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Great Conductors Of The 20th Century - Ernest Ansermet


Release Date: 06/04/2002 
Label:  Emi Classics   Catalog #: 75094   Spars Code: ADD 
Composer:  Igor StravinskyNikolai Rimsky-KorsakovClaude DebussyBéla Bartók,   ... 
Conductor:  Ernest Ansermet
Orchestra/Ensemble:  Suisse Romande OrchestraOrchestre de la Société du Conservatoire Paris
Number of Discs: 2 
Recorded in: Mono/Stereo 
Length: 2 Hours 31 Mins. 

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This CD is reissued by ArkivMusic.

Notes and Editorial Reviews

"Scheherazade was another Ansermet specialty that suited his flair for color and clarity of instrumental lines. He recorded it three times; this is his second, the fruits of Decca's first Paris stereo recording sessions in 1954. Despite the date, the sound remains remarkably good and Ansermet captures all the moods and colors of the work."

The Ernest Ansermet volume is one of the best of EMI's Great Conductors series. It includes terrific, well-chosen performances, only a pair of which are clearly bested by the competition. Those are the Bartók Concerto for Orchestra and Rachmaninov's Isle of the Dead. Just about everybody's had a shot at the Bartók, so Ansermet's version with a
Read more less-than-virtuoso orchestra and a tendency toward understatement is at a disadvantage when set against the idiomatic Bartók of Dorati (Philips), the warmth and personal flair of Bernstein (Sony), and the mysteries of Kubelik (Orfeo). The night music of the Elegia movement is played more for color than foreboding and the trombone Bronx cheers in the Intermezzo never have sounded so matter of fact as here. So in a market crowded with excellent versions, Ansermet's very good one doesn't finish in the money.


Ditto for the Rachmaninov, where the objectivity that served him so well in modern music and the flair for color he exhibited in the Russian repertoire don't quite bring out the deep darkness of Rachmaninov's brooding score. Those lapping waves that run through it could be from Beethoven's Brook in the Pastorale Symphony rather than Rachmaninov's River Styx. And, as in the Bartók, the typically French timbre of the orchestra tends to work against the grain of the music. Reiner (RCA), Ashkenazy (Decca), and Rachmaninov himself (RCA) come closer to the mark. Ansermet's are fine performances that just miss the top rank.


Everything else in this set gets a clear, resounding 10 for performance. Ansermet long championed Stravinsky, and his version of the Chant du Rossignol rivals Reiner's classic Chicago version; and in its color, inner detail, and boldly projected rhythms it beats out Stravinsky's own recording of the complete opera from which it derives. The 1956 stereo sound here is absolutely amazing in its transparency and vivid presence, a tribute to Decca's engineers of the period.


Scheherazade was another Ansermet specialty that suited his flair for color and clarity of instrumental lines. He recorded it three times; this is his second, the fruits of Decca's first Paris stereo recording sessions in 1954. Despite the date, the sound remains remarkably good and Ansermet captures all the moods and colors of the work, from the tensions of the outer movements to the rich vein of languorous Orientalisms that are found throughout. I especially like the contrasts of the third movement, The Young Prince and the Young Princess, where he brings out the sweet tenderness of the opening and clearly delineates the ravishing wind decorations that act as halos for the strings. The quiet, percussion-punctuated march-like section that follows is brilliantly projected and Ansermet's solo violinist plays with an unusual degree of emotion and freedom. Scheherazade is another of those standard pieces apparently recorded by everyone with a baton, and there are many excellent versions, from Reiner (RCA) and Beecham (EMI) to recent ones such as Robert Spano's (Telarc), but Ansermet's 1961 recording is among the top half-dozen and this one's as good, lacking only the full spaciousness of the later recording.


The rest of the items here are about as self-recommending as it gets--an elegant Debussy Prélude à l'après-midi d'un faune, a sparkling Ravel La Valse (which, like the Stravinsky work, he premiered), and a scintillating Fète Polonaise from Chabrier's Le Roi malgré lui. All three are on anyone's short list of the best performances, though the Ravel is an earlier recording than the more familiar later one. It was made in 1953 with the Paris Conservatory Orchestra and while the mono sound is good, it's not nearly as spacious and vivid as his later version. The Chabrier is a perfect finale to the set, a bubbly reminder of Ansermet's incomparable LP collection of that composer's orchestral music. My only complaint, and it's a minor piece of nit-picking, is that the selections reinforce the tendency to pigeonhole Ansermet as a Franco-Russian specialist when he encompassed a far wider repertoire that ran from Bach to Martin and included some fine Haydn and Beethoven recordings.
--Dan Davis, ClassicsToday.com Read less

Works on This Recording

1. Chant du rossignol by Igor Stravinsky
Conductor:  Ernest Ansermet
Orchestra/Ensemble:  Suisse Romande Orchestra
Period: 20th Century 
Written: 1917; Switzerland 
Date of Recording: 05/1956 
Venue:  Victoria Hall, Geneva, Switzerland 
Length: 21 Minutes 36 Secs. 
Notes: Recorded in Stereo  
2. Scheherazade, Op. 35 by Nikolai Rimsky-Korsakov
Conductor:  Ernest Ansermet
Orchestra/Ensemble:  Orchestre de la Société du Conservatoire Paris
Period: Romantic 
Written: 1888; Russia 
Date of Recording: 09/22/1954 
Venue:  Maison de la Mutualite, Paris, France 
Length: 41 Minutes 44 Secs. 
Notes: Recorded in Stereo 
3. Prélude à l'après-midi d'un faune by Claude Debussy
Conductor:  Ernest Ansermet
Orchestra/Ensemble:  Suisse Romande Orchestra
Period: 20th Century 
Written: 1892-1894; France 
Date of Recording: 10/28/1957 
Venue:  Victoria Hall, Geneva, Switzerland 
Length: 9 Minutes 0 Secs. 
Notes: Composition written: France (1892 - 1894). 
4. Concerto for Orchestra, Sz 116 by Béla Bartók
Conductor:  Ernest Ansermet
Orchestra/Ensemble:  Suisse Romande Orchestra
Period: 20th Century 
Written: 1943; USA 
Date of Recording: 11/1956 
Venue:  Victoria Hall, Geneva, Switzerland 
Length: 36 Minutes 58 Secs. 
5. Isle of the Dead, Op. 29 by Sergei Rachmaninov
Conductor:  Ernest Ansermet
Orchestra/Ensemble:  Orchestre de la Société du Conservatoire Paris
Period: Romantic 
Written: 1909; Russia 
Date of Recording: 09/1954 
Venue:  Maison de la Mutualite, Paris, France 
Length: 19 Minutes 22 Secs. 
6. La valse by Maurice Ravel
Conductor:  Ernest Ansermet
Orchestra/Ensemble:  Orchestre de la Société du Conservatoire Paris
Period: 20th Century 
Written: 1920; France 
Date of Recording: 06/1953 
Venue:  Maison de la Mutualite, Paris, France 
Length: 13 Minutes 3 Secs. 
7. Le roi malgré lui: Fête polonaise by Emmanuel Chabrier
Conductor:  Ernest Ansermet
Orchestra/Ensemble:  Suisse Romande Orchestra
Period: Romantic 
Written: 1887; France 
Date of Recording: 12/1964 
Venue:  Victoria Hall, Geneva, Switzerland 
Length: 8 Minutes 33 Secs. 

Sound Samples

Chant du Rossignol : Poème symphonique (2002 Digital Remaster): Introduction
Chant du Rossignol : Poème symphonique (2002 Digital Remaster): Marche chinoise
Chant du Rossignol : Poème symphonique (2002 Digital Remaster): Chant du rossignol
Chant du Rossignol : Poème symphonique (2002 Digital Remaster): Jeu du rossignol mécanique
Scheherazade - Symphonic Suite Op. 35 (2002 Digital Remaster): I. The Sea and Sinbad's Ship
Scheherazade - Symphonic Suite Op. 35 (2002 Digital Remaster): II. The Sory of the Kalendar Prince
Scheherazade - Symphonic Suite Op. 35 (2002 Digital Remaster): III. The Young Prince and the Young Princess
Scheherazade - Symphonic Suite Op. 35 (2002 Digital Remaster): IV. The Festival at Baghdad - The Sea - The Ship goes to pieces on a Rock summounted by a Bronze Warrior
Prélude à l'après-midi d'un faune (2002 Digital Remaster)
Concerto for Orchestra Sz116 (2002 Digital Remaster): I. Introduzione (Andante non troppo - Allegro vivace)
Concerto for Orchestra Sz116 (2002 Digital Remaster): II. Gluoco delle coppie (Allegretto scherzando)
Concerto for Orchestra Sz116 (2002 Digital Remaster): III. Elegia (Andante non troppo)
Concerto for Orchestra Sz116 (2002 Digital Remaster): IV. Intermezzo interrotto (Allegretto)
Concerto for Orchestra Sz116 (2002 Digital Remaster): V. Finale (Pesante - Presto)
The Isle of the Dead Op. 29 (2002 Digital Remaster)
La Valse (2002 Digital Remaster)
Le Roi malgré lui (2002 Digital Remaster): Fête polonaise

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