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The Golden Age Of Light Music: War And Peace - Light Music Of The 1940s

Release Date: 01/11/2011 
Label:  Guild   Catalog #: 5171   Spars Code: ADD 
Composer:  John BeltonHoagy CarmichaelEric CoatesSir William Walton,   ... 
Performer:  Laurance TurnerPeggy CochraneHenry BronkhurstGuy Fletcher
Conductor:  Charles ShadwellPercy FaithEric CoatesSir William Walton,   ... 
Number of Discs: 1 
Recorded in: Stereo 
Length: 1 Hours 19 Mins. 

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Notes and Editorial Reviews

Still they come, like an onslaught, like the musical equivalent of the Four Horsemen of the Apocalypse (but in a good way). The biggest Light Music catalogue around regularly plunders the vast vaults of the genre, and invariably returns with schematically interesting and enjoyable compilations. My initial weariness – I’ve reviewed so many – proves to be transient as the maestros behind the project know how to concoct things, and occasionally, just occasionally, come up with quixotic juxtapositions to keep things alert and alive.

This disc, for instance, consists of pieces recorded between 1942 and ’49. It opens in assured and breezy fashion with Down The Mall, essayed with panache by Charles Shadwell and his fine aggregation.
Read more By way of immediate contrast Percy Faith turns lush on Hoagy Carmichael’s Stardust, the rich orchestration luxuriating in nuances. Into this company strides Eric Coates, still a master, who conducts his genially unbuttoned Footlights. Another leading British composer also slips in, namely Walton whose Spitfire Fugue might seem to be an odd choice for this genre, but it has film music status, and kudos for lifting the spirits. Marginal though, in my view, whether it really fits. A good opus for upping productivity levels is A Cocktail Of Happiness recorded, appropriately, on the Decca ‘Music While You Work’ label.

Charles Williams has been an assured and reassuring presence throughout many of the discs in this long series. Once again his Imperial credentials cannot be faulted; his Girls In Grey is a self-confident march with a hint of braggadocio. Those girls knew their worth. Art Tatum jazzed Dvo_ák’s Humoresque, but here David Rose smooches it; plenty of pizzicati for this immortal standard. The British were very good in the 40s at pocket piano concertos predicated on Rachmaninovian lines – the so-called Denham Concerto. The list is long. However El Alamein - Concerto for Piano and Orchestra, is by Albert Arlen, born Albert Aarons, and commemorative of the battle, not a piece of film music. It was premiered by pianist Phil French and conductor Hugo Rignold in 1944. Brass calls, thudding percussion (imitative of shell thuds, I assume), and the Reveille, all make their appearances in a work that may be unsophisticated but packs a deeper punch when one acknowledges the circumstances of its composition. Peggy Cochrane, erstwhile violinist and here pianist, is the soloist, and Jack Payne conducts.

Once again we have an immediate contrast via the succeeding On A Spring Note by Sidney Torch(insky) which is insouciant and jaunty. Things get even more brazen when Boogie Woogie Moonshine is unveiled, film music (by Louis Levy?) that goes in for all sorts of hi-jinks including Big Band swing, Original Dixieland Jazz Band horse whinnying, Moonlight sonata counterpoint, and You are My Sunshine quotations. Weird. Louis Armstrong once recorded a song called Willie the Weeper but Robert Farnon concocted Willie The Whistler which is a noble march tune. We also have the prelude to the film music for A Matter of Life and Death written by Allan Gray, whose real name was Josef Zmigrod. The theme of the imperial march recurs however, this time in the shape of Frederic Curzon’s very Elgarian Bonaventure, with its Pomp and Circumstance affiliations. There’s a touch of Percy Grainger in Leighton Lucas’s Marche Fantastique. Meanwhile Don Gillis’s Short Overture To An Unwritten Opera could have slotted in nicely to Guild’s Lightly Classical album, recently released – it’s typically witty. We end with another pocket piano concerto, this time by Edward Ward, whose film music for “The Phantom of the Opera” is heard in a performance by pianist Guy Fletcher with the redoubtable Mantovani on the rostrum.

This well engineered selection has the usual alpha-level notes.

-- Jonathan Woolf, MusicWeb International

Down The Mall - John Belton, real names Tony Lowry and Douglas Brownsmith [2:29]
Charles Shadwell and his orchestra
Stardust - Hoagy Carmichael, arr. Percy Faith [3:12]
Percy Faith and his orchestra
Footlights - Eric Coates [4:11]
Light Symphony Orchesrtra/Eric Coates
Spitfire Fugue - from the film “The First Of The Few”- William Walton [4:07]
Halle Orchestra/ William Walton; Laurance Turner (solo violin)
A Cocktail Of Happiness - Wynford Reynolds [2:56]
Wynford Reynolds and his orchestra
Girls In Grey – Charles Williams [2:35]
Queen’s Hall Light Orchestra/Charles Williams
Humoresque - Antonin Dvorák [2:34]
David Rose and his orchestra
“El Alamein” - Concerto for Piano and Orchestra - Albert Arlen, born Albert Aarons [7:45]
Jack Payne and his orchestra with Peggy Cochrane (piano)
On A Spring Note - Sidney Torch, real name Sidney Torchinsky [2:51]
Queen’s Hall Light Orchestra/Sidney Torch
Boogie Woogie Moonshine from the film “Piccadilly Incident” [3:41]
Louis Levy and his ‘Music from the Movies’; Henry Bronkhurst (piano)
Voice Of Industry; March - Jack Beaver [2:45]
The New Century Orchestra/Sidney Torch
Willie The Whistler - Robert Farnon [2:14]
Queen’s Hall Light Orchestra/Charles Williams
Starlight Roof Waltz - George Melachrino [2:56]
The Melachrino Orchestra/George Melachrino
A Matter Of Life And Death; Prelude from the film - Allan Gray, real name Josef Zmigrod [4:01]
Queen’s Hall Light Orchestra/Charles Williams
Olympic Games March - Ronald Hanmer [2:57]
The New Century Orchestra/Sidney Torch
The Fairy And The Fiddlers - Edward White [3:26]
New Concert Orchestra/Jay Wilbur
Bonaventure - Frederic Curzon [2:55]
New Concert Orchestra/Frederic Curzon
American Serenade - Louis Alter [4:09]
Meredith Willson and his orchestra
Marche Fantastique - Leighton Lucas [3:10]
Leighton Lucas and his orchestra
Short Overture To An Unwritten Opera - Don Gillis [4:07]
New Concert Orchestra/Rae Jenkins
Royal Cavalcade - Albert William Ketèlbey [2:42]
The Louis Voss Grand Orchestra
Lullaby Of The Bells; Piano Concerto from the film “The Phantom Of The Opera” - Edward Ward [5:55]
Mantovani and his concert orchestra featuring Guy Fletcher (piano)
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Works on This Recording

Down the Mall, for band by John Belton
Conductor:  Charles Shadwell
Length: 2 Minutes 32 Secs. 
Stardust by Hoagy Carmichael
Conductor:  Percy Faith
Period: 20th Century 
Written: 1927; USA 
Length: 3 Minutes 15 Secs. 
Footlights Waltz by Eric Coates
Conductor:  Eric Coates
Period: 20th Century 
Written: England 
Length: 4 Minutes 14 Secs. 
Prelude and Fugue "Spitfire" by Sir William Walton
Performer:  Laurance Turner (Violin)
Conductor:  Sir William Walton
Period: 20th Century 
Written: 1942; England 
Length: 4 Minutes 10 Secs. 
Notes: From film score "The First of the Few". 
A Cocktail of Happiness, for pops orchestra by Wynford Reynolds
Conductor:  Wynford Reynolds
Period: Modern 
Written: 1944 
Length: 2 Minutes 58 Secs. 
Girls in Grey, television newsreel march by Charles Williams
Conductor:  Charles Williams
Period: Modern 
Length: 2 Minutes 38 Secs. 
Humoresques (8) for Piano, Op. 101/B 187: no 7 in G flat major by Antonín Dvorák
Conductor:  David Rose
Period: Romantic 
Written: 1894; Bohemia 
Length: 2 Minutes 37 Secs. 
El Alamein, for piano & orchestra by Albert Arlen
Performer:  Peggy Cochrane (Piano)
Conductor:  Jack Payne
Period: Modern 
Length: 7 Minutes 48 Secs. 
On a Spring Note by Sidney Torch
Conductor:  Sidney Torch
Period: 20th Century 
Written: England 
Length: 2 Minutes 54 Secs. 
Boogie Woogie Moonshine, for pops orchestra (for the film "Piccadilly Incident") by Anthony Collins
Performer:  Henry Bronkhurst (Piano)
Conductor:  Louis Levy
Period: Modern 
Length: 3 Minutes 44 Secs. 
Voice of Industry, march for pops orchestra by Jack Beaver
Conductor:  Sidney Torch
Period: Modern 
Length: 2 Minutes 48 Secs. 
Willie the Whistler, for pops orchestra by Robert Farnon
Conductor:  Charles Williams
Period: Modern 
Length: 2 Minutes 17 Secs. 
Starlight Roof Waltz, for orchestra by George Melachrino
Conductor:  George Melachrino
Period: Modern 
Length: 2 Minutes 59 Secs. 
A Matter of Life and Death: Prelude by Allan Gray
Conductor:  Charles Williams
Period: Modern 
Written: 1946 
Length: 4 Minutes 4 Secs. 
Olympic Games March, for pops orchestra by Ronald Hanmer
Conductor:  Sidney Torch
Period: Modern 
Length: 3 Minutes 0 Secs. 
The Fairy and the Fiddlers, for pops orchestra by Edward Little White
Conductor:  Jay Wilbur
Period: Modern 
Length: 3 Minutes 29 Secs. 
Bonaventure, for pops orchestra by Frederic Curzon
Conductor:  Frederic Curzon
Period: Modern 
Length: 2 Minutes 58 Secs. 
American Serenade, for pops orchestra by Louie Alter
Conductor:  Meredith Willson
Period: Modern 
Length: 4 Minutes 12 Secs. 
Marche fantastique, for pops orchestra by Leighton Lucas
Conductor:  Leighton Lucas
Period: Modern 
Length: 3 Minutes 13 Secs. 
Short Overture to an Unwritten Opera by Don Gillis
Conductor:  Rae Jenkins
Period: 20th Century 
Length: 4 Minutes 10 Secs. 
The Phantom of the opera, score to the radio broadcast of 1943 by Edward Ward
Performer:  Guy Fletcher (Piano)
Conductor:  Annuncio Paolo Mantovani
Period: Modern 
Length: 5 Minutes 55 Secs. 
Royal Cavalcade, for pops orchestra by Albert William Ketèlbey
Period: Modern 
Length: 2 Minutes 45 Secs. 

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