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Early Music - From Ancient Times To The Renaissance

Early Music: Ancient Times To Renaissance / Var
Release Date: 11/09/2010 
Label:  Harmonia Mundi   Catalog #: 2918163  
Composer:  AnonymousAdam of St. VictorFolquet de MarseilleGautier de Coincy,   ... 
Performer:  Massimo CialfiConrad SteinmannArianna SavallLuiz Alves Da Silva,   ... 
Conductor:  Suzanne Haïk-VantouraMaurice BenhamouSister Marie KeyrouzMarcel Pérès,   ... 
Orchestra/Ensemble:  ChorusSt. Julien-le-Pauvre Byzantine ChoirL'Ensemble de la Paix,   ... 
Number of Discs: 10 
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Notes and Editorial Reviews

Originally issued in the Century series in 2005, this EARLYMUSIC set by the artists of harmonia mundi now returns to invite you to travel the centuries in music. In 10 CDs and more than 12 hours listening, this unique guide will allow you to (re)discover the music of the past and develop your musical knowledge. Each CD is accompanied by a detailed booklet dealing with the musical, historical and geographical context, closely linked with key elements from the visual arts of the appropriate period. From the ancient world to 1600: the pleasure of discovery is complete, for eyes and ears alike! Originally issued in the Century series in 2005, this EARLYMUSIC set by the artists of harmonia mundi now returns to invite you to travel the centuries in music. In 10 CDs and more than 12 hours listening, this unique guide will allow you to (re)discover the music of the past and develop your musical knowledge. Each CD is accompanied by a detailed booklet dealing with the musical, historical and geographical context, closely linked with key elements from the visual arts of the appropriate period. From the ancient world to 1600: the pleasure of discovery is complete, for eyes and ears alike! Read less

Works on This Recording

1.
Akoúsate by Anonymous
Performer:  Massimo Cialfi (Tympanon), Conrad Steinmann (Aulos), Arianna Savall (Lyra),
Arianna Savall (Soprano), Luiz Alves Da Silva (Cymbals), Massimo Cialfi (Salpinx),
Luiz Alves Da Silva (Countertenor), Massimo Cialfi (Crotales)
Written: Greece 
Length: 3 Minutes 44 Secs. 
2.
Mélomai by Anonymous
Performer:  Massimo Cialfi (Salpinx), Luiz Alves Da Silva (Countertenor), Massimo Cialfi (Tympanon),
Arianna Savall (Soprano), Massimo Cialfi (Crotales), Conrad Steinmann (Aulos),
Arianna Savall (Lyra), Luiz Alves Da Silva (Cymbals)
Written: Greece 
Length: 2 Minutes 24 Secs. 
3.
Eros by Anonymous
Performer:  Luiz Alves Da Silva (Countertenor), Massimo Cialfi (Crotales), Arianna Savall (Soprano),
Massimo Cialfi (Salpinx), Massimo Cialfi (Tympanon), Arianna Savall (Lyra),
Conrad Steinmann (Aulos), Luiz Alves Da Silva (Cymbals)
Written: Greece 
Length: 0 Minutes 46 Secs. 
4.
Nomos M by Anonymous
Performer:  Luiz Alves Da Silva (Countertenor), Luiz Alves Da Silva (Cymbals), Massimo Cialfi (Crotales),
Arianna Savall (Soprano), Arianna Savall (Lyra), Massimo Cialfi (Salpinx),
Massimo Cialfi (Tympanon), Conrad Steinmann (Aulos)
Written: Greece 
Length: 1 Minutes 13 Secs. 
5.
Dáktylos améra by Anonymous
Performer:  Luiz Alves Da Silva (Countertenor), Luiz Alves Da Silva (Cymbals), Arianna Savall (Soprano),
Arianna Savall (Lyra), Massimo Cialfi (Salpinx), Massimo Cialfi (Tympanon),
Massimo Cialfi (Crotales), Conrad Steinmann (Aulos)
Written: Greece 
Length: 2 Minutes 39 Secs. 
6.
Makrótatos by Anonymous
Performer:  Luiz Alves Da Silva (Cymbals), Luiz Alves Da Silva (Countertenor), Massimo Cialfi (Salpinx),
Arianna Savall (Soprano), Arianna Savall (Lyra), Massimo Cialfi (Tympanon),
Massimo Cialfi (Crotales), Conrad Steinmann (Aulos)
Written: Greece 
Length: 2 Minutes 57 Secs. 
7.
Ekleipsis by Anonymous
Performer:  Arianna Savall (Soprano), Arianna Savall (Lyra), Luiz Alves Da Silva (Countertenor),
Luiz Alves Da Silva (Cymbals), Massimo Cialfi (Crotales), Massimo Cialfi (Tympanon),
Massimo Cialfi (Salpinx), Conrad Steinmann (Aulos)
Written: Greece 
Length: 4 Minutes 50 Secs. 
8.
Psalm 23 by Anonymous
Performer:  Adolphe Attia (Tenor), Raymond Cousté (Lute)
Conductor:  Suzanne Haïk-Vantoura
Date of Recording: 11/1975 
Length: 2 Minutes 13 Secs. 
Language: Hebrew 
9.
Psalm 24 by Anonymous
Performer:  Raymond Cousté (Lute), Gérard Perrotin (Percussion), Adolphe Attia (Tenor),
Michel Scherb (Baritone), Pierre Pollin (Trumpet), Martine Geliot (Celtic Harp),
Émile Kaçmann (Bass)
Conductor:  Maurice Benhamou
Orchestra/Ensemble:  Chorus
Date of Recording: 11/1975 
Length: 2 Minutes 59 Secs. 
Language: Hebrew 
10.
Song of Songs I, 1 by Anonymous
Performer:  Martine Geliot (Celtic Harp), Raymond Cousté (Lute), Michel Scherb (Baritone),
Adolphe Attia (Tenor)
Date of Recording: 11/1975 
Length: 1 Minutes 39 Secs. 
Language: Hebrew 
11.
Book of Lamentations I, 1 by Anonymous
Performer:  Émile Kaçmann (Bass)
Date of Recording: 11/1975 
Length: 1 Minutes 54 Secs. 
Language: Hebrew 
12.
Book of Esther V, 1 by Anonymous
Performer:  Michel Scherb (Baritone), Adolphe Attia (Tenor), Raymond Cousté (Lute)
Conductor:  Maurice Benhamou
Orchestra/Ensemble:  Chorus
Date of Recording: 11/1975 
Length: 2 Minutes 23 Secs. 
Language: Hebrew 
13.
Byzantine Liturgy of Holy Week: Alleluia "Behold, the bridegroom comes" by Anonymous
Performer:  Sister Marie Keyrouz (Voice)
Conductor:  Sister Marie Keyrouz
Orchestra/Ensemble:  St. Julien-le-Pauvre Byzantine Choir
Date of Recording: 06/1989 
Length: 2 Minutes 45 Secs. 
Language: Greek 
14.
Byzantine Liturgy of Holy Week: I contemplate thy bridal chamber by Anonymous
Performer:  Sister Marie Keyrouz (Voice)
Conductor:  Sister Marie Keyrouz
Orchestra/Ensemble:  St. Julien-le-Pauvre Byzantine Choir
Date of Recording: 06/1989 
Length: 1 Minutes 18 Secs. 
Language: Arabic 
15.
Byzantine Liturgy of Holy Week: At thy mystic Supper by Anonymous
Performer:  Sister Marie Keyrouz (Voice)
Conductor:  Sister Marie Keyrouz
Orchestra/Ensemble:  St. Julien-le-Pauvre Byzantine Choir
Date of Recording: 06/1989 
Length: 6 Minutes 15 Secs. 
Language: Arabic 
16.
Byzantine Liturgy of Holy Week: Tagaridh, Stanza 1 by Anonymous
Performer:  Sister Marie Keyrouz (Voice)
Conductor:  Sister Marie Keyrouz
Orchestra/Ensemble:  St. Julien-le-Pauvre Byzantine Choir
Date of Recording: 06/1989 
Length: 1 Minutes 57 Secs. 
17.
Byzantine Liturgy of Holy Week: Tagaridh, Stanza 2 by Anonymous
Performer:  Sister Marie Keyrouz (Voice)
Conductor:  Sister Marie Keyrouz
Orchestra/Ensemble:  St. Julien-le-Pauvre Byzantine Choir
Date of Recording: 06/1989 
Length: 2 Minutes 17 Secs. 
18.
Byzantine Liturgy of Holy Week: Tagaridh, Stanza 3 by Anonymous
Performer:  Sister Marie Keyrouz (Voice)
Conductor:  Sister Marie Keyrouz
Orchestra/Ensemble:  St. Julien-le-Pauvre Byzantine Choir
Date of Recording: 06/1989 
Length: 1 Minutes 33 Secs. 
19.
Axion esti by Anonymous
Performer:  Sister Marie Keyrouz (Soprano)
Conductor:  Sister Marie Keyrouz
Orchestra/Ensemble:  L'Ensemble de la Paix
Period: Medieval 
Date of Recording: 11/1993 
Length: 4 Minutes 36 Secs. 
Language: Greek 
20.
Ya walidata-l-ilah by Anonymous
Performer:  Sister Marie Keyrouz (Soprano)
Conductor:  Sister Marie Keyrouz
Orchestra/Ensemble:  L'Ensemble de la Paix
Period: Medieval 
Written: 4th Century 
Date of Recording: 11/1993 
Length: 2 Minutes 52 Secs. 
Language: Arabic 
21.
Alleluia Martinus by Anonymous
Performer:  Iegor Reznikoff (Voice)
Period: Medieval 
Date of Recording: 12/1979 
Length: 4 Minutes 48 Secs. 
Language: Latin 
22.
Offertoire Martinus by Anonymous
Performer:  Iegor Reznikoff (Voice)
Period: Medieval 
Date of Recording: 12/1979 
Length: 6 Minutes 20 Secs. 
Language: Latin 
23.
Laudate Dominum in sanctis eius by Anonymous
Performer:  Adolphe Attia (Tenor), Pierre Pollin (Trumpet), Michel Scherb (Baritone),
Émile Kaçmann (Bass)
Conductor:  Maurice Benhamou
Orchestra/Ensemble:  Chorus
Date of Recording: 11/1975 
Length: 0 Minutes 59 Secs. 
Language: Hebrew 
24.
Paravi lucernam christo meo by Anonymous
Performer:  Lycourgos Angelopoulos (Tenor)
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
Date of Recording: 11/1998 
Length: 4 Minutes 44 Secs. 
Language: Latin 
25.
Lux fulgebit by Anonymous
Performer:  Josep Cabré (Baritone)
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
Date of Recording: 11/1988 
Length: 1 Minutes 54 Secs. 
Language: Latin 
26.
Tecum principium by Anonymous
Performer:  Sister Marie Keyrouz (Soprano)
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
Date of Recording: 11/1988 
Length: 10 Minutes 21 Secs. 
Language: Latin 
27.
Resurrexi by Anonymous
Performer:  Josep Cabré (Baritone)
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
Date of Recording: 08/1995 
Length: 7 Minutes 24 Secs. 
Language: Latin 
28.
Terra tremuit et quievit by Anonymous
Performer:  Josep Cabré (Baritone), Philippe Cantor (Baritone), Josep Benet (Tenor),
Antoine Sicot (Bass), François Fauche (Bass), Lycourgos Angelopoulos (Cantor)
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
Date of Recording: 08/1995 
Length: 9 Minutes 58 Secs. 
Language: Latin 
29.
Alleluia Epi si Kyrie by Anonymous
Performer:  Josep Cabré (Baritone), Philippe Cantor (Baritone), François Fauche (Bass),
Antoine Sicot (Bass), Josep Benet (Tenor), Lycourgos Angelopoulos (Cantor)
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
Date of Recording: 08/1995 
Length: 4 Minutes 19 Secs. 
30.
Maria vidit angelum by Anonymous
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
Length: 9 Minutes 36 Secs. 
Language: Latin 
31.
Per gloriam nominis tui by Anonymous
Performer:  Marcel Pérès (Baritone)
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
Written: Iberian Peninsula 
Date of Recording: 05/1994 
Length: 2 Minutes 11 Secs. 
Language: Latin 
32.
Gloria in excelsis Deo by Anonymous
Performer:  Jérôme Casalonga (Voice)
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
Date of Recording: 05/1994 
Length: 2 Minutes 48 Secs. 
Language: Latin 
33.
Qui venit ad me non esuriet by Anonymous
Performer:  Jérôme Casalonga (Voice)
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
Written: Iberian Peninsula 
Date of Recording: 05/1994 
Length: 2 Minutes 35 Secs. 
Language: Latin 
34.
Gustate et videte by Anonymous
Performer:  Marcel Pérès (Baritone)
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
Written: Iberian Peninsula 
Date of Recording: 05/1994 
Length: 2 Minutes 26 Secs. 
Language: Latin 
35.
Humiliate vos ad benedictionem by Anonymous
Performer:  Marcel Pérès (Baritone)
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
Written: Iberian Peninsula 
Date of Recording: 05/1994 
Length: 0 Minutes 47 Secs. 
Language: Latin 
36.
Graduale Romanum: Kyrie by Anonymous
Performer:  Marcel Pérès (Baritone), Jean-Etienne Langianni (Tenor)
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Written: by 1627; Toul, France 
Length: 5 Minutes 19 Secs. 
Language: Latin 
37.
Alleluia O Kirioc keba kyleocen by Anonymous
Performer:  Lycourgos Angelopoulos (Tenor)
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
Written: 8th Century; Byzantium 
Length: 5 Minutes 37 Secs. 
38.
Universi qui te by Anonymous
Performer:  Dominique Vellard (Tenor)
Period: Medieval 
Length: 2 Minutes 19 Secs. 
Language: Latin 
39.
Requiem Mass by Anonymous
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Period: Medieval 
Length: 27 Minutes 35 Secs. 
40.
Mass for Ascension Day: Agnus Dei "Omnipotens eterne" by Anonymous
Performer:  Marsha Genensky (Voice), Susan Hellauer (Voice), Johanna Rose (Voice),
Jacqueline Horner (Voice)
Orchestra/Ensemble:  Anonymous 4
Period: Medieval 
Date of Recording: 02/2000 
Venue:  Mont La Salle Chapel, Napa, California 
Length: 3 Minutes 0 Secs. 
Language: Latin 
41.
Communion Psallite Domino by Anonymous
Performer:  Marsha Genensky (Voice), Jacqueline Horner (Voice), Johanna Rose (Voice),
Susan Hellauer (Voice)
Orchestra/Ensemble:  Anonymous 4
Period: Medieval 
Date of Recording: 02/2000 
Venue:  Mont La Salle Chapel, Napa, California 
Length: 2 Minutes 28 Secs. 
Language: Latin 
42.
Cives celestis patrie by Anonymous
Performer:  Jacqueline Horner (Voice), Susan Hellauer (Voice), Marsha Genensky (Voice),
Johanna Rose (Voice)
Orchestra/Ensemble:  Anonymous 4
Period: Medieval 
Date of Recording: 02/2000 
Venue:  Mont La Salle Chapel, Napa, California 
Length: 5 Minutes 36 Secs. 
Language: Latin 
43.
Regem regum Dominum - Venite exsultemus by Anonymous
Performer:  Ruth Cunningham (Soprano), Susan Hellauer (Voice), Marsha Genensky (Voice),
Johanna Rose (Voice)
Orchestra/Ensemble:  Anonymous 4
Period: Medieval 
Length: 0 Minutes 50 Secs. 
Language: Latin 
44.
Iacobe servorum by Anonymous
Performer:  Susan Hellauer (Voice), Johanna Rose (Voice), Ruth Cunningham (Soprano),
Marsha Genensky (Voice)
Orchestra/Ensemble:  Anonymous 4
Period: Medieval 
Length: 2 Minutes 11 Secs. 
Language: Latin 
45.
Ascendens Ihesus in montem by Anonymous
Performer:  Ruth Cunningham (Soprano), Johanna Rose (Voice), Susan Hellauer (Voice),
Marsha Genensky (Voice)
Orchestra/Ensemble:  Anonymous 4
Period: Medieval 
Length: 3 Minutes 46 Secs. 
Language: Latin 
46.
Répons de matines pour la fête de St Bernard by Anonymous
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
Written: 12th Century 
Date of Recording: 09/1991 
Venue:  l'Abbey Cistercienne de Frontfroide 
Length: 16 Minutes 54 Secs. 
Language: Latin 
47.
Natus est rex by Anonymous
Conductor:  Paul Hillier
Orchestra/Ensemble:  Theatre of Voices
Period: Medieval 
Date of Recording: 05/1995 
Venue:  St. Vincent's Church, San Rafael, CA 
Length: 5 Minutes 25 Secs. 
Language: Latin 
48.
In natale by Adam of St. Victor
Conductor:  Paul Hillier
Orchestra/Ensemble:  Theatre of Voices
Period: Medieval 
Written: 12th Century; France 
Date of Recording: 05/1995 
Venue:  St. Vincent's Church, San Rafael, CA 
Length: 6 Minutes 3 Secs. 
Language: Latin 
49.
A l'entrada del tens clar by Anonymous
Conductor:  René Clemencic
Orchestra/Ensemble:  Clemencic Consort
Period: Medieval 
Written: 13th Century; Provence, France 
Length: 2 Minutes 49 Secs. 
Language: Old French 
50.
Si tot me sui a tart aperceubutz by Folquet de Marseille
Performer:  Pilar Figueras (Soprano), René Clemencic (Portative organ)
Conductor:  René Clemencic
Orchestra/Ensemble:  Clemencic Consort
Period: Medieval 
Written: circa 1190; France 
Length: 11 Minutes 8 Secs. 
Language: Old French 
51.
Volez vous que je vous chant by Anonymous
Performer:  Andrew Lawrence-King (Psaltery), Paul Hillier (Bass)
Period: Medieval 
Written: 13th Century; France 
Length: 4 Minutes 35 Secs. 
Language: French 
52.
Esforcier m'estuet ma vois by Gautier de Coincy
Performer:  Ian Harrison (Shawm)
Conductor:  Andrew Lawrence-King
Orchestra/Ensemble:  Harp Consort
Period: Medieval 
Written: France 
Date of Recording: 06/1999 
Venue:  Abbey, St.-Michel-en-Thiérache, France 
Length: 1 Minutes 49 Secs. 
Language: French 
53.
Hui matin a l'ajournee by Gautier de Coincy
Performer:  Julian Podger (Tenor), Steven Harrold (Tenor)
Period: Medieval 
Written: 1214-1233; France 
Date of Recording: 06/1999 
Venue:  Abbey, St.-Michel-en-Thiérache, France 
Length: 0 Minutes 55 Secs. 
Language: French 
54.
Hui matin a l'ajournee/Benedicamus Domino by Gautier de Coincy
Performer:  Julian Podger (Tenor), Ian Honeyman (Tenor), Steven Harrold (Tenor)
Period: Medieval 
Written: 1214-1233; France 
Date of Recording: 06/1999 
Venue:  Abbey, St.-Michel-en-Thiérache, France 
Length: 1 Minutes 2 Secs. 
55.
Je pour iver, pour noif ne pour gelee by Gautier de Coincy
Performer:  Ian Honeyman (Tenor)
Conductor:  Andrew Lawrence-King
Orchestra/Ensemble:  Harp Consort
Period: Medieval 
Written: 1214-1233; France 
Date of Recording: 06/1999 
Venue:  Abbey, St.-Michel-en-Thiérache, France 
Length: 13 Minutes 29 Secs. 
Language: French 
56.
Dieus est ensi conme est li pelicans, R 273 by King of Navarre Thibaut
Performer:  Paul Hillier (Bass), Andrew Lawrence-King (Psaltery)
Period: Medieval 
Written: 13th Century; France 
Length: 4 Minutes 43 Secs. 
Language: French 
57.
Entre Adan et Hanikel/Chiès bien séans by Anonymous
Conductor:  Paul Hillier
Orchestra/Ensemble:  Theatre of Voices
Period: Medieval 
Written: 13th Century; France 
Length: 1 Minutes 10 Secs. 
Language: French 
58.
Cantigas de Santa María: no 116, Dereit' é de lune dar by Alfons X (El Sabio)
Orchestra/Ensemble:  The Dufay Collective
Period: Medieval 
Written: 13th Century; Spain 
Length: 2 Minutes 57 Secs. 
Language: Spanish 
59.
Cantigas de Santa María: no 15, Todos los santos by Alfons X (El Sabio)
Orchestra/Ensemble:  The Dufay Collective
Period: Medieval 
Written: 13th Century; Spain 
Length: 3 Minutes 7 Secs. 
60.
Cantigas (7) de amigo: Quantas sabedes amar amigo by Martin Codax
Orchestra/Ensemble:  The Dufay Collective
Period: Medieval 
Written: circa 1230; Galicia 
Length: 5 Minutes 49 Secs. 
Language: Spanish 
61.
Sinc an, guldîn huon! by Neidhart von Reuenthal
Performer:  David Douglass (Rebec), Drew Minter (Countertenor), Kevin Mason (Citole)
Conductor:  Mary Springfels
Orchestra/Ensemble:  Newberry Consort
Period: Medieval 
Date of Recording: 11/1991 
Venue:  Skywalker Sound Studios, Nicasio, CA 
Length: 6 Minutes 12 Secs. 
Language: German 
62.
Ich lobe ein wip by Tannhäuser
Performer:  Mary Springfels (Vielle), David Douglass (Rebec), Kevin Mason (Citole)
Conductor:  Mary Springfels
Orchestra/Ensemble:  Newberry Consort
Period: Medieval 
Written: Germany 
Date of Recording: 11/1991 
Venue:  Skywalker Sound Studios, Nicasio, CA 
Length: 3 Minutes 32 Secs. 
63.
Owê dirre nôt! by Neidhart von Reuenthal
Performer:  Drew Minter (Countertenor), Mary Springfels (Vielle)
Conductor:  Mary Springfels
Orchestra/Ensemble:  Newberry Consort
Period: Medieval 
Written: 13th Century; Germany 
Date of Recording: 11/1991 
Venue:  Skywalker Sound Studios, Nicasio, CA 
Length: 4 Minutes 0 Secs. 
Language: German 
64.
Carmina burana: no 200, Bache bene venies by Anonymous
Conductor:  René Clemencic
Orchestra/Ensemble:  Clemencic Consort
Period: Medieval 
Length: 2 Minutes 58 Secs. 
Language: Latin 
65.
Carmina burana: no 34, Deduc, Syon, uberrimas by Anonymous
Conductor:  René Clemencic
Orchestra/Ensemble:  Clemencic Consort
Period: Medieval 
Length: 2 Minutes 55 Secs. 
Language: Latin 
66.
Domine labia mea aperies by Anonymous
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
67.
O primus homo coruit by Anonymous
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
68.
Resonemus hoc natali by Anonymous
Conductor:  Paul Hillier
Orchestra/Ensemble:  Theatre of Voices
Period: Medieval 
69.
Mass for Christmas Day: Puer natus est by Anonymous
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
70.
Mass for Christmas Day: Kyrie by Anonymous
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
71.
Propter Veritatem by Léonin
Conductor:  Paul Hillier
Orchestra/Ensemble:  Theatre of Voices
Period: Medieval 
Written: 12th Century; France 
72.
Viderunt omnes by Pérotin
Conductor:  Paul Hillier
Orchestra/Ensemble:  Theatre of Voices
Period: Medieval 
Written: circa 1200; France 
73.
In seculum longum by Anonymous
Conductor:  Paul Hillier
Orchestra/Ensemble:  Theatre of Voices
Period: Medieval 
Written: 13th Century 
74.
In seculum viellatoris by Anonymous
Conductor:  Paul Hillier
Orchestra/Ensemble:  Theatre of Voices
Period: Medieval 
Written: 13th Century 
75.
In seculum breve by Anonymous
Conductor:  Paul Hillier
Orchestra/Ensemble:  Theatre of Voices
Period: Medieval 
Written: 13th Century 
76.
In seculum d'Amiens longum by Anonymous
Conductor:  Paul Hillier
Orchestra/Ensemble:  Theatre of Voices
Period: Medieval 
Written: 13th Century 
77.
Montpellier Codex: Puisque bele dame m'eime by Anonymous
Orchestra/Ensemble:  Anonymous 4
Period: Medieval 
Written: 13th Century; France 
78.
Montpellier Codex: Ne sai, que je die by Anonymous
Orchestra/Ensemble:  Anonymous 4
Period: Medieval 
Written: 13th Century; France 
79.
Montpellier Codex: Dame, que je n'os noumer by Anonymous
Orchestra/Ensemble:  Anonymous 4
Period: Medieval 
Written: 13th Century; France 
80.
Montpellier Codex: S'on me regarde by Anonymous
Orchestra/Ensemble:  Anonymous 4
Period: Medieval 
Written: 13th Century; France 
81.
Ave Maria, gratia plena by Anonymous
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
82.
Pia mater gratie by Anonymous
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
Written: 13th Century; France 
83.
Kyrie "Orbis factor" by Anonymous
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
Written: circa 1380; England 
84.
Kyrie "Kyria christifera" by Anonymous
Orchestra/Ensemble:  Anonymous 4
Period: Medieval 
Written: 13th Century; England 
85.
Gloria by Anonymous
Orchestra/Ensemble:  Anonymous 4
Period: Medieval 
86.
Sanctus and Benedictus by Anonymous
Orchestra/Ensemble:  Anonymous 4
Period: Medieval 
87.
Agnus Dei "Virtute numinis" by Anonymous
Orchestra/Ensemble:  Anonymous 4
Period: Medieval 
Written: England 
88.
Roman de Fauvel: In mari miserie by Anonymous
Conductor:  René Clemencic
Orchestra/Ensemble:  Clemencic Consort
Period: Medieval 
Written: by 1316; France 
Date of Recording: 11/1975 
Length: 0 Minutes 52 Secs. 
Language: Latin 
89.
Roman de Fauvel: Ad solitum vomitum by Anonymous
Conductor:  René Clemencic
Orchestra/Ensemble:  Clemencic Consort
Period: Medieval 
Written: by 1316; France 
Date of Recording: 11/1975 
Length: 1 Minutes 0 Secs. 
Language: Latin 
90.
La mesnie fauveline/J'ai fait nouveletement/Grant despit by Anonymous
Conductor:  René Clemencic
Orchestra/Ensemble:  Clemencic Consort
Period: Medieval 
Written: France 
Date of Recording: 11/1975 
Length: 1 Minutes 13 Secs. 
Language: Latin 
91.
Roman de Fauvel: Quoniam secta latronum by Anonymous
Conductor:  René Clemencic
Orchestra/Ensemble:  Clemencic Consort
Period: Medieval 
Written: by 1316; France 
Date of Recording: 11/1975 
Length: 2 Minutes 35 Secs. 
Language: Latin 
92.
Messe de Tournai: Kyrie by Anonymous
Performer:  Frédéric Richard (Tenor), Malcolm Bothwell (Bass), Josep Benet (Tenor)
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
Written: 14th Century 
Date of Recording: 09/1990 
Venue:  Abbaye-aux-Dames, Saintes, France 
Length: 2 Minutes 25 Secs. 
Language: Greek 
93.
Vere dignum et justum est by Anonymous
Performer:  Frédéric Richard (Tenor), Josep Benet (Tenor), Marcel Pérès (Baritone),
Malcolm Bothwell (Bass)
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
Date of Recording: 09/1990 
Venue:  Abbaye-aux-Dames, Saintes, France 
Length: 5 Minutes 48 Secs. 
Language: Latin 
94.
Messe de Tournai: Sanctus by Anonymous
Performer:  Josep Benet (Tenor), Frédéric Richard (Tenor), Marcel Pérès (Baritone),
Malcolm Bothwell (Bass)
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
Written: 14th Century 
Date of Recording: 09/1990 
Venue:  Abbaye-aux-Dames, Saintes, France 
Length: 5 Minutes 48 Secs. 
Language: Latin 
95.
Messe de Tournai: Agnus Dei by Anonymous
Performer:  Frédéric Richard (Tenor), Josep Benet (Tenor), Malcolm Bothwell (Bass)
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
Written: 14th Century 
Date of Recording: 09/1990 
Venue:  Abbaye-aux-Dames, Saintes, France 
Length: 3 Minutes 25 Secs. 
Language: Latin 
96.
Messe de Nostre Dame: Gloria by Guillaume de Machaut
Performer:  Jean-Etienne Langianni (Tenor), Jean-Pierre Lanfranchi (Voice), Malcolm Bothwell (Bass),
François-Philippe Barbolosi (Voice), Antoine Sicot (Bass), Frédéric Richard (Tenor),
Marcel Pérès (Baritone), Jérôme Casalonga (Voice)
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
Written: 14th Century; France 
Length: 5 Minutes 55 Secs. 
Language: Latin 
97.
Messe de Nostre Dame: Sanctus by Guillaume de Machaut
Performer:  Jean-Pierre Lanfranchi (Voice), Malcolm Bothwell (Bass), François-Philippe Barbolosi (Voice),
Antoine Sicot (Bass), Frédéric Richard (Tenor), Marcel Pérès (Baritone),
Jérôme Casalonga (Voice), Jean-Etienne Langianni (Tenor)
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
Written: 14th Century; France 
Length: 4 Minutes 48 Secs. 
Language: Latin 
98.
Messe de Nostre Dame: Agnus Dei by Guillaume de Machaut
Performer:  Jean-Pierre Lanfranchi (Voice), Malcolm Bothwell (Bass), François-Philippe Barbolosi (Voice),
Antoine Sicot (Bass), Frédéric Richard (Tenor), Marcel Pérès (Baritone),
Jérôme Casalonga (Voice), Jean-Etienne Langianni (Tenor)
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
Written: 14th Century; France 
Length: 3 Minutes 25 Secs. 
Language: Latin 
99.
De toutes flours by Guillaume de Machaut
Performer:  Josep Cabré (Baritone), Josep Benet (Tenor), Gérard Lesne (Countertenor)
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
Written: 14th Century; France 
Date of Recording: 10/1990 
Length: 5 Minutes 2 Secs. 
Language: French 
100.
Honte, paour, doubtance by Guillaume de Machaut
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
Written: 14th Century; France 
101.
Honte, paour, doubtance by Guillaume de Machaut
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
Written: 14th Century; France 
102.
J'ay grant désespoir de ma vie by Anonymous
Performer:  Josep Benet (Tenor), Josep Cabré (Baritone), Gérard Lesne (Countertenor)
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
Written: 14th Century; France 
Date of Recording: 10/1990 
Length: 2 Minutes 15 Secs. 
Language: French 
103.
Deduto sey by Anonymous
Performer:  Josep Benet (Tenor), Josep Cabré (Baritone)
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
Written: Italy 
Date of Recording: 10/1990 
Length: 1 Minutes 15 Secs. 
Language: French 
104.
Aquil'altera, ferma by Jacopo da Bologna
Performer:  Gérard Lesne (Countertenor), Josep Cabré (Baritone), Josep Benet (Tenor)
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
Written: 14th Century; Italy 
Date of Recording: 10/1990 
Length: 3 Minutes 24 Secs. 
Language: French 
105.
Io mi son uno che per le frasche by Jacopo da Bologna
Performer:  Gérard Lesne (Countertenor), Josep Cabré (Baritone)
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
Written: 14th Century; Italy 
Date of Recording: 10/1990 
Length: 3 Minutes 19 Secs. 
Language: Italian 
106.
Che pena è quest'al cor by Francesco Landini
Performer:  Josep Benet (Tenor), Josep Cabré (Baritone), Malcolm Bothwell (Bass)
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
Written: 14th Century; Italy 
Date of Recording: 10/1990 
Length: 4 Minutes 8 Secs. 
Language: Italian 
107.
Ecco la primavera, ballata for 2 voices, S. 58 by Francesco Landini
Performer:  Johanna Rose (Voice), Susan Hellauer (Voice), Jacqueline Horner (Voice),
Marsha Genensky (Voice)
Orchestra/Ensemble:  Anonymous 4
Date of Recording: 09/2000 
Venue:  Skywalker Sound, Nicasio, California 
Length: 1 Minutes 15 Secs. 
Language: Italian 
108.
Non dò la colp'a te by Francesco Landini
Performer:  Marsha Genensky (Voice), Susan Hellauer (Voice), Jacqueline Horner (Voice)
Orchestra/Ensemble:  Anonymous 4
Period: Medieval 
Written: 14th Century; Italy 
Date of Recording: 09/2000 
Venue:  Skywalker Sound, Nicasio, California 
Length: 2 Minutes 44 Secs. 
Language: Italian 
109.
Un pellegrin uccel gentil e bello by Paolo da Firenze
Conductor:  Pedro Memelsdorff
Orchestra/Ensemble:  Mala Punica
Period: Medieval 
Written: Florence, Italy 
Date of Recording: 09/1999 
Venue:  Eremo di Tizzano Church, Bologna, Italy 
Length: 6 Minutes 3 Secs. 
Language: Italian 
110.
Godi, Firenze, poi che se' si grande by Paolo da Firenze
Conductor:  Pedro Memelsdorff
Orchestra/Ensemble:  Mala Punica
Period: Medieval 
Written: Florence, Italy 
Date of Recording: 09/1999 
Venue:  Eremo di Tizzano Church, Bologna, Italy 
Length: 3 Minutes 59 Secs. 
Language: Italian 
111.
Campanis cum cymbalis/Honoremus dominam by Anonymous
Conductor:  Paul Hillier
Orchestra/Ensemble:  Hilliard Ensemble
Period: Medieval 
Written: 14th Century; England 
Date of Recording: 09/1984 
Venue:  St Jude-on-the-Hill, Hampstead, London 
Length: 0 Minutes 55 Secs. 
112.
Mater ora filium by Anonymous
Conductor:  Paul Hillier
Orchestra/Ensemble:  Hilliard Ensemble
Period: Medieval 
Written: 14th Century; England 
Date of Recording: 09/1984 
Venue:  St Jude-on-the-Hill, Hampstead, London 
Length: 1 Minutes 17 Secs. 
113.
De ma doulour by Philippus de Caserta
Conductor:  Crawford Young
Orchestra/Ensemble:  Ferrara Ensemble
Period: Medieval 
Length: 8 Minutes 39 Secs. 
114.
La fiamma del tuo amore by Johannes Ciconia
Conductor:  Crawford Young
Orchestra/Ensemble:  Ferrara Ensemble
Period: Medieval 
Written: Italy 
Length: 2 Minutes 27 Secs. 
115.
Le ray au soleyl by Johannes Ciconia
Conductor:  Crawford Young
Orchestra/Ensemble:  Ferrara Ensemble
Period: Medieval 
Length: 1 Minutes 27 Secs. 
116.
La harpe de melodie by Jacob de Senleches
Conductor:  Crawford Young
Orchestra/Ensemble:  Ferrara Ensemble
Period: Medieval 
Written: 14th Century; France 
Length: 4 Minutes 8 Secs. 
117.
Dieux gart qui bien le chantera by Guido
Performer:  Josep Benet (Tenor), Gérard Lesne (Countertenor), Marcel Pérès (Clavicytherium),
Josep Cabré (Baritone), Nanneke Schaap (Vielle)
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
Written: 14th Century; France 
Length: 8 Minutes 7 Secs. 
118.
Tout par compas suy composés by Baude Cordier
Performer:  Josep Benet (Tenor), Gérard Lesne (Countertenor), Josep Cabré (Baritone)
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
Written: France 
Length: 2 Minutes 17 Secs. 
119.
Fumeux Fume par fumee by Solage
Performer:  Josep Benet (Tenor), François Fauche (Bass), Josep Cabré (Baritone)
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
Written: 14th Century; France 
Length: 5 Minutes 9 Secs. 
120.
Salve scema santitatis, MB 30 by John Dunstable
Orchestra/Ensemble:  Orlando Consort
Period: Renaissance 
Written: 15th Century; England 
Date of Recording: 2001 
Venue:  St. Mary's Parish Church, East Lothian 
Length: 6 Minutes 47 Secs. 
Language: Latin 
121.
Anna mater matris Christi by John Plummer
Performer:  Ashley Stafford (Countertenor), Paul Hillier (Bass), Rogers Covey-Crump (Tenor),
Leigh Nixon (Tenor), Paul Elliott (Tenor)
Orchestra/Ensemble:  Hilliard Ensemble
Period: Renaissance 
Written: 15th Century; England 
Length: 5 Minutes 56 Secs. 
Language: Latin 
122.
O gemma lux by Guillaume Dufay
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Renaissance 
Written: 15th Century; France 
Length: 5 Minutes 6 Secs. 
Language: Latin 
123.
Salve flos Tusce gentis by Guillaume Dufay
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Renaissance 
Written: 15th Century; France 
Length: 6 Minutes 10 Secs. 
Language: Latin 
124.
Requiem: Requiem eternam by Johannes Ockeghem
Performer:  Josep Benet (Tenor), Gérard Lesne (Countertenor), Marcel Pérès (Clavicytherium),
Nanneke Schaap (Vielle), Malcolm Bothwell (Bass), Josep Cabré (Baritone),
Antoine Sicot (Bass), Stephan Van Dyck (Tenor), Stephen Grant (Bass)
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Renaissance 
Written: 15th Century; Flanders, Belgium 
Length: 4 Minutes 35 Secs. 
Language: Latin 
125.
Missa pro defunctis: Sicut cervus desiderat ad fontes aquarum by Johannes Ockeghem
Performer:  Stephan Van Dyck (Tenor), Antoine Sicot (Bass), Stephen Grant (Bass),
Gérard Lesne (Countertenor), Marcel Pérès (Clavicytherium), Nanneke Schaap (Vielle),
Josep Cabré (Baritone), Malcolm Bothwell (Bass), Josep Benet (Tenor)
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Ensemble Organum
Period: Renaissance 
Written: 15th Century; Flanders, Belgium 
Length: 6 Minutes 32 Secs. 
Language: Latin 
126.
Gaude coelestis Domina by Antoine Busnois
Performer:  Robert Harre-Jones (Countertenor), Donald Greig (Baritone), Charles Daniels (Tenor)
Orchestra/Ensemble:  Orlando Consort
Period: Renaissance 
Written: 15th Century; France 
Length: 6 Minutes 6 Secs. 
Language: Latin 
127.
Je ne vis oncques la pareille by Gilles Binchois
Performer:  Robert Harre-Jones (Countertenor), Charles Daniels (Tenor), Donald Greig (Baritone)
Orchestra/Ensemble:  Orlando Consort
Period: Renaissance 
Written: 15th Century; Burgundy, France 
Date of Recording: 09/1999 
Venue:  St. Osdag Church, Neustadt-Mandelsloh 
Length: 4 Minutes 0 Secs. 
Language: French 
128.
Missa "Pange lingua": Kyrie by Josquin Des Préz
Performer:  Michel Laplénie (Tenor), Dominique Visse (Countertenor), Gérard Lesne (Countertenor),
François Fauche (Bass), Antoine Sicot (Bass), Josep Cabré (Baritone),
Philippe Cantor (Baritone), Josep Benet (Tenor)
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Clément Janequin Ensemble,  Ensemble Organum
Period: Renaissance 
Date of Recording: 01/1986 
Length: 2 Minutes 44 Secs. 
Language: Greek 
129.
Missa "Pange lingua": Gloria by Josquin Des Préz
Performer:  Michel Laplénie (Tenor), Gérard Lesne (Countertenor), Dominique Visse (Countertenor),
François Fauche (Bass), Josep Cabré (Baritone), Philippe Cantor (Baritone),
Antoine Sicot (Bass), Josep Benet (Tenor)
Conductor:  Marcel Pérès
Orchestra/Ensemble:  Clément Janequin Ensemble,  Ensemble Organum
Period: Renaissance 
Date of Recording: 01/1986 
Length: 4 Minutes 56 Secs. 
Language: Latin 
130.
Missa "L'homme armé": Kyrie by Pierre de La Rue
Performer:  Yvon Reperant (Organ)
Conductor:  Dominique Visse
Orchestra/Ensemble:  Clément Janequin Ensemble
Period: Renaissance 
Written: Netherlands 
Length: 2 Minutes 35 Secs. 
Language: Greek 
131.
Missa "L'homme armé": Gloria by Pierre de La Rue
Performer:  Yvon Reperant (Organ)
Conductor:  Dominique Visse
Orchestra/Ensemble:  Clément Janequin Ensemble
Period: Renaissance 
Written: Netherlands 
Length: 5 Minutes 18 Secs. 
Language: Latin 
132.
Missa super "La bataille": Credo by Clément Janequin
Conductor:  Dominique Visse
Orchestra/Ensemble:  Clément Janequin Ensemble,  Les Sacqueboutiers du Toulouse
Period: Renaissance 
Written: 1532; France 
Date of Recording: 12/1994 
Length: 5 Minutes 49 Secs. 
Language: Latin 
133.
Missa "Viri Galilaei": Gloria by Giovanni Palestrina
Conductor:  Philippe Herreweghe
Orchestra/Ensemble:  Royal Chapel European Vocal Ensemble
Period: Renaissance 
Written: after 1569; Italy 
Length: 4 Minutes 43 Secs. 
Language: Latin 
134.
Missa "Viri Galilaei": Agnus Dei by Giovanni Palestrina
Conductor:  Philippe Herreweghe
Orchestra/Ensemble:  Royal Chapel European Vocal Ensemble
Period: Renaissance 
Written: after 1569; Italy 
Length: 4 Minutes 9 Secs. 
Language: Latin 
135.
Mass for 4 Voices: Kyrie by William Byrd
Conductor:  Paul Hillier
Orchestra/Ensemble:  Pro Arte Singers
Period: Renaissance 
Written: circa 1592-1593; England 
Length: 2 Minutes 24 Secs. 
Language: Greek 
136.
Mass for 4 Voices: Gloria by William Byrd
Conductor:  Paul Hillier
Orchestra/Ensemble:  Pro Arte Singers
Period: Renaissance 
Written: England 
Length: 5 Minutes 15 Secs. 
Language: Latin 
137.
Messa da capella a 4: Sanctus by Claudio Monteverdi
Conductor:  Philippe Herreweghe
Orchestra/Ensemble:  Royal Chapel European Vocal Ensemble
Period: Baroque 
Written: by 1640; Italy 
Length: 2 Minutes 43 Secs. 
Language: Latin 
138.
Messa da capella a 4: Benedictus by Claudio Monteverdi
Conductor:  Philippe Herreweghe
Orchestra/Ensemble:  Royal Chapel European Vocal Ensemble
Period: Baroque 
Written: by 1640; Italy 
Length: 1 Minutes 40 Secs. 
Language: Latin 
139.
Salve, regina by Josquin Des Préz
Conductor:  Philippe Herreweghe
Orchestra/Ensemble:  La Chapelle Royale Paris
Period: Renaissance 
Date of Recording: 05/1986 
Venue:  Basilique Notre Dame, Montepellier 
Length: 3 Minutes 54 Secs. 
Language: Latin 
140.
Salvator mundi by Thomas Tallis
Conductor:  Paul Hillier
Orchestra/Ensemble:  Theatre of Voices
Period: Renaissance 
Written: 16th Century; England 
Length: 3 Minutes 3 Secs. 
Language: Latin 
141.
Lamentations of Jeremiah: Incipit Oratio Jeremiae by Orlando de Lassus
Conductor:  Philippe Herreweghe
Orchestra/Ensemble:  Royal Chapel European Vocal Ensemble
Period: Renaissance 
Written: by 1585; Munich, Germany 
Length: 6 Minutes 21 Secs. 
Language: Latin 
142.
Viri Galilaei by Giovanni Palestrina
Conductor:  Philippe Herreweghe
Orchestra/Ensemble:  Royal Chapel European Vocal Ensemble
Period: Renaissance 
Written: by 1559; Italy 
Length: 4 Minutes 46 Secs. 
Language: Latin 
143.
Ave, dulcissima Maria by Carlo Gesualdo
Conductor:  Philippe Herreweghe
Orchestra/Ensemble:  Royal Chapel European Vocal Ensemble
Period: Renaissance 
Written: by 1603; Venosa, Italy 
Date of Recording: 10/1989 
Length: 4 Minutes 22 Secs. 
Language: Latin 
144.
Réveillez vous cacun fidèle by Paschal De l'Estocart
Performer:  Bruno Boterf (Tenor), Sophie Toussaint (Alto), Jean-Marc Aymes (Organ),
Eric Bellocq (Lute), Renaud Delaigues (Bass), François Fauche (Baritone),
Vincent Bouchot (Baritone), Dominique Visse (Countertenor)
Conductor:  Dominique Visse
Orchestra/Ensemble:  Clément Janequin Ensemble
Period: Renaissance 
Written: 16th Century; France 
Date of Recording: 1998 
Venue:  German Evangelical Church, Paris, France 
Length: 3 Minutes 11 Secs. 
Language: French 
145.
Quand mon mari s'en va dehors by Orlando de Lassus
Performer:  Dominique Visse (Countertenor), François Fauche (Baritone), Vincent Bouchot (Baritone),
Bruno Boterf (Tenor)
Conductor:  Dominique Visse
Orchestra/Ensemble:  Clément Janequin Ensemble
Period: Renaissance 
Written: Germany 
Date of Recording: 1998 
Venue:  German Evangelical Church, Paris, France 
Length: 0 Minutes 59 Secs. 
Language: French 
146.
Apres avoir constamment attendu by Claude Goudimel
Performer:  Eric Bellocq (Lute), Sophie Toussaint (Alto), Vincent Bouchot (Baritone),
Dominique Visse (Countertenor), François Fauche (Baritone), Jean-Marc Aymes (Organ),
Renaud Delaigues (Bass), Bruno Boterf (Tenor)
Conductor:  Dominique Visse
Orchestra/Ensemble:  Clément Janequin Ensemble
Period: Renaissance 
Written: 16th Century; France 
Date of Recording: 1998 
Venue:  German Evangelical Church, Paris, France 
Length: 1 Minutes 27 Secs. 
Language: French 
147.
Tant que vivray en aage florissant by Claude de Sermisy
Performer:  Bruno Boterf (Tenor), Vincent Bouchot (Baritone), Eric Bellocq (Lute),
Dominique Visse (Countertenor)
Conductor:  Dominique Visse
Orchestra/Ensemble:  Clément Janequin Ensemble
Period: Renaissance 
Written: 16th Century; France 
Date of Recording: 1998 
Venue:  German Evangelical Church, Paris, France 
Length: 1 Minutes 21 Secs. 
Language: French 
148.
Psalm Tunes (9) for Mister Parker: no 3, Why fum'th in fight by Thomas Tallis
Conductor:  Paul Hillier
Orchestra/Ensemble:  Theatre of Voices
Period: Renaissance 
Written: 16th Century; England 
Length: 3 Minutes 45 Secs. 
Language: English 
149.
Psalm Tunes (9) for Mister Parker: no 8, God grant with grace "Tallis Canon" by Thomas Tallis
Conductor:  Paul Hillier
Orchestra/Ensemble:  Theatre of Voices
Period: Renaissance 
Written: by 1567; England 
Length: 1 Minutes 4 Secs. 
Language: English 
150.
Faulte d'argent by Josquin Des Préz
Conductor:  Dominique Visse
Orchestra/Ensemble:  Clément Janequin Ensemble
Period: Renaissance 
Written: France 
Date of Recording: 02/1988 
Length: 2 Minutes 7 Secs. 
Language: French 
151.
Une puce by Claude Le Jeune
Performer:  Jean-Marc Aymes (Organ), Malcolm Bothwell (Viola da gamba), Eric Bellocq (Lute)
Conductor:  Dominique Visse
Orchestra/Ensemble:  Clément Janequin Ensemble
Period: Renaissance 
Written: 16th Century; France 
Length: 3 Minutes 21 Secs. 
Language: French 
152.
Autant en emporte le vent by Claude Le Jeune
Performer:  Eric Bellocq (Lute), Jean-Marc Aymes (Organ), Malcolm Bothwell (Viola da gamba)
Conductor:  Dominique Visse
Orchestra/Ensemble:  Clément Janequin Ensemble
Period: Renaissance 
Written: 16th Century; France 
Length: 1 Minutes 31 Secs. 
Language: French 
153.
En escoutant le chant melodieux, M 2 no 68 "Le chant du rossignol" by Clément Janequin
Performer:  Dominique Visse (Countertenor), Michel Laplénie (Tenor), Philippe Cantor (Baritone),
Claude Debôves (Lute), Antoine Sicot (Bass)
Conductor:  Dominique Visse
Orchestra/Ensemble:  Clément Janequin Ensemble
Date of Recording: 07/1982 
Venue:  Studio 106, Maison de Radio France 
Length: 1 Minutes 58 Secs. 
Language: French 
154.
Gentilz veneurs, M 1 no 4 "La chasse" by Clément Janequin
Conductor:  Dominique Visse
Orchestra/Ensemble:  Clément Janequin Ensemble
Length: 7 Minutes 10 Secs. 
Language: French 
155.
Du laid tetin by Jacobus Clemens non Papa
Conductor:  Dominique Visse
Orchestra/Ensemble:  Clément Janequin Ensemble
Period: Renaissance 
Written: 16th Century; Netherlands (Holland 
Length: 2 Minutes 59 Secs. 
Language: French 
156.
Tant que vivray en aage florissant by Claude de Sermisy
Conductor:  Dominique Visse
Orchestra/Ensemble:  Clément Janequin Ensemble
Period: Renaissance 
Written: 16th Century; France 
Date of Recording: 02/1985 
Length: 2 Minutes 19 Secs. 
Language: French 
157.
Il est bel et bon by Pierre Passereau
Conductor:  Dominique Visse
Orchestra/Ensemble:  Clément Janequin Ensemble
Period: Renaissance 
Written: 16th Century; France 
Date of Recording: 02/1985 
Length: 1 Minutes 18 Secs. 
Language: French 
158.
Hardis françoys "Prise de Calais" by Guillaume Costeley
Conductor:  Dominique Visse
Orchestra/Ensemble:  Clément Janequin Ensemble
Period: Renaissance 
Written: France 
Date of Recording: 02/1985 
Length: 3 Minutes 53 Secs. 
Language: French 
159.
La, la, la, je ne l'ose dire by Pierre Certon
Conductor:  Dominique Visse
Orchestra/Ensemble:  Clément Janequin Ensemble
Period: Renaissance 
Written: 16th Century; France 
Length: 0 Minutes 59 Secs. 
Language: French 
160.
Anchor che col partire by Cypriano de Rore
Performer:  Rogers Covey-Crump (Tenor), Leigh Nixon (Tenor), Ashley Stafford (Countertenor),
Paul Hillier (Bass), Paul Elliott (Tenor)
Conductor:  Paul Hillier
Orchestra/Ensemble:  Hilliard Ensemble
Period: Renaissance 
Written: by 1547 
Date of Recording: 09/1982 
Length: 2 Minutes 16 Secs. 
Language: Italian 
161.
Schiet'arbuscel by Cypriano de Rore
Conductor:  Erik Van Nevel,  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Renaissance 
Written: by 1557; Ferrara, Italy 
Length: 4 Minutes 6 Secs. 
Language: Italian 
162.
Dissimulare etiam sperasti by Cypriano de Rore
Conductor:  Erik Van Nevel,  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Renaissance 
Written: 16th Century; Italy 
Length: 7 Minutes 36 Secs. 
Language: Latin 
163.
Allala la pia calia, villanelle for 4 voices, S. x/104 by Orlando de Lassus
Conductor:  Dominique Visse
Orchestra/Ensemble:  Clément Janequin Ensemble
Period: Renaissance 
Written: Italy 
Date of Recording: 09/1991 
Length: 2 Minutes 8 Secs. 
164.
Madrigals a 4, Book 1: Vezzosi augelli in fra le verdi by Luca Marenzio
Conductor:  René Jacobs
Orchestra/Ensemble:  Concerto Vocale
Period: Renaissance 
Written: by 1585; Rome, Italy 
Date of Recording: 08/1981 
Length: 2 Minutes 32 Secs. 
Language: Italian 
165.
Madrigals a 5, Book 9: Crudele acerba inesorabil' morte by Luca Marenzio
Conductor:  René Jacobs
Orchestra/Ensemble:  Concerto Vocale
Period: Renaissance 
Written: by 1599; Italy 
Date of Recording: 08/1981 
Length: 3 Minutes 20 Secs. 
Language: Italian 
166.
Madrigals, Book 5: Mercè grido piangendo by Carlo Gesualdo
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Renaissance 
Written: by 1611; Italy 
Length: 4 Minutes 16 Secs. 
Language: Italian 
167.
Constant Penelope by William Byrd
Performer:  Emma Kirkby (Soprano)
Orchestra/Ensemble:  Fretwork
Period: Renaissance 
Written: England 
Venue:  St Bartholomew's Church, Orford, Suffolk 
Length: 2 Minutes 1 Secs. 
Language: English 
168.
The noble famous Queen by William Byrd
Performer:  Emma Kirkby (Soprano)
Orchestra/Ensemble:  Fretwork
Period: Renaissance 
Written: England 
169.
Second Booke of Songes or Ayres: no 2, Flow, my teares by John Dowland
Performer:  Robert Spencer (Lute), Alfred Deller (Countertenor), Robert Spencer (Lute)
Period: Renaissance 
Written: 1600; England 
Length: 5 Minutes 17 Secs. 
Language: English 
170.
Firste Booke of Songes or Ayres: no 11, Come away, come sweet love by John Dowland
Performer:  Alfred Deller (Countertenor), Robert Spencer (Lute), Robert Spencer (Lute)
Period: Renaissance 
Written: by 1597; England 
Length: 2 Minutes 28 Secs. 
Language: English 
171.
Nous sommes de l'ordre de St Babouin by Loyset Compère
Conductor:  Dominique Visse
Orchestra/Ensemble:  Clément Janequin Ensemble
Period: Renaissance 
Written: France 
Length: 3 Minutes 50 Secs. 
Language: French 
172.
Tétin refaict plus blanc, M 2 no 66 by Clément Janequin
Performer:  Dominique Visse (Countertenor), Michel Laplénie (Tenor), Antoine Sicot (Bass),
Philippe Cantor (Baritone), Claude Debôves (Lute)
Conductor:  Dominique Visse
Orchestra/Ensemble:  Clément Janequin Ensemble
Date of Recording: 04/1981 
Length: 3 Minutes 58 Secs. 
Language: French 
173.
While Phoebus us'd to dwell by William Byrd
Performer:  Emma Kirkby (Soprano)
Orchestra/Ensemble:  Fretwork
Period: Renaissance 
Written: England 
Venue:  St Bartholomew's Church, Orford, Suffolk 
Length: 2 Minutes 8 Secs. 
Language: English 
174.
Passaggi per potersi essercitare nel diminuire terminatamente con ogni...: Anchor che col partire by Ricardo Rognono
Conductor:  Paolo Pandolfo
Orchestra/Ensemble:  Labyrinto
Period: Renaissance 
Written: by 1592; Italy 
Length: 4 Minutes 31 Secs. 
175.
Der Fluyten Lust-hof: no 130, Questa dolce sirena by Jan Jacob Van Eyck
Performer:  Marion Verbruggen (Recorder)
Period: Baroque 
Written: by 1646; Netherlands 
Date of Recording: 04/1995 
Venue:  Skywalker Sound, Marin County, CA 
Length: 3 Minutes 13 Secs. 
176.
Scaramella va alla guerra by Josquin Des Préz
Performer:  Karl-Ernst Schröder (Lute), Crawford Young (Lute)
Period: Renaissance 
Written: Italy 
Date of Recording: 05/2001 
Venue:  Liederkranz Hall, Stuttgart, Germany 
Length: 1 Minutes 28 Secs. 
177.
De tous biens playne by Heinrich Isaac
Performer:  Crawford Young (Lute), Karl-Ernst Schröder (Lute)
Period: Renaissance 
Date of Recording: 05/2001 
Venue:  Liederkranz Hall, Stuttgart, Germany 
Length: 1 Minutes 3 Secs. 
178.
La battaglia by Marco Dall'Aquila
Performer:  Paul O'Dette (Lute)
Period: Renaissance 
Written: 16th Century; Venice, Italy 
Venue:  Campion Center, Boston, Massachusetts 
Length: 3 Minutes 27 Secs. 
179.
Ricercar no 33 by Marco Dall'Aquila
Performer:  Paul O'Dette (Lute)
Period: Renaissance 
Written: 16th Century; Venice, Italy 
Venue:  Campion Center, Boston, Massachusetts 
Length: 2 Minutes 54 Secs. 
180.
Contrapunto sobre el tenor del "Conde Claros" by Enríquez de Valderrábano
Performer:  Massimo Moscardo (Lute), Eric Bellocq (Lute)
Conductor:  Dominique Visse
Orchestra/Ensemble:  Clément Janequin Ensemble
Period: Renaissance 
Written: by 1547; Spain 
Date of Recording: 01/1997 
Length: 3 Minutes 7 Secs. 
181.
Tres libros de musica en cifras: Fantasia del primer tono by Alonso de Mudarra
Performer:  Eric Bellocq (Guitar)
Period: Renaissance 
Written: by 1546; Spain 
Date of Recording: 01/1997 
Length: 1 Minutes 29 Secs. 
182.
Fantasia no 67 by Francesco Da Milano
Performer:  Andreas Martin (Lute)
Period: Renaissance 
Written: 16th Century; Italy 
Length: 1 Minutes 45 Secs. 
183.
Pavane by Alfonso Ferrabosco
Performer:  Andreas Martin (Lute)
Period: Renaissance 
Written: England 
Length: 3 Minutes 59 Secs. 
184.
Phalese, Luculentum Theatrum 1568: Fantasia by Pietro Paulo Borrono
Performer:  Paul O'Dette (Lute)
Period: 16th Century 
Written: Italy 
Date of Recording: 1990-92 
Venue:  Campion Center, Boston, Massachusetts 
Length: 1 Minutes 0 Secs. 
185.
Saltarello by Pietro Paulo Borrono
Performer:  Paul O'Dette (Lute)
Period: Renaissance 
Written: 16th Century; Italy 
Venue:  Campion Center, Boston, Massachusetts 
Length: 2 Minutes 4 Secs. 
186.
Fantasia for Lute no 22 by Albert de Rippe
Performer:  Paul O'Dette (Lute)
Period: Renaissance 
Venue:  Campion Center, Boston, Massachusetts 
Length: 4 Minutes 54 Secs. 
187.
L'Eccho by Albert de Rippe
Performer:  Paul O'Dette (Lute)
Period: Renaissance 
Venue:  Campion Center, Boston, Massachusetts 
Length: 3 Minutes 17 Secs. 
188.
Greensleeves by Traditional
Performer:  Andreas Martin (Lute)
Period: Renaissance 
Written: 16th Century; England 
Length: 2 Minutes 16 Secs. 
189.
Packington's Pound by Anonymous
Performer:  Andreas Martin (Lute)
Period: Baroque 
Written: 17th Century; England 
Length: 1 Minutes 2 Secs. 
190.
Kemp's Jig by Traditional
Performer:  Andreas Martin (Lute)
Period: Renaissance 
Written: England 
Length: 0 Minutes 55 Secs. 
191.
Fantasia no 30 by Francesco Da Milano
Performer:  Andreas Martin (Lute)
Period: Renaissance 
Written: 16th Century; Italy 
Length: 2 Minutes 34 Secs. 
192.
Libro I d'intavolatura di chitarrone: Toccata arpeggiata by Giovanni Kapsberger
Performer:  Paul O'Dette (Chitarrone)
Period: Baroque 
Written: by 1604; Italy 
Date of Recording: 11/1989 
Venue:  Bethel Church, Manchester, Michigan 
Length: 2 Minutes 52 Secs. 
193.
Libro I d'intavolatura di lauto: Toccata 1 by Giovanni Kapsberger
Performer:  Paul O'Dette (Lute)
Period: Baroque 
Written: by 1611; Italy 
Date of Recording: 11/1989 
Venue:  Bethel Church, Manchester, Michigan 
Length: 4 Minutes 10 Secs. 
194.
Arboscello ballo furlano by Pierre Phalèse
Conductor:  David Douglass
Orchestra/Ensemble:  The King's Noyse
Period: Renaissance 
Length: 0 Minutes 51 Secs. 
195.
Alemande Saltarello by Pierre Phalèse
Conductor:  David Douglass
Orchestra/Ensemble:  The King's Noyse
Period: Renaissance 
Written: France 
Length: 1 Minutes 15 Secs. 
196.
Schiarazula Marazula by Pierre Phalèse
Conductor:  David Douglass
Orchestra/Ensemble:  The King's Noyse
Period: Renaissance 
Written: France 
Length: 3 Minutes 19 Secs. 
197.
Suite de Branles no 1 by Pierre Attaingnant
Conductor:  David Douglass
Orchestra/Ensemble:  The King's Noyse
Period: Renaissance 
Written: 16th Century; France 
Length: 3 Minutes 6 Secs. 
198.
Suite de Branles d'Escosse no 1 by Pierre Attaingnant
Conductor:  David Douglass
Orchestra/Ensemble:  The King's Noyse
Period: Renaissance 
Written: 16th Century; France 
Length: 1 Minutes 51 Secs. 
199.
Branle gay by Adrian Le Roy
Performer:  Paul O'Dette (Lute)
Conductor:  David Douglass
Orchestra/Ensemble:  The King's Noyse
Period: Renaissance 
Written: by 1551; France 
Length: 1 Minutes 49 Secs. 
200.
Orchésographie: Belle qui tiens ma vie by Thoinot Arbeau
Conductor:  Jeremy Barlow
Orchestra/Ensemble:  Broadside Band
Written: pub 1588/89, 1596 
Date of Recording: 08/1984 
Venue:  Henry Wood Hall, London, England 
Length: 7 Minutes 1 Secs. 
201.
Orchésographie: La Traditore my fa morire by Thoinot Arbeau
Conductor:  Jeremy Barlow
Orchestra/Ensemble:  Broadside Band
Period: Renaissance 
Written: 1588-1589; France 
Date of Recording: 08/1984 
Venue:  Henry Wood Hall, London, England 
Length: 7 Minutes 1 Secs. 
202.
Antoinette by Thoinot Arbeau
Conductor:  Jeremy Barlow
Orchestra/Ensemble:  Broadside Band
Period: Renaissance 
Written: France 
Date of Recording: 08/1984 
Venue:  Henry Wood Hall, London, England 
Length: 7 Minutes 1 Secs. 
203.
J'aymerois mieulx dormir seulette by Anonymous
Conductor:  Jeremy Barlow
Orchestra/Ensemble:  Broadside Band
Period: Renaissance 
Written: England 
Date of Recording: 08/1984 
Venue:  Henry Wood Hall, London, England 
Length: 7 Minutes 1 Secs. 
204.
Orchésographie: La volte by Thoinot Arbeau
Conductor:  Jeremy Barlow
Orchestra/Ensemble:  Broadside Band
Period: Renaissance 
Written: 1588-1589; France 
Date of Recording: 08/1984 
Venue:  Henry Wood Hall, London, England 
Length: 7 Minutes 1 Secs. 
205.
Jouissance vous donneray by Thoinot Arbeau
Performer:  Rosemary Thorndycroft (Bass Viola da gamba), George Weigand (Guitar)
Conductor:  Jeremy Barlow
Orchestra/Ensemble:  Broadside Band
Period: Renaissance 
Written: 1588; France 
Date of Recording: 08/1984 
Venue:  Henry Wood Hall, London, England 
Length: 8 Minutes 1 Secs. 
206.
Orchésographie: no 23, Coranto by Thoinot Arbeau
Performer:  Rosemary Thorndycroft (Bass Viola da gamba), George Weigand (Guitar)
Conductor:  Jeremy Barlow
Orchestra/Ensemble:  Broadside Band
Period: Renaissance 
Written: 1588; France 
Date of Recording: 08/1984 
Venue:  Henry Wood Hall, London, England 
Length: 8 Minutes 1 Secs. 
207.
Basse Danse by Thoinot Arbeau
Performer:  George Weigand (Guitar), Rosemary Thorndycroft (Bass Viola da gamba)
Conductor:  Jeremy Barlow
Orchestra/Ensemble:  Broadside Band
Period: Renaissance 
Written: 16th Century; France 
Date of Recording: 08/1984 
Venue:  Henry Wood Hall, London, England 
Length: 8 Minutes 1 Secs. 
208.
Recercada by Anonymous
Performer:  Rosemary Thorndycroft (Bass Viola da gamba), George Weigand (Guitar)
Conductor:  Jeremy Barlow
Orchestra/Ensemble:  Broadside Band
Period: Renaissance 
Written: 15th Century; Spain 
Date of Recording: 08/1984 
Venue:  Henry Wood Hall, London, England 
Length: 8 Minutes 1 Secs. 

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