WGBH Radio WGBH Radio theclassicalstation.org

Prokofiev: Symphonies 5 & 7, Symphony Concerto, Cinderella Suite


Release Date: 02/15/2011 
Label:  Warner Classics   Catalog #: 7231  
Composer:  Sergei Prokofiev
Performer:  Han-Na Chang
Conductor:  Simon RattleAndré PrevinAntonio PappanoRobert Irving
Orchestra/Ensemble:  City of Birmingham Symphony OrchestraLondon Symphony OrchestraRoyal Philharmonic Orchestra
Number of Discs: 2 
Recorded in: Stereo 
In Stock: Usually ships in 24 hours.  

Notes and Editorial Reviews

A superb collection, the highlights being Rattle’s Fifth and cellist Han-Na Chang in the invigorating Symphony Concerto.

The latest set in EMI’s ‘20 th Century Classics’ series is another attractive combination of well known and slightly more unusual masterpieces from Soviet Russia’s most colourful composer, Prokofiev. This is a 2 CD set that would be as welcome to newcomers as to more experienced listeners. It presents some outstanding recordings worth adding to any Prokofiev collection. Up first is a wonderful Fifth Symphony from Simon Rattle’s CBSO days. It’s one that I hadn’t heard before and, though I will still swear by Karajan’s 1968 Berlin recording (DG Galleria 4372532), Rattle’s is a performance
Read more that I already look forward to hearing again. In Rattle’s hands, the Fifth becomes a translucent work of light and shade; I don’t think I’ve been aware of its grace and elegance to quite the same degree. The first movement’s second theme, for example is exquisitely phrased and balanced and once into the development the music flows and flies magnificently. Superb details abound: The crescendo out of the central episode of the Scherzo is masterfully handled and the cello restatement of the opening theme at the head of the finale is beautifully poised and clear.

Following the epic sweep and complexity of the Fifth and Sixth Symphonies, Prokofiev's Seventh can seem more straightforward, even rather slight. André Previn's recording with the London Symphony Orchestra goes some way towards redressing the balance: Their full body of sound and generosity of spirit bring the Seventh closer to the world of the wartime symphonies than can sometimes seem to be the case. It's a vividly colourful and passionate account, in much the same way as the same team’s celebrated Rachmaninov Second Symphony (EMI 5669822), with moments of terrific grandeur. It's a shame, though, that Previn chose to include the cop-out cheery ending, added by Prokofiev after the original subdued conclusion was found too ambiguous by the authorities. It makes a nonsense of Prokofiev's carefully established atmosphere in the preceding minutes, though Previn and the LSO may have been without the full facts at the time.

Disc 2 opens with one of Prokofiev’s most propulsive and invigorating works, the Symphony Concerto for cello and orchestra. This was adapted from an earlier Cello Concerto, composed in the late 1930s and was taken up by the man who asked Prokofiev to take another look at the earlier work, Mstislav Rostropovich. The earlier concerto has fallen almost completely from view though it does appear on an earlier issue in this EMI 20 th Century Classics series, in a performance from Janos Starker (EMI 2068602); the revised Symphony Concerto has hardly taken the world by storm, being generally less familiar than the two violin concertos or the first three of Prokofiev’s five piano concertos. More’s the pity: it’s fast becoming one of my own favourite Prokofiev masterworks, and it’s as good as any of Prokofiev’s greatest concertos. Han-Na Chang’s performance is gripping and assured and though it doesn’t have quite the riveting intensity as Rostropovich’s numerous live and studio recordings, it nevertheless captures a superb cellist at the outset of her career. The London Symphony Orchestra provide a tightly sprung and immensely charachterful accompaniment under Antonio Pappano.

Finishing the set is a selection of items from Prokofiev’s ballet Cinderella in warm and vivid performances from the Royal Philharmonic under Robert Irving. The sound is extraordinary, considering its age, and so many of these items are vividly coloured and characterfully delivered. It’s not, as advertised on the track-listing, one of the suites extracted from the ballet or even a compilation of them; rather it is a selection of items from the complete score which, although heavily weighted towards the first two acts, gives a neat summary of the highlights of this famous tale.

-- Andrew Morris, MusicWeb International
Read less

Works on This Recording

1.
Symphony no 5 in B flat major, Op. 100 by Sergei Prokofiev
Conductor:  Simon Rattle
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: 20th Century 
Written: 1944; USSR 
2.
Symphony no 7 in C sharp minor, Op. 131 by Sergei Prokofiev
Conductor:  André Previn
Orchestra/Ensemble:  London Symphony Orchestra
Period: 20th Century 
Written: 1951-1952; USSR 
3.
Symphony-Concerto for Cello and Orchestra in E minor, Op. 125 by Sergei Prokofiev
Performer:  Han-Na Chang (Cello)
Conductor:  Antonio Pappano
Orchestra/Ensemble:  London Symphony Orchestra
Period: 20th Century 
Written: 1951/1952; USSR 
4.
Cinderella, Op. 87: Suite by Sergei Prokofiev
Conductor:  Robert Irving
Orchestra/Ensemble:  Royal Philharmonic Orchestra
Period: 20th Century 
Written: 1940-1944; USSR 

Sound Samples

Symphony No. 5 in B flat Op. 100: I. Andante
Symphony No. 5 in B flat Op. 100: II. Allegro marcato
Symphony No. 5 in B flat Op. 100: III. Adagio
Symphony No. 5 in B flat Op. 100: IV. Allegro giocoso
Symphony No. 7 in C sharp minor Op. 131: Moderato
Symphony No. 7 in C sharp minor Op. 131: Allegretto
Symphony No. 7 in C sharp minor Op. 131: Andante espressivo
Symphony No. 7 in C sharp minor Op. 131: Vivace
Sinfonia concertante Op.125: I Andante
Sinfonia concertante Op.125: II Allegro giusto
Sinfonia concertante Op.125: III Andante con moto
Cinderella - Ballet Op. 87 (excerpts), ACT 1: No. 1, Introduction (Andante dolce)
Cinderella - Ballet Op. 87 (excerpts), ACT 1: No. 2, Pas de châle (Allegretto)
Cinderella - Ballet Op. 87 (excerpts), ACT 1: No. 9, Cinderella dreams of the Ball (Andante dolce)
Cinderella - Ballet Op. 87 (excerpts), ACT 1: No. 10, Gavotte (Allegretto)
Cinderella - Ballet Op. 87 (excerpts), ACT 1: No. 17, Interrupted departure (Vivo)
Cinderella - Ballet Op. 87 (excerpts), ACT 1: No. 19, Cinderella's departure for the Ball (Allegro espressivo)
Cinderella - Ballet Op. 87 (excerpts), ACT 2: No. 28, Mazurka (Allegro ma non troppo)
Cinderella - Ballet Op. 87 (excerpts), ACT 2: No. 29, Cinderella's arrival at the Ball (Allegretto - Andante)
Cinderella - Ballet Op. 87 (excerpts), ACT 2: No. 30, Grand Waltz (Allegretto)
Cinderella - Ballet Op. 87 (excerpts), ACT 2: No. 34, The Guests take refreshment (Moderato)
Cinderella - Ballet Op. 87 (excerpts), ACT 2: No. 35, Duet of the Sisters with their Oranges (Allegro con brio)
Cinderella - Ballet Op. 87 (excerpts), ACT 2: No. 36, Pas de deux: The Prince and Cinderella (Adagio)
Cinderella - Ballet Op. 87 (excerpts), ACT 2: No. 37, Waltz-Coda (Allegro espressivo)
Cinderella - Ballet Op. 87 (excerpts), ACT 2: No. 38, Midnight (Allegro moderato)
Cinderella - Ballet Op. 87 (excerpts), ACT 3: No. 50, Amoroso (Andante dolcissimo)

Customer Reviews

Be the first to review this title
Review This Title
Review This Title Share on Facebook




YOU MUST BE A SUBSCRIBER TO LISTEN TO ARKIVMUSIC STREAMING.
TRY IT NOW FOR FREE!
Sign up now for two weeks of free access to the world's best classical music collection. Keep listening for only $19.95/month - thousands of classical albums for the price of one! Learn more about ArkivMusic Streaming
Aleady a subscriber? Sign In