WGBH Radio WGBH Radio theclassicalstation.org

Bach: Easter & Ascension Oratorios / Retrospect Ensemble


Release Date: 04/01/2011 
Label:  Linn Records   Catalog #: 373   Spars Code: n/a 
Composer:  Johann Sebastian Bach
Performer:  Peter HarveyIestyn DaviesJames GilchristCarolyn Sampson
Conductor:  Matthew Halls
Orchestra/Ensemble:  Retrospect Ensemble
Number of Discs: 1 
Recorded in: Mixed 
Length: 1 Hours 10 Mins. 

CD not available: This title is currently only available as an MP3 download.  

Notes and Editorial Reviews


In its "first large-scale performance" in its association with Linn Records, the Retrospect Ensemble, its company of soloists and conductor Matthew Halls, can boast renditions of Bach's Easter and Ascension oratorios as fine as--or better than--any in the catalog. With their well-chosen soloists (not a weak link among them!), expert, energetic ensemble singing, and vibrant instrumental work, enlivened by Halls' buoyant rhythmic sense and ideally-judged tempos these performances leave no moment for you to relax your attention; indeed, for me at least, even after a half-dozen hearings they retain the freshness of the first one, and part of this is owing to the recording's very appealing
Read more ambience, extraordinary clarity and balance, and natural presence.

The more poignant sections--and there are a couple of Bach's most affecting examples, exhibited in the gorgeous arias for tenor in the Easter and for alto in the Ascension--are accompanied with thoughtful care and sung as well as we could hope for, by James Gilchrist in the former and Iestyn Davies in the latter. Likewise, the opening orchestral sinfonia of the Easter Oratorio and the closing Chorale of the Ascension (with its dancing Handelian string figures) are captivating expressions of some of Bach's most joyful music, highlighted by exemplary instrumental ensemble playing. An excellent essay by Nia Lewis, discussing the issue of parody and Bach's practice relative to these oratorios, and, most fascinating, Bach's application of musical-rhetorical figures throughout the two works, is a delightful bonus. Highly recommended!

– David Vernier, ClassicsToday.com
Read less

Works on This Recording

1. Easter Oratorio, BWV 249 by Johann Sebastian Bach
Conductor:  Matthew Halls
Orchestra/Ensemble:  Retrospect Ensemble
Period: Baroque 
Written: 1732-1735; Leipzig, Germany 
Venue:  St Jude's Church, Hampstead, London, Eng 
Length: 38 Minutes 35 Secs. 
2. Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio" by Johann Sebastian Bach
Performer:  Peter Harvey (), Iestyn Davies (), James Gilchrist (),
Carolyn Sampson ()
Conductor:  Matthew Halls
Orchestra/Ensemble:  Retrospect Ensemble
Period: Baroque 
Written: 1735; Leipzig, Germany 
Venue:  St Jude's Church, Hampstead, London, Eng 
Length: 27 Minutes 0 Secs. 

Featured Sound Samples

Easter Oratorio: Chorus & Duetto: "Kommt, eilet und laufet"
Easter Oratorio: Aria: "Saget, saget mir geschwinde"
Lobet Gott in seinen Reichen "Ascension Oratorio": Chorus: "Lobet Gott in seinen Reichen"

Sound Samples

Kommt, eilet und laufet, BWV 249, "Easter Oratorio": Sinfonia
Kommt, eilet und laufet, BWV 249, "Easter Oratorio": Adagio
Kommt, eilet und laufet, BWV 249, "Easter Oratorio": Kommt, eilet und laufet (Chorus)
Kommt, eilet und laufet, BWV 249, "Easter Oratorio": Recitative: O kalter Manner Sinn! (Soprano, Alto, Tenor, Bass)
Kommt, eilet und laufet, BWV 249, "Easter Oratorio": Aria: Seele, deine Spezereien (Soprano)
Kommt, eilet und laufet, BWV 249, "Easter Oratorio": Recitative: Hier ist die Gruft (Alto, Tenor, Bass)
Kommt, eilet und laufet, BWV 249, "Easter Oratorio": Aria: Sanfte soll mein Todeskummer (Tenor)
Kommt, eilet und laufet, BWV 249, "Easter Oratorio": Recitative: Indessen seufzen wir (Soprano, Alto)
Kommt, eilet und laufet, BWV 249, "Easter Oratorio": Aria: Saget, saget mit geschwinde (Soprano, Alto)
Kommt, eilet und laufet, BWV 249, "Easter Oratorio": Recitative: Wir sind erfreut (Bass)
Kommt, eilet und laufet, BWV 249, "Easter Oratorio": Preis und Dank (Chorus)
Ascension Oratorio: Lobet Gott in seinen Reichen, BWV 11: Lobet Gott in seinen Reichen (Chorus)
Ascension Oratorio: Lobet Gott in seinen Reichen, BWV 11: Recitative: Der Herr Jesus hub seine Hande auf (Tenor)
Ascension Oratorio: Lobet Gott in seinen Reichen, BWV 11: Recitative: Ach, Jesu, ist dein Abschied schon so nah? (Bass)
Ascension Oratorio: Lobet Gott in seinen Reichen, BWV 11: Aria: Ach bleibe doch, mein liebstes Leben (Alto)
Ascension Oratorio: Lobet Gott in seinen Reichen, BWV 11: Recitative: Und ward aufgehoben zusehends (Tenor)
Ascension Oratorio: Lobet Gott in seinen Reichen, BWV 11: Nun lieget alles unter dir (Chorus)
Ascension Oratorio: Lobet Gott in seinen Reichen, BWV 11: Recitative: Und da sie ihm nachsahen (Tenor, Bass, Alto)
Ascension Oratorio: Lobet Gott in seinen Reichen, BWV 11: Recitative: Ach ha! so kmme bald zuruck (Alto)
Ascension Oratorio: Lobet Gott in seinen Reichen, BWV 11: Sie aber beteten ihn an (Tenor)
Ascension Oratorio: Lobet Gott in seinen Reichen, BWV 11: Aria: Jesu, deine Gnadenblicke (Soprano)
Ascension Oratorio: Lobet Gott in seinen Reichen, BWV 11: Wenn soll es doch geschehen (Chorus)

Customer Reviews

Be the first to review this title
Review This Title
Review This Title Share on Facebook