Notes and Editorial Reviews
'Missa Nasce la gioja mia' is one of the few parody masses which Palestrina based on a madrigal. The 'Missa Brevis' is amongst Palestrina's best-known works. `one of the best records of Palestrina currently on the market' John Milsom - GRAMOPHONE
'Missa Nasce la gioja mia' is one of the few parody masses which Palestrina based on a madrigal. The 'Missa Brevis' is amongst Palestrina's best-known works. `one of the best records of Palestrina currently on the market' John Milsom - GRAMOPHONE Read less
Works on This Recording
1.
Missa Brevis by Giovanni Palestrina
Performer:
Sally Dunkley (Soprano),
Alison Gough (),
Robert Harre-Jones (Countertenor),
Tim Wilson (Countertenor),
Rufus Müller (Tenor),
Nicholas Robertson (Tenor),
Francis Steele (Bass),
Simon Birchall (Bass)
Conductor:
Peter Phillips
Orchestra/Ensemble:
Tallis Scholars
Period: Renaissance
Written: by 1570; Italy
Date of Recording: 1986
Venue: Merton College Chapel, Oxford, England
Length: 21 Minutes 24 Secs.
Language: Latin
2.
Missa "Nasce la gioja mia" by Giovanni Palestrina
Performer:
Robert Harre-Jones (Countertenor),
Rufus Müller (Tenor),
Nicholas Robertson (Tenor),
Charles Daniels (Tenor),
Francis Steele (Bass),
Harvey Brough (Tenor),
Alison Gough (),
Deborah Roberts (Soprano),
Sally Dunkley (Soprano),
Jeremy White (Bass),
Tessa Bonner (Soprano),
David Cordier (Countertenor)
Conductor:
Peter Phillips
Orchestra/Ensemble:
Tallis Scholars
Period: Renaissance
Written: by 1590; Italy
Date of Recording: 1986
Venue: Merton College Chapel, Oxford, England
Length: 24 Minutes 22 Secs.
Language: Latin
3.
Madrigal Nasce la gioja mia by Giovanni L. Primavera
Performer:
Nicholas Robertson (Tenor),
Rufus Müller (Tenor),
Francis Steele (Bass),
Deborah Roberts (Soprano),
Robert Harre-Jones (Countertenor),
Alison Gough ()
Conductor:
Peter Phillips
Orchestra/Ensemble:
Tallis Scholars
Period: Renaissance
Written: Italy
Date of Recording: 1986
Venue: Merton College Chapel, Oxford, England
Length: 2 Minutes 30 Secs.
Language: Italian
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