Notes and Editorial Reviews
Includes work(s) by P.D.Q. Bach. Ensemble: Chamber Orchestra. Conductor: Jorge Mester.
Includes work(s) by P.D.Q. Bach. Ensemble: Chamber Orchestra. Conductor: Jorge Mester. Read less
Works on This Recording
1.
Concerto for Horn and Hardart, S 27 by P.D.Q. Bach
Performer:
Ralph Froelich (French Horn),
Peter Schickele (Hardart)
Conductor:
Jorge Mester
Orchestra/Ensemble:
Chamber Orchestra
Period: 20th Century
Written: USA
Length: 12 Minutes 18 Secs.
2.
Iphigenia in Brooklyn, S 53162 by P.D.Q. Bach
Performer:
Peter Schickele (Wine Bottle),
John Ferrante (Countertenor),
Leonid Hambro (Harpsichord),
Seymour Platt (Trumpet)
Conductor:
Jorge Mester
Orchestra/Ensemble:
Chamber Orchestra
Period: 20th Century
Written: USA
Length: 8 Minutes 25 Secs.
3.
Quodlibet for Small Orchestra by P.D.Q. Bach
Conductor:
Jorge Mester
Orchestra/Ensemble:
Chamber Orchestra
Period: 20th Century
Written: USA
Length: 8 Minutes 7 Secs.
4.
Sinfonia Concertante, S 98.6: 1st movement, Sehr unruhig mit schmalz by P.D.Q. Bach
Performer:
Stanley Buetens (Lute),
Peter Schickele (Ocarina),
Robert Lewis (Flute),
Maurice Eisenstadt (Bagpipe),
Stephen Lickman (Percussion),
Peter Zolotareff (Balalaika)
Conductor:
Jorge Mester
Orchestra/Ensemble:
Chamber Orchestra
Period: 20th Century
Written: USA
Length: 2 Minutes 33 Secs.
5.
Sinfonia Concertante, S 98.6: 2nd movement, Andante senza moto by P.D.Q. Bach
Performer:
Peter Schickele (Ocarina),
Stanley Buetens (Lute),
Maurice Eisenstadt (Bagpipe),
Stephen Lickman (Percussion),
Robert Lewis (Flute),
Peter Zolotareff (Balalaika)
Conductor:
Jorge Mester
Orchestra/Ensemble:
Chamber Orchestra
Period: 20th Century
Written: USA
Length: 3 Minutes 29 Secs.
6.
Sinfonia Concertante, S 98.6: 3rd movement, Presto nicht schleppend by P.D.Q. Bach
Performer:
Stephen Lickman (Percussion),
Robert Lewis (Flute),
Peter Zolotareff (Balalaika),
Stanley Buetens (Lute),
Maurice Eisenstadt (Bagpipe),
Peter Schickele (Ocarina)
Conductor:
Jorge Mester
Orchestra/Ensemble:
Chamber Orchestra
Period: 20th Century
Written: USA
Length: 2 Minutes 15 Secs.
7.
The Seasonings, S 1/2 tsp: Tarragon of virtue is full by P.D.Q. Bach
Performer:
John Ferrante (Tenor),
Lorna Haywood (Soprano),
William Woolf (Bass),
Marlena Kleinman (Alto)
Conductor:
Jorge Mester
Orchestra/Ensemble:
Okay Chorale,
Royal PDQ Bach Festival Orchestra
Period: 20th Century
Written: USA
Length: 2 Minutes 18 Secs.
8.
The Seasonings, S 1/2 tsp: And there were in the same country by P.D.Q. Bach
Performer:
John Ferrante (Tenor),
Lorna Haywood (Soprano),
Marlena Kleinman (Alto),
William Woolf (Bass)
Conductor:
Jorge Mester
Orchestra/Ensemble:
Okay Chorale,
Royal PDQ Bach Festival Orchestra
Period: 20th Century
Written: USA
Length: 0 Minutes 56 Secs.
9.
The Seasonings, S 1/2 tsp: Bide thy thyme by P.D.Q. Bach
Performer:
William Woolf (Bass),
John Ferrante (Tenor),
Lorna Haywood (Soprano),
Marlena Kleinman (Alto)
Conductor:
Jorge Mester
Orchestra/Ensemble:
Okay Chorale,
Royal PDQ Bach Festival Orchestra
Period: 20th Century
Written: USA
Length: 2 Minutes 15 Secs.
10.
The Seasonings, S 1/2 tsp: Fugue for orchestra by P.D.Q. Bach
Performer:
Marlena Kleinman (Alto),
Lorna Haywood (Soprano),
William Woolf (Bass),
John Ferrante (Tenor)
Conductor:
Jorge Mester
Orchestra/Ensemble:
Okay Chorale,
Royal PDQ Bach Festival Orchestra
Period: 20th Century
Written: USA
Length: 1 Minutes 8 Secs.
11.
The Seasonings, S 1/2 tsp: Then asked he by P.D.Q. Bach
Performer:
Marlena Kleinman (Alto),
Lorna Haywood (Soprano),
William Woolf (Bass),
John Ferrante (Tenor)
Conductor:
Jorge Mester
Orchestra/Ensemble:
Okay Chorale,
Royal PDQ Bach Festival Orchestra
Period: 20th Century
Written: USA
Length: 1 Minutes 53 Secs.
12.
The Seasonings, S 1/2 tsp: By the leeks of Babylon by P.D.Q. Bach
Performer:
Marlena Kleinman (Alto),
Lorna Haywood (Soprano),
William Woolf (Bass),
John Ferrante (Tenor)
Conductor:
Jorge Mester
Orchestra/Ensemble:
Okay Chorale,
Royal PDQ Bach Festival Orchestra
Period: 20th Century
Written: USA
Length: 2 Minutes 0 Secs.
13.
The Seasonings, S 1/2 tsp: Then she gave in by P.D.Q. Bach
Performer:
John Ferrante (Tenor),
Lorna Haywood (Soprano),
Marlena Kleinman (Alto),
William Woolf (Bass)
Conductor:
Jorge Mester
Orchestra/Ensemble:
Okay Chorale,
Royal PDQ Bach Festival Orchestra
Period: 20th Century
Written: USA
Length: 0 Minutes 29 Secs.
14.
The Seasonings, S 1/2 tsp: Open sesame seeds by P.D.Q. Bach
Performer:
John Ferrante (Tenor),
William Woolf (Bass),
Lorna Haywood (Soprano),
Marlena Kleinman (Alto)
Conductor:
Jorge Mester
Orchestra/Ensemble:
Okay Chorale,
Royal PDQ Bach Festival Orchestra
Period: 20th Century
Written: USA
Length: 2 Minutes 2 Secs.
15.
The Seasonings, S 1/2 tsp: So Saying by P.D.Q. Bach
Performer:
Lorna Haywood (Soprano),
Marlena Kleinman (Alto),
John Ferrante (Tenor),
William Woolf (Bass)
Conductor:
Jorge Mester
Orchestra/Ensemble:
Okay Chorale,
Royal PDQ Bach Festival Orchestra
Period: 20th Century
Written: USA
Length: 1 Minutes 0 Secs.
16.
The Seasonings, S 1/2 tsp: Summer is a cumin seed by P.D.Q. Bach
Performer:
William Woolf (Bass),
Lorna Haywood (Soprano),
Marlena Kleinman (Alto),
John Ferrante (Tenor)
Conductor:
Jorge Mester
Orchestra/Ensemble:
Okay Chorale,
Royal PDQ Bach Festival Orchestra
Period: 20th Century
Written: USA
Length: 1 Minutes 42 Secs.
17.
The Seasonings, S 1/2 tsp: To curry favor, favor curry by P.D.Q. Bach
Performer:
John Ferrante (Tenor),
William Woolf (Bass),
Lorna Haywood (Soprano),
Marlena Kleinman (Alto)
Conductor:
Jorge Mester
Orchestra/Ensemble:
Okay Chorale,
Royal PDQ Bach Festival Orchestra
Period: 20th Century
Written: USA
Length: 2 Minutes 52 Secs.
18.
Unbegun Symphony: 3rd movement, Minuet by P.D.Q. Bach
Conductor:
Jorge Mester
Orchestra/Ensemble:
Chamber Orchestra
Period: 20th Century
Written: USA
Length: 3 Minutes 26 Secs.
19.
Unbegun Symphony: 4th movement, Andante-Allegro by P.D.Q. Bach
Conductor:
Jorge Mester
Orchestra/Ensemble:
Chamber Orchestra
Period: 20th Century
Written: USA
Length: 5 Minutes 15 Secs.
20.
Pervertimento for Bagpipes, Bicycle and Balloons, S 66: 1st movement, Allegro moulto by P.D.Q. Bach
Performer:
Peter Schickele (Percussion),
Robert Lewis (Balloons),
Maurice Eisenstadt (Bagpipe)
Period: 20th Century
Written: USA
Length: 0 Minutes 44 Secs.
21.
Pervertimento for Bagpipes, Bicycle and Balloons, S 66: 2nd movement, Romanze no 2 "Adagio Sereno" by P.D.Q. Bach
Performer:
Peter Schickele (Percussion),
Robert Lewis (Balloons),
Maurice Eisenstadt (Bagpipe)
Period: 20th Century
Written: USA
Length: 1 Minutes 22 Secs.
22.
Pervertimento for Bagpipes, Bicycle and Balloons, S 66: 3rd movement, Minaret & Trio by P.D.Q. Bach
Performer:
Peter Schickele (Percussion),
Robert Lewis (Balloons),
Maurice Eisenstadt (Bagpipe)
Period: 20th Century
Written: USA
Length: 2 Minutes 39 Secs.
23.
Pervertimento for Bagpipes, Bicycle and Balloons, S 66: 4th movement, Romanze no 1 "Chi Largo" by P.D.Q. Bach
Performer:
Peter Schickele (Percussion),
Robert Lewis (Balloons),
Maurice Eisenstadt (Bagpipe)
Period: 20th Century
Written: USA
Length: 2 Minutes 0 Secs.
24.
Pervertimento for Bagpipes, Bicycle and Balloons, S 66: 5th movement, Presto changio by P.D.Q. Bach
Performer:
Peter Schickele (Percussion),
Robert Lewis (Balloons),
Maurice Eisenstadt (Bagpipe)
Period: 20th Century
Written: USA
Length: 2 Minutes 55 Secs.
25.
Echo Sonata for 2 Unfriendly Groups of Instruments by P.D.Q. Bach
Conductor:
Peter Schickele
Orchestra/Ensemble:
I Virtuosi di Hoople
Period: 20th Century
Written: USA
Length: 3 Minutes 26 Secs.
Notes: Audio Producers: Seymour Solomon; Stephen Schmidt.
26.
New Horizons in Music Appreciation: Beethoven's Fifth Symphony by P.D.Q. Bach
Conductor:
Peter Schickele
Orchestra/Ensemble:
I Virtuosi di Hoople
Period: 20th Century
Written: USA
Length: 7 Minutes 56 Secs.
Notes: Audio Producers: Seymour Solomon; Stephen Schmidt.
27.
Traumarai for unaccompanied Piano by P.D.Q. Bach
Performer:
Peter Schickele (Piano)
Period: 20th Century
Written: USA
Length: 3 Minutes 27 Secs.
Notes: Audio Producers: Seymour Solomon; Stephen Schmidt.
28.
Schleptet in E flat major, S 0: 1st movement, Larghissimo-Allegro boffo by P.D.Q. Bach
Conductor:
Peter Schickele
Orchestra/Ensemble:
I Virtuosi di Hoople
Period: 20th Century
Written: USA
Length: 2 Minutes 40 Secs.
Notes: Audio Producers: Seymour Solomon; Stephen Schmidt.
29.
Schleptet in E flat major, S 0: 2nd movement, Menuetto con brio ma senza trio by P.D.Q. Bach
Conductor:
Peter Schickele
Orchestra/Ensemble:
I Virtuosi di Hoople
Period: 20th Century
Written: USA
Length: 1 Minutes 18 Secs.
Notes: Audio Producers: Seymour Solomon; Stephen Schmidt.
30.
Schleptet in E flat major, S 0: 3rd movement, Adagio Saccharino by P.D.Q. Bach
Conductor:
Peter Schickele
Orchestra/Ensemble:
I Virtuosi di Hoople
Period: 20th Century
Written: USA
Length: 0 Minutes 52 Secs.
Notes: Audio Producers: Seymour Solomon; Stephen Schmidt.
31.
Schleptet in E flat major, S 0: 4th movement, Yedhui Menuetto by P.D.Q. Bach
Conductor:
Peter Schickele
Orchestra/Ensemble:
I Virtuosi di Hoople
Period: 20th Century
Written: USA
Length: 1 Minutes 46 Secs.
Notes: Audio Producers: Seymour Solomon; Stephen Schmidt.
32.
Schleptet in E flat major, S 0: 5th movement, Presto Hey Nonny Nonnio by P.D.Q. Bach
Conductor:
Peter Schickele
Orchestra/Ensemble:
I Virtuosi di Hoople
Period: 20th Century
Written: USA
Length: 1 Minutes 9 Secs.
Notes: Audio Producers: Seymour Solomon; Stephen Schmidt.
33.
What's My Melodic Line? by P.D.Q. Bach
Conductor:
Peter Schickele
Orchestra/Ensemble:
I Virtuosi di Hoople
Period: 20th Century
Written: USA
Length: 5 Minutes 9 Secs.
Notes: Audio Producers: Seymour Solomon; Stephen Schmidt.
34.
Toot Suite, S 3.14: Fugue in C minor "Fuga vulgaris" by P.D.Q. Bach
Conductor:
Peter Schickele
Orchestra/Ensemble:
I Virtuosi di Hoople
Period: 20th Century
Written: USA
Length: 2 Minutes 46 Secs.
Notes: Audio Producers: Seymour Solomon; Stephen Schmidt.
35.
The Stoned Guest: Overture by P.D.Q. Bach
Performer:
Marlena Kleinman (Mezzo Soprano),
John Ferrante (Countertenor),
Lorna Haywood (Soprano),
Bernice (Tenor)
Conductor:
John Nelson
Orchestra/Ensemble:
University of Southern North Dakota Orchestra
Period: 20th Century
Written: USA
Length: 1 Minutes 41 Secs.
36.
The Stoned Guest: Let's face it, I'm lost by P.D.Q. Bach
Performer:
Bernice (Tenor),
John Ferrante (Countertenor),
Marlena Kleinman (Mezzo Soprano),
Lorna Haywood (Soprano)
Conductor:
John Nelson
Orchestra/Ensemble:
University of Southern North Dakota Orchestra
Period: 20th Century
Written: USA
Length: 2 Minutes 20 Secs.
37.
The Stoned Guest: Boy! by P.D.Q. Bach
Performer:
Bernice (Tenor),
John Ferrante (Countertenor),
Lorna Haywood (Soprano),
Marlena Kleinman (Mezzo Soprano)
Conductor:
John Nelson
Orchestra/Ensemble:
University of Southern North Dakota Orchestra
Period: 20th Century
Written: USA
Length: 1 Minutes 15 Secs.
38.
The Stoned Guest: Now is the season by P.D.Q. Bach
Performer:
Bernice (Tenor),
Marlena Kleinman (Mezzo Soprano),
John Ferrante (Countertenor),
Lorna Haywood (Soprano)
Conductor:
John Nelson
Orchestra/Ensemble:
University of Southern North Dakota Orchestra
Period: 20th Century
Written: USA
Length: 3 Minutes 30 Secs.
39.
The Stoned Guest: Gesundheit! by P.D.Q. Bach
Performer:
John Ferrante (Countertenor),
Marlena Kleinman (Mezzo Soprano),
Bernice (Tenor),
Lorna Haywood (Soprano)
Conductor:
John Nelson
Orchestra/Ensemble:
University of Southern North Dakota Orchestra
Period: 20th Century
Written: USA
Length: 2 Minutes 34 Secs.
40.
The Stoned Guest: Woe by P.D.Q. Bach
Performer:
John Ferrante (Countertenor),
Marlena Kleinman (Mezzo Soprano),
Bernice (Tenor),
Lorna Haywood (Soprano)
Conductor:
John Nelson
Orchestra/Ensemble:
University of Southern North Dakota Orchestra
Period: 20th Century
Written: USA
Length: 2 Minutes 25 Secs.
41.
The Stoned Guest: Hark! by P.D.Q. Bach
Performer:
John Ferrante (Countertenor),
Marlena Kleinman (Mezzo Soprano),
Bernice (Tenor),
Lorna Haywood (Soprano)
Conductor:
John Nelson
Orchestra/Ensemble:
University of Southern North Dakota Orchestra
Period: 20th Century
Written: USA
Length: 1 Minutes 28 Secs.
42.
The Stoned Guest: Look at me by P.D.Q. Bach
Performer:
John Ferrante (Countertenor),
Marlena Kleinman (Mezzo Soprano),
Bernice (Tenor),
Lorna Haywood (Soprano)
Conductor:
John Nelson
Orchestra/Ensemble:
University of Southern North Dakota Orchestra
Period: 20th Century
Written: USA
Length: 3 Minutes 35 Secs.
43.
The Stoned Guest: That's the end by P.D.Q. Bach
Performer:
John Ferrante (Countertenor),
Marlena Kleinman (Mezzo Soprano),
Bernice (Tenor),
Lorna Haywood (Soprano)
Conductor:
John Nelson
Orchestra/Ensemble:
University of Southern North Dakota Orchestra
Period: 20th Century
Written: USA
Length: 2 Minutes 17 Secs.
44.
The Stoned Guest: I'm sure I'd be by P.D.Q. Bach
Performer:
John Ferrante (Countertenor),
Marlena Kleinman (Mezzo Soprano),
Bernice (Tenor),
Lorna Haywood (Soprano)
Conductor:
John Nelson
Orchestra/Ensemble:
University of Southern North Dakota Orchestra
Period: 20th Century
Written: USA
Length: 2 Minutes 33 Secs.
45.
The Stoned Guest: I hate to interupt by P.D.Q. Bach
Performer:
John Ferrante (Countertenor),
Marlena Kleinman (Mezzo Soprano),
Bernice (Tenor),
Lorna Haywood (Soprano)
Conductor:
John Nelson
Orchestra/Ensemble:
University of Southern North Dakota Orchestra
Period: 20th Century
Written: USA
Length: 2 Minutes 46 Secs.
46.
The Stoned Guest: Don Octave by P.D.Q. Bach
Performer:
John Ferrante (Countertenor),
Marlena Kleinman (Mezzo Soprano),
Bernice (Tenor),
Lorna Haywood (Soprano)
Conductor:
John Nelson
Orchestra/Ensemble:
University of Southern North Dakota Orchestra
Period: 20th Century
Written: USA
Length: 3 Minutes 47 Secs.
47.
The Stoned Guest: O saviour by P.D.Q. Bach
Performer:
John Ferrante (Countertenor),
Marlena Kleinman (Mezzo Soprano),
Bernice (Tenor),
Lorna Haywood (Soprano)
Conductor:
John Nelson
Orchestra/Ensemble:
University of Southern North Dakota Orchestra
Period: 20th Century
Written: USA
Length: 1 Minutes 0 Secs.
48.
Triumphs of Thusnelda, S 1601: The Queen to me a royal pain doth give by P.D.Q. Bach
Performer:
Marlena Kleinman (Mezzo Soprano),
Peter Schickele (Bass),
John Ferrante (Countertenor),
Lorna Haywood (Soprano)
Conductor:
John Nelson
Period: Baroque
Length: 3 Minutes 20 Secs.
49.
Triumphs of Thusnelda, S 1601: My Bonnie lass she smelleth by P.D.Q. Bach
Performer:
Marlena Kleinman (Mezzo Soprano),
Peter Schickele (Bass),
John Ferrante (Countertenor),
Lorna Haywood (Soprano)
Conductor:
John Nelson
Period: Baroque
Length: 2 Minutes 35 Secs.
50.
Hansel and Gretel and Ted and Alice, S 2n-1: Overture by P.D.Q. Bach
Performer:
John Ferrante (Countertenor),
David Oei (Keyboard),
John Nelson (Voice)
Conductor:
Peter Schickele
Orchestra/Ensemble:
Semi-Pro Musica Antiqua
Period: 20th Century
Written: USA
Length: 1 Minutes 25 Secs.
Notes: Audio Producer: Stephen Schmidt.
51.
Hansel and Gretel and Ted and Alice, S 2n-1: I'm a quaint old innkeeper by P.D.Q. Bach
Performer:
John Ferrante (Countertenor),
John Nelson (Voice),
David Oei (Keyboard)
Conductor:
Peter Schickele
Orchestra/Ensemble:
Semi-Pro Musica Antiqua
Period: 20th Century
Written: USA
Length: 1 Minutes 28 Secs.
Notes: Audio Producer: Stephen Schmidt.
52.
Hansel and Gretel and Ted and Alice, S 2n-1: Like a lonely pilgrim by P.D.Q. Bach
Performer:
John Ferrante (Countertenor),
John Nelson (Voice),
David Oei (Keyboard)
Conductor:
Peter Schickele
Orchestra/Ensemble:
Semi-Pro Musica Antiqua
Period: 20th Century
Written: USA
Length: 1 Minutes 55 Secs.
Notes: Audio Producer: Stephen Schmidt.
53.
Hansel and Gretel and Ted and Alice, S 2n-1: My name is Hansel Hunter by P.D.Q. Bach
Performer:
John Nelson (Voice),
John Ferrante (Countertenor),
David Oei (Keyboard)
Conductor:
Peter Schickele
Orchestra/Ensemble:
Semi-Pro Musica Antiqua
Period: 20th Century
Written: USA
Length: 1 Minutes 20 Secs.
Notes: Audio Producer: Stephen Schmidt.
54.
Hansel and Gretel and Ted and Alice, S 2n-1: I'm the village idiot by P.D.Q. Bach
Performer:
John Nelson (Voice),
John Ferrante (Countertenor),
David Oei (Keyboard)
Conductor:
Peter Schickele
Orchestra/Ensemble:
Semi-Pro Musica Antiqua
Period: 20th Century
Written: USA
Length: 0 Minutes 30 Secs.
Notes: Audio Producer: Stephen Schmidt.
55.
Hansel and Gretel and Ted and Alice, S 2n-1: Et expecto by P.D.Q. Bach
Performer:
John Nelson (Voice),
John Ferrante (Countertenor),
David Oei (Keyboard)
Conductor:
Peter Schickele
Orchestra/Ensemble:
Semi-Pro Musica Antiqua
Period: 20th Century
Written: USA
Length: 2 Minutes 33 Secs.
Notes: Audio Producer: Stephen Schmidt.
56.
Hansel and Gretel and Ted and Alice, S 2n-1: There's something about a monk by P.D.Q. Bach
Performer:
John Nelson (Voice),
John Ferrante (Countertenor),
David Oei (Keyboard)
Conductor:
Peter Schickele
Orchestra/Ensemble:
Semi-Pro Musica Antiqua
Period: 20th Century
Written: USA
Length: 2 Minutes 9 Secs.
Notes: Audio Producer: Stephen Schmidt.
57.
Hansel and Gretel and Ted and Alice, S 2n-1: Do you love me? by P.D.Q. Bach
Performer:
John Nelson (Voice),
John Ferrante (Countertenor),
David Oei (Keyboard)
Conductor:
Peter Schickele
Orchestra/Ensemble:
Semi-Pro Musica Antiqua
Period: 20th Century
Written: USA
Length: 1 Minutes 31 Secs.
Notes: Audio Producer: Stephen Schmidt.
58.
Hansel and Gretel and Ted and Alice, S 2n-1: Interlude, "Medical examination" by P.D.Q. Bach
Performer:
John Ferrante (Countertenor),
John Nelson (Voice),
David Oei (Keyboard)
Conductor:
Peter Schickele
Orchestra/Ensemble:
Semi-Pro Musica Antiqua
Period: 20th Century
Written: USA
Length: 0 Minutes 34 Secs.
Notes: Audio Producer: Stephen Schmidt.
59.
Hansel and Gretel and Ted and Alice, S 2n-1: I hope you take this friendly advice by P.D.Q. Bach
Performer:
John Ferrante (Countertenor),
John Nelson (Voice),
David Oei (Keyboard)
Conductor:
Peter Schickele
Orchestra/Ensemble:
Semi-Pro Musica Antiqua
Period: 20th Century
Written: USA
Length: 1 Minutes 21 Secs.
Notes: Audio Producer: Stephen Schmidt.
60.
Hansel and Gretel and Ted and Alice, S 2n-1: Teddy Nice is my name by P.D.Q. Bach
Performer:
John Ferrante (Countertenor),
David Oei (Keyboard),
John Nelson (Voice)
Conductor:
Peter Schickele
Orchestra/Ensemble:
Semi-Pro Musica Antiqua
Period: 20th Century
Written: USA
Length: 0 Minutes 48 Secs.
Notes: Audio Producer: Stephen Schmidt.
61.
Hansel and Gretel and Ted and Alice, S 2n-1: Jump not to conclusions by P.D.Q. Bach
Performer:
John Ferrante (Countertenor),
John Nelson (Voice),
David Oei (Keyboard)
Conductor:
Peter Schickele
Orchestra/Ensemble:
Semi-Pro Musica Antiqua
Period: 20th Century
Written: USA
Length: 1 Minutes 20 Secs.
Notes: Audio Producer: Stephen Schmidt.
62.
Hansel and Gretel and Ted and Alice, S 2n-1: Tell me what your name is by P.D.Q. Bach
Performer:
John Ferrante (Countertenor),
John Nelson (Voice),
David Oei (Keyboard)
Conductor:
Peter Schickele
Orchestra/Ensemble:
Semi-Pro Musica Antiqua
Period: 20th Century
Written: USA
Length: 4 Minutes 8 Secs.
Notes: Audio Producer: Stephen Schmidt.
63.
Toot Suite, S 212: The OK Chorale by P.D.Q. Bach
Performer:
David Oei (Calliope),
Peter Schickele (Calliope)
Period: 20th Century
Length: 3 Minutes 16 Secs.
64.
Erotica Variations for banned Instruments and Piano, S 36EE: Theme, Windbreaker by P.D.Q. Bach
Performer:
David Oei (Piano),
Peter Schickele (Percussion)
Period: 20th Century
Written: USA
Length: 0 Minutes 47 Secs.
65.
Erotica Variations for banned Instruments and Piano, S 36EE: Variation no 1, Balloons by P.D.Q. Bach
Performer:
David Oei (Piano),
Peter Schickele (Percussion)
Period: 20th Century
Written: USA
Length: 0 Minutes 39 Secs.
66.
Erotica Variations for banned Instruments and Piano, S 36EE: Variation no 2, Slide Whistle by P.D.Q. Bach
Performer:
David Oei (Piano),
Peter Schickele (Percussion)
Period: 20th Century
Written: USA
Length: 1 Minutes 13 Secs.
67.
Erotica Variations for banned Instruments and Piano, S 36EE: Variation no 3, Slide Windbreaker by P.D.Q. Bach
Performer:
David Oei (Piano),
Peter Schickele (Percussion)
Period: 20th Century
Written: USA
Length: 0 Minutes 25 Secs.
68.
Erotica Variations for banned Instruments and Piano, S 36EE: Variation no 4, Lasso d'Amore by P.D.Q. Bach
Performer:
David Oei (Piano),
Peter Schickele (Percussion)
Period: 20th Century
Written: USA
Length: 1 Minutes 57 Secs.
69.
Erotica Variations for banned Instruments and Piano, S 36EE: Variation no 5, Foghorn, Bell, Kazoo, G by P.D.Q. Bach
Performer:
David Oei (Piano),
Peter Schickele (Percussion)
Period: 20th Century
Written: USA
Length: 0 Minutes 57 Secs.
70.
Art of the Ground Round for 3 Baritones & Discontinuo, S 1.19/lb: Loving is as easy by P.D.Q. Bach
Performer:
Arthur Weisberg (Bassoon),
John Nelson (Voice),
Peter Rosenfeld (Cello),
Peter Schickele (Voice),
John Ferrante (Tenor)
Period: 20th Century
Written: USA
Length: 0 Minutes 58 Secs.
71.
Art of the Ground Round for 3 Baritones & Discontinuo, S 1.19/lb: Please kind sir by P.D.Q. Bach
Performer:
Peter Schickele (Voice),
John Ferrante (Tenor),
Arthur Weisberg (Bassoon),
Peter Rosenfeld (Cello),
John Nelson (Voice)
Period: 20th Century
Written: USA
Length: 1 Minutes 42 Secs.
72.
Art of the Ground Round for 3 Baritones & Discontinuo, S 1.19/lb: Jane my Jane by P.D.Q. Bach
Performer:
Peter Rosenfeld (Cello),
Arthur Weisberg (Bassoon),
Peter Schickele (Voice),
John Ferrante (Tenor),
John Nelson (Voice)
Period: 20th Century
Written: USA
Length: 2 Minutes 38 Secs.
73.
Art of the Ground Round for 3 Baritones & Discontinuo, S 1.19/lb: Golly golly oh by P.D.Q. Bach
Performer:
Peter Schickele (Voice),
Arthur Weisberg (Bassoon),
Peter Rosenfeld (Cello),
John Nelson (Voice),
John Ferrante (Tenor)
Period: 20th Century
Written: USA
Length: 1 Minutes 29 Secs.
74.
Art of the Ground Round for 3 Baritones & Discontinuo, S 1.19/lb: Nelly is a nice girl by P.D.Q. Bach
Performer:
John Nelson (Voice),
Arthur Weisberg (Bassoon),
Peter Schickele (Voice),
Peter Rosenfeld (Cello),
John Ferrante (Tenor)
Period: 20th Century
Written: USA
Length: 1 Minutes 52 Secs.
75.
Art of the Ground Round for 3 Baritones & Discontinuo, S 1.19/lb: Encore by P.D.Q. Bach
Performer:
John Ferrante (Tenor),
Peter Rosenfeld (Cello),
John Nelson (Voice),
Peter Schickele (Voice),
Arthur Weisberg (Bassoon)
Period: 20th Century
Written: USA
Length: 1 Minutes 30 Secs.
76.
The "Sanka" Cantata by P.D.Q. Bach
Performer:
Peter Schickele (Piano),
Peter Schickele (Bassoon),
Peter Schickele (Baritone),
Peter Schickele (Violin),
Peter Schickele (Viola)
Period: 20th Century
Length: 7 Minutes 3 Secs.
Notes: Audio Engineer: Ernest Lloyd.
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