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111 - The Collector's Edition 2 [56-CD Set - Limited Edition]


Release Date: 11/09/2010 
Label:  Deutsche Grammophon   Catalog #: 4779142  
Composer:  Georges Bizet,  Sergei Prokofiev,  Maurice Ravel,  Ludwig van Beethoven,   ... 
Performer:  Stuart Harling,  Robert Lloyd,  Sherrill Milnes,  Placido Domingo,   ... 
Conductor:  Claudio Abbado,  John Nelson,  Leonard Bernstein,  Jerzy Semkow,   ... 
Orchestra/Ensemble:  London Symphony Orchestra,  Ambrosian Singers,  George Watson's College Boys' Chorus,   ... 
Number of Discs: 56 
Imported from : European Union   
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Notes and Editorial Reviews

Boxed set contains:

Bizet: Carmen / Berganza, Domingo, Cotrubas, Abbado [2 CDs]
"Nothing is exaggerated yet nothing is left out in this sensuous yet never overtly sensual portrayal, bewitchingly sung. Berganza works in keen rapport with Abbado, who brings clarity of texture, Mediterranean fire, and intense concentration to the score." -- Gramophone

Read more href="album.jsp?album_id=4587">Prokofiev, Ravel: Piano Concertos / Argerich, Abbado, Berlin Philharmonic
"There have been others to match the bustle and brilliance of Argerich's Prokofiev, her coloristic range, her drive, her flashiness. But I'm not sure I could name anyone who has so satisfyingly combined all those qualities, and all done with the most engaging reckless abandon." -- Gramophone

Beethoven: Piano Sonatas "Moonlight," "Pathétique," "Appassionata" / Daniel Barenboim

The Bach Album / Kathleen Battle, Itzhak Perlman
"Battle puts her trust in the soloist, whose little opening concerto paves the way for a gentle, effortless unfurling of the vocal line. The violin's pointed answers make it the equal of the voice in eloquence." -- Gramophone

Mahler: Symphony No 1 / Leonard Bernstein (currently only available in multi-disc collections)

Chopin: Piano Concertos / Rafa? Blechacz

Mozart: Concertos for Clarinet, Flute & Bassoon / Böhm, Vienna Philharmonic

Debussy: La Mer, Nocturnes / Boulez, Cleveland Orchestra

Brahms: Symphony No 4; Strauss / De Sabata, Berlin Philharmonic
"Thrilling performances that deserve wide currency." -- Gramophone

Pasión Española / Plácido Domingo
"The national flavor of Spain is tangible. Another feather in Plácido Domingo’s by now well-stocked cap." -- MusicWeb International

Fiesta / Dudamel, Simón Bolívar Youth Orchestra
"Dudamel’s charisma beats through every bar of this scintillating survey of Latin American music. His Venezuelan players play as if their hearts are fit to burst with pride as well as passion. And they sound magnificent." -- Gramophone

Bach: Cantatas / Fischer-Dieskau, Ristenpart, Lehmann
"Karl Ristenpart's chamber orchestra helped pioneer a sparer, more authentic Bach style. Fischer-Dieskau was ideally suited to this approach. These versions are fresher and almost as authoritative as later recordings with Richter. They must have sounded like a revelation at the time." -- MusicWeb International

Kaiserwalzer - Strauss Family: Orchestral Works / Ferenc Fricsay (currently only available as part of this box)

Schubert: Symphony No 9; Haydn: Symphony No 88 / Furtwängler, Berlin Philharmonic
"Furtwängler's reading [of the Schubert] is extraordinary, informed throughout with a unique vibrancy and fluidity." -- Stereo Review

El?na Garan?a - Aria Cantilena

Brahms: Piano Concerto No 1 / Gilels, Jochum, Berlin Philharmonic (currently only available in this exact program as part of this box)

Fauré: Requiem; Ravel / Battle, Schmidt, Giulini, Philharmonia

Golijov: Ayre; Berio: Folksongs / Dawn Upshaw, Andalucian Dogs
"The performances and sound are consistently superb, but attention must be paid to Dawn Upshaw. Her sense of adventure and deftness of execution seem to know no bounds." -- Fanfare

Hélène Grimaud - Reflection
"Every one of these performances is absolutely compelling." -- Fanfare

Schubert: Death and the Maiden; Beethoven / Hagen Quartet

Sibelius, Schoenberg: Violin Concertos / Hilary Hahn
"This disc ratifies Hahn's standing among the most outstanding violinists active today." -- ClassicsToday.com

Air - A Baroque Journey / Daniel Hope

Horowitz at Home

Bruckner: Symphony No 4 / Jochum, Berlin Philharmonic (currently only available in this exact program as part of this box)

Brahms: German Requiem / Karajan, Berlin Philharmonic

Schumann: Fantasie; Brahms: Handel Variations / Wilhelm Kempff (currently only available together as part of this box)

Verdi: La Traviata / Cotrubas, Domingo, Milnes, Kleiber [2 CDs]

Mozart: Arias / Kožená, Rattle
"If anyone has recorded a lovelier Mozart recital in recent years, I’ve yet to hear it." -- Gramophone

Glass: Violin Concerto; Schnittke / Kremer, Dohnányi, Vienna Philharmonic (with a different cover)

Memory / Lang Lang

Gershwin: Rhapsody in Blue, An American in Paris / James Levine, Chicago

Mozart: Mass in C Minor / McCreesh, Gabrieli Players
"Another chance to hear these two brilliant singers [Sarah Connolly and Camilla Tilling] show their stuff is a treat whenever and wherever you find it." -- ClassicsToday.com

Tchaikovsky: Symphony No 6 "Pathétique" / Mravinsky, Leningrad Philharmonic (currently only available in multi-disc collections)

Music of the Gothic Era / Munrow, Early Music Consort of London (currently only available in this exact program as part of this box)

Sarasate: Carmen-Fantasie / Mutter, Levine, Vienna Philharmonic

Duets / Anna Netrebko, Rolando Villazón
"It's a true pleasure to hear singing and communicating of this caliber." -- ClassicsToday.com

Liszt: Transcendental Etudes / Alice Sara Ott
"A remarkable debut." -- MusicWeb International

Speak Low - Songs by Kurt Weill / Anne Sofie von Otter

Bach: Brandenburg Concertos 1-3 / Pinnock, English Concert (currently only available in this exact program as part of this box)

Mozart: Piano Concertos No 14 & 26 / Pires, Abbado, Vienna Philharmonic (currently only available as part of this box)

Stravinsky, Prokofiev, Webern, Boulez / Maurizio Pollini

Schubert: Die Schöne Müllerin / Thomas Quasthoff

Reich: Drumming, Six Pianos / Reich And Musicians [2 CDs] (currently only available as part of this box)

C. P. E. Bach: Symphonies No 1-4 / Richter, Munich Bach Orchestra (currently only available in multi-disc collections)

Schumann: Waldszenen, 6 Fantasiestücke, March No 2 / Sviatoslav Richter (currently only available in this exact program as part of this box)

Tchaikovsky: Ballet Suites / Rostropovich, Berlin Philharmonic
"Rostropovich's triptych of Tchaikovsky ballet suites is very special. His account of The Nutcracker is enchanting." -- Penguin Guide

Paganini For Two / Gil Shaham, Göran Söllscher

Opera Choruses / Sinopoli, Berlin Deutsche Oper Orchestra and Chorus (currently only available as part of this box)

Rita Streich Sings Opera Arias (currently only available as part of this box)

Bryn Terfel - Opera Arias / Levine, Metropolitan Opera

Sonatas & Etudes / Yuja Wang

Rodrigo: Concierto de Aranjuez / Narciso Yepes

Chopin: 4 Ballades / Krystian Zimerman
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Works on This Recording

1.
Carmen by Georges Bizet
Performer:  Stuart Harling (Baritone), Robert Lloyd (Bass), Sherrill Milnes (Baritone),
Placido Domingo (Tenor), Ileana Cotrubas (Soprano), Alicia Nafé (Mezzo Soprano),
Yvonne Kenny (Soprano), Geoffrey Pogson (Tenor), Gordon Sandison (Baritone),
Leslie Fyson (Bass Baritone), Shirley Minty (Mezzo Soprano), Teresa Berganza (Mezzo Soprano),
Jean Lainé (Tenor), Richard Amner (Bass), George Main (Spoken Vocals)
Conductor:  Claudio Abbado
Orchestra/Ensemble:  London Symphony Orchestra,  Ambrosian Singers,  George Watson's College Boys' Chorus
Period: Romantic 
Written: 1873-1874; France 
 Length: 157 Minutes 33 Secs. 
Language: French 
2.
Concerto for Piano no 3 in C major, Op. 26 by Sergei Prokofiev
Performer:  Martha Argerich (Piano)
Conductor:  Claudio Abbado
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: 20th Century 
Written: 1917-1921; USA 
 Date of Recording: 1967 
Venue:  Jesus Christ Church, Berlin, Germany 
Length: 27 Minutes 4 Secs. 
3.
Concerto for Piano in G major by Maurice Ravel
Performer:  Martha Argerich (Piano)
Conductor:  Claudio Abbado
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: 20th Century 
Written: 1929-1931; France 
 Date of Recording: 1967 
Venue:  Jesus Christ Church, Berlin, Germany 
Length: 21 Minutes 5 Secs. 
4.
Gaspard de la nuit by Maurice Ravel
Performer:  Martha Argerich (Piano)
Period: 20th Century 
Written: 1908; France 
 Date of Recording: 11/1974 
Venue:  Lankwitz Studio, Berlin, Germany 
Length: 22 Minutes 21 Secs. 
5.
Sonata for Piano no 14 in C sharp minor, Op. 27 no 2 "Moonlight" by Ludwig van Beethoven
Performer:  Daniel Barenboim (Piano)
Period: Classical 
Written: 1801; Vienna, Austria 
6.
Sonata for Piano no 8 in C minor, Op. 13 "Pathétique" by Ludwig van Beethoven
Performer:  Daniel Barenboim (Piano)
Period: Classical 
Written: 1797-1798; Vienna, Austria 
7.
Sonata for Piano no 23 in F minor, Op. 57 "Appassionata" by Ludwig van Beethoven
Performer:  Daniel Barenboim (Piano)
Period: Classical 
Written: 1804-1805; Vienna, Austria 
8.
Mache dich, mein Geist, bereit, BWV 115: Bete aber auch... by Johann Sebastian Bach
Performer:  Daire Fitzgerald (Cello), Fred Sherry (Cello), Itzhak Perlman (Violin),
Kathleen Battle (Soprano), Lewis Paer (Double Bass), Anthony Newman (Organ)
Period: Baroque 
Written: 1724; Leipzig, Germany 
 Date of Recording: 1989-90 
Venue:  RCA Studio A, New York City 
Length: 7 Minutes 7 Secs. 
Language: German 
9.
Gott, wie dein Name, so ist auch dein Ruhm, BWV 171: Jesus soll mein erstes wort in dem neuen Jahre by Johann Sebastian Bach
Performer:  Lewis Paer (Double Bass), Kathleen Battle (Soprano), Myron Lutzke (Cello),
Itzhak Perlman (Violin), Anthony Newman (Harpsichord)
Period: Baroque 
Written: ?1729; Leipzig, Germany 
 Date of Recording: 1989-90 
Venue:  RCA Studio A, New York City 
Length: 4 Minutes 12 Secs. 
Language: German 
10.
Mass in B minor, BWV 232: Benedictus by Johann Sebastian Bach
Performer:  Kathleen Battle (Soprano), Anthony Newman (Organ), Itzhak Perlman (Violin),
Myron Lutzke (Cello), Lewis Paer (Double Bass)
Period: Baroque 
Written: 1747-1749; Leipzig, Germany 
 Date of Recording: 1989-90 
Venue:  RCA Studio A, New York City 
Length: 4 Minutes 15 Secs. 
Language: Latin 
11.
Mass in B minor, BWV 232: Laudamus te by Johann Sebastian Bach
Performer:  Itzhak Perlman (Violin), Anthony Newman (Organ), Lewis Paer (Double Bass),
Daire Fitzgerald (Cello), Kathleen Battle (Soprano)
Conductor:  John Nelson
Orchestra/Ensemble:  Orchestra of St. Luke's
Period: Baroque 
Written: 1747-1749; Leipzig, Germany 
 Date of Recording: 1989-90 
Venue:  RCA Studio A, New York City 
Length: 4 Minutes 42 Secs. 
Language: Latin 
12.
Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105: Kann ich nur Jesum mir zum Freunde machen by Johann Sebastian Bach
Performer:  Anthony Newman (Harpsichord), Kathleen Battle (Soprano), Lewis Paer (Double Bass),
Daire Fitzgerald (Cello), Marc Goldberg (Bassoon), Itzhak Perlman (Violin),
Carl Albach (Trumpet)
Conductor:  John Nelson
Orchestra/Ensemble:  Orchestra of St. Luke's
Period: Baroque 
Written: 1723; Leipzig, Germany 
 Date of Recording: 1989-90 
Venue:  RCA Studio A, New York City 
Length: 5 Minutes 30 Secs. 
Language: German 
13.
Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": Wenn die Frühlingslüfte streichen by Johann Sebastian Bach
Performer:  Itzhak Perlman (Violin), Anthony Newman (Harpsichord), Lewis Paer (Double Bass),
Fred Sherry (Cello), Kathleen Battle (Soprano)
Period: Baroque 
Written: circa 1718-1723; Cöthen, Germany 
 Date of Recording: 1989-90 
Venue:  RCA Studio A, New York City 
14.
Schwingt freudig euch empor, BWV 36: no 7, Auch mit gedämpften by Johann Sebastian Bach
Performer:  Itzhak Perlman (Violin), Kathleen Battle (Soprano), Lewis Paer (Double Bass),
Fred Sherry (Cello), Anthony Newman (Organ)
Period: Baroque 
Written: 1731; Leipzig, Germany 
 Date of Recording: 1989-90 
Venue:  RCA Studio A, New York City 
Length: 6 Minutes 46 Secs. 
Language: German 
15.
Es wartet alles auf dich, dass du ihnen Speise, BWV 187: no 5, Gott versorget alles Leben by Johann Sebastian Bach
Performer:  Anthony Newman (Organ), Kathleen Battle (Soprano), Lewis Paer (Double Bass),
Itzhak Perlman (Violin), Fred Sherry (Cello)
Period: Baroque 
Written: 1726; Leipzig, Germany 
 Date of Recording: 1989-90 
Venue:  RCA Studio A, New York City 
Length: 3 Minutes 24 Secs. 
Language: German 
16.
Ich bin vergnügt mit meinem Glücke, BWV 84: Ich esse mit Freuden mein weniges Brot by Johann Sebastian Bach
Performer:  Stephen Taylor (Oboe), Anthony Newman (Harpsichord), Lewis Paer (Double Bass),
Itzhak Perlman (Violin), Daire Fitzgerald (Cello), Kathleen Battle (Soprano)
Period: Baroque 
Written: 1727; Leipzig, Germany 
 Date of Recording: 1989-90 
Venue:  RCA Studio A, New York City 
Length: 4 Minutes 59 Secs. 
Language: German 
17.
In allen meinen Taten, BWV 97: no 4, Ich traue seiner Gnaden by Johann Sebastian Bach
Performer:  Kathleen Battle (Soprano), Anthony Newman (Harpsichord), Itzhak Perlman (Violin),
Myron Lutzke (Cello), Lewis Paer (Double Bass)
Period: Baroque 
Written: 1734; Leipzig, Germany 
 Date of Recording: 1989-90 
Venue:  RCA Studio A, New York City 
Length: 5 Minutes 21 Secs. 
Language: German 
18.
Gott ist unser Zuversicht, BWV 197: no 8, Vergnügen und Lust, Gedeihen und Heil by Johann Sebastian Bach
Performer:  Kathleen Battle (Soprano), Fred Sherry (Cello), Stephen Taylor (Oboe d'amore),
Anthony Newman (Harpsichord), Melanie Feld (Oboe d'amore), Lewis Paer (Double Bass),
Itzhak Perlman (Violin)
Period: Baroque 
Written: 1739-1742; Leipzig, Germany 
 Date of Recording: 1989-90 
Venue:  RCA Studio A, New York City 
Length: 3 Minutes 16 Secs. 
Language: German 
19.
Ich bin in mir vergnügt, BWV 204: no 4, Die Schätzbarkeit der weiten Erden by Johann Sebastian Bach
Performer:  Kathleen Battle (Soprano), Fred Sherry (Cello), Anthony Newman (Organ),
Lewis Paer (Double Bass), Itzhak Perlman (Violin)
Period: Baroque 
Written: 1726-1727; Leipzig, Germany 
 Date of Recording: 1989-90 
Venue:  RCA Studio A, New York City 
Length: 4 Minutes 6 Secs. 
Language: German 
20.
Ach Gott, wie manches Herzeleid, BWV 58: Ich bin vergnügt in meinem Leiden by Johann Sebastian Bach
Performer:  Kathleen Battle (Soprano), Itzhak Perlman (Violin)
Period: Baroque 
Written: 1727; Leipzig, Germany 
21.
Symphony no 1 in D major "Titan" by Gustav Mahler
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  Royal Concertgebouw Orchestra
Period: Romantic 
Written: 1888/1896 
 Date of Recording: 10/1987 
Venue:  Live  Amsterdam Concertgebouw 
Length: 57 Minutes 0 Secs. 
22.
Concerto for Piano no 1 in E minor, B 53/Op. 11 by Frédéric Chopin
Performer:  Rafal Blechacz (Piano)
Conductor:  Jerzy Semkow
Orchestra/Ensemble:  Royal Concertgebouw Orchestra
Period: Romantic 
Written: 1830; Poland 
23.
Concerto for Piano no 2 in F minor, B 43/Op. 21 by Frédéric Chopin
Performer:  Rafal Blechacz (Piano)
Conductor:  Jerzy Semkow
Orchestra/Ensemble:  Royal Concertgebouw Orchestra
Period: Romantic 
Written: 1829-1830; Poland 
24.
Concerto for Clarinet in A major, K 622 by Wolfgang Amadeus Mozart
Performer:  Alfred Prinz (Clarinet)
Conductor:  Karl Böhm
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Classical 
Written: 1791; Vienna, Austria 
 Date of Recording: 09/1972 
Venue:  Great Hall, Musikverein, Vienna, Austria 
25.
Concerto for Flute no 1 in G major, K 313 (285c) by Wolfgang Amadeus Mozart
Performer:  Werner Tripp (Flute)
Conductor:  Karl Böhm
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Classical 
Written: 1778; Mannheim, Germany 
 Date of Recording: 1973-74 
Venue:  Great Hall, Musikverein, Vienna, Austria 
26.
Concerto for Bassoon in B flat major, K 191 (186e) by Wolfgang Amadeus Mozart
Performer:  Dietmar Zeman (Bassoon)
Conductor:  Karl Böhm
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Classical 
Written: 1774; Salzburg, Austria 
 Date of Recording: 05/1973 
Venue:  Great Hall, Musikverein, Vienna, Austria 
27.
Nocturnes (3) for Orchestra: no 1, Nuages by Claude Debussy
Conductor:  Pierre Boulez
Orchestra/Ensemble:  Cleveland Orchestra
Period: 20th Century 
Written: 1897-1899; France 
 Date of Recording: 03/1993 
Venue:  Masonic Auditorium, Cleveland 
Length: 6 Minutes 15 Secs. 
28.
Nocturnes (3) for Orchestra: no 2, Fętes by Claude Debussy
Conductor:  Pierre Boulez
Orchestra/Ensemble:  Cleveland Orchestra
Period: 20th Century 
Written: 1897-1899; France 
 Date of Recording: 03/1993 
Venue:  Masonic Auditorium, Cleveland 
Length: 6 Minutes 31 Secs. 
29.
Nocturnes (3) for Orchestra: no 3, Sirčnes by Claude Debussy
Conductor:  Pierre Boulez
Orchestra/Ensemble:  Cleveland Orchestra,  Cleveland Orchestra Chorus
Period: 20th Century 
Written: 1897-1899; France 
 Date of Recording: 03/1993 
Venue:  Masonic Auditorium, Cleveland 
Length: 9 Minutes 40 Secs. 
30.
Jeux by Claude Debussy
Conductor:  Pierre Boulez
Orchestra/Ensemble:  Cleveland Orchestra
Period: 20th Century 
Written: 1912-1913; France 
 Date of Recording: 03/1993 
Venue:  Masonic Auditorium, Cleveland 
Length: 16 Minutes 3 Secs. 
31.
La mer by Claude Debussy
Conductor:  Pierre Boulez
Orchestra/Ensemble:  Cleveland Orchestra
Period: 20th Century 
Written: 1903-1905; France 
 Date of Recording: 03/1993 
Venue:  Masonic Auditorium, Cleveland 
Length: 23 Minutes 32 Secs. 
32.
Premičre Rhapsodie for Clarinet and Orchestra by Claude Debussy
Performer:  Franklin Cohen (Clarinet)
Conductor:  Pierre Boulez
Orchestra/Ensemble:  Cleveland Orchestra
Period: 20th Century 
Written: 1911; France 
 Date of Recording: 03/1991 
Venue:  Masonic Auditorium, Cleveland 
Length: 8 Minutes 33 Secs. 
33.
Symphony no 4 in E minor, Op. 98 by Johannes Brahms
Conductor:  Victor De Sabata
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Romantic 
Written: 1884-1885; Austria 
 Date of Recording: 1939 
34.
Tod und Verklärung, Op. 24 by Richard Strauss
Conductor:  Victor De Sabata
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Romantic 
Written: 1888-1889; Germany 
 Date of Recording: 1939 
35.
Falsa moneda by Juan Mostazo Morales
Performer:  Placido Domingo (Tenor), J. M Gallardo Del Rey (Guitar)
Conductor:  Miguel Roa
Orchestra/Ensemble:  Madrid Community Orchestra
Period: 20th Century 
 Length: 3 Minutes 58 Secs. 
36.
El día que nací yo by Juan Mostazo Morales
Performer:  Placido Domingo (Tenor)
Conductor:  Miguel Roa
Orchestra/Ensemble:  Madrid Community Orchestra
Period: 20th Century 
 Length: 4 Minutes 37 Secs. 
37.
Antonio Vargas Heredia by Juan Mostazo Morales
Performer:  Placido Domingo (Tenor)
Conductor:  Miguel Roa
Orchestra/Ensemble:  Madrid Community Orchestra
Period: 20th Century 
 Length: 5 Minutes 26 Secs. 
38.
La cruz de mayo by Manuel Font de Anta
Performer:  Placido Domingo (Tenor)
Conductor:  Miguel Roa
Orchestra/Ensemble:  Madrid Community Orchestra
Period: 20th Century 
 Length: 2 Minutes 50 Secs. 
39.
La bien pagá by Juan Mostazo Morales
Performer:  Placido Domingo (Tenor)
Conductor:  Miguel Roa
Orchestra/Ensemble:  Madrid Community Orchestra
Period: 20th Century 
 Length: 4 Minutes 6 Secs. 
40.
Porque te quiero by Genaro Monreal Lacosta
Performer:  Placido Domingo (Tenor)
Conductor:  Miguel Roa
Orchestra/Ensemble:  Madrid Community Orchestra
Period: 20th Century 
 Length: 2 Minutes 59 Secs. 
41.
Ay Maricruz! by Manuel L. y Miquel
Performer:  Placido Domingo (Tenor)
Conductor:  Miguel Roa
Orchestra/Ensemble:  Madrid Community Orchestra
Period: 20th Century 
 Length: 3 Minutes 17 Secs. 
42.
Me embrujaste by Manuel L. y Miquel
Performer:  Placido Domingo (Tenor)
Conductor:  Miguel Roa
Orchestra/Ensemble:  Madrid Community Orchestra
Period: 20th Century 
 Length: 4 Minutes 44 Secs. 
43.
Carińo verdá by Genaro Monreal Lacosta
Performer:  Placido Domingo (Tenor)
Conductor:  Miguel Roa
Orchestra/Ensemble:  Madrid Community Orchestra
Period: 20th Century 
 Length: 4 Minutes 22 Secs. 
44.
Te lo juro yo by Manuel L. y Miquel
Performer:  Placido Domingo (Tenor), J. M Gallardo Del Rey (Guitar)
Conductor:  Miguel Roa
Orchestra/Ensemble:  Madrid Community Orchestra
Period: 20th Century 
 Length: 2 Minutes 39 Secs. 
45.
No me quieras tanto! by Manuel L. y Miquel
Performer:  Placido Domingo (Tenor)
Conductor:  Miguel Roa
Orchestra/Ensemble:  Madrid Community Orchestra
Period: 20th Century 
 Length: 4 Minutes 54 Secs. 
46.
Ojos verdes by Manuel L. y Miquel
Performer:  Placido Domingo (Tenor), J. M Gallardo Del Rey (Guitar)
Conductor:  Miguel Roa
Orchestra/Ensemble:  Madrid Community Orchestra
Period: 20th Century 
 Length: 5 Minutes 52 Secs. 
47.
Suspiros de Espańa by Antonio Alvarez Alonso
Performer:  Placido Domingo (Tenor)
Conductor:  Miguel Roa
Orchestra/Ensemble:  Madrid Community Orchestra
Period: 20th Century 
 Length: 3 Minutes 57 Secs. 
48.
Sensemayá by Silvestre Revueltas
Conductor:  Gustavo Dudamel
Orchestra/Ensemble:  Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century 
Written: 1938; Mexico 
 Date of Recording: 1/2008 
Venue:  Live - Sala Simón Bolívar, Caracas 
Length: 6 Minutes 38 Secs. 
49.
Margariteńa by Inocente Carreńo
Conductor:  Gustavo Dudamel
Orchestra/Ensemble:  Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century 
Written: 1954; Venezuela 
 Date of Recording: 1/2008 
Venue:  Live - Sala Simón Bolívar, Caracas 
Length: 13 Minutes 29 Secs. 
50.
Melodia en el Llano by Antonio Estévez
Conductor:  Gustavo Dudamel
Orchestra/Ensemble:  Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century 
Written: Venezuela 
 Date of Recording: 1/2008 
Venue:  Live - Sala Simón Bolívar, Caracas 
Length: 8 Minutes 1 Secs. 
51.
Danzón no 2 by Arturo Márquez
Conductor:  Gustavo Dudamel
Orchestra/Ensemble:  Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century 
Written: 1994; Mexico 
 Date of Recording: 1/2008 
Venue:  Live - Sala Simón Bolívar, Caracas 
Length: 9 Minutes 46 Secs. 
52.
Suite for Strings No. 1: Fuga con Pajarillo by Aldemaro Romero
Conductor:  Gustavo Dudamel
Orchestra/Ensemble:  Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century 
Written: Venezuela 
 Date of Recording: 1/2008 
Venue:  Live - Sala Simón Bolívar, Caracas 
Length: 7 Minutes 8 Secs. 
53.
Estancia, Op. 8: Los trabajadores agricolas by Alberto Ginastera
Conductor:  Gustavo Dudamel
Orchestra/Ensemble:  Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century 
Written: 1941; Argentina 
 Date of Recording: 1/2008 
Venue:  Live - Sala Simón Bolívar, Caracas 
Length: 2 Minutes 56 Secs. 
54.
Estancia, Op. 8: Danza del trigo by Alberto Ginastera
Conductor:  Gustavo Dudamel
Orchestra/Ensemble:  Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century 
Written: 1941; Argentina 
 Date of Recording: 1/2008 
Venue:  Live - Sala Simón Bolívar, Caracas 
Length: 3 Minutes 43 Secs. 
55.
Estancia, Op. 8: Los peones de hacienda by Alberto Ginastera
Conductor:  Gustavo Dudamel
Orchestra/Ensemble:  Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century 
Written: 1941; Argentina 
 Date of Recording: 1/2008 
Venue:  Live - Sala Simón Bolívar, Caracas 
Length: 1 Minutes 58 Secs. 
56.
Estancia, Op. 8: Malambo "Danza final" by Alberto Ginastera
Conductor:  Gustavo Dudamel
Orchestra/Ensemble:  Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century 
Written: 1941; Argentina 
 Date of Recording: 1/2008 
Venue:  Live - Sala Simón Bolívar, Caracas 
Length: 3 Minutes 23 Secs. 
57.
Santa Cruz de Pacairigua by Evencio Castellanos
Conductor:  Gustavo Dudamel
Orchestra/Ensemble:  Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century 
Written: 1954; Venezuela 
 Date of Recording: 1/2008 
Venue:  Live - Sala Simón Bolívar, Caracas 
Length: 16 Minutes 19 Secs. 
58.
West Side Story: Mambo by Leonard Bernstein
Conductor:  Gustavo Dudamel
Orchestra/Ensemble:  Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century 
Written: 1957; USA 
 Date of Recording: 1/2008 
Venue:  Live - Sala Simón Bolívar, Caracas 
Length: 2 Minutes 29 Secs. 
59.
Ich will den Kreuzstab gerne tragen, BWV 56 by Johann Sebastian Bach
Performer:  Dietrich Fischer-Dieskau (Baritone)
Conductor:  Karl Ristenpart
Orchestra/Ensemble:  Karl Ristenpart Chamber Orchestra
Period: Baroque 
Written: 1726; Leipzig, Germany 
 Language: German 
60.
Ich habe genug, BWV 82 by Johann Sebastian Bach
Performer:  Dietrich Fischer-Dieskau (Baritone), Hermann Töttcher (Oboe)
Conductor:  Karl Ristenpart
Orchestra/Ensemble:  Karl Ristenpart Chamber Orchestra
Period: Baroque 
Written: 1727; Cöthen, Germany 
 Language: German 
61.
Die Fledermaus: Overture by Johann Strauss Jr.
Conductor:  Ferenc Fricsay
Orchestra/Ensemble:  Bratislava Radio Symphony Orchestra
Period: Romantic 
Written: 1874; Vienna, Austria 
62.
Kaiser-Walzer, Op. 437 by Johann Strauss Jr.
Conductor:  Ferenc Fricsay
Orchestra/Ensemble:  Bratislava Radio Symphony Orchestra
Period: Romantic 
Written: 1889; Vienna, Austria 
63.
Tritsch-Tratsch-Polka, Op. 214 by Johann Strauss Jr.
Conductor:  Ferenc Fricsay
Orchestra/Ensemble:  Bratislava Radio Symphony Orchestra
Period: Romantic 
Written: 1858; Vienna, Austria 
64.
Annen-Polka, Op. 117 by Johann Strauss Jr.
Conductor:  Ferenc Fricsay
Orchestra/Ensemble:  Bratislava Radio Symphony Orchestra
Period: Romantic 
Written: 1852; Vienna, Austria 
65.
Geschichten aus dem Wienerwald, Op. 325 by Johann Strauss Jr.
Conductor:  Ferenc Fricsay
Orchestra/Ensemble:  Bratislava Radio Symphony Orchestra
Period: Romantic 
Written: 1868; Vienna, Austria 
66.
Eljen a Magyar, Op. 332 by Johann Strauss Jr.
Conductor:  Ferenc Fricsay
Orchestra/Ensemble:  Bratislava Radio Symphony Orchestra
Period: Romantic 
Written: 1869; Vienna, Austria 
67.
An der schönen, blauen Donau, Op. 314 by Johann Strauss Jr.
Conductor:  Ferenc Fricsay
Orchestra/Ensemble:  Bratislava Radio Symphony Orchestra
Period: Romantic 
Written: 1867; Vienna, Austria 
68.
Radetzky March, Op. 228 by Johann Strauss Sr.
Conductor:  Ferenc Fricsay
Orchestra/Ensemble:  Bratislava Radio Symphony Orchestra
Period: Romantic 
Written: 1848; Vienna, Austria 
69.
Bachianas brasileiras no 5 for Soprano and 8 Cellos: Aria "Cantilena" by Heitor Villa-Lobos
Performer:  Elina Garanca (Mezzo Soprano)
Conductor:  Fabio Luisi
Orchestra/Ensemble:  Dresden Staatskapelle
Period: 20th Century 
Written: 1938-1945; Brazil 
 Date of Recording: 07/2006 
Venue:  St. Luke's Church, Dresden, Germany 
Length: 6 Minutes 23 Secs. 
Language: Portuguese 
70.
Las hijas del Zebedeo: Al pensar by Ruperto Chapi
Performer:  Elina Garanca (Mezzo Soprano)
Conductor:  Fabio Luisi
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Romantic 
Written: 1889; Madrid, Spain 
 Date of Recording: 07/2006 
Venue:  St. Luke's Church, Dresden, Germany 
Length: 4 Minutes 56 Secs. 
Language: Spanish 
71.
Werther: Werther! Qui m'aurait dit...Des cris joyeux "Letter scene" by Jules Massenet
Performer:  Elina Garanca (Mezzo Soprano)
Conductor:  Fabio Luisi
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Romantic 
Written: 1892; France 
 Date of Recording: 07/2006 
Venue:  St. Luke's Church, Dresden, Germany 
Length: 7 Minutes 15 Secs. 
Language: French 
72.
Les contes d'Hoffmann: Vois sous L'archet fremissant by Jacques Offenbach
Performer:  Elina Garanca (Mezzo Soprano)
Conductor:  Fabio Luisi
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Romantic 
Written: 1881; Paris, France 
 Date of Recording: 07/2006 
Venue:  St. Luke's Church, Dresden, Germany 
Length: 3 Minutes 50 Secs. 
Language: French 
73.
La Grande-Duchesse de Gérolstein: Ah! que j'aime les militaires by Jacques Offenbach
Performer:  Mirko Tuma (Bass), Dominik Licht (Baritone), Rafael Harnisch (Tenor),
Elina Garanca (Mezzo Soprano), Thomas Müller (Bass)
Conductor:  Fabio Luisi
Orchestra/Ensemble:  Dresden Staatskapelle,  Dresden State Opera Chorus
Period: Romantic 
Written: 1867; Paris, France 
 Date of Recording: 07/2006 
Venue:  St. Luke's Church, Dresden, Germany 
Length: 5 Minutes 14 Secs. 
Language: French 
74.
Madrigal sobre un tema popular "El cant dels ocells" by Xavier Montsalvatge
Performer:  Elina Garanca (Mezzo Soprano), Peter Bruns (Cello)
Conductor:  Fabio Luisi
Orchestra/Ensemble:  Dresden Staatskapelle
Period: 20th Century 
Written: Spain 
 Date of Recording: 07/2006 
Venue:  St. Luke's Church, Dresden, Germany 
Length: 5 Minutes 13 Secs. 
Language: Catalan 
75.
Der Rosenkavalier, Op. 59: Marie Theres'...Hab' mir's gelobt by Richard Strauss
Performer:  Diana Damrau (Soprano), Dominik Licht (Baritone), Elina Garanca (Mezzo Soprano),
Adrianne Pieczonka (Soprano)
Conductor:  Fabio Luisi
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Romantic 
Written: 1909-1910; Germany 
 Date of Recording: 07/2006 
Venue:  St. Luke's Church, Dresden, Germany 
Length: 5 Minutes 50 Secs. 
Language: German 
76.
Der Rosenkavalier, Op. 59: Ist ein Traum by Richard Strauss
Performer:  Elina Garanca (Mezzo Soprano), Adrianne Pieczonka (Soprano), Dominik Licht (Baritone),
Diana Damrau (Soprano)
Conductor:  Fabio Luisi
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Romantic 
Written: 1909-1910; Germany 
 Date of Recording: 07/2006 
Venue:  St. Luke's Church, Dresden, Germany 
Length: 6 Minutes 26 Secs. 
Language: German 
77.
La Cenerentola: Nacqui all' affano by Gioachino Rossini
Performer:  Heike Liebmann (Mezzo Soprano), Dominik Licht (Baritone), Mirko Tuma (Bass),
Katharina Flade (Soprano), Elina Garanca (Soprano)
Conductor:  Fabio Luisi
Orchestra/Ensemble:  Dresden Staatskapelle,  Dresden State Opera Chorus
Period: Romantic 
Written: 1817; Italy 
 Date of Recording: 07/2006 
Venue:  St. Luke's Church, Dresden, Germany 
Length: 7 Minutes 35 Secs. 
Language: Italian 
78.
L'italiana in Algeri: Per lui che adoro by Gioachino Rossini
Performer:  Elina Garanca (Mezzo Soprano), Rafael Harnisch (Tenor), Dominik Licht (Baritone),
Matthias Beutlich (Bass)
Conductor:  Fabio Luisi
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Romantic 
Written: 1813; Italy 
 Date of Recording: 07/2006 
Venue:  St. Luke's Church, Dresden, Germany 
Length: 5 Minutes 40 Secs. 
Language: Italian 
79.
Concerto for Piano no 1 in D minor, Op. 15 by Johannes Brahms
Performer:  Emil Gilels (Piano)
Conductor:  Eugen Jochum
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Romantic 
Written: 1854-1858; Germany 
 Date of Recording: 06/1972 
Venue:  Jesus Christ Church, Berlin, Germany 
Length: 51 Minutes 43 Secs. 
80.
Requiem, Op. 48 by Gabriel Fauré
Performer:  Kathleen Battle (Soprano), Andreas Schmidt (Baritone), Timothy Farrell (Organ)
Conductor:  Carlo Maria Giulini
Orchestra/Ensemble:  Philharmonia Chorus,  Philharmonia Orchestra
Period: Romantic 
Written: 1887-1890; France 
 Language: Latin 
81.
Pavane pour une infante défunte by Maurice Ravel
Conductor:  Carlo Maria Giulini
Orchestra/Ensemble:  Philharmonia Orchestra
Period: 20th Century 
Written: 1899; France 
82.
Ayre by Osvaldo Golijov
Performer:  Jeremy Flower (Sound Effects), Tara Helen O'Connor (Flute), David Krakauer (Clarinet),
Dawn Upshaw (Soprano), Erik Friedlander (Cello), James Sommerville (French Horn),
Michael Ward-Bergeman (Accordion), Jeremy Flower (Laptop), Jamey Haddad (Percussion),
Lev "Ljova" Zhurbin (Viola), Mark Dresser (Double Bass), Gustavo Santaolalla (Guitar),
Gustavo Santaolalla (Ron Roco), Bridget Kibbey (Harp)
Orchestra/Ensemble:  Andalucian Dogs
Period: 20th Century 
Written: 2004; USA 
 Date of Recording: 08/2004 
Venue:  The Hit Factory, New York City 
Length: 38 Minutes 57 Secs. 
83.
Folk Songs for Mezzo Soprano, Flute, Clarinet, Viola, Cello, Harp and Percussion by Luciano Berio
Performer:  Lev "Ljova" Zhurbin (Viola), Dawn Upshaw (Soprano), Tara Helen O'Connor (Flute),
Erik Friedlander (Cello), Todd Palmer (Clarinet), Gordon Gottlieb (Percussion),
Bridget Kibbey (Harp), Eric Poland (Percussion)
Orchestra/Ensemble:  Andalucian Dogs
Period: 20th Century 
Written: 1964/1973 
 Date of Recording: 08/2004 
Venue:  The Hit Factory, New York City 
Length: 22 Minutes 52 Secs. 
84.
Sonata for Cello and Piano no 1 in E minor, Op. 38 by Johannes Brahms
Performer:  Hélčne Grimaud (Piano), Truls Otterbech Mork (Cello)
Period: Romantic 
Written: 1862-1865; Austria 
 Date of Recording: 05/2005 
Venue:  Lukas Church, Dresden, Germany 
Length: 25 Minutes 19 Secs. 
85.
Am Strande by Clara Wieck Schumann
Performer:  Anne Sofie von Otter (Mezzo Soprano), Hélčne Grimaud (Piano)
Period: Romantic 
Written: 1840; Germany 
 Date of Recording: 09/2005 
Venue:  Scoring Stage, Berlin, Germany 
Length: 2 Minutes 16 Secs. 
86.
Concerto for Piano in A minor, Op. 54 by Robert Schumann
Performer:  Hélčne Grimaud (Piano)
Conductor:  Esa-Pekka Salonen
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Romantic 
Written: 1841-1845; Germany 
 Date of Recording: 05/2005 
Venue:  Lukas Church, Dresden, Germany 
Length: 31 Minutes 6 Secs. 
87.
Lieder (3), Op. 12: no 1, Er ist gekommen by Clara Wieck Schumann
Performer:  Anne Sofie von Otter (Mezzo Soprano), Hélčne Grimaud (Piano)
Period: Romantic 
Written: 1840; Germany 
 Date of Recording: 09/2005 
Venue:  Scoring Stage, Berlin, Germany 
Length: 2 Minutes 19 Secs. 
88.
Lieder (3), Op. 12: no 3, Warum willst du andre fragen? by Clara Wieck Schumann
Performer:  Hélčne Grimaud (Piano), Anne Sofie von Otter (Mezzo Soprano)
Period: Romantic 
Written: 1840; Germany 
 Date of Recording: 09/2005 
Venue:  Scoring Stage, Berlin, Germany 
Length: 2 Minutes 11 Secs. 
89.
Rhapsodies (2) for Piano, Op. 79: no 1 in B minor by Johannes Brahms
Performer:  Hélčne Grimaud (Piano)
Period: Romantic 
Written: 1879; Austria 
 Date of Recording: 06/2000 
Venue:  Teldex Studios, Berlin, Germany 
Length: 8 Minutes 56 Secs. 
90.
Rhapsodies (2) for Piano, Op. 79: no 2 in G minor by Johannes Brahms
Performer:  Hélčne Grimaud (Piano)
Period: Romantic 
Written: 1879; Austria 
 Date of Recording: 06/2000 
Venue:  Teldex Studios, Berlin, Germany 
Length: 7 Minutes 6 Secs. 
91.
Quartet for Strings no 14 in D minor, D 810 "Death and the Maiden" by Franz Schubert
Performer:  Clemens Hagen (Cello), Veronika Hagen (Viola), Rainer Schmidt (Violin),
Lukas Hagen (Violin)
Orchestra/Ensemble:  Hagen String Quartet
Period: Romantic 
Written: 1824; Vienna, Austria 
 Date of Recording: 10/1990 
Venue:  Akademie der Wissenschaft, Munich 
Length: 41 Minutes 46 Secs. 
92.
Quartet for Strings no 16 in F major, Op. 135 by Ludwig van Beethoven
Performer:  Lukas Hagen (Violin), Rainer Schmidt (Violin), Clemens Hagen (Cello),
Veronika Hagen (Viola)
Orchestra/Ensemble:  Hagen String Quartet
Written: 1826 
 Date of Recording: 10/1990 
Venue:  Akademie der Wissenschaft, Munich 
Length: 25 Minutes 54 Secs. 
93.
Concerto for Violin in D minor, Op. 47 by Jean Sibelius
Performer:  Hilary Hahn (Violin)
Conductor:  Esa-Pekka Salonen
Orchestra/Ensemble:  Swedish Radio Symphony Orchestra
Period: Romantic 
Written: 1903-1905; Finland 
94.
Concerto for Violin, Op. 36 by Arnold Schoenberg
Performer:  Hilary Hahn (Violin)
Conductor:  Esa-Pekka Salonen
Orchestra/Ensemble:  Swedish Radio Symphony Orchestra
Period: 20th Century 
Written: 1935-1936; USA 
95.
Chaconne in G major by Andrea Falconieri
Performer:  Stephan Rath (Chitarrone), Kristian Bezuidenhout (Piano), Lorenza Borrani (Violin),
Daniel Hope (Violin), Jonathan Cohen (Cello), Stefan Maass (Lute),
Hans-Kristian Kjos Sorensen (Percussion)
Period: Baroque 
Written: Italy 
96.
Suite for Harpsichord in D minor, HWV 447: Sarabande by George Frideric Handel
Performer:  Enno Senft (Double Bass), Stewart Eaton (Viola), William Conway (Cello),
Jonathan Cohen (Cello), Stefan Maass (Lute), Daniel Hope (Violin),
Kristian Bezuidenhout (Piano), Lorenza Borrani (Violin), Stephan Rath (Chitarrone),
Lucy Gould (Violin)
Period: Baroque 
Written: 1739; London, England 
97.
Recercada no 2 by Diego Ortiz
Performer:  Lucy Gould (Violin), Hans-Kristian Kjos Sorensen (Percussion), Stefan Maass (Lute),
Jonathan Cohen (Cello), Daniel Hope (Violin), Lorenza Borrani (Violin),
Stephan Rath (Chitarrone), Stewart Eaton (Viola)
Period: Renaissance 
Written: 16th Century; Spain 
98.
La suave melodia y su corrente by Andrea Falconieri
Performer:  Stefan Maass (Lute), Jonathan Cohen (Cello), Daniel Hope (Violin),
Stephan Rath (Chitarrone)
Period: Renaissance 
99.
Passacalio by Biagio Marini
Performer:  Stewart Eaton (Viola), Lorenza Borrani (Violin), Kristian Bezuidenhout (Piano),
Daniel Hope (Violin), Jonathan Cohen (Cello)
Period: Baroque 
Written: 17th Century 
100.
Ayres for the Violin, Book 1: Diverse bizzarrie su Sarabanda ň Ciaccona by Nicola Matteis
Performer:  Jonathan Cohen (Cello), Stefan Maass (Lute), Daniel Hope (Violin),
Lorenza Borrani (Violin), Kristian Bezuidenhout (Piano), Stephan Rath (Chitarrone)
Period: Baroque 
Written: 1676; London, England 
101.
Canon and Gigue for 3 Violins and Basso Continuo in D major by Johann Pachelbel
Performer:  Stephan Rath (Chitarrone), Lorenza Borrani (Violin), Kristian Bezuidenhout (Piano),
Daniel Hope (Violin), Jonathan Cohen (Cello), Stefan Maass (Lute),
Lucy Gould (Violin)
Period: Baroque 
Written: Germany 
102.
Concerto for Violin and Basso continuo in A minor, TV 51 no a 1 by Georg Philipp Telemann
Performer:  Stephan Rath (Chitarrone), Lorenza Borrani (Violin), Kristian Bezuidenhout (Piano),
Daniel Hope (Violin), Stefan Maass (Lute), William Conway (Cello),
Stewart Eaton (Viola), Enno Senft (Double Bass), Lucy Gould (Violin)
Period: Baroque 
Written: circa 1708-1716; Germany 
103.
Sonatas (6) for Violin and Basso Continuo: no 3 in D minor: Imitazione delle Campane by Johann Paul von Westhoff
Performer:  Daniel Hope (Violin), Jonathan Cohen (Cello)
Period: Baroque 
Written: by 1694; Germany 
104.
Ground upon a Scotch Humour by Nicola Matteis
Performer:  Hans-Kristian Kjos Sorensen (Percussion), Stefan Maass (Lute), Jonathan Cohen (Cello),
Daniel Hope (Violin), Kristian Bezuidenhout (Piano), Stephan Rath (Chitarrone)
105.
Concerti grossi (12) after Op. 5 of Arcangelo Corelli: no 5 in G minor by Francesco Geminiani
Performer:  Stephan Rath (Chitarrone), Lorenza Borrani (Violin), Kristian Bezuidenhout (Piano),
Daniel Hope (Violin), Stefan Maass (Lute), William Conway (Cello),
Stewart Eaton (Viola), Enno Senft (Double Bass), Lucy Gould (Violin)
Period: Baroque 
Written: by 1726; London, England 
106.
Galliarda napolitana by Antonio Valente
Performer:  Kristian Bezuidenhout (Piano), Hans-Kristian Kjos Sorensen (Percussion), Jonathan Cohen (Cello),
Stefan Maass (Lute), Daniel Hope (Violin), Stephan Rath (Chitarrone)
Period: Renaissance 
Written: by 1576; Naples, Italy 
107.
Passacalle by Andrea Falconieri
Performer:  Jonathan Cohen (Cello), Hans-Kristian Kjos Sorensen (Percussion), Lorenza Borrani (Violin),
Kristian Bezuidenhout (Piano), Daniel Hope (Violin)
Period: Renaissance 
108.
Sonatas (12) for Violin/Flute and Basso Continuo, Op. 9: no 3 in D major - 4th movement, Tambourin by Jean-Marie Leclair
Performer:  Kristian Bezuidenhout (Piano), Hans-Kristian Kjos Sorensen (Percussion), Jonathan Cohen (Cello),
Stefan Maass (Lute), Daniel Hope (Violin), Stephan Rath (Chitarrone)
Period: Baroque 
Written: by 1743; France 
109.
Greensleeves by Traditional
Performer:  Stephan Rath (Chitarrone), Daniel Hope (Violin), Stefan Maass (Lute)
Period: Renaissance 
Written: 16th Century; England 
110.
Sonata for Violin and Basso Continuo in A major "La Guerra" by Johann Paul von Westhoff
Performer:  Kristian Bezuidenhout (Piano), Hans-Kristian Kjos Sorensen (Percussion), Jonathan Cohen (Cello),
Stefan Maass (Lute), Daniel Hope (Violin), Stephan Rath (Chitarrone)
Period: Baroque 
Written: by 1682; Germany 
111.
Sonatas (6) for Violin and Basso Continuo: no 2 in A minor: Presto by Johann Paul von Westhoff
Performer:  Stephan Rath (Chitarrone), Daniel Hope (Violin), Stefan Maass (Lute)
Period: Baroque 
Written: Germany 
112.
Suite for Orchestra no 3 in D major, BWV 1068: Air by Johann Sebastian Bach
Performer:  Enno Senft (Double Bass), Stewart Eaton (Viola), William Conway (Cello),
Stefan Maass (Lute), Daniel Hope (Violin), Lorenza Borrani (Violin),
Stephan Rath (Chitarrone), Lucy Gould (Violin)
Period: Baroque 
Written: circa 1729-1731; Leipzig, Germany 
113.
Sonata for Piano no 3 in B flat major, K 281 (189f) by Wolfgang Amadeus Mozart
Performer:  Vladimir Horowitz (Piano)
Period: Classical 
Written: 1775; Munich, Germany 
114.
Adagio for Piano in B minor, K 540 by Wolfgang Amadeus Mozart
Performer:  Vladimir Horowitz (Piano)
Period: Classical 
Written: 1788; Vienna, Austria 
115.
Rondo for Piano no 1 in D major, K 485 by Wolfgang Amadeus Mozart
Performer:  Vladimir Horowitz (Piano)
Period: Classical 
Written: 1786; Vienna, Austria 
116.
Moments musicaux (6) for Piano, D 780/Op. 94: no 3 in F minor by Franz Schubert
Performer:  Vladimir Horowitz (Piano)
Period: Romantic 
Written: 1823-1828; Vienna, Austria 
117.
Schwanengesang (Schubert), S 560: no 7, Ständchen "Leise flehen" by Franz Liszt
Performer:  Vladimir Horowitz (Piano)
Period: Romantic 
Written: 1838-1839; Geneva, Switzerland 
118.
Soirées de Vienne (9) after Schubert, S 427: no 7 by Franz Liszt
Performer:  Vladimir Horowitz (Piano)
Period: Romantic 
Written: 1852; Weimar, Germany 
119.
Symphony no 4 in E flat major, WAB 104 "Romantic" by Anton Bruckner
Conductor:  Eugen Jochum
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Romantic 
Written: 1874; Vienna, Austria 
 Date of Recording: 1965 
120.
German Requiem, Op. 45 by Johannes Brahms
Performer:  Gundula Janowitz (Soprano), Franz Waechter (Baritone)
Conductor:  Herbert von Karajan
Orchestra/Ensemble:  Vienna Singverein,  Berlin Philharmonic Orchestra
Period: Romantic 
Written: 1854-1868; Austria 
121.
La traviata by Giuseppe Verdi
Performer:  Sherrill Milnes (Baritone), Placido Domingo (Tenor), Paul Friess (Bass),
Ileana Cotrubas (Soprano), Giovanni Foiani (Bass), Bruno Grella (Bass),
Alfredo Giacomotti (Bass), Walter Gullino (Tenor), Helena Jungwirth (Mezzo Soprano),
Stefania Malagú (Mezzo Soprano), Paul Winter (Bass)
Conductor:  Carlos Kleiber
Orchestra/Ensemble:  Bavarian State Opera Orchestra,  Bavarian State Opera Chorus
Period: Romantic 
Written: 1853; Italy 
 Date of Recording: 1977 
Venue:  Bayerischen Staatsoper 
Language: Italian 
122.
Le nozze di Figaro, K 492: Voi che sapete che cosa č amor by Wolfgang Amadeus Mozart
Performer:  Magdalena Kozená (Mezzo Soprano)
Conductor:  Simon Rattle
Orchestra/Ensemble:  Orchestra of the Age of Enlightenment
Period: Classical 
Written: 1786; Vienna, Austria 
123.
Le nozze di Figaro, K 492: Giunse alfin il momento...Deh vieni, non tardar by Wolfgang Amadeus Mozart
Performer:  Magdalena Kozená (Mezzo Soprano)
Conductor:  Simon Rattle
Orchestra/Ensemble:  Orchestra of the Age of Enlightenment
Period: Classical 
Written: 1786; Vienna, Austria 
124.
Non piů, tutto ascoltai...Non temer, amato bene, K 490 by Wolfgang Amadeus Mozart
Performer:  Jos van Immerseel (Fortepiano), Magdalena Kozená (Mezzo soprano)
Conductor:  Simon Rattle
Orchestra/Ensemble:  Orchestra of the Age of Enlightenment
Period: Classical 
Written: 1786; Vienna, Austria 
125.
Cosě fan tutte, K 588: In uomini, in soldati by Wolfgang Amadeus Mozart
Performer:  Magdalena Kozená (Mezzo Soprano)
Conductor:  Simon Rattle
Orchestra/Ensemble:  Orchestra of the Age of Enlightenment
Period: Classical 
Written: 1790; Vienna, Austria 
126.
Cosě fan tutte, K 588: Ei parte...Per pietŕ ben mio by Wolfgang Amadeus Mozart
Performer:  Magdalena Kozená (Mezzo Soprano)
Conductor:  Simon Rattle
Orchestra/Ensemble:  Orchestra of the Age of Enlightenment
Period: Classical 
Written: 1790; Vienna, Austria 
127.
Cosě fan tutte, K 588: Per pietŕ, ben mio by Wolfgang Amadeus Mozart
Performer:  Magdalena Kozená (Mezzo Soprano)
Conductor:  Simon Rattle
Orchestra/Ensemble:  Orchestra of the Age of Enlightenment
Written: 1790 
128.
Cosě fan tutte, K 588: E amore un ladroncello by Wolfgang Amadeus Mozart
Performer:  Magdalena Kozená (Mezzo Soprano)
Conductor:  Simon Rattle
Orchestra/Ensemble:  Orchestra of the Age of Enlightenment
Period: Classical 
Written: 1790; Vienna, Austria 
129.
La clemenza di Tito, K 621: Ecco il punto...Non piů di fiori by Wolfgang Amadeus Mozart
Performer:  Magdalena Kozená (Mezzo Soprano)
Conductor:  Simon Rattle
Orchestra/Ensemble:  Orchestra of the Age of Enlightenment
Period: Classical 
Written: 1791; Prague, Czech Republ 
130.
Vado, ma dove?, K 583 by Wolfgang Amadeus Mozart
Performer:  Jos van Immerseel (Fortepiano), Magdalena Kozená (Mezzo soprano)
Conductor:  Simon Rattle
Orchestra/Ensemble:  Orchestra of the Age of Enlightenment
Period: Classical 
Written: 1789; Vienna, Austria 
131.
Le nozze di Figaro, K 492: Non so piů cosa son, cosa faccio by Wolfgang Amadeus Mozart
Performer:  Magdalena Kozená (Mezzo Soprano)
Conductor:  Simon Rattle
Orchestra/Ensemble:  Orchestra of the Age of Enlightenment
Period: Classical 
Written: 1786; Vienna, Austria 
132.
Alma grande e nobil core, K 578 by Wolfgang Amadeus Mozart
Performer:  Jos van Immerseel (Fortepiano), Magdalena Kozená (Mezzo soprano)
Conductor:  Simon Rattle
Orchestra/Ensemble:  Orchestra of the Age of Enlightenment
Period: Classical 
Written: 1789; Vienna, Austria 
133.
Le nozze di Figaro, K 492: Al desio di chi t'adora by Wolfgang Amadeus Mozart
Performer:  Magdalena Kozená (Mezzo Soprano)
Conductor:  Simon Rattle
Orchestra/Ensemble:  Orchestra of the Age of Enlightenment
Written: 1786 
134.
Concerto for Violin by Philip Glass
Performer:  Gidon Kremer (Violin)
Conductor:  Christoph von Dohnányi
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: 20th Century 
Written: 1987; USA 
 Date of Recording: 02/1992 
Venue:  Live  Grosser Saal, Musikverein, Vienna 
Length: 24 Minutes 54 Secs. 
135.
Concerto Grosso no 5 by Alfred Schnittke
Performer:  Rainer Keuschnig (Piano), Gidon Kremer (Violin)
Conductor:  Christoph von Dohnányi
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: 20th Century 
Written: 1990-1991; Russia 
 Date of Recording: 11/1991 
Venue:  Live  Grosser Saal, Musikverein, Vienna 
Length: 27 Minutes 35 Secs. 
136.
Sonata for Piano no 10 in C major, K 330 (300h) by Wolfgang Amadeus Mozart
Performer:  Lang Lang (Piano)
Period: Classical 
Written: 1781-1783 
 Date of Recording: 08/2005 
Venue:  Friedrich-Ebert-Halle, Hamburg, Germany 
Length: 19 Minutes 42 Secs. 
137.
Sonata for Piano no 3 in B minor, B 155/Op. 58 by Frédéric Chopin
Performer:  Lang Lang (Piano)
Period: Romantic 
Written: 1844; Paris, France 
 Date of Recording: 08/2005 
Venue:  Friedrich-Ebert-Halle, Hamburg, Germany 
Length: 38 Minutes 13 Secs. 
138.
Kinderszenen, Op. 15 by Robert Schumann
Performer:  Lang Lang (Piano)
Period: Romantic 
Written: 1838; Germany 
 Date of Recording: 08/2005 
Venue:  Friedrich-Ebert-Halle, Hamburg, Germany 
Length: 21 Minutes 32 Secs. 
139.
An American in Paris by George Gershwin
Conductor:  James Levine
Orchestra/Ensemble:  Chicago Symphony Orchestra
Period: 20th Century 
Written: 1928; USA 
 Date of Recording: 07/1990 
Venue:  Orchestra Hall, Chicago 
Length: 17 Minutes 33 Secs. 
140.
Cuban Overture by George Gershwin
Conductor:  James Levine
Orchestra/Ensemble:  Chicago Symphony Orchestra
Period: 20th Century 
Written: 1932; USA 
 Date of Recording: 07/1990 
Venue:  Orchestra Hall, Chicago 
Length: 9 Minutes 47 Secs. 
141.
Porgy and Bess: Suite "Catfish Row" by George Gershwin
Conductor:  James Levine
Orchestra/Ensemble:  Chicago Symphony Orchestra
Period: 20th Century 
Written: 1936; USA 
 Date of Recording: 07/1990 
Venue:  Orchestra Hall, Chicago 
Length: 23 Minutes 21 Secs. 
142.
Rhapsody in Blue by George Gershwin
Performer:  James Levine (Piano)
Conductor:  James Levine
Orchestra/Ensemble:  Chicago Symphony Orchestra
Period: 20th Century 
Written: 1924; USA 
 Date of Recording: 07/1990 
Venue:  Orchestra Hall, Chicago 
Length: 16 Minutes 4 Secs. 
143.
Mass in C minor, K 427 (417a) "Great" by Wolfgang Amadeus Mozart
Performer:  Katy Bircher (Flute), Katharina Spreckelsen (Oboe), Timothy Robinson (Tenor),
Sally Jackson (Bassoon), Sarah Connolly (Soprano), Camilla Tilling (Soprano),
Neal Davies (Baritone)
Conductor:  Paul McCreesh
Orchestra/Ensemble:  Gabrieli Consort,  Gabrieli Players
Period: Classical 
Written: 1782-1783; Vienna, Austria 
 Date of Recording: 10/2004 
Venue:  Walthamstow Town Hall, England 
Length: 48 Minutes 54 Secs. 
144.
Berenice, che fai, H 24a no 10 by Franz Joseph Haydn
Performer:  Sarah Connolly (Soprano)
Conductor:  Paul McCreesh
Orchestra/Ensemble:  Gabrieli Players
Period: Classical 
Written: 1795; London, England 
 Date of Recording: 10/2004 
Venue:  Walthamstow Town Hall, England 
Length: 12 Minutes 25 Secs. 
Language: Italian 
145.
Ah, Perfido!, Op. 65 by Ludwig van Beethoven
Performer:  Camilla Tilling (Soprano)
Conductor:  Paul McCreesh
Orchestra/Ensemble:  Gabrieli Players
Period: Classical 
Written: 1795-1796; Vienna, Austria 
 Date of Recording: 10/2004 
Venue:  Walthamstow Town Hall, England 
Length: 12 Minutes 30 Secs. 
Language: Italian 
146.
Viderunt omnes by Léonin
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 12th Century; France 
 Date of Recording: 04/1975 
Venue:  Chapel, Charter House, Godalming, Surrey 
Length: 9 Minutes 14 Secs. 
Language: Latin 
147.
Viderunt omnes by Pérotin
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: circa 1200; France 
 Date of Recording: 04/1975 
Venue:  Chapel, Charter House, Godalming, Surrey 
Length: 11 Minutes 55 Secs. 
Language: Latin 
148.
Alle psallite cum luya by Anonymous
Performer:  David Corkhill (Tabor)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 13th Century 
 Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 1 Minutes 9 Secs. 
Language: Latin 
149.
Amor potest/Ad amorem by Anonymous
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 13th Century; France 
 Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 1 Minutes 1 Secs. 
Language: Latin 
150.
S'on me regarde by Anonymous
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
 Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 2 Minutes 23 Secs. 
Language: French 
151.
In mari miserie by Anonymous
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
 Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 1 Minutes 52 Secs. 
Language: Latin 
152.
O mitissima by Anonymous
Performer:  David Corkhill (Tabor)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
 Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 1 Minutes 29 Secs. 
153.
Aucun ont trouvé by Petrus de Cruce
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 13th Century; France 
 Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 3 Minutes 14 Secs. 
Language: French 
154.
De ma dame vient by Adam de la Halle
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 13th Century; France 
 Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 2 Minutes 26 Secs. 
Language: French 
155.
J'os bien a m'amie parler by Adam de la Halle
Performer:  David Munrow (Recorder)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 13th Century; France 
 Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 1 Minutes 50 Secs. 
Language: French 
156.
La mesnie fauveline/J'ai fait nouveletement/Grant despit by Anonymous
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: France 
 Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 1 Minutes 17 Secs. 
Language: French 
157.
Impudenter circumivi by Philippe De Vitry
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: circa 1330; France 
 Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 3 Minutes 10 Secs. 
Language: Latin 
158.
Cum statua by Philippe De Vitry
Performer:  David Munrow (Shawm)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: circa 1330; France 
 Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 2 Minutes 27 Secs. 
Language: Latin 
159.
Clap, par un matin by Anonymous
Performer:  Gillian Reid (Psaltery), James Tyler (Mandore), Christopher Hogwood (Harp)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
 Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 1 Minutes 29 Secs. 
Language: French 
160.
Febus mundo Oriens-Lanista vipereus-Cornibus by Anonymous
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: France 
 Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 3 Minutes 31 Secs. 
Language: Latin 
161.
Qui es promesses de Fortune/Ha, Fortune! trop suis mis loing/Et non est qui adjuvet by Guillaume de Machaut
Performer:  David Munrow (Shawm)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 14th Century; France 
 Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 1 Minutes 56 Secs. 
162.
Lasse! comment oublieray/Se j'aim mon loyal/Pour quoy me bat mes maris? by Guillaume de Machaut
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 14th Century; France 
 Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 4 Minutes 6 Secs. 
Language: Latin 
163.
Inter densas - Imbribus irriguis by Anonymous
Performer:  James Tyler (Lute)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: France 
 Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 3 Minutes 17 Secs. 
Language: Latin 
164.
Hoquetus David by Guillaume de Machaut
Performer:  David Munrow (Shawm)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 14th Century; France 
 Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 3 Minutes 18 Secs. 
165.
Carmen Fantasy for Violin and Orchestra/Piano, Op. 25 by Pablo de Sarasate
Performer:  Anne-Sophie Mutter (Violin)
Conductor:  James Levine
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Romantic 
Written: ?1883 
 Date of Recording: 11/1992 
Venue:  Grosser Saal, Musikverein, Vienna 
Length: 12 Minutes 38 Secs. 
166.
Berceuse for Violin and Piano in D major, Op. 16 by Gabriel Fauré
Performer:  Anne-Sophie Mutter (Violin)
Conductor:  James Levine
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Romantic 
Written: 1878-1879; France 
 Date of Recording: 11/1992 
Venue:  Grosser Saal, Musikverein, Vienna 
Length: 4 Minutes 28 Secs. 
167.
Thaďs: Meditation by Jules Massenet
Performer:  Anne-Sophie Mutter (Violin)
Conductor:  James Levine
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Romantic 
Written: 1894; France 
 Date of Recording: 11/1992 
Venue:  Grosser Saal, Musikverein, Vienna 
Length: 6 Minutes 42 Secs. 
168.
Tzigane for Violin and Orchestra by Maurice Ravel
Performer:  Anne-Sophie Mutter (Violin)
Conductor:  James Levine
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: 20th Century 
Written: 1924; France 
 Date of Recording: 11/1992 
Venue:  Grosser Saal, Musikverein, Vienna 
Length: 10 Minutes 1 Secs. 
169.
Sonata for Violin and Basso Continuo in G minor, B g5 "Devil's Trill" by Giuseppe Tartini
Performer:  Anne-Sophie Mutter (Violin)
Conductor:  James Levine
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Baroque 
Written: Italy 
 Date of Recording: 11/1992 
Venue:  Grosser Saal, Musikverein, Vienna 
Length: 16 Minutes 32 Secs. 
170.
Zigeunerweisen, Op. 20 by Pablo de Sarasate
Performer:  Anne-Sophie Mutter (Violin)
Conductor:  James Levine
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Romantic 
Written: 1878 
 Date of Recording: 11/1992 
Venue:  Grosser Saal, Musikverein, Vienna 
Length: 8 Minutes 41 Secs. 
171.
Légende for Violin and Orchestra in G major, Op. 17 by Henri Wieniawski
Performer:  Anne-Sophie Mutter (Violin)
Conductor:  James Levine
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Romantic 
Written: circa 1860; St. Petersburg, Russ 
 Date of Recording: 11/1992 
Venue:  Grosser Saal, Musikverein, Vienna 
Length: 7 Minutes 41 Secs. 
172.
La Bohčme: O soave fanciulla by Giacomo Puccini
Performer:  Rolando Villazón (Tenor), Anna Netrebko (Soprano)
Conductor:  Nicola Luisotti
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Romantic 
Written: 1896; Italy 
 Date of Recording: 08/2006 
Venue:  Lukas Kirche, Dresden, Germany 
Length: 4 Minutes 10 Secs. 
173.
Lucia di Lammermoor: Sulla tomba che rinserra...Verranno a te by Gaetano Donizetti
Performer:  Rolando Villazón (Tenor), Anna Netrebko (Soprano)
Conductor:  Nicola Luisotti
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Romantic 
Written: 1835; Italy 
 Date of Recording: 08/2006 
Venue:  Lukas Kirche, Dresden, Germany 
Length: 12 Minutes 40 Secs. 
Language: Italian 
174.
Rigoletto: E' il sol dell' anima by Giuseppe Verdi
Performer:  Anna Netrebko (Soprano), Rolando Villazón (Tenor), Nadine Weissmann (Soprano),
Nicola Luisotti ()
Conductor:  Nicola Luisotti
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Romantic 
Written: 1851; Italy 
 Date of Recording: 08/2006 
Venue:  Lukas Kirche, Dresden, Germany 
Length: 8 Minutes 19 Secs. 
Language: Italian 
175.
Roméo et Juliette: Nuit d'hyménée by Charles Gounod
Performer:  Anna Netrebko (Soprano), Rolando Villazón (Tenor)
Conductor:  Nicola Luisotti
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Romantic 
Written: 1867; France 
 Date of Recording: 08/2006 
Venue:  Lukas Kirche, Dresden, Germany 
Length: 8 Minutes 5 Secs. 
Language: French 
176.
Les pęcheurs de perles: De mon amie, fleur endormie by Georges Bizet
Performer:  Anna Netrebko (Soprano), Rolando Villazón (Tenor)
Conductor:  Nicola Luisotti
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Romantic 
Written: 1863; France 
 Date of Recording: 08/2006 
Venue:  Lukas Kirche, Dresden, Germany 
Length: 9 Minutes 0 Secs. 
Language: French 
177.
Manon: Toi! Vous!...N'est ce plus ma main by Jules Massenet
Performer:  Anna Netrebko (Soprano), Rolando Villazón (Tenor)
Conductor:  Nicola Luisotti
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Romantic 
Written: 1883-1884; France 
 Date of Recording: 08/2006 
Venue:  Lukas Kirche, Dresden, Germany 
Length: 8 Minutes 5 Secs. 
Language: French 
178.
Iolanta, Op. 69: Wondrous firstling of creation by Peter Ilyich Tchaikovsky
Performer:  Anna Netrebko (Soprano), Rolando Villazón (Tenor)
Conductor:  Nicola Luisotti
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Romantic 
Written: 1891; Russia 
 Date of Recording: 08/2006 
Venue:  Lukas Kirche, Dresden, Germany 
Length: 10 Minutes 3 Secs. 
Language: Russian 
179.
Luisa Fernanda: Cállate, corazón! Dučrmete y calla! by Federico Moreno-Torroba
Performer:  Anna Netrebko (Soprano), Rolando Villazón (Tenor)
Conductor:  Nicola Luisotti
Orchestra/Ensemble:  Dresden Staatskapelle
Period: 20th Century 
Written: 1932; Spain 
 Date of Recording: 08/2006 
Venue:  Lukas Kirche, Dresden, Germany 
Length: 5 Minutes 28 Secs. 
Language: Spanish 
180.
Transcendental Etudes (12) for Piano, S 139 by Franz Liszt
Performer:  Alice Sara Ott (Piano)
Period: Romantic 
Written: 1851; Weimar, Germany 
181.
Die sieben Todsünden der Kleinbürger by Kurt Weill
Performer:  Christfried Biebrach (Baritone), Frédéric Martin (Bass), Karl-Heinz Lampe (Tenor),
James Sims (Tenor), Anne Sofie von Otter (Soprano)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  North German Radio Symphony Orchestra
Period: 20th Century 
Written: 1933; Germany 
 Date of Recording: 09/1973 
Venue:  Friedrich-Ebert-Halle, Hamburg 
Length: 34 Minutes 12 Secs. 
Language: German 
182.
Lady in the Dark: My ship by Kurt Weill
Performer:  Anne Sofie von Otter (Soprano)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  North German Radio Symphony Orchestra
Period: 20th Century 
Written: 1940; USA 
 Date of Recording: 09/1993 
Venue:  Friedrich-Ebert-Halle, Hamburg 
Length: 2 Minutes 42 Secs. 
Language: English 
183.
Lady in the Dark: One life to live by Kurt Weill
Performer:  Anne Sofie von Otter (Soprano), Bengt Forsberg (Piano)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  North German Radio Symphony Orchestra
Period: 20th Century 
Written: 1940; USA 
 Date of Recording: 09/1993 
Venue:  Friedrich-Ebert-Halle, Hamburg 
Length: 3 Minutes 1 Secs. 
Language: English 
184.
Propaganda Songs (9): Buddy on the Nightshift by Kurt Weill
Performer:  Bengt Forsberg (Piano), Anne Sofie von Otter (Soprano)
Period: 20th Century 
Written: 1942; USA 
 Date of Recording: 09/1993 
Venue:  Friedrich-Ebert-Halle, Hamburg 
Length: 2 Minutes 9 Secs. 
Language: English 
185.
Nanna's Lied by Kurt Weill
Performer:  Bengt Forsberg (Piano), Anne Sofie von Otter (Soprano)
Period: 20th Century 
Written: 1939; New York, USA 
 Date of Recording: 09/1993 
Venue:  Friedrich-Ebert-Halle, Hamburg 
Length: 4 Minutes 2 Secs. 
Language: German 
186.
Happy End: Bilbao Song by Kurt Weill
Performer:  Anne Sofie von Otter (Soprano)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  North German Radio Symphony Orchestra
Period: 20th Century 
Written: 1929; Berlin, Germany 
 Date of Recording: 09/1993 
Venue:  Friedrich-Ebert-Halle, Hamburg 
Length: 4 Minutes 27 Secs. 
Language: English 
187.
Happy End: Surabaya Johnny by Kurt Weill
Performer:  Anne Sofie von Otter (Soprano)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  North German Radio Symphony Orchestra
Period: 20th Century 
Written: 1929; Germany 
 Date of Recording: 09/1993 
Venue:  Friedrich-Ebert-Halle, Hamburg 
Length: 6 Minutes 1 Secs. 
Language: English 
188.
Happy End: Das Lied von der harten Nuss by Kurt Weill
Performer:  Anne Sofie von Otter (Soprano)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  North German Radio Symphony Orchestra
Period: 20th Century 
Written: 1929; Berlin, Germany 
 Date of Recording: 09/1993 
Venue:  Friedrich-Ebert-Halle, Hamburg 
Length: 1 Minutes 6 Secs. 
Language: German 
189.
Je ne t'aime pas by Kurt Weill
Performer:  Bengt Forsberg (Piano), Anne Sofie von Otter (Soprano)
Period: 20th Century 
Written: 1934; France 
 Date of Recording: 09/1993 
Venue:  Friedrich-Ebert-Halle, Hamburg 
Length: 4 Minutes 29 Secs. 
Language: French 
190.
Propaganda Songs (9): Schickelgruber by Kurt Weill
Performer:  Bengt Forsberg (Piano), Anne Sofie von Otter (Soprano)
Period: 20th Century 
Written: 1942; USA 
 Date of Recording: 09/1993 
Venue:  Friedrich-Ebert-Halle, Hamburg 
Length: 2 Minutes 51 Secs. 
Language: German 
191.
Der Abschiedsbrief by Kurt Weill
Performer:  Bengt Forsberg (Piano), Anne Sofie von Otter (Soprano)
Period: 20th Century 
Written: 1933; Germany 
 Date of Recording: 09/1993 
Venue:  Friedrich-Ebert-Halle, Hamburg 
Length: 3 Minutes 25 Secs. 
Language: German 
192.
One touch of Venus: Foolish heart by Kurt Weill
Performer:  Anne Sofie von Otter (Soprano)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  North German Radio Symphony Orchestra
Period: 20th Century 
Written: 1943; New York, USA 
 Date of Recording: 09/1993 
Venue:  Friedrich-Ebert-Halle, Hamburg 
Length: 2 Minutes 28 Secs. 
Language: English 
193.
One touch of Venus: Speak Low by Kurt Weill
Performer:  Anne Sofie von Otter (Soprano)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  North German Radio Symphony Orchestra
Period: 20th Century 
Written: 1943; New York, USA 
 Date of Recording: 09/1993 
Venue:  Friedrich-Ebert-Halle, Hamburg 
Length: 3 Minutes 59 Secs. 
Language: English 
194.
One touch of Venus: I'm a stranger here myself by Kurt Weill
Performer:  Anne Sofie von Otter (Soprano)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  North German Radio Symphony Orchestra
Period: 20th Century 
Written: 1943; New York, USA 
 Date of Recording: 09/1993 
Venue:  Friedrich-Ebert-Halle, Hamburg 
Length: 3 Minutes 13 Secs. 
Language: German 
195.
Brandenburg Concerto no 1 in F major, BWV 1046 by Johann Sebastian Bach
Conductor:  Trevor Pinnock
Orchestra/Ensemble:  English Concert
Period: Baroque 
Written: 1717; ?Cöthen, Germany 
196.
Brandenburg Concerto no 2 in F major, BWV 1047 by Johann Sebastian Bach
Conductor:  Trevor Pinnock
Orchestra/Ensemble:  English Concert
Period: Baroque 
Written: 1717-1718; ?Cöthen, Germany 
197.
Brandenburg Concerto no 3 in G major, BWV 1048 by Johann Sebastian Bach
Conductor:  Trevor Pinnock
Orchestra/Ensemble:  English Concert
Period: Baroque 
Written: 1711-1713; ?Weimar, Germany 
198.
Concerto for Piano no 14 in E flat major, K 449 by Wolfgang Amadeus Mozart
Performer:  Maria-Joao Pires (Piano)
Conductor:  Claudio Abbado
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Classical 
Written: 1784; Vienna, Austria 
 Date of Recording: 03/1992 
Venue:  Grosser Saal, Musikverein, Vienna 
Length: 21 Minutes 28 Secs. 
199.
Concerto for Piano no 26 in D major, K 537 "Coronation" by Wolfgang Amadeus Mozart
Performer:  Maria-Joao Pires (Piano)
Conductor:  Claudio Abbado
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Classical 
Written: 1788; Vienna, Austria 
 Date of Recording: 04/1990 
Venue:  Live  Grosses Festespielhaus, Salzburg 
Length: 30 Minutes 22 Secs. 
200.
Pétrouchka: Three movements for Piano by Igor Stravinsky
Performer:  Maurizio Pollini (Piano)
Period: 20th Century 
Written: 1921; France 
 Date of Recording: 09/1971 
Venue:  Herkules Saal, Residenz, Munich 
Length: 15 Minutes 19 Secs. 
201.
Sonata for Piano no 7 in B flat major, Op. 83 by Sergei Prokofiev
Performer:  Maurizio Pollini (Piano)
Period: 20th Century 
Written: 1939-1942; USSR 
 Date of Recording: 09/1971 
Venue:  Herkules Saal, Residenz, Munich 
Length: 17 Minutes 1 Secs. 
202.
Variations for piano, Op. 27 by Anton Webern
Performer:  Maurizio Pollini (Piano)
Period: Modern 
Written: 1935-1936; Austria 
 Date of Recording: 07/1976 
Venue:  Herkules Saal, Residenz, Munich 
Length: 6 Minutes 2 Secs. 
203.
Sonata for Piano no 2 by Pierre Boulez
Performer:  Maurizio Pollini (Piano)
Period: 20th Century 
Written: 1948 
 Date of Recording: 07/1976 
Venue:  Herkules Saal, Residenz, Munich 
Length: 29 Minutes 35 Secs. 
204.
Die schöne Müllerin, D 795/Op. 25 by Franz Schubert
Performer:  Justus Zeyen (Piano), Thomas Quasthoff (Bass Baritone)
Period: Romantic 
Written: 1823; Vienna, Austria 
 Date of Recording: 07/2005 
Venue:  Teldex Studio, Berlin, Germany 
Length: 61 Minutes 24 Secs. 
Language: German 
205.
Drumming by Steve Reich
Conductor:  Steve Reich
Orchestra/Ensemble:  Steve Reich and Musicians
Period: 20th Century 
Written: 1970-1971; USA 
206.
Six Pianos by Steve Reich
Orchestra/Ensemble:  Steve Reich and Musicians
Period: 20th Century 
Written: 1973; USA 
207.
Music for Mallet Instruments, Voices and Electric Organ by Steve Reich
Orchestra/Ensemble:  Steve Reich and Musicians
Period: 20th Century 
Written: 1973; USA 
208.
Sleeping Beauty Suite, Op. 66a by Peter Ilyich Tchaikovsky
Conductor:  Mstislav Rostropovich
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Romantic 
Written: 1889; Russia 
 Date of Recording: 06/1978 
209.
Swan Lake Suite, Op. 20a by Peter Ilyich Tchaikovsky
Performer:  Leon Spierer (Violin), Eberhard Finke (Cello)
Conductor:  Mstislav Rostropovich
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Romantic 
Written: 1875-1876; Russia 
 Date of Recording: 06/1978 
210.
Nutcracker Suite, Op. 71a by Peter Ilyich Tchaikovsky
Conductor:  Mstislav Rostropovich
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Romantic 
Written: 1892; Russia 
 Date of Recording: 06/1978 
211.
Sonata concertata in A major, Op. 61/MS 2 by Niccolň Paganini
Performer:  Göran Söllscher (Guitar), Gil Shaham (Violin)
Period: Romantic 
Written: 1804; Italy 
 Date of Recording: 11/1992 
Venue:  Jesus Christus Kirche, Berlin 
Length: 14 Minutes 14 Secs. 
212.
Sonatas (6) for Violin and Guitar, Op. 3: no 1 in A major by Niccolň Paganini
Performer:  Göran Söllscher (Guitar), Gil Shaham (Violin)
Period: Romantic 
Written: circa 1805 
 Date of Recording: 11/1992 
Venue:  Jesus Christus Kirche, Berlin 
Length: 3 Minutes 18 Secs. 
213.
Sonatas (6) for Violin and Guitar, Op. 3: no 4 in A minor by Niccolň Paganini
Performer:  Göran Söllscher (Guitar), Gil Shaham (Violin)
Period: Romantic 
Written: circa 1805 
 Date of Recording: 11/1992 
Venue:  Jesus Christus Kirche, Berlin 
Length: 4 Minutes 29 Secs. 
214.
Sonatas (6) for Violin and Guitar, Op. 3: no 6 in E minor by Niccolň Paganini
Performer:  Göran Söllscher (Guitar), Gil Shaham (Violin)
Period: Romantic 
Written: circa 1805 
 Date of Recording: 11/1992 
Venue:  Jesus Christus Kirche, Berlin 
Length: 4 Minutes 24 Secs. 
215.
Sonata for Guitar in A major, MS 3 "Grande" by Niccolň Paganini
Performer:  Göran Söllscher (Guitar), Gil Shaham (Violin)
Period: Romantic 
 Date of Recording: 11/1992 
Venue:  Jesus Christus Kirche, Berlin 
Length: 4 Minutes 28 Secs. 
216.
Centone di Sonate (18) for Violin and Guitar, Op. 64: no 2 in D major by Niccolň Paganini
Performer:  Göran Söllscher (Guitar), Gil Shaham (Violin)
Period: Romantic 
Written: after 1828 
 Date of Recording: 11/1992 
Venue:  Jesus Christus Kirche, Berlin 
Length: 6 Minutes 57 Secs. 
217.
Centone di Sonate (18) for Violin and Guitar, Op. 64: no 4 in A major by Niccolň Paganini
Performer:  Gil Shaham (Violin), Göran Söllscher (Guitar)
Period: Romantic 
Written: after 1828 
 Date of Recording: 11/1992 
Venue:  Jesus Christus Kirche, Berlin 
Length: 8 Minutes 30 Secs. 
218.
Cantabile for Violin and Piano in D major by Niccolň Paganini
Performer:  Göran Söllscher (Guitar), Gil Shaham (Violin)
Period: Romantic 
Written: ?1824; Italy 
 Date of Recording: 11/1992 
Venue:  Jesus Christus Kirche, Berlin 
Length: 3 Minutes 43 Secs. 
219.
Introduction and Variations from Rossini's Mosč "Dal tuo stellato soglio" by Niccolň Paganini
Performer:  Göran Söllscher (Guitar), Gil Shaham (Violin)
Period: Romantic 
Written: ?1819 
 Date of Recording: 11/1992 
Venue:  Jesus Christus Kirche, Berlin 
Length: 7 Minutes 12 Secs. 
220.
Moto perpetuo for Violin and Orchestra in C major, Op. 11 by Niccolň Paganini
Performer:  Göran Söllscher (Guitar), Gil Shaham (Violin)
Period: Romantic 
Written: 1835 
 Date of Recording: 11/1992 
Venue:  Jesus Christus Kirche, Berlin 
Length: 3 Minutes 17 Secs. 
221.
Le nozze di Figaro, K 492: Non piů andrai farfallone amoroso by Wolfgang Amadeus Mozart
Performer:  Bryn Terfel (Bass Baritone)
Conductor:  James Levine
Orchestra/Ensemble:  Metropolitan Opera Orchestra
Period: Classical 
Written: 1786; Vienna, Austria 
 Date of Recording: 1994 
Venue:  Manhattan Center, New York City 
Length: 3 Minutes 54 Secs. 
Language: Italian 
222.
Don Giovanni, K 527: Deh vieni alla finestra [Serenade] by Wolfgang Amadeus Mozart
Performer:  Bryn Terfel (Bass Baritone)
Conductor:  James Levine
Orchestra/Ensemble:  Metropolitan Opera Orchestra
Period: Classical 
Written: 1787; Prague, Czech Republ 
 Date of Recording: 1994 
Venue:  Manhattan Center, New York City 
Length: 2 Minutes 7 Secs. 
Language: Italian 
223.
Don Giovanni, K 527: Madamina, il catalogo č questo by Wolfgang Amadeus Mozart
Performer:  Bryn Terfel (Bass Baritone)
Conductor:  James Levine
Orchestra/Ensemble:  Metropolitan Opera Orchestra
Period: Classical 
Written: 1787; Prague, Czech Republ 
 Date of Recording: 1994 
Venue:  Manhattan Center, New York City 
Length: 5 Minutes 35 Secs. 
Language: Italian 
224.
Cosě fan tutte, K 588: Rivolgete a lui lo sguardo by Wolfgang Amadeus Mozart
Performer:  Bryn Terfel (Bass Baritone)
Conductor:  James Levine
Orchestra/Ensemble:  Metropolitan Opera Orchestra
Period: Classical 
Written: 1790; Vienna, Austria 
 Date of Recording: 09/1995 
Venue:  Manhattan Center, New York City 
Length: 4 Minutes 52 Secs. 
Language: Italian 
225.
Die Zauberflöte, K 620: Der Vogelfänger bin ich ja by Wolfgang Amadeus Mozart
Performer:  Bryn Terfel (Bass Baritone)
Conductor:  James Levine
Orchestra/Ensemble:  Metropolitan Opera Orchestra
Period: Classical 
Written: 1791; Vienna, Austria 
 Date of Recording: 09/1995 
Venue:  Manhattan Center, New York City 
Length: 2 Minutes 55 Secs. 
Language: German 
226.
Tannhäuser: O, du mein holder Abendstern by Richard Wagner
Performer:  Bryn Terfel (Bass Baritone)
Conductor:  James Levine
Orchestra/Ensemble:  Metropolitan Opera Orchestra
Period: Romantic 
Written: 1845/1861; Germany 
 Date of Recording: 1994 
Venue:  Manhattan Center, New York City 
Length: 5 Minutes 57 Secs. 
Language: German 
227.
Der fliegende Holländer: Die Frist ist um [Monologue] by Richard Wagner
Performer:  Bryn Terfel (Bass Baritone)
Conductor:  James Levine
Orchestra/Ensemble:  Metropolitan Opera Orchestra
Period: Romantic 
Written: 1841/1852; Germany 
 Date of Recording: 1994 
Venue:  Manhattan Center, New York City 
Length: 11 Minutes 54 Secs. 
Language: German 
228.
Les contes d'Hoffmann: Scintille diamant by Jacques Offenbach
Performer:  Bryn Terfel (Bass Baritone)
Conductor:  James Levine
Orchestra/Ensemble:  Metropolitan Opera Orchestra
Period: Romantic 
Written: 1881; Paris, France 
 Date of Recording: 09/1995 
Venue:  Manhattan Center, New York City 
Length: 3 Minutes 46 Secs. 
Language: French 
229.
Faust: Vous qui faites l'endormie "Serenade" by Charles Gounod
Performer:  Bryn Terfel (Bass Baritone)
Conductor:  James Levine
Orchestra/Ensemble:  Metropolitan Opera Orchestra
Period: Romantic 
Written: 1859; France 
 Date of Recording: 1994 
Venue:  Manhattan Center, New York City 
Length: 3 Minutes 4 Secs. 
Language: French 
230.
Prince Igor: No sleep, no rest "Igor's Aria" by Alexander Borodin
Performer:  Bryn Terfel (Bass Baritone)
Conductor:  James Levine
Orchestra/Ensemble:  Metropolitan Opera Orchestra
Period: Romantic 
Written: 1869-1887; Russia 
 Date of Recording: 09/1995 
Venue:  Manhattan Center, New York City 
Length: 8 Minutes 16 Secs. 
Language: Russian 
231.
Don Pasquale: Bella siccome un angelo by Gaetano Donizetti
Performer:  Bryn Terfel (Bass Baritone)
Conductor:  James Levine
Orchestra/Ensemble:  Metropolitan Opera Orchestra
Period: Romantic 
Written: 1843; Italy 
 Date of Recording: 09/1995 
Venue:  Manhattan Center, New York City 
Length: 3 Minutes 0 Secs. 
Language: Italian 
232.
Macbeth: Perfidi! All'anglo...Pietŕ, rispetto, amore by Giuseppe Verdi
Performer:  Bryn Terfel (Bass Baritone)
Conductor:  James Levine
Orchestra/Ensemble:  Metropolitan Opera Orchestra
Period: Romantic 
Written: 1847/1865; Italy 
 Date of Recording: 1994 
Venue:  Manhattan Center, New York City 
Length: 5 Minutes 23 Secs. 
Language: Italian 
233.
Falstaff: L'onore! Ladri! "Ford's Monologue" by Giuseppe Verdi
Performer:  Bryn Terfel (Bass Baritone)
Conductor:  James Levine
Orchestra/Ensemble:  Metropolitan Opera Orchestra
Period: Romantic 
Written: 1893; Italy 
 Date of Recording: 1994 
Venue:  Manhattan Center, New York City 
Length: 4 Minutes 32 Secs. 
Language: Italian 
234.
La Cenerentola: Miei rampolli, miei rampolli femmini by Gioachino Rossini
Performer:  Bryn Terfel (Bass Baritone)
Conductor:  James Levine
Orchestra/Ensemble:  Metropolitan Opera Orchestra
Period: Romantic 
Written: 1817; Italy 
 Date of Recording: 1994 
Venue:  Manhattan Center, New York City 
Length: 5 Minutes 36 Secs. 
Language: Italian 
235.
Etudes (6) for Piano, Book 1: no 4, Fanfares by György Ligeti
Performer:  Yuja Wang (Piano)
Period: 20th Century 
Written: 1985; Berlin, Germany 
236.
Etudes (8) for Piano, Book 2: no 10, Dar Zauberlehrling by György Ligeti
Performer:  Yuja Wang (Piano)
Period: 20th Century 
Written: 1988-1993 
237.
Sonata for Piano no 2 in B flat minor, B 128/Op. 35 "Funeral March" by Frédéric Chopin
Performer:  Yuja Wang (Piano)
Period: Romantic 
Written: 1837-1839; Paris, France 
238.
Sonata for Piano in B minor, S 178 by Franz Liszt
Performer:  Yuja Wang (Piano)
Period: Romantic 
Written: 1852-1853; Weimar, Germany 
239.
Sonata for Piano no 2 in G sharp minor, Op. 19 "Sonata fantasy" by Alexander Scriabin
Performer:  Yuja Wang (Piano)
Period: 20th Century 
Written: 1892-1897; Russia 
240.
Concierto de Aranjuez for Guitar by Joaquin Rodrigo
Performer:  Narciso Yepes (Guitar)
Conductor:  Luis Garcia-Navarro
Orchestra/Ensemble:  English Chamber Orchestra
Period: 20th Century 
Written: 1939; Spain 
241.
Fantasía para un gentilhombre by Joaquin Rodrigo
Performer:  Narciso Yepes (Guitar)
Conductor:  Luis Garcia-Navarro
Orchestra/Ensemble:  English Chamber Orchestra
Period: 20th Century 
Written: 1954; Spain 
242.
Ballade for Piano no 1 in G minor, B 66/Op. 23 by Frédéric Chopin
Performer:  Krystian Zimerman (Piano)
Period: Romantic 
Written: 1831-1835 
243.
Ballade for Piano no 2 in F major/a minor, B 102/Op. 38 by Frédéric Chopin
Performer:  Krystian Zimerman (Piano)
Period: Romantic 
Written: 1836-1839; Paris, France 
244.
Ballade for Piano no 3 in A flat major, B 136/Op. 47 by Frédéric Chopin
Performer:  Krystian Zimerman (Piano)
Period: Romantic 
Written: 1840-1841; Paris, France 
245.
Ballade for Piano no 4 in F minor, B 146/Op. 52 by Frédéric Chopin
Performer:  Krystian Zimerman (Piano)
Period: Romantic 
Written: 1842; Paris, France 
246.
Barcarolle for Piano in F sharp major, B 158/Op. 60 by Frédéric Chopin
Performer:  Krystian Zimerman (Piano)
Period: Romantic 
Written: 1845-1846; Paris, France 
247.
Fantasie for Piano in F minor/A flat major, B 137/Op. 49 by Frédéric Chopin
Performer:  Krystian Zimerman (Piano)
Period: Romantic 
Written: 1841; Paris, France 
248.
Rosamunde, D 797/Op. 26: no 1, Overture (D 644) by Franz Schubert
Conductor:  Wilhelm Furtwängler
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Romantic 
Written: 1823; Vienna, Austria 
249.
Symphony no 9 in C major, D 944 "Great" by Franz Schubert
Conductor:  Wilhelm Furtwängler
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Romantic 
Written: ?1825-28; Vienna, Austria 
250.
Phantasie for Piano in C major, Op. 17 by Robert Schumann
Performer:  Wilhelm Kempff (Piano)
Period: Romantic 
Written: 1836-1838; Germany 
251.
Variations and Fugue for Piano in B flat major on a theme by Handel, Op. 24 by Johannes Brahms
Performer:  Wilhelm Kempff (Piano)
Period: Romantic 
Written: 1861; Germany 
252.
Symphony no 6 in B minor, Op. 74 "Pathétique" by Peter Ilyich Tchaikovsky
Conductor:  Yevgeny Mravinsky
Orchestra/Ensemble:  Leningrad Philharmonic Orchestra
Period: Romantic 
Written: 1893; Russia 
253.
Sinfonias (4), Wq 183: no 1 in D major, H 663 by Carl Philipp Emmanuel Bach
Conductor:  Karl Richter
Orchestra/Ensemble:  Munich Bach Orchestra
Period: Classical 
Written: 1775-1776; Hamburg, Germany 
254.
Sinfonias (4), Wq 183: no 2 in E flat major, H 664 by Carl Philipp Emmanuel Bach
Conductor:  Karl Richter
Orchestra/Ensemble:  Munich Bach Orchestra
Period: Classical 
Written: 1775-1776; Hamburg, Germany 
255.
Sinfonias (4), Wq 183: no 3 in F major, H 665 by Carl Philipp Emmanuel Bach
Conductor:  Karl Richter
Orchestra/Ensemble:  Munich Bach Orchestra
Period: Classical 
Written: 1775-1776; Hamburg, Germany 
256.
Sinfonias (4), Wq 183: no 4 in G major, H 666 by Carl Philipp Emmanuel Bach
Conductor:  Karl Richter
Orchestra/Ensemble:  Munich Bach Orchestra
Period: Classical 
Written: 1775-1776; Hamburg, Germany 
257.
Idomeneo, K 366: Solitudini amiche...Zeffiretti lusinghieri by Wolfgang Amadeus Mozart
Performer:  Rita Streich (Soprano)
Conductor:  Arthur Rother
Orchestra/Ensemble:  Berlin RIAS Symphony Orchestra
Period: Classical 
Written: 1781; Munich, Germany 
258.
Die Zauberflöte, K 620: Der Hölle Rache by Wolfgang Amadeus Mozart
Performer:  Rita Streich (Soprano)
Conductor:  Arthur Rother
Orchestra/Ensemble:  Berlin RIAS Symphony Orchestra
Period: Classical 
Written: 1791; Vienna, Austria 
259.
Semiramide: Bel raggio lusinghier by Gioachino Rossini
Performer:  Rita Streich (Soprano)
Conductor:  Arthur Rother
Orchestra/Ensemble:  Berlin RIAS Symphony Orchestra
Period: Romantic 
Written: 1823; Italy 
260.
Don Pasquale: Quel guardo il cavaliere...So anch'io la virtů by Gaetano Donizetti
Performer:  Rita Streich (Soprano)
Conductor:  Fritz Lehmann
Orchestra/Ensemble:  Bavarian Radio Symphony Orchestra
Period: Romantic 
Written: 1843; Italy 
261.
Der Freischütz, J 277: Kommt ein schlanker Bursch "Polacca" by Carl Maria von Weber
Performer:  Rita Streich (Soprano)
Conductor:  Arthur Rother
Orchestra/Ensemble:  Berlin RIAS Symphony Orchestra
Period: Romantic 
Written: 1817-1821; Dresden, Germany 
262.
Rigoletto: Caro nome by Giuseppe Verdi
Performer:  Rita Streich (Soprano)
Conductor:  Ferdinand Leitner
Orchestra/Ensemble:  Berlin RIAS Symphony Orchestra
Period: Romantic 
Written: 1851; Italy 
263.
Un ballo in maschera: Volta la terrea by Giuseppe Verdi
Performer:  Rita Streich (Soprano)
Conductor:  Ferdinand Leitner
Orchestra/Ensemble:  Berlin RIAS Symphony Orchestra
Period: Romantic 
Written: 1859; Italy 
264.
Un ballo in maschera: Saper vorreste di che si veste by Giuseppe Verdi
Performer:  Rita Streich (Soprano)
Conductor:  Ferdinand Leitner
Orchestra/Ensemble:  Berlin RIAS Symphony Orchestra
Period: Romantic 
Written: 1859; Italy 
265.
I vespri siciliani: Mercč, dilette amiche "Bolero" by Giuseppe Verdi
Performer:  Rita Streich (Soprano)
Conductor:  Ernst Marzendorfer
Orchestra/Ensemble:  Berlin Radio Symphony Orchestra
Period: Romantic 
Written: 1855; Italy 
266.
Les Huguenots: Nobles seigneurs, salut! by Giacomo Meyerbeer
Performer:  Rita Streich (Soprano)
Conductor:  Ferdinand Leitner
Orchestra/Ensemble:  Berlin RIAS Symphony Orchestra
Period: Romantic 
Written: 1836; France 
267.
Mignon: Oui, pour ce soir je suis reine des fées by Ambroise Thomas
Performer:  Rita Streich (Soprano)
Conductor:  Ferdinand Leitner
Orchestra/Ensemble:  Munich Philharmonic Orchestra
Period: Romantic 
Written: 1866; France 
268.
La Bohčme: Quando m'en vo' soletta "Musetta's Waltz" by Giacomo Puccini
Performer:  Rita Streich (Soprano)
Conductor:  Ernst Marzendorfer
Orchestra/Ensemble:  Berlin Radio Symphony Orchestra
Period: Romantic 
Written: 1896; Italy 
269.
Marches (4) for Piano, Op. 76: no 2 in G minor by Robert Schumann
Performer:  Sviatoslav Richter (Piano)
Period: Romantic 
Written: 1849; Germany 
270.
Waldszenen, Op. 82 by Robert Schumann
Performer:  Sviatoslav Richter (Piano)
Period: Romantic 
Written: 1848-1849; Germany 
271.
Phantasiestücke (8) for Piano, Op. 12 by Robert Schumann
Performer:  Sviatoslav Richter (Piano)
Period: Romantic 
Written: 1837; Germany 
 Notes: This recording does not include the 4th or 6th phantasiestücke. 
272.
Die Zauberflöte, K 620: O Isis und Osiris (Chorus) by Wolfgang Amadeus Mozart
Conductor:  Giuseppe Sinopoli
Orchestra/Ensemble:  Berlin Deutsche Oper Orchestra,  Berlin Deutsche Oper Chorus
Period: Classical 
Written: 1791; Vienna, Austria 
273.
Fidelio, Op. 72: O, welche Lust! by Ludwig van Beethoven
Conductor:  Giuseppe Sinopoli
Orchestra/Ensemble:  Berlin Deutsche Oper Orchestra,  Berlin Deutsche Oper Chorus
Period: Classical 
Written: 1805/1814; Vienna, Austria 
274.
Der Freischütz, J 277: Viktoria! Der Meister soll leben by Carl Maria von Weber
Conductor:  Giuseppe Sinopoli
Orchestra/Ensemble:  Berlin Deutsche Oper Orchestra,  Berlin Deutsche Oper Chorus
Period: Romantic 
Written: 1817-1821; Dresden, Germany 
275.
Der Freischütz, J 277: Was gleicht wohl auf Erden by Carl Maria von Weber
Conductor:  Giuseppe Sinopoli
Orchestra/Ensemble:  Berlin Deutsche Oper Orchestra,  Berlin Deutsche Oper Chorus
Period: Romantic 
Written: 1817-1821; Dresden, Germany 
276.
Tannhäuser: Freudig begrüssen "Entrance of the Guests" by Richard Wagner
Conductor:  Giuseppe Sinopoli
Orchestra/Ensemble:  Berlin Deutsche Oper Orchestra,  Berlin Deutsche Oper Chorus
Period: Romantic 
Written: 1845/1861; Germany 
277.
Nabucco: Va, pensiero by Giuseppe Verdi
Conductor:  Giuseppe Sinopoli
Orchestra/Ensemble:  Berlin Deutsche Oper Orchestra,  Berlin Deutsche Oper Chorus
Period: Romantic 
Written: 1842; Italy 
278.
I lombardi: O Signore, dal tetto natio by Giuseppe Verdi
Conductor:  Giuseppe Sinopoli
Orchestra/Ensemble:  Berlin Deutsche Oper Orchestra,  Berlin Deutsche Oper Chorus
Period: Romantic 
Written: 1843; Italy 
279.
Macbeth: Patria oppressa! by Giuseppe Verdi
Conductor:  Giuseppe Sinopoli
Orchestra/Ensemble:  Berlin Deutsche Oper Orchestra,  Berlin Deutsche Oper Chorus
Period: Romantic 
Written: 1847/1865; Italy 
280.
Il trovatore: Vedi! le fosche notturne "Anvil Chorus" by Giuseppe Verdi
Conductor:  Giuseppe Sinopoli
Orchestra/Ensemble:  Berlin Deutsche Oper Orchestra,  Berlin Deutsche Oper Chorus
Period: Romantic 
Written: 1853; Italy 
281.
Aida: Gloria all' Egitto by Giuseppe Verdi
Conductor:  Giuseppe Sinopoli
Orchestra/Ensemble:  Berlin Deutsche Oper Orchestra,  Berlin Deutsche Oper Chorus
Period: Romantic 
Written: 1871; Italy 
282.
Aida: Vieni, o guerriero vindice by Giuseppe Verdi
Conductor:  Giuseppe Sinopoli
Orchestra/Ensemble:  Berlin Deutsche Oper Orchestra,  Berlin Deutsche Oper Chorus
Period: Romantic 
Written: 1871; Italy 
283.
Soirées de Vienne (9) after Schubert, S 427: no 6 by Franz Liszt
Performer:  Vladimir Horowitz (Piano)
Period: Romantic 
Written: 1852; Weimar, Germany 

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