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Bizet: Complete Piano Music / Julia Severus

Bizet / Severus
Release Date: 02/22/2011 
Label:  Naxos   Catalog #: 8570831-32  
Composer:  Georges Bizet
Performer:  Julia Severus
Number of Discs: 2 
Recorded in: Stereo 
Back Order: Usually ships in 2 to 3 weeks.  

Notes and Editorial Reviews

As soon as I saw Bizet: Complete Piano Music listed as a new release on the Naxos website, I realized that I had never before even thought of Georges Bizet in relation to piano compositions or piano music. I listened to the album for the first time with trepidation. Was there a reason his piano works had evaded popularity for so long? Was there a reason that quick checks of the internet revealed only two recorded piano recitals of Bizet prior to this one, neither offering the “complete” works?
 
Not all of this music is
Read more especially memorable, and none of it is profound. But one can safely slot Bizet into the tradition of Moszkowski, Paderewski, Mendelssohn, Gottschalk and others as a composer of admirable, charming little salon miniatures which, one imagines, gave amateurs of the day considerable pleasure and provided the composers with respectable calling-cards at evening parties. Even in this field, I would not credit Bizet with the originality some of those other composers exhibited in their works for piano.
 
Julia Severus has carefully and cleverly programmed her two discs here. Each begins with lighter fare, progresses through a smart alternation of serious and slight, and ends with one of the L’Arlésienne suites, arranged for piano by the composer. The two nocturnes on CD 1 are reminiscent more of Mendelssohn’s Songs without Words than anything by Chopin, and I prefer the lovely cantabile F major to the less-inspired example in D. There are several waltzes bathed in the perfume of the salons of Paris. The C major waltz really is a clever delight with some surprises in store, although the “Grand valse de concert” does not have a main tune nearly as hummable as Moszkowski’s work by the same title. The three Esquisses include a “Ronde turque” which impressed me as sounding quite a lot more authentically Turkish than almost any other western piece bearing that title.
 
The most dramatic work on CD 1 is Variations chromatiques, the chromatic passages of which serve up high drama and empty virtuosity in equal measure before the piece turns into a rather pedestrian, wandering “happy romantic” piece near the middle. An ominous ending, consciously imitative of Beethoven, barely manages to save it. The four Preludes are refreshing and nicely varied in mood, although they add up to just three minutes’ worth of music. The two Caprices are rather longer and I actually found the first quite interesting in its spicy blend of minor mode, sly attitude and stealthy rhythms. Again, think of Moszkowski, or perhaps even of a Chopin mazurka. Both Caprices sound as if they are just waiting to be orchestrated; by contrast, the first L’Arlésienne suite has been de-orchestrated here, and the beginning of the introduction does sound rather naked. In fact, it sounds like a fugue subject waiting to be put into counterpoint. The rest of the suite goes better; indeed, the minuet and carillons are quite successful as piano pieces.
 
The second CD opens with the longest work in the set: Chants du Rhin, a series of tone-pictures with titles like “Les rêves” which lasts for a little over twenty minutes. Even this work manages to be cutesy; “La bohémienne” is like a Chopin waltz composed by an inebriate. I think Julia Severus takes the opening movement a bit too quickly, but the others are better - “Les confidences” in particular is a well-voiced song begging for words. The most striking moment of the Magasin des familles comes near the end of the “Méditation réligieuse,” when Bizet caps off the piece with some unexpected, indeed totally out of place, fortissimo chords. Better is the second L’Arlésienne suite, which succeeds as a piano piece all the way through, especially the dance episode in the middle of the Pastorale and the dazzling passagework in the center of the final Farandole.
 
A few miniatures fill out the remainder of the set, all of them from essentially the same “songs without words” mold. The only Venetian characteristic I can detect in “Venise” is its melancholy mood, something like (one might say, creatively) a city reflecting that its best centuries are behind it. A “Romance sans paroles” is rather sans interest. The surprisingly Latin American “Marine” hints that Julia Severus would probably be a great performer of samba, ragtime and composers like Gershwin and Ernesto Nazareth.
 
I was surprised to realize that Bizet had even written piano music, so this set counts as a pleasant discovery. That some of the works, particularly the waltz in C, nocturne in F, “Marine”, and a few excerpts from L’Arlésienne, are actually very good makes this an even better surprise. Julia Severus is reliable and sensitive to the music’s lyricism and supplies her own well-written liner-notes, and the recorded sound is warm and close. This piano music is generally not too special - in fact none of it is “special” except maybe the sudden Brazilian turn of “Marine” - but all of it is, at a minimum, rather pretty, and “rather pretty” is a good thing to be. If you are fond of rather pretty piano music, here are two discs full of it waiting to be heard.
 
– Brian Reinhart, MusicWeb International Read less

Works on This Recording

1. Nocturne for Piano in F major by Georges Bizet
Performer:  Julia Severus (Piano)
Period: Romantic 
Written: 1854; France 
2. Grande valse de concert for Piano in E flat major by Georges Bizet
Performer:  Julia Severus (Piano)
Period: Romantic 
Written: 1854; France 
3. Esquisses musicales (3) by Georges Bizet
Performer:  Julia Severus (Piano)
4. Nocturne for Piano in D major by Georges Bizet
Performer:  Julia Severus (Piano)
Period: Romantic 
Written: 1868; France 
5. Variations chromatiques de concert for Piano by Georges Bizet
Performer:  Julia Severus (Piano)
Period: Romantic 
Written: 1868; France 
6. Waltz for Piano in C major by Georges Bizet
Performer:  Julia Severus (Piano)
Period: Romantic 
Written: ?1851; France 
7. Preludes (4) for Piano by Georges Bizet
Performer:  Julia Severus (Piano)
Period: Romantic 
Written: ?1851; France 
8. Caprice original for Piano no 1 in C sharp minor by Georges Bizet
Performer:  Julia Severus (Piano)
Period: Romantic 
Written: ?1851; France 
9. Caprice original for Piano no 2 in C major by Georges Bizet
Performer:  Julia Severus (Piano)
Period: Romantic 
Written: ?1851; France 
10. Thème brillant for Piano in C major by Georges Bizet
Performer:  Julia Severus (Piano)
Period: Romantic 
Written: ?1851; France 
11. L'arlésienne: Suite no 1 by Georges Bizet
Performer:  Julia Severus (Piano)
Period: Romantic 
Written: 1872; France 
12. Chants du Rhin by Georges Bizet
Performer:  Julia Severus (Piano)
Period: Romantic 
Written: 1865; France 
13. Magasin des familles by Georges Bizet
Performer:  Julia Severus (Piano)
Period: Romantic 
Written: France 
14. Venise by Georges Bizet
Performer:  Julia Severus (Piano)
15. Romance sans paroles for Piano in C major by Georges Bizet
Performer:  Julia Severus (Piano)
Period: Romantic 
Written: ?1851; France 
16. Marine by Georges Bizet
Performer:  Julia Severus (Piano)
Period: Romantic 
Written: ?1868; France 
17. Chasse fantastique by Georges Bizet
Performer:  Julia Severus (Piano)
Period: Romantic 
Written: ?1865; France 
18. L'arlésienne: Suite no 2 by Georges Bizet
Performer:  Julia Severus (Piano)
Period: Romantic 
Written: France 

Sound Samples

Nocturne in F major
Grande valse de concert
3 Esquisses musicales: No. 1. Ronde turque
3 Esquisses musicales: No. 2. Serenade
3 Esquisses musicales: No. 3. Caprice
Nocturne in D major
Variations chromatiques
Valse in C major
4 Preludes: Prelude No. 1 in C major
4 Preludes: Prelude No. 2 in A minor
4 Preludes: Prelude No. 3 in G major
4 Preludes: Prelude No. 4 in E minor
Caprice No. 1 in C sharp minor
Caprice No. 2 in C major
Theme brillant
L'arlesienne Suite No. 1 (arr. for piano): I. Prelude
L'arlesienne Suite No. 1 (arr. for piano): II. Minuetto
L'arlesienne Suite No. 1 (arr. for piano): III. Adagietto
L'arlesienne Suite No. 1 (arr. for piano): IV. Carillon
Chants du Rhin: I. L'aurore
Chants du Rhin: II. Le depart
Chants du Rhin: III. Les reves
Chants du Rhin: IV. La bohemienne
Chants du Rhin: V. Les confidences
Chants du Rhin: VI. Le retour
Magasin des familles: I. Meditation religieuse
Magasin des familles: II. Romance sans paroles
Magasin des familles: III. Casilda
Venise
Romance sans paroles in C major
Marine
Chasse fantastique
L'arlesienne Suite No. 2 (version for piano): I. Pastorale
L'arlesienne Suite No. 2 (version for piano): II. Intermezzo
L'arlesienne Suite No. 2 (version for piano): III. Menuet
L'arlesienne Suite No. 2 (version for piano): IV. Farandole

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