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: 1844; Germany
Length: 6 Minutes 0 Secs.
46.
Anfangs wollt’ ich fast verzagen, S 311 by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: 1849-1860
Length: 1 Minutes 47 Secs.
47.
Lasst mich ruhen, S 317 by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: circa 1858; Weimar, Germany
Length: 3 Minutes 32 Secs.
48.
In Liebeslust, S 318 by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: circa 1858; Weimar, Germany
Length: 2 Minutes 13 Secs.
49.
Ich möchte hingehen, S 296 by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: 1845/1860; Germany
Length: 8 Minutes 17 Secs.
50.
Du bist wie eine Blume, S 287 by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: circa 1843; Germany
Length: 2 Minutes 4 Secs.
51.
Vergiftet sind meine Lieder, S 289 by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: 1842; Germany
Length: 1 Minutes 3 Secs.
52.
Morgens steh' ich auf und frage, S 290 by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: 1843-1859
Length: 1 Minutes 39 Secs.
53.
Wer nie sein Brot mit Tränen ass, S 297 by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: 1845/1860
Length: 2 Minutes 37 Secs.
54.
Über allen Gipfeln ist Ruh, S 306 "Wandrers Nachtlied II" by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: 1848/1859; Weimar, Germany
Length: 4 Minutes 33 Secs.
55.
Der du von dem Himmel bist, S 279 "Wandrers Nachtlied I" by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: 1842; Germany
Length: 4 Minutes 50 Secs.
56.
Songs (3) from William Tell, S 292: no 1, Der Fischerknabe by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: 1845/1859; Germany
Length: 2 Minutes 59 Secs.
57.
Songs (3) from William Tell, S 292: no 2, Der Hirt by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: 1845/1859; Germany
Length: 3 Minutes 43 Secs.
58.
Songs (3) from William Tell, S 292: no 3, Der Alpenjäger by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: 1845/1859; Germany
Length: 1 Minutes 35 Secs.
59.
Die drei Zigeuner, S 320 by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: 1860; Weimar, Germany
Length: 5 Minutes 34 Secs.
60.
Die stille Wasserrose, S 321 by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: ?1860
Length: 3 Minutes 17 Secs.
61.
Wieder möcht ich dir begegnen, S 322 by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: 1860; Weimar, Germany
Length: 3 Minutes 16 Secs.
62.
Blume und Duft, S 324 by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: circa 1860; Weimar, Germany
Length: 2 Minutes 9 Secs.
63.
J'ai perdu ma force et ma vie, S 327 (LW N68) "Tristesse" by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: 1872
Length: 4 Minutes 10 Secs.
64.
Ihr Glocken von Marling, S 328 by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: 1874; Rome, Italy
Length: 2 Minutes 58 Secs.
65.
Des Tages laute Stimmen schweigen, S 337 by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: 1880; Weimar, Germany
Length: 4 Minutes 11 Secs.
66.
Oh! quand je dors, S 282 no 1 "Élégie Etienne Monnier" (1st version) by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: 1842; Germany
Length: 5 Minutes 0 Secs.
67.
Comment, disaient-ils, S 276 by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: 1842/1859; Germany
Length: 1 Minutes 48 Secs.
68.
Enfant, si j'etais roi, S 283 by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Length: 3 Minutes 5 Secs.
69.
S'il est un charmant gazon, S 284 by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Length: 1 Minutes 55 Secs.
70.
Der traurige Mönch, S 348 by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: 1860; Germany
Length: 7 Minutes 6 Secs.
71.
Petrarch Sonnets (3), S 270: no 1, Pace non trovo by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: 1839/1861; Switzerland
Length: 7 Minutes 51 Secs.
72.
Petrarch Sonnets (3), S 270: no 2, Benedetto sia 'l giorno by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: 1839/1861; Switzerland
Length: 6 Minutes 5 Secs.
73.
Années de pčlerinage, deuxičme année, S 161 "Italie": no 6, Sonetto 123 del Petrarca by Franz Liszt
Performer:
Daniel Barenboim (Piano),
Dietrich Fischer-Dieskau ()
Period: Romantic
Written: 1837-1849; Weimar, Germany
Length: 6 Minutes 9 Secs.
74.
Jugendglück, S 323 by Franz Liszt
Performer:
Cord Garben (Piano),
Hildegard Behrens (Soprano)
Period: Romantic
Written: circa 1860
75.
Die Loreley, S 273 no 2 (2nd version) by Franz Liszt
Performer:
Cord Garben (Piano),
Hildegard Behrens (Soprano)
Period: Romantic
Written: by 1856; Weimar, Germany
76.
Ihr Glocken von Marling, S 328 by Franz Liszt
Performer:
Cord Garben (Piano),
Hildegard Behrens (Soprano)
Period: Romantic
Written: 1874; Rome, Italy
77.
Es war ein König in Thule, S 278 by Franz Liszt
Performer:
Cord Garben (Piano),
Hildegard Behrens (Soprano)
Period: Romantic
Written: 1842/1856; Germany
78.
Freudvoll und Leidvoll, S 280 by Franz Liszt
Performer:
Cord Garben (Piano),
Hildegard Behrens (Soprano)
Period: Romantic
Written: 1844/1860; Germany
79.
Ich liebe dich, S 315 by Franz Liszt
Performer:
Cord Garben (Piano),
Hildegard Behrens (Soprano)
Period: Romantic
Written: 1857; Weimar, Germany
80.
Wo weilt er?, S 295 by Franz Liszt
Performer:
Cord Garben (Piano),
Hildegard Behrens (Soprano)
Period: Romantic
Written: c1845
81.
Jeanne d'Arc au bűcher, S 293 by Franz Liszt
Performer:
Cord Garben (Piano),
Hildegard Behrens (Soprano)
Period: Romantic
Written: 1846; Mainz, Germany
82.
Mignons Lied, S 275 by Franz Liszt
Performer:
Cord Garben (Piano),
Hildegard Behrens (Soprano)
Period: Romantic
Written: 1842/1856; Germany
83.
Freudvoll und Leidvoll, S 280 by Franz Liszt
Performer:
Cord Garben (Piano),
Hildegard Behrens (Soprano)
Period: Romantic
Written: 1844/1860; Germany
84.
Petrarch Sonnets (3), S 270: no 3, I vidi in terra angelici by Franz Liszt
Performer:
Cord Garben (Piano),
Hildegard Behrens (Soprano)
Period: Romantic
Written: 1839/1861; Switzerland
85.
La perla, S 326 by Franz Liszt
Performer:
Cord Garben (Piano),
Hildegard Behrens (Soprano)
Period: Romantic
86.
Die Fischertochter, S 325 by Franz Liszt
Performer:
Cord Garben (Piano),
Hildegard Behrens (Soprano)
Period: Romantic
Written: 1871; Germany
87.
Es muss ein Wunderbares sein, S 314 by Franz Liszt
Performer:
Cord Garben (Piano),
Hildegard Behrens (Soprano)
Period: Romantic
Written: 1857; Weimar, Germany
88.
O lieb, so lang du lieben kannst, S 298 by Franz Liszt
Performer:
Cord Garben (Piano),
Hildegard Behrens (Soprano)
Period: Romantic
Written: circa 1845; Germany
89.
O lieb, so lang du lieben kannst, S 298 by Franz Liszt
Performer:
Jean-Yves Thibaudet (Piano),
Brigitte Fassbaender (Mezzo Soprano)
Period: Romantic
Written: circa 1845; Germany
Language: German
90.
Freudvoll und Leidvoll, S 280 by Franz Liszt
Performer:
Jean-Yves Thibaudet (Piano),
Brigitte Fassbaender (Mezzo Soprano)
Period: Romantic
Written: 1844/1860; Germany
91.
Mignons Lied, S 275 by Franz Liszt
Performer:
Brigitte Fassbaender (Mezzo Soprano),
Jean-Yves Thibaudet (Piano)
Period: Romantic
Written: 1842/1856; Germany
Language: German
92.
Es war ein König in Thule, S 278 by Franz Liszt
Performer:
Jean-Yves Thibaudet (Piano),
Brigitte Fassbaender (Mezzo Soprano)
Period: Romantic
Written: 1842/1856; Germany
93.
Über allen Gipfeln ist Ruh, S 306 "Wandrers Nachtlied II" by Franz Liszt
Performer:
Jean-Yves Thibaudet (Piano),
Brigitte Fassbaender (Mezzo Soprano)
Period: Romantic
Written: 1848/1859; Weimar, Germany
Language: German
94.
Der du von dem Himmel bist, S 279 "Wandrers Nachtlied I" by Franz Liszt
Performer:
Jean-Yves Thibaudet (Piano),
Brigitte Fassbaender (Mezzo Soprano)
Period: Romantic
Written: 1842; Germany
Language: German
95.
Ich möchte hingehen, S 296 by Franz Liszt
Performer:
Jean-Yves Thibaudet (Piano),
Brigitte Fassbaender (Mezzo Soprano)
Period: Romantic
Written: 1845/1860; Germany
Language: German
96.
Und wir dachten der Toten, S 338 by Franz Liszt
Performer:
Jean-Yves Thibaudet (Piano),
Brigitte Fassbaender (Mezzo Soprano)
Period: Romantic
Written: ?1871; Rome, Italy
Language: German
97.
Lasst mich ruhen, S 317 by Franz Liszt
Performer:
Jean-Yves Thibaudet (Piano),
Brigitte Fassbaender (Mezzo Soprano)
Period: Romantic
Written: circa 1858; Weimar, Germany
Language: German
98.
Blume und Duft, S 324 by Franz Liszt
Performer:
Jean-Yves Thibaudet (Piano),
Brigitte Fassbaender (Mezzo Soprano)
Period: Romantic
Written: circa 1860; Weimar, Germany
Language: German
99.
Du bist wie eine Blume, S 287 by Franz Liszt
Performer:
Jean-Yves Thibaudet (Piano),
Brigitte Fassbaender (Mezzo Soprano)
Period: Romantic
Written: circa 1843; Germany
Language: German
100.
Im Rhein, im schönen Strome, S 272 no 2 (2nd version) by Franz Liszt
Performer:
Jean-Yves Thibaudet (Piano),
Brigitte Fassbaender (Mezzo Soprano)
Period: Romantic
Written: by 1856; Weimar, Germany
Language: German
101.
Was Liebe sei, S 288 no 1 (1st version) by Franz Liszt
Performer:
Jean-Yves Thibaudet (Piano),
Brigitte Fassbaender (Mezzo Soprano)
Period: Romantic
Written: circa 1843; Germany
Language: German
102.
Hohe Liebe, S 307 by Franz Liszt
Performer:
Jean-Yves Thibaudet (Piano),
Brigitte Fassbaender (Mezzo Soprano)
Period: Romantic
Written: circa 1849; Weimar, Germany
Language: German
103.
Einst, S 332 by Franz Liszt
Performer:
Jean-Yves Thibaudet (Piano),
Brigitte Fassbaender (Mezzo Soprano)
Period: Romantic
Written: 1878; Rome, Italy
Language: German
104.
Wieder möcht ich dir begegnen, S 322 by Franz Liszt
Performer:
Brigitte Fassbaender (Mezzo Soprano),
Jean-Yves Thibaudet (Piano)
Period: Romantic
Written: 1860; Weimar, Germany
Language: German
105.
Vergiftet sind meine Lieder, S 289 by Franz Liszt
Performer:
Irwin Gage (Piano),
Brigitte Fassbaender (Mezzo Soprano)
Period: Romantic
Written: 1842; Germany
106.
Ihr Auge, S 310 by Franz Liszt
Performer:
Jean-Yves Thibaudet (Piano),
Brigitte Fassbaender (Mezzo Soprano)
Period: Romantic
Written: circa 1855; Weimar, Germany
Language: German
107.
Ein Fichtenbaum steht einsam, S 309 by Franz Liszt
Performer:
Irwin Gage (Piano),
Brigitte Fassbaender (Mezzo Soprano)
Period: Romantic
Written: 1855/1860; Weimar, Germany
108.
Die drei Zigeuner, S 320 by Franz Liszt
Performer:
Brigitte Fassbaender (Mezzo Soprano),
Jean-Yves Thibaudet (Piano)
Period: Romantic
Written: 1860; Weimar, Germany
Language: German
109.
Es muss ein Wunderbares sein, S 314 by Franz Liszt
Performer:
Irwin Gage (Piano),
Brigitte Fassbaender (Mezzo Soprano)
Period: Romantic
Written: 1857; Weimar, Germany
110.
Oh! quand je dors, S 282 "Élégie Etienne Monnier" by Franz Liszt
Performer:
Irwin Gage (Piano),
Brigitte Fassbaender (Mezzo Soprano)
Period: Romantic
Written: 1842/1859; Germany
111.
Comment, disaient-ils, S 276 by Franz Liszt
Performer:
Irwin Gage (Piano),
Brigitte Fassbaender (Mezzo Soprano)
Period: Romantic
Written: 1842/1859; Germany
112.
S'il est un charmant gazon, S 284 no 1 (1st version) by Franz Liszt
Performer:
Irwin Gage (Piano),
Brigitte Fassbaender (Mezzo Soprano)
Period: Romantic
Written: circa 1844; Germany
113.
Enfant, si j'etais roi, S 283 no 1 (1st version) by Franz Liszt
Performer:
Irwin Gage (Piano),
Brigitte Fassbaender (Mezzo Soprano)
Period: Romantic
Written: 1844; Weimar, Germany
114.
Lieder (8), Op. 10: no 1, Zueignung by Richard Strauss
Performer:
Irwin Gage (Piano),
Brigitte Fassbaender (Mezzo Soprano)
Period: Romantic
Written: 1885; Germany
115.
Über allen Gipfeln ist Ruh, S 306 "Wandrers Nachtlied II" by Franz Liszt
Performer:
Irwin Gage (Piano),
Brigitte Fassbaender (Mezzo Soprano)
Period: Romantic
Written: 1848/1859; Weimar, Germany
116.
Die drei Zigeuner, S 320 by Franz Liszt
Performer:
Irwin Gage (Piano),
Brigitte Fassbaender (Mezzo Soprano)
Period: Romantic
Written: 1860; Weimar, Germany
117.
Fantasia and Fugue on "Ad nos salutarem undam" S 624 by Franz Liszt
Performer:
Thomas Trotter (Organ)
Period: Romantic
Written: 1850; Weimar, Germany
118.
Variations on "Weinen, Klagen, Sorgen, Zagen" (JS Bach) for Piano, S 180 by Franz Liszt
Performer:
Thomas Trotter (Organ)
Period: Romantic
Written: 1862; Rome, Italy
119.
Evocation ŕ la Chapelle Sixtine, S 658 by Franz Liszt
Performer:
Thomas Trotter (Organ)
Period: Romantic
Written: circa 1862; Rome, Italy
120.
Prelude and Fugue for Organ on B-A-C-H, S 260 by Franz Liszt
Performer:
Thomas Trotter (Organ)
Period: Romantic
Written: 1855/1870; Weimar, Germany
121.
Prelude and Fugue for Organ on B-A-C-H, S 260 by Franz Liszt
Performer:
Thomas Trotter (Organ)
Period: Romantic
Written: 1855/1870; Weimar, Germany
Venue: Liebfrauenmunster, Ingolstadt, W Germany
122.
Ave Maria (Arcadelt), S 659 by Franz Liszt
Performer:
Thomas Trotter (Organ)
Period: Romantic
Written: 1862; Rome, Italy
123.
Orpheus, S 98 by Franz Liszt
Performer:
Thomas Trotter (Organ)
Period: Romantic
Written: 1853-1854; Weimar, Germany
Venue: Liebfrauenmunster, Ingolstadt, W Germany
124.
Prometheus, S 99 by Franz Liszt
Performer:
Thomas Trotter (Organ)
Period: Romantic
Written: 1850/1855; Weimar, Germany
Venue: Liebfrauenmunster, Ingolstadt, W Germany
125.
Hungarian Rhapsodies (19) for Piano, S 244 by Franz Liszt
Performer:
Roberto Szidon (Piano)
Period: Romantic
Written: 1846-1886
Date of Recording: 1972
126.
Rhapsodie espagnole for Piano, S 254 by Franz Liszt
Performer:
Roberto Szidon (Piano)
Period: Romantic
Written: circa 1863; Rome, Italy
Date of Recording: 1972
127.
Venezia e Napoli, S 162 by Franz Liszt
Performer:
Lazar Berman (Piano)
Period: Romantic
Written: 1859; Weimar, Germany
Date of Recording: 05/1977
Venue: Alter Herkulessaal, Residenz, Munich
Length: 19 Minutes 18 Secs.
128.
Années de pčlerinage no 3, S 163 by Franz Liszt
Performer:
Lazar Berman (Piano)
Period: Romantic
Written: 1867-1877; Rome, Italy
Date of Recording: 05/1977
Venue: Alter Herkulessaal, Residenz, Munich
Length: 56 Minutes 35 Secs.
129.
Années de pčlerinage, premičre année, S 160 "Suisse" by Franz Liszt
Performer:
Lazar Berman (Piano)
Period: Romantic
Written: Weimar, Germany
Date of Recording: 05/1977
Venue: Alter Herkulessaal, Residenz, Munich
Length: 48 Minutes 28 Secs.
130.
Années de pčlerinage, deuxičme année, S 161 "Italie" by Franz Liszt
Performer:
Lazar Berman (Piano)
Period: Romantic
Written: 1837-1849; Weimar, Germany
Date of Recording: 05/1977
Venue: Alter Herkulessaal, Residenz, Munich
Length: 51 Minutes 45 Secs.
131.
Sonata for Piano in B minor, S 178 by Franz Liszt
Performer:
Krystian Zimerman (Piano)
Period: Romantic
Written: 1852-1853; Weimar, Germany
Date of Recording: 03/1990
Venue: Konzertsaal Tivoli, Copenhagen
Length: 30 Minutes 37 Secs.
132.
Harmonies poétiques et réligieuses, S 173: no 7, Funérailles by Franz Liszt
Performer:
Krystian Zimerman (Piano)
Period: Romantic
Written: 1845-1852; Weimar, Germany
Date of Recording: 03/1990
Venue: Konzertsaal Tivoli, Copenhagen
Length: 12 Minutes 18 Secs.
133.
Nuages gris for Piano, S 199 by Franz Liszt
Performer:
Krystian Zimerman (Piano)
Period: Romantic
Written: 1881; Rome, Italy
Date of Recording: 03/1990
Venue: Konzertsaal Tivoli, Copenhagen
Length: 3 Minutes 13 Secs.
134.
La lugubre gondola for Piano, S 200 (2nd version) by Franz Liszt
Performer:
Krystian Zimerman (Piano)
Period: Romantic
Written: 1882; Rome, Italy
Date of Recording: 03/1990
Venue: Konzertsaal Tivoli, Copenhagen
Length: 9 Minutes 53 Secs.
135.
La notte for Piano, S 699 by Franz Liszt
Performer:
Krystian Zimerman (Piano)
Period: Romantic
Written: 1864-1866; Rome, Italy
Date of Recording: 03/1990
Venue: Konzertsaal Tivoli, Copenhagen
Length: 9 Minutes 45 Secs.
136.
Transcendental Etudes (12) for Piano, S 139 by Franz Liszt
Performer:
Alice Sara Ott (Piano)
Period: Romantic
Written: 1851; Weimar, Germany
137.
Consolations (6) for Piano, S 172 by Franz Liszt
Performer:
Jorge Bolet (Piano)
Period: Romantic
Written: 1849-1850; Weimar, Germany
138.
Concert Etudes (2) for Piano, S 145: no 2, Gnomenreigen by Franz Liszt
Performer:
Jorge Bolet (Piano)
Period: Romantic
Written: ?1862-63; Rome, Italy
139.
Concert Etudes (2) for Piano, S 145: no 1, Waldesrauschen by Franz Liszt
Performer:
Jorge Bolet (Piano)
Period: Romantic
Written: ?1862-63; Rome, Italy
140.
Concert Etudes (3) for Piano, S 144 by Franz Liszt
Performer:
Jorge Bolet (Piano)
Period: Romantic
Written: circa 1848; Weimar, Germany
141.
Réminiscences de Don Juan (Mozart), S 418 by Franz Liszt
Performer:
Jorge Bolet (Piano)
Period: Romantic
Written: 1841; Germany
142.
Liebesträume for Piano, S 541: no 3, O Lieb, so lang by Franz Liszt
Performer:
Jorge Bolet (Piano)
Period: Romantic
Written: circa 1850; Weimar, Germany
143.
Légendes (2) for Piano, S 175 by Franz Liszt
Performer:
Wilhelm Kempff (Piano)
Period: Romantic
Written: 1863; Rome, Italy
144.
Transcendental Etudes (6) after Paganini, S 140 by Franz Liszt
Performer:
Nikita Magaloff (Piano)
Period: Romantic
Written: 1838; Switzerland
145.
Paraphrase on Quartet from Verdi's "Rigoletto", S 434 by Franz Liszt
Performer:
Claudio Arrau (Piano)
Period: Romantic
Written: 1859; Weimar, Germany
146.
Paraphrase de concert on Verdi's "Ernani", S 432 by Franz Liszt
Performer:
Claudio Arrau (Piano)
Period: Romantic
Written: 1849/1859
147.
Paraphrase on the "Miserere" from Verdi's "Trovatore", S 433 by Franz Liszt
Performer:
Claudio Arrau (Piano)
Period: Romantic
Written: 1859; Weimar, Germany
148.
Salve Maria de Jérusalem from Verdi's "I Lombardi", S 431 by Franz Liszt
Performer:
Claudio Arrau (Piano)
Period: Romantic
Written: 1848; Weimar, Germany
149.
Paraphrase on themes from Verdi's "Aida", S 436 by Franz Liszt
Performer:
Claudio Arrau (Piano)
Period: Romantic
Written: 1879; Rome, Italy
150.
Coro e marcia funebre from Verdi's "Don Carlos", S 435 by Franz Liszt
Performer:
Claudio Arrau (Piano)
Period: Romantic
Written: 1867-1868; Rome, Italy
151.
Reminiscences on Verdi's "Simon Boccanegra", S 438 by Franz Liszt
Performer:
Claudio Arrau (Piano)
Period: Romantic
Written: 1857/1881; Rome, Italy
152.
Die Forelle (Schubert, 2nd version) for Piano, S 564 by Franz Liszt
Performer:
Jorge Bolet (Piano)
Period: Romantic
Written: 1846; Hungary
153.
Der Müller und der Bach (Schubert) for Piano, S 565 no 2 by Franz Liszt
Performer:
Jorge Bolet (Piano)
Period: Romantic
Written: 1846; Hungary
154.
Wohin? (Schubert) for Piano, S 565 no 5 by Franz Liszt
Performer:
Jorge Bolet (Piano)
Period: Romantic
Written: 1846; Hungary
155.
Lebewohl (Schubert) for Piano, S 563 no 1 by Franz Liszt
Performer:
Jorge Bolet (Piano)
Period: Romantic
Written: 1846; Hungary
156.
Das Wandern (Schubert) for Piano, S 565 no 1 by Franz Liszt
Performer:
Jorge Bolet (Piano)
Period: Romantic
Written: 1846; Hungary
157.
Winterreise (Schubert) for Piano, S 561: no 7, Der Lindenbaum by Franz Liszt
Performer:
Jorge Bolet (Piano)
Period: Romantic
Written: 1839; Switzerland
158.
Ständchen "Horch, horch!" (Schubert) for Piano, S 558 no 9 by Franz Liszt
Performer:
Jorge Bolet (Piano)
Period: Romantic
Written: 1837-1838; France
159.
Auf dem Wasser zu singen (Schubert) for Piano, S 558 no 2 by Franz Liszt
Performer:
Jorge Bolet (Piano)
Period: Romantic
Written: 1837-1838; France
160.
Winterreise (Schubert) for Piano, S 561: no 4, Die Post by Franz Liszt
Performer:
Jorge Bolet (Piano)
Period: Romantic
Written: 1839; Switzerland
161.
Schwanengesang (Schubert), S 560: no 3, Aufenthalt by Franz Liszt
Performer:
Jorge Bolet (Piano)
Period: Romantic
Written: 1838-1839; Switzerland
162.
Lob der Tränen (Schubert) for Piano, S 557 by Franz Liszt
Performer:
Jorge Bolet (Piano)
Period: Romantic
Written: 1837; France
163.
Erlkönig (Schubert) for Piano, S 558 no 4 by Franz Liszt
Performer:
Jorge Bolet (Piano)
Period: Romantic
Written: 1837-1838; France
164.
Entrance of the Guests from Wagner's "Tannhäuser", S 445 no 1 by Franz Liszt
Performer:
Daniel Barenboim (Piano)
Period: Romantic
Written: 1852; Weimar, Germany
165.
Spinning Chorus from Wagner's "Fliegende Holländer", S 440 by Franz Liszt
Performer:
Daniel Barenboim (Piano)
Period: Romantic
Written: 1860; Weimar, Germany
166.
Elsa's Dream and Lohengrin's Rebuke from Wagner's "Lohengrin", S 446 no 2 by Franz Liszt
Performer:
Daniel Barenboim (Piano)
Period: Romantic
Written: 1854; Weimar, Germany
167.
Isolde's "Liebestod" from Wagner's "Tristan", S 447 by Franz Liszt
Performer:
Daniel Barenboim (Piano)
Period: Romantic
Written: 1867; Weimar, Germany
168.
Senta's Ballad from Wagner's "Der Fliegende Holländer", S 441 by Franz Liszt
Performer:
Daniel Barenboim (Piano)
Period: Romantic
Written: 1872; Weimar, Germany
169.
Fantasy on themes from Wagner's "Rienzi", S 439 by Franz Liszt
Performer:
Daniel Barenboim (Piano)
Period: Romantic
Written: 1859; Weimar, Germany
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