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Mahler: Des Knaben Wunderhorn / Szell, Schwarzkopf, Et Al


Release Date: 03/14/2000 
Label:  Emi Great Recordings Of The Century Catalog #: 67256   Spars Code: ADD 
Composer:  Gustav Mahler
Performer:  Elisabeth SchwarzkopfDietrich Fischer-Dieskau
Conductor:  George Szell
Orchestra/Ensemble:  London Symphony Orchestra
Number of Discs: 1 
Recorded in: Stereo 
Length: 0 Hours 50 Mins. 

Imported from : European Union   
This title is currently unavailable.



Notes and Editorial Reviews

Szell's 1968 Des Knaben Wunderhorn, with Schwarzkopf and Fischer-Dieskau (recorded, like the Resurrection Symphony, in Kingsway Hall) is indispensable. Remembering Szell's justly famous Cleveland recording of the Fourth Symphony (CBS/Sony), it is not surprising that he is equally magnetic here. Try Fischer-Dieskau's very opening number (Revelge), the warmly lilting strings which introduce Schwarzkopf's delightful Rheinlegendchen or the haunting drum beats of Der Tamboursg'sell. Of course, the singing is incomparable, too. Des Knaben Wunderhorn was the first Mahler I ever heard (I think it was an old Vox recording) and, for me, it remains among his greatest music. This disc is fully worthy of it.

-- Ivan March, Gramophone
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Works on This Recording

1.
Des Knaben Wunderhorn by Gustav Mahler
Performer:  Elisabeth Schwarzkopf (Soprano), Dietrich Fischer-Dieskau (Baritone)
Conductor:  George Szell
Orchestra/Ensemble:  London Symphony Orchestra
Period: Romantic 
Written: 1892-1898; Hamburg, Germany 
Date of Recording: 03/1968 
Venue:  Kingsway Hall, London, England 
Length: 50 Minutes 14 Secs. 
Language: German 

Customer Reviews

Average Customer Review:  1 Customer Review )
 Mahler: DAS KNABEN WUNDERHORN August 25, 2012 By Zita Carno (Tampa, FL) See All My Reviews "I am very surprised that the CD is no longer available. I acquired this recording when it was on CD, and I have been enjoying it for some years. It was interesting to have the two vocal soloists divide the songs between them, and the whole performance was magnificent. My particular favorites were the march movements and the one that ends up with a distinct "heehaw"---Mahler was not without a sense of humor. A marvelous recording of this cycle by one of my all-time favorite conductors and two superb soloists!" Report Abuse
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