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Bach: Cantatas Vol 48 / Suzuki, Bach Collegium Japan

Bach,J.s. / Bach Collegium Japan / Suzuki
Release Date: 04/26/2011 
Label:  Bis   Catalog #: 1881  
Composer:  Johann Sebastian Bach
Performer:  Robin BlazeSatoshi MizukoshiPeter KooyHana Blazikova
Conductor:  Masaaki Suzuki
Orchestra/Ensemble:  Bach Collegium Japan
Number of Discs: 1 
Recorded in: Multi 
Length: 1 Hours 11 Mins. 

In Stock: Usually ships in 24 hours.  

Notes and Editorial Reviews

This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.

3522070.az_BACH_Cantatas_Vol_48.html

BACH Cantatas, Vol. 48: No. 34; 1 No. 117; 2 No. 98; 3 No. 120 4 Masaaki Suzuki, cond; 3,4 Hana Blaziková (sop); Read more 1-4 Robin Chance (ct); 1-4 Satoshi Mizukoshi (ten); 1-4 Peter Kooij (bs); Bach Collegium Japan (period instruments) BIS SACD-1881 (72:13 Text and Translation)


Everyone loves to find a typo, and no one is immune to making one—certainly not yours truly. Well, there’s an unfortunate blooper on the cover of this disc. It announces the contents as Cantatas 48, 98, 117, and 120. The first cantata is No. 34, of course, not 48, which is the volume number of the disc. Other than that, however, there’s not much to be said about this release that is remotely negative. The music is vintage Bach, including one of his most popular cantatas, the aforementioned No. 34. There are drums and trumpets in Nos. 34 and 120. In Cantata 117 Bach set all nine verses of the chorale text and unusually repeated music of the opening chorus as the finale. BWV 98 is one of three cantatas with the same title ( Was Gott tut, das ist wohlgetan ). It has no closing choral movement, but it has two fine arias, nicely sung by soprano Hana Blaziková and Peter Kooij, respectively. Countertenor Robin Blaze and tenor Satoshi Mizukoshi, too, are admirable throughout the program. Masaaki Suzuki’s direction is virtually flawless, and the ensemble responds correspondingly. This is a worthy continuation of this marvelous series.


FANFARE: George Chien
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Works on This Recording

1.
O ewiges Feuer, O Ursprung der Liebe, BWV 34 by Johann Sebastian Bach
Performer:  Robin Blaze (Countertenor), Satoshi Mizukoshi (Tenor), Peter Kooy (Bass)
Conductor:  Masaaki Suzuki
Orchestra/Ensemble:  Bach Collegium Japan
Period: Baroque 
Written: after 1740; Leipzig, Germany 
2.
Sei Lob und Ehr dem höchsten Gut, BWV 117 by Johann Sebastian Bach
Performer:  Robin Blaze (Countertenor), Satoshi Mizukoshi (Tenor), Peter Kooy (Bass)
Conductor:  Masaaki Suzuki
Orchestra/Ensemble:  Bach Collegium Japan
Period: Baroque 
Written: 1724; Leipzig, Germany 
3.
Was Gott tut, das ist wohlgetan, BWV 98 by Johann Sebastian Bach
Performer:  Satoshi Mizukoshi (Tenor), Robin Blaze (Countertenor), Peter Kooy (Bass),
Hana Blazikova (Soprano)
Conductor:  Masaaki Suzuki
Orchestra/Ensemble:  Bach Collegium Japan
Period: Baroque 
Written: 1726; Leipzig, Germany 
4.
Gott, mann lobet dich in der Stille, BWV 120 by Johann Sebastian Bach
Performer:  Satoshi Mizukoshi (Tenor), Robin Blaze (Countertenor), Peter Kooy (Bass),
Hana Blazikova (Soprano)
Conductor:  Masaaki Suzuki
Orchestra/Ensemble:  Bach Collegium Japan
Period: Baroque 
Written: 1728-1729; Leipzig, Germany 

Sound Samples

O ewiges Feuer, o Ursprung der Liebe, BWV 34: O ewiges Feuer, o Ursprung der Liebe (Chorus)
O ewiges Feuer, o Ursprung der Liebe, BWV 34: Recitative: Herr, unsre Herzen halten dir (Tenor)
O ewiges Feuer, o Ursprung der Liebe, BWV 34: Aria: Wohl euch, ihr auserwahlten Seelen (Alto)
O ewiges Feuer, o Ursprung der Liebe, BWV 34: Recitative: Erwahlt sich Gott die heilgen Hutten (Bass)
O ewiges Feuer, o Ursprung der Liebe, BWV 34: Friede uber Israel (Chorus)
Sei Lob und Ehr dem hochsten Gut, BWV 117: Sei Lob und Ehr dem hochsten Gut (Chorus)
Sei Lob und Ehr dem hochsten Gut, BWV 117: Recitative: Es danken dir die Himmelsheer (Bass)
Sei Lob und Ehr dem hochsten Gut, BWV 117: Aria: Was unser Gott geschaffen hat (Tenor)
Sei Lob und Ehr dem hochsten Gut, BWV 117: Ich rief dem Herrn in meiner Not (Chorus)
Sei Lob und Ehr dem hochsten Gut, BWV 117: Recitative: Der Herr ist noch und nimmer nicht (Alto)
Sei Lob und Ehr dem hochsten Gut, BWV 117: Aria: Wenn Trost und Hulf ermangeln muss (Bass)
Sei Lob und Ehr dem hochsten Gut, BWV 117: Aria: Ich will dich all mein Leben lang (Alto)
Sei Lob und Ehr dem hochsten Gut, BWV 117: Recitative: Ihr, die ihr Christi Namen nennt (Tenor)
Sei Lob und Ehr dem hochsten Gut, BWV 117: So kommet vor sein Angesicht (Chorus)
Was Gott tut, das ist wohlgetan, BWV 98: Was Gott tut, das ist wohlgetan (Chorus)
Was Gott tut, das ist wohlgetan, BWV 98: Recitative: Ach Gott! wenn wirst du mich einmal (Tenor)
Was Gott tut, das ist wohlgetan, BWV 98: Aria: Hort, ihr Augen, auf zu weinen! (Soprano)
Was Gott tut, das ist wohlgetan, BWV 98: Recitative: Gott hat ein Herz, das des Erbarmens Uberfluss (Alto)
Was Gott tut, das ist wohlgetan, BWV 98: Aria: Meinen Jesum lass ich nicht (Bass)
Gott, man lobet dich in der Stille, BWV 120: Aria: Gott, man lobet dich in der Stille (Alto)
Gott, man lobet dich in der Stille, BWV 120: Jauchzet, ihr erfreuten Stimmen (Chorus)
Gott, man lobet dich in der Stille, BWV 120: Recitative: Auf, du geliebte Lindenstadt (Bass)
Gott, man lobet dich in der Stille, BWV 120: Aria: Heil und Segen (Soprano)
Gott, man lobet dich in der Stille, BWV 120: Recitative: Nun, Herr, so weihe selbst (Tenor)
Gott, man lobet dich in der Stille, BWV 120: Chorale: Nun hilf uns, Herr, den Dienern dein (Chorus)

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