Notes and Editorial Reviews
Boxed set contains:
Bizet: Carmen / Berganza, Domingo, Cotrubas, Abbado [2 CDs]
"Nothing is exaggerated yet nothing is left out in this sensuous yet never overtly sensual portrayal, bewitchingly sung. Berganza works in keen rapport with Abbado, who brings clarity of texture, Mediterranean fire, and intense concentration to the score." -- Gramophone
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href="album.jsp?album_id=4587">Prokofiev, Ravel: Piano Concertos / Argerich, Abbado, Berlin Philharmonic
"There have been others to match the bustle and brilliance of Argerich's Prokofiev, her coloristic range, her drive, her flashiness. But I'm not sure I could name anyone who has so satisfyingly combined all those qualities, and all done with the most engaging reckless abandon." -- Gramophone
Beethoven: Piano Sonatas "Moonlight," "Pathétique," "Appassionata" / Daniel Barenboim
The Bach Album / Kathleen Battle, Itzhak Perlman
"Battle puts her trust in the soloist, whose little opening concerto paves the way for a gentle, effortless unfurling of the vocal line. The violin's pointed answers make it the equal of the voice in eloquence." -- Gramophone
Mahler: Symphony No 1 / Leonard Bernstein (currently only available in multi-disc collections)
Chopin: Piano Concertos / Rafa? Blechacz
Mozart: Concertos for Clarinet, Flute & Bassoon / Böhm, Vienna Philharmonic
Debussy: La Mer, Nocturnes / Boulez, Cleveland Orchestra
Brahms: Symphony No 4; Strauss / De Sabata, Berlin Philharmonic
"Thrilling performances that deserve wide currency." -- Gramophone
Pasión Española / Plácido Domingo
"The national flavor of Spain is tangible. Another feather in Plácido Domingo’s by now well-stocked cap." -- MusicWeb International
Fiesta / Dudamel, Simón Bolívar Youth Orchestra
"Dudamel’s charisma beats through every bar of this scintillating survey of Latin American music. His Venezuelan players play as if their hearts are fit to burst with pride as well as passion. And they sound magnificent." -- Gramophone
Bach: Cantatas / Fischer-Dieskau, Ristenpart, Lehmann
"Karl Ristenpart's chamber orchestra helped pioneer a sparer, more authentic Bach style. Fischer-Dieskau was ideally suited to this approach. These versions are fresher and almost as authoritative as later recordings with Richter. They must have sounded like a revelation at the time." -- MusicWeb International
Kaiserwalzer - Strauss Family: Orchestral Works / Ferenc Fricsay (currently only available as part of this box)
Schubert: Symphony No 9; Haydn: Symphony No 88 / Furtwängler, Berlin Philharmonic
"Furtwängler's reading [of the Schubert] is extraordinary, informed throughout with a unique vibrancy and fluidity." -- Stereo Review
El?na Garan?a - Aria Cantilena
Brahms: Piano Concerto No 1 / Gilels, Jochum, Berlin Philharmonic (currently only available in this exact program as part of this box)
Fauré: Requiem; Ravel / Battle, Schmidt, Giulini, Philharmonia
Golijov: Ayre; Berio: Folksongs / Dawn Upshaw, Andalucian Dogs
"The performances and sound are consistently superb, but attention must be paid to Dawn Upshaw. Her sense of adventure and deftness of execution seem to know no bounds." -- Fanfare
Hélène Grimaud - Reflection
"Every one of these performances is absolutely compelling." -- Fanfare
Schubert: Death and the Maiden; Beethoven / Hagen Quartet
Sibelius, Schoenberg: Violin Concertos / Hilary Hahn
"This disc ratifies Hahn's standing among the most outstanding violinists active today." -- ClassicsToday.com
Air - A Baroque Journey / Daniel Hope
Horowitz at Home
Bruckner: Symphony No 4 / Jochum, Berlin Philharmonic (currently only available in this exact program as part of this box)
Brahms: German Requiem / Karajan, Berlin Philharmonic
Schumann: Fantasie; Brahms: Handel Variations / Wilhelm Kempff (currently only available together as part of this box)
Verdi: La Traviata / Cotrubas, Domingo, Milnes, Kleiber [2 CDs]
Mozart: Arias / Kožená, Rattle
"If anyone has recorded a lovelier Mozart recital in recent years, I’ve yet to hear it." -- Gramophone
Glass: Violin Concerto; Schnittke / Kremer, Dohnányi, Vienna Philharmonic (with a different cover)
Memory / Lang Lang
Gershwin: Rhapsody in Blue, An American in Paris / James Levine, Chicago
Mozart: Mass in C Minor / McCreesh, Gabrieli Players
"Another chance to hear these two brilliant singers [Sarah Connolly and Camilla Tilling] show their stuff is a treat whenever and wherever you find it." -- ClassicsToday.com
Tchaikovsky: Symphony No 6 "Pathétique" / Mravinsky, Leningrad Philharmonic (currently only available in multi-disc collections)
Music of the Gothic Era / Munrow, Early Music Consort of London (currently only available in this exact program as part of this box)
Sarasate: Carmen-Fantasie / Mutter, Levine, Vienna Philharmonic
Duets / Anna Netrebko, Rolando Villazón
"It's a true pleasure to hear singing and communicating of this caliber." -- ClassicsToday.com
Liszt: Transcendental Etudes / Alice Sara Ott
"A remarkable debut." -- MusicWeb International
Speak Low - Songs by Kurt Weill / Anne Sofie von Otter
Bach: Brandenburg Concertos 1-3 / Pinnock, English Concert (currently only available in this exact program as part of this box)
Mozart: Piano Concertos No 14 & 26 / Pires, Abbado, Vienna Philharmonic (currently only available as part of this box)
Stravinsky, Prokofiev, Webern, Boulez / Maurizio Pollini
Schubert: Die Schöne Müllerin / Thomas Quasthoff
Reich: Drumming, Six Pianos / Reich And Musicians [2 CDs] (currently only available as part of this box)
C. P. E. Bach: Symphonies No 1-4 / Richter, Munich Bach Orchestra (currently only available in multi-disc collections)
Schumann: Waldszenen, 6 Fantasiestücke, March No 2 / Sviatoslav Richter (currently only available in this exact program as part of this box)
Tchaikovsky: Ballet Suites / Rostropovich, Berlin Philharmonic
"Rostropovich's triptych of Tchaikovsky ballet suites is very special. His account of
The Nutcracker is enchanting." -- Penguin Guide
Paganini For Two / Gil Shaham, Göran Söllscher
Opera Choruses / Sinopoli, Berlin Deutsche Oper Orchestra and Chorus (currently only available as part of this box)
Rita Streich Sings Opera Arias (currently only available as part of this box)
Bryn Terfel - Opera Arias / Levine, Metropolitan Opera
Sonatas & Etudes / Yuja Wang
Rodrigo: Concierto de Aranjuez / Narciso Yepes
Chopin: 4 Ballades / Krystian Zimerman
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Works on This Recording
1.
Carmen by Georges Bizet
Performer:
Stuart Harling (Baritone),
Robert Lloyd (Bass),
Sherrill Milnes (Baritone),
Placido Domingo (Tenor),
Ileana Cotrubas (Soprano),
Alicia Nafé (Mezzo Soprano),
Yvonne Kenny (Soprano),
Geoffrey Pogson (Tenor),
Gordon Sandison (Baritone),
Leslie Fyson (Bass Baritone),
Shirley Minty (Mezzo Soprano),
Teresa Berganza (Mezzo Soprano),
Jean Lainé (Tenor),
Richard Amner (Bass),
George Main (Spoken Vocals)
Conductor:
Claudio Abbado
Orchestra/Ensemble:
London Symphony Orchestra,
Ambrosian Singers,
George Watson's College Boys' Chorus
Period: Romantic
Written: 1873-1874; France
Length: 157 Minutes 33 Secs.
Language: French
2.
Concerto for Piano no 3 in C major, Op. 26 by Sergei Prokofiev
Performer:
Martha Argerich (Piano)
Conductor:
Claudio Abbado
Orchestra/Ensemble:
Berlin Philharmonic Orchestra
Period: 20th Century
Written: 1917-1921; USA
Date of Recording: 1967
Venue: Jesus Christ Church, Berlin, Germany
Length: 27 Minutes 4 Secs.
3.
Concerto for Piano in G major by Maurice Ravel
Performer:
Martha Argerich (Piano)
Conductor:
Claudio Abbado
Orchestra/Ensemble:
Berlin Philharmonic Orchestra
Period: 20th Century
Written: 1929-1931; France
Date of Recording: 1967
Venue: Jesus Christ Church, Berlin, Germany
Length: 21 Minutes 5 Secs.
4.
Gaspard de la nuit by Maurice Ravel
Performer:
Martha Argerich (Piano)
Period: 20th Century
Written: 1908; France
Date of Recording: 11/1974
Venue: Lankwitz Studio, Berlin, Germany
Length: 22 Minutes 21 Secs.
8.
Mache dich, mein Geist, bereit, BWV 115: Bete aber auch... by Johann Sebastian Bach
Performer:
Daire Fitzgerald (Cello),
Fred Sherry (Cello),
Itzhak Perlman (Violin),
Kathleen Battle (Soprano),
Lewis Paer (Double Bass),
Anthony Newman (Organ)
Period: Baroque
Written: 1724; Leipzig, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
Length: 7 Minutes 7 Secs.
Language: German
10.
Mass in B minor, BWV 232: Benedictus by Johann Sebastian Bach
Performer:
Kathleen Battle (Soprano),
Anthony Newman (Organ),
Itzhak Perlman (Violin),
Myron Lutzke (Cello),
Lewis Paer (Double Bass)
Period: Baroque
Written: 1747-1749; Leipzig, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
Length: 4 Minutes 15 Secs.
Language: Latin
11.
Mass in B minor, BWV 232: Laudamus te by Johann Sebastian Bach
Performer:
Itzhak Perlman (Violin),
Anthony Newman (Organ),
Lewis Paer (Double Bass),
Daire Fitzgerald (Cello),
Kathleen Battle (Soprano)
Conductor:
John Nelson
Orchestra/Ensemble:
Orchestra of St. Luke's
Period: Baroque
Written: 1747-1749; Leipzig, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
Length: 4 Minutes 42 Secs.
Language: Latin
12.
Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105: Kann ich nur Jesum mir zum Freunde machen by Johann Sebastian Bach
Performer:
Anthony Newman (Harpsichord),
Kathleen Battle (Soprano),
Lewis Paer (Double Bass),
Daire Fitzgerald (Cello),
Marc Goldberg (Bassoon),
Itzhak Perlman (Violin),
Carl Albach (Trumpet)
Conductor:
John Nelson
Orchestra/Ensemble:
Orchestra of St. Luke's
Period: Baroque
Written: 1723; Leipzig, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
Length: 5 Minutes 30 Secs.
Language: German
14.
Schwingt freudig euch empor, BWV 36: no 7, Auch mit gedämpften by Johann Sebastian Bach
Performer:
Itzhak Perlman (Violin),
Kathleen Battle (Soprano),
Lewis Paer (Double Bass),
Fred Sherry (Cello),
Anthony Newman (Organ)
Period: Baroque
Written: 1731; Leipzig, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
Length: 6 Minutes 46 Secs.
Language: German
16.
Ich bin vergnügt mit meinem Glücke, BWV 84: Ich esse mit Freuden mein weniges Brot by Johann Sebastian Bach
Performer:
Stephen Taylor (Oboe),
Anthony Newman (Harpsichord),
Lewis Paer (Double Bass),
Itzhak Perlman (Violin),
Daire Fitzgerald (Cello),
Kathleen Battle (Soprano)
Period: Baroque
Written: 1727; Leipzig, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
Length: 4 Minutes 59 Secs.
Language: German
17.
In allen meinen Taten, BWV 97: no 4, Ich traue seiner Gnaden by Johann Sebastian Bach
Performer:
Kathleen Battle (Soprano),
Anthony Newman (Harpsichord),
Itzhak Perlman (Violin),
Myron Lutzke (Cello),
Lewis Paer (Double Bass)
Period: Baroque
Written: 1734; Leipzig, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
Length: 5 Minutes 21 Secs.
Language: German
18.
Gott ist unser Zuversicht, BWV 197: no 8, Vergnügen und Lust, Gedeihen und Heil by Johann Sebastian Bach
Performer:
Kathleen Battle (Soprano),
Fred Sherry (Cello),
Stephen Taylor (Oboe d'amore),
Anthony Newman (Harpsichord),
Melanie Feld (Oboe d'amore),
Lewis Paer (Double Bass),
Itzhak Perlman (Violin)
Period: Baroque
Written: 1739-1742; Leipzig, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
Length: 3 Minutes 16 Secs.
Language: German
19.
Ich bin in mir vergnügt, BWV 204: no 4, Die Schätzbarkeit der weiten Erden by Johann Sebastian Bach
Performer:
Kathleen Battle (Soprano),
Fred Sherry (Cello),
Anthony Newman (Organ),
Lewis Paer (Double Bass),
Itzhak Perlman (Violin)
Period: Baroque
Written: 1726-1727; Leipzig, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
Length: 4 Minutes 6 Secs.
Language: German
20.
Ach Gott, wie manches Herzeleid, BWV 58 by Johann Sebastian Bach
Performer:
Anthony Newman (Organ),
Kathleen Battle (Soprano),
Itzhak Perlman (Violin),
Fred Sherry (Cello),
Lewis Paer (Double Bass)
Period: Baroque
Written: 1727; Leipzig, Germany
Date of Recording: 1989-90
Venue: RCA Studio A, New York City
Length: 3 Minutes 46 Secs.
Language: German
21.
Symphony no 1 in D major "Titan" by Gustav Mahler
Conductor:
Leonard Bernstein
Orchestra/Ensemble:
Royal Concertgebouw Orchestra
Period: Romantic
Written: 1888/1896
Date of Recording: 10/1987
Venue: Live Amsterdam Concertgebouw
Length: 57 Minutes 0 Secs.
24.
Concerto for Clarinet in A major, K 622 by Wolfgang Amadeus Mozart
Performer:
Alfred Prinz (Clarinet)
Conductor:
Karl Böhm
Orchestra/Ensemble:
Vienna Philharmonic Orchestra
Period: Classical
Written: 1791; Vienna, Austria
Date of Recording: 09/1972
Venue: Great Hall, Musikverein, Vienna, Austria
25.
Concerto for Flute no 1 in G major, K 313 (285c) by Wolfgang Amadeus Mozart
Performer:
Werner Tripp (Flute)
Conductor:
Karl Böhm
Orchestra/Ensemble:
Vienna Philharmonic Orchestra
Period: Classical
Written: 1778; Mannheim, Germany
Date of Recording: 1973-74
Venue: Great Hall, Musikverein, Vienna, Austria
26.
Concerto for Bassoon in B flat major, K 191 (186e) by Wolfgang Amadeus Mozart
Performer:
Dietmar Zeman (Bassoon)
Conductor:
Karl Böhm
Orchestra/Ensemble:
Vienna Philharmonic Orchestra
Period: Classical
Written: 1774; Salzburg, Austria
Date of Recording: 05/1973
Venue: Great Hall, Musikverein, Vienna, Austria
27.
Nocturnes (3) for Orchestra: no 1, Nuages by Claude Debussy
Conductor:
Pierre Boulez
Orchestra/Ensemble:
Cleveland Orchestra
Period: 20th Century
Written: 1897-1899; France
Date of Recording: 03/1993
Venue: Masonic Auditorium, Cleveland
Length: 6 Minutes 15 Secs.
28.
Jeux by Claude Debussy
Conductor:
Pierre Boulez
Orchestra/Ensemble:
Cleveland Orchestra
Period: 20th Century
Written: 1912-1913; France
Date of Recording: 03/1993
Venue: Masonic Auditorium, Cleveland
Length: 16 Minutes 3 Secs.
29.
La mer by Claude Debussy
Conductor:
Pierre Boulez
Orchestra/Ensemble:
Cleveland Orchestra
Period: 20th Century
Written: 1903-1905; France
Date of Recording: 03/1993
Venue: Masonic Auditorium, Cleveland
Length: 23 Minutes 32 Secs.
30.
Nocturnes (3) for Orchestra: no 2, Fêtes by Claude Debussy
Conductor:
Pierre Boulez
Orchestra/Ensemble:
Cleveland Orchestra
Period: French Impressionist
Date of Recording: 03/1993
Venue: Masonic Auditorium, Cleveland
Length: 6 Minutes 31 Secs.
31.
Nocturnes (3) for Orchestra: no 3, Sirènes by Claude Debussy
Conductor:
Pierre Boulez
Orchestra/Ensemble:
Cleveland Orchestra,
Cleveland Orchestra Chorus
Period: 20th Century
Written: 1897-1899; France
Date of Recording: 03/1993
Venue: Masonic Auditorium, Cleveland
Length: 9 Minutes 40 Secs.
32.
Première Rhapsodie for Clarinet and Orchestra by Claude Debussy
Performer:
Franklin Cohen (Clarinet)
Conductor:
Pierre Boulez
Orchestra/Ensemble:
Cleveland Orchestra
Period: 20th Century
Written: 1911; France
Date of Recording: 03/1991
Venue: Masonic Auditorium, Cleveland
Length: 8 Minutes 33 Secs.
33.
Nocturnes (3) for Orchestra by Claude Debussy
Conductor:
Pierre Boulez
Orchestra/Ensemble:
Cleveland Orchestra,
Cleveland Orchestra Chorus
Period: 20th Century
Written: 1897-1899; France
34.
Symphony no 4 in E minor, Op. 98 by Johannes Brahms
Conductor:
Victor De Sabata
Orchestra/Ensemble:
Berlin Philharmonic Orchestra
Period: Romantic
Written: 1884-1885; Austria
Date of Recording: 1939
35.
Tod und Verklärung, Op. 24 by Richard Strauss
Conductor:
Victor De Sabata
Orchestra/Ensemble:
Berlin Philharmonic Orchestra
Period: Romantic
Written: 1888-1889; Germany
Date of Recording: 1939
36.
Falsa moneda by Juan Mostazo Morales
Performer:
Placido Domingo (Tenor),
J. M Gallardo Del Rey (Guitar)
Conductor:
Miguel Roa
Orchestra/Ensemble:
Madrid Community Orchestra
Period: 20th Century
Length: 3 Minutes 58 Secs.
37.
El día que nací yo by Juan Mostazo Morales
Performer:
Placido Domingo (Tenor)
Conductor:
Miguel Roa
Orchestra/Ensemble:
Madrid Community Orchestra
Period: 20th Century
Length: 4 Minutes 37 Secs.
38.
Antonio Vargas Heredia by Juan Mostazo Morales
Performer:
Placido Domingo (Tenor)
Conductor:
Miguel Roa
Orchestra/Ensemble:
Madrid Community Orchestra
Period: 20th Century
Length: 5 Minutes 26 Secs.
39.
La cruz de mayo by Manuel Font de Anta
Performer:
Placido Domingo (Tenor)
Conductor:
Miguel Roa
Orchestra/Ensemble:
Madrid Community Orchestra
Period: 20th Century
Length: 2 Minutes 50 Secs.
40.
La bien pagá by Juan Mostazo Morales
Performer:
Placido Domingo (Tenor)
Conductor:
Miguel Roa
Orchestra/Ensemble:
Madrid Community Orchestra
Period: 20th Century
Length: 4 Minutes 6 Secs.
41.
Porque te quiero by Genaro Monreal Lacosta
Performer:
Placido Domingo (Tenor)
Conductor:
Miguel Roa
Orchestra/Ensemble:
Madrid Community Orchestra
Period: 20th Century
Length: 2 Minutes 59 Secs.
42.
Ay Maricruz! by Manuel L. y Miquel
Performer:
Placido Domingo (Tenor)
Conductor:
Miguel Roa
Orchestra/Ensemble:
Madrid Community Orchestra
Period: 20th Century
Length: 3 Minutes 17 Secs.
43.
Me embrujaste by Manuel L. y Miquel
Performer:
Placido Domingo (Tenor)
Conductor:
Miguel Roa
Orchestra/Ensemble:
Madrid Community Orchestra
Period: 20th Century
Length: 4 Minutes 44 Secs.
44.
Cariño verdá by Genaro Monreal Lacosta
Performer:
Placido Domingo (Tenor)
Conductor:
Miguel Roa
Orchestra/Ensemble:
Madrid Community Orchestra
Period: 20th Century
Length: 4 Minutes 22 Secs.
45.
Te lo juro yo by Manuel L. y Miquel
Performer:
Placido Domingo (Tenor),
J. M Gallardo Del Rey (Guitar)
Conductor:
Miguel Roa
Orchestra/Ensemble:
Madrid Community Orchestra
Period: 20th Century
Length: 2 Minutes 39 Secs.
46.
No me quieras tanto! by Manuel L. y Miquel
Performer:
Placido Domingo (Tenor)
Conductor:
Miguel Roa
Orchestra/Ensemble:
Madrid Community Orchestra
Period: 20th Century
Length: 4 Minutes 54 Secs.
47.
Ojos verdes by Manuel L. y Miquel
Performer:
Placido Domingo (Tenor),
J. M Gallardo Del Rey (Guitar)
Conductor:
Miguel Roa
Orchestra/Ensemble:
Madrid Community Orchestra
Period: 20th Century
Length: 5 Minutes 52 Secs.
48.
Suspiros de España by Antonio Alvarez Alonso
Performer:
Placido Domingo (Tenor)
Conductor:
Miguel Roa
Orchestra/Ensemble:
Madrid Community Orchestra
Period: 20th Century
Length: 3 Minutes 57 Secs.
49.
Sensemayá by Silvestre Revueltas
Conductor:
Gustavo Dudamel
Orchestra/Ensemble:
Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century
Written: 1938; Mexico
Date of Recording: 1/2008
Venue: Live - Sala Simón Bolívar, Caracas
Length: 6 Minutes 38 Secs.
50.
Margariteña by Inocente Carreño
Conductor:
Gustavo Dudamel
Orchestra/Ensemble:
Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century
Written: 1954; Venezuela
Date of Recording: 1/2008
Venue: Live - Sala Simón Bolívar, Caracas
Length: 13 Minutes 29 Secs.
51.
Melodia en el Llano by Antonio Estévez
Conductor:
Gustavo Dudamel
Orchestra/Ensemble:
Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century
Written: Venezuela
Date of Recording: 1/2008
Venue: Live - Sala Simón Bolívar, Caracas
Length: 8 Minutes 1 Secs.
52.
Danzón no 2 by Arturo Márquez
Conductor:
Gustavo Dudamel
Orchestra/Ensemble:
Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century
Written: 1994; Mexico
Date of Recording: 1/2008
Venue: Live - Sala Simón Bolívar, Caracas
Length: 9 Minutes 46 Secs.
53.
Suite for Strings No. 1: Fuga con Pajarillo by Aldemaro Romero
Conductor:
Gustavo Dudamel
Orchestra/Ensemble:
Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century
Written: Venezuela
Date of Recording: 1/2008
Venue: Live - Sala Simón Bolívar, Caracas
Length: 7 Minutes 8 Secs.
54.
Estancia, Op. 8: Los trabajadores agricolas by Alberto Ginastera
Conductor:
Gustavo Dudamel
Orchestra/Ensemble:
Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century
Written: 1941; Argentina
Date of Recording: 1/2008
Venue: Live - Sala Simón Bolívar, Caracas
Length: 2 Minutes 56 Secs.
55.
Estancia, Op. 8: Danza del trigo by Alberto Ginastera
Conductor:
Gustavo Dudamel
Orchestra/Ensemble:
Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century
Written: 1941; Argentina
Date of Recording: 1/2008
Venue: Live - Sala Simón Bolívar, Caracas
Length: 3 Minutes 43 Secs.
56.
Estancia, Op. 8: Los peones de hacienda by Alberto Ginastera
Conductor:
Gustavo Dudamel
Orchestra/Ensemble:
Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century
Written: 1941; Argentina
Date of Recording: 1/2008
Venue: Live - Sala Simón Bolívar, Caracas
Length: 1 Minutes 58 Secs.
57.
Estancia, Op. 8: Malambo "Danza final" by Alberto Ginastera
Conductor:
Gustavo Dudamel
Orchestra/Ensemble:
Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century
Written: 1941; Argentina
Date of Recording: 1/2008
Venue: Live - Sala Simón Bolívar, Caracas
Length: 3 Minutes 23 Secs.
58.
Santa Cruz de Pacairigua by Evencio Castellanos
Conductor:
Gustavo Dudamel
Orchestra/Ensemble:
Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century
Written: 1954; Venezuela
Date of Recording: 1/2008
Venue: Live - Sala Simón Bolívar, Caracas
Length: 16 Minutes 19 Secs.
59.
West Side Story: Mambo by Leonard Bernstein
Conductor:
Gustavo Dudamel
Orchestra/Ensemble:
Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century
Written: 1957; USA
Date of Recording: 1/2008
Venue: Live - Sala Simón Bolívar, Caracas
Length: 2 Minutes 29 Secs.
60.
Ich will den Kreuzstab gerne tragen, BWV 56 by Johann Sebastian Bach
Performer:
Dietrich Fischer-Dieskau (Baritone)
Conductor:
Karl Ristenpart
Orchestra/Ensemble:
Karl Ristenpart Chamber Orchestra
Period: Baroque
Written: 1726; Leipzig, Germany
Language: German
61.
Ich habe genug, BWV 82 by Johann Sebastian Bach
Performer:
Dietrich Fischer-Dieskau (Baritone),
Hermann Töttcher (Oboe)
Conductor:
Karl Ristenpart
Orchestra/Ensemble:
Karl Ristenpart Chamber Orchestra
Period: Baroque
Written: 1727; Cöthen, Germany
Language: German
62.
Christ lag in Todesbanden, BWV 4 by Johann Sebastian Bach
Performer:
Dietrich Fischer-Dieskau (Baritone),
Maria Jung (Organ),
Helmut Krebs (Tenor)
Conductor:
Fritz Lehmann
Orchestra/Ensemble:
Bach Festival Orchestra,
Frankfurt Music School Chorus
Period: Baroque
Written: 1708; Weimar, Germany
Language: German
63.
Die Fledermaus: Overture by Johann Strauss Jr.
Conductor:
Ferenc Fricsay
Orchestra/Ensemble:
Bratislava Radio Symphony Orchestra
Period: Romantic
Written: 1874; Vienna, Austria
64.
Kaiser-Walzer, Op. 437 by Johann Strauss Jr.
Conductor:
Ferenc Fricsay
Orchestra/Ensemble:
Bratislava Radio Symphony Orchestra
Period: Romantic
Written: 1889; Vienna, Austria
65.
Tritsch-Tratsch-Polka, Op. 214 by Johann Strauss Jr.
Conductor:
Ferenc Fricsay
Orchestra/Ensemble:
Bratislava Radio Symphony Orchestra
Period: Romantic
Written: 1858; Vienna, Austria
66.
Annen-Polka, Op. 117 by Johann Strauss Jr.
Conductor:
Ferenc Fricsay
Orchestra/Ensemble:
Bratislava Radio Symphony Orchestra
Period: Romantic
Written: 1852; Vienna, Austria
68.
Eljen a Magyar, Op. 332 by Johann Strauss Jr.
Conductor:
Ferenc Fricsay
Orchestra/Ensemble:
Bratislava Radio Symphony Orchestra
Period: Romantic
Written: 1869; Vienna, Austria
69.
An der schönen, blauen Donau, Op. 314 by Johann Strauss Jr.
Conductor:
Ferenc Fricsay
Orchestra/Ensemble:
Bratislava Radio Symphony Orchestra
Period: Romantic
Written: 1867; Vienna, Austria
70.
Radetzky March, Op. 228 by Johann Strauss Sr.
Conductor:
Ferenc Fricsay
Orchestra/Ensemble:
Bratislava Radio Symphony Orchestra
Period: Romantic
Written: 1848; Vienna, Austria
71.
Bachianas brasileiras no 5 for Soprano and 8 Cellos: Aria "Cantilena" by Heitor Villa-Lobos
Performer:
Elina Garanca (Mezzo Soprano)
Conductor:
Fabio Luisi
Orchestra/Ensemble:
Dresden Staatskapelle
Period: 20th Century
Written: 1938-1945; Brazil
Date of Recording: 07/2006
Venue: St. Luke's Church, Dresden, Germany
Length: 6 Minutes 23 Secs.
Language: Portuguese
72.
Las hijas del Zebedeo: Al pensar by Ruperto Chapi
Performer:
Elina Garanca (Mezzo Soprano)
Conductor:
Fabio Luisi
Orchestra/Ensemble:
Dresden Staatskapelle
Period: Romantic
Written: 1889; Madrid, Spain
Date of Recording: 07/2006
Venue: St. Luke's Church, Dresden, Germany
Length: 4 Minutes 56 Secs.
Language: Spanish
73.
Werther: Werther! Qui m'aurait dit...Des cris joyeux "Letter scene" by Jules Massenet
Performer:
Elina Garanca (Mezzo Soprano)
Conductor:
Fabio Luisi
Orchestra/Ensemble:
Dresden Staatskapelle
Period: Romantic
Written: 1892; France
Date of Recording: 07/2006
Venue: St. Luke's Church, Dresden, Germany
Length: 7 Minutes 15 Secs.
Language: French
74.
Les contes d'Hoffmann: Vois sous L'archet fremissant by Jacques Offenbach
Performer:
Elina Garanca (Mezzo Soprano)
Conductor:
Fabio Luisi
Orchestra/Ensemble:
Dresden Staatskapelle
Period: Romantic
Written: 1881; Paris, France
Date of Recording: 07/2006
Venue: St. Luke's Church, Dresden, Germany
Length: 3 Minutes 50 Secs.
Language: French
75.
La Grande-Duchesse de Gérolstein: Ah! que j'aime les militaires by Jacques Offenbach
Performer:
Mirko Tuma (Bass),
Dominik Licht (Baritone),
Rafael Harnisch (Tenor),
Elina Garanca (Mezzo Soprano),
Thomas Müller (Bass)
Conductor:
Fabio Luisi
Orchestra/Ensemble:
Dresden Staatskapelle,
Dresden State Opera Chorus
Period: Romantic
Written: 1867; Paris, France
Date of Recording: 07/2006
Venue: St. Luke's Church, Dresden, Germany
Length: 5 Minutes 14 Secs.
Language: French
76.
Madrigal sobre un tema popular "El cant dels ocells" by Xavier Montsalvatge
Performer:
Elina Garanca (Mezzo Soprano),
Peter Bruns (Cello)
Conductor:
Fabio Luisi
Orchestra/Ensemble:
Dresden Staatskapelle
Period: 20th Century
Written: Spain
Date of Recording: 07/2006
Venue: St. Luke's Church, Dresden, Germany
Length: 5 Minutes 13 Secs.
Language: Catalan
77.
Der Rosenkavalier, Op. 59: Marie Theres'...Hab' mir's gelobt by Richard Strauss
Performer:
Diana Damrau (Soprano),
Dominik Licht (Baritone),
Elina Garanca (Mezzo Soprano),
Adrianne Pieczonka (Soprano)
Conductor:
Fabio Luisi
Orchestra/Ensemble:
Dresden Staatskapelle
Period: Romantic
Written: 1909-1910; Germany
Date of Recording: 07/2006
Venue: St. Luke's Church, Dresden, Germany
Length: 5 Minutes 50 Secs.
Language: German
78.
Der Rosenkavalier, Op. 59: Ist ein Traum by Richard Strauss
Performer:
Elina Garanca (Mezzo Soprano),
Adrianne Pieczonka (Soprano),
Dominik Licht (Baritone),
Diana Damrau (Soprano)
Conductor:
Fabio Luisi
Orchestra/Ensemble:
Dresden Staatskapelle
Period: Romantic
Written: 1909-1910; Germany
Date of Recording: 07/2006
Venue: St. Luke's Church, Dresden, Germany
Length: 6 Minutes 26 Secs.
Language: German
79.
La Grande-Duchesse de Gérolstein: Portez armes by Jacques Offenbach
Performer:
Elina Garanca (Mezzo Soprano),
Rafael Harnisch (Tenor),
Thomas Müller (Bass),
Mirko Tuma (Bass),
Dominik Licht (Baritone)
Conductor:
Fabio Luisi
Orchestra/Ensemble:
Dresden Staatskapelle,
Dresden State Opera Chorus
Period: Romantic
Written: 1867; Paris, France
Date of Recording: 07/2006
Venue: St. Luke's Church, Dresden, Germany
Length: 5 Minutes 14 Secs.
Language: French
80.
La Grande-Duchesse de Gérolstein: Vous aimez le danger by Jacques Offenbach
Performer:
Dominik Licht (Baritone),
Elina Garanca (Mezzo Soprano),
Mirko Tuma (Bass),
Thomas Müller (Bass),
Rafael Harnisch (Tenor)
Conductor:
Fabio Luisi
Orchestra/Ensemble:
Dresden Staatskapelle,
Dresden State Opera Chorus
Period: Romantic
Written: 1867; Paris, France
Date of Recording: 07/2006
Venue: St. Luke's Church, Dresden, Germany
Length: 5 Minutes 14 Secs.
Language: French
81.
La Cenerentola: Nacqui all' affano by Gioachino Rossini
Performer:
Heike Liebmann (Mezzo Soprano),
Dominik Licht (Baritone),
Mirko Tuma (Bass),
Katharina Flade (Soprano),
Elina Garanca (Soprano)
Conductor:
Fabio Luisi
Orchestra/Ensemble:
Dresden Staatskapelle,
Dresden State Opera Chorus
Period: Romantic
Written: 1817; Italy
Date of Recording: 07/2006
Venue: St. Luke's Church, Dresden, Germany
Length: 7 Minutes 35 Secs.
Language: Italian
82.
L'italiana in Algeri: Per lui che adoro by Gioachino Rossini
Performer:
Elina Garanca (Mezzo Soprano),
Rafael Harnisch (Tenor),
Dominik Licht (Baritone),
Matthias Beutlich (Bass)
Conductor:
Fabio Luisi
Orchestra/Ensemble:
Dresden Staatskapelle
Period: Romantic
Written: 1813; Italy
Date of Recording: 07/2006
Venue: St. Luke's Church, Dresden, Germany
Length: 5 Minutes 40 Secs.
Language: Italian
83.
Concerto for Piano no 1 in D minor, Op. 15 by Johannes Brahms
Performer:
Emil Gilels (Piano)
Conductor:
Eugen Jochum
Orchestra/Ensemble:
Berlin Philharmonic Orchestra
Period: Romantic
Written: 1854-1858; Germany
Date of Recording: 06/1972
Venue: Jesus Christ Church, Berlin, Germany
Length: 51 Minutes 43 Secs.
84.
Requiem, Op. 48 by Gabriel Fauré
Performer:
Kathleen Battle (Soprano),
Andreas Schmidt (Baritone),
Timothy Farrell (Organ)
Conductor:
Carlo Maria Giulini
Orchestra/Ensemble:
Philharmonia Orchestra,
Philharmonia Chorus
Period: Romantic
Written: 1887-1890; France
Language: Latin
85.
Pavane pour une infante défunte by Maurice Ravel
Conductor:
Carlo Maria Giulini
Orchestra/Ensemble:
Philharmonia Orchestra
Period: 20th Century
Written: 1899; France
86.
Ayre by Osvaldo Golijov
Performer:
Jeremy Flower (Sound Effects),
Tara Helen O'Connor (Flute),
David Krakauer (Clarinet),
Dawn Upshaw (Soprano),
Erik Friedlander (Cello),
James Sommerville (French Horn),
Michael Ward-Bergeman (Accordion),
Jeremy Flower (Laptop),
Jamey Haddad (Percussion),
Lev "Ljova" Zhurbin (Viola),
Mark Dresser (Double Bass),
Gustavo Santaolalla (Guitar),
Gustavo Santaolalla (Ron Roco),
Bridget Kibbey (Harp)
Orchestra/Ensemble:
Andalucian Dogs
Period: 20th Century
Written: 2004; USA
Date of Recording: 08/2004
Venue: The Hit Factory, New York City
Length: 38 Minutes 57 Secs.
87.
Folk Songs for Mezzo Soprano, Flute, Clarinet, Viola, Cello, Harp and Percussion by Luciano Berio
Performer:
Lev "Ljova" Zhurbin (Viola),
Dawn Upshaw (Soprano),
Tara Helen O'Connor (Flute),
Erik Friedlander (Cello),
Todd Palmer (Clarinet),
Gordon Gottlieb (Percussion),
Bridget Kibbey (Harp),
Eric Poland (Percussion)
Orchestra/Ensemble:
Andalucian Dogs
Period: 20th Century
Written: 1964/1973
Date of Recording: 08/2004
Venue: The Hit Factory, New York City
Length: 22 Minutes 52 Secs.
88.
Sonata for Cello and Piano no 1 in E minor, Op. 38 by Johannes Brahms
Performer:
Hélène Grimaud (Piano),
Truls Otterbech Mork (Cello)
Period: Romantic
Written: 1862-1865; Austria
Date of Recording: 05/2005
Venue: Lukas Church, Dresden, Germany
Length: 25 Minutes 19 Secs.
89.
Am Strande by Clara Wieck Schumann
Performer:
Anne Sofie von Otter (Mezzo Soprano),
Hélène Grimaud (Piano)
Period: Romantic
Written: 1840; Germany
Date of Recording: 09/2005
Venue: Scoring Stage, Berlin, Germany
Length: 2 Minutes 16 Secs.
90.
Concerto for Piano in A minor, Op. 54 by Robert Schumann
Performer:
Hélène Grimaud (Piano)
Conductor:
Esa-Pekka Salonen
Orchestra/Ensemble:
Dresden Staatskapelle
Period: Romantic
Written: 1841-1845; Germany
Date of Recording: 05/2005
Venue: Lukas Church, Dresden, Germany
Length: 31 Minutes 6 Secs.
91.
Lieder (3), Op. 12: no 1, Er ist gekommen by Clara Wieck Schumann
Performer:
Anne Sofie von Otter (Mezzo Soprano),
Hélène Grimaud (Piano)
Period: Romantic
Written: 1840; Germany
Date of Recording: 09/2005
Venue: Scoring Stage, Berlin, Germany
Length: 2 Minutes 19 Secs.
92.
Lieder (3), Op. 12: no 3, Warum willst du andre fragen? by Clara Wieck Schumann
Performer:
Hélène Grimaud (Piano),
Anne Sofie von Otter (Mezzo Soprano)
Period: Romantic
Written: 1840; Germany
Date of Recording: 09/2005
Venue: Scoring Stage, Berlin, Germany
Length: 2 Minutes 11 Secs.
95.
Quartet for Strings no 14 in D minor, D 810 "Death and the Maiden" by Franz Schubert
Performer:
Clemens Hagen (Cello),
Veronika Hagen (Viola),
Rainer Schmidt (Violin),
Lukas Hagen (Violin)
Orchestra/Ensemble:
Hagen String Quartet
Period: Romantic
Written: 1824; Vienna, Austria
Date of Recording: 10/1990
Venue: Akademie der Wissenschaft, Munich
Length: 41 Minutes 46 Secs.
96.
Quartet for Strings no 16 in F major, Op. 135 by Ludwig van Beethoven
Performer:
Lukas Hagen (Violin),
Rainer Schmidt (Violin),
Clemens Hagen (Cello),
Veronika Hagen (Viola)
Orchestra/Ensemble:
Hagen String Quartet
Written: 1826
Date of Recording: 10/1990
Venue: Akademie der Wissenschaft, Munich
Length: 25 Minutes 54 Secs.
97.
Concerto for Violin in D minor, Op. 47 by Jean Sibelius
Performer:
Hilary Hahn (Violin)
Conductor:
Esa-Pekka Salonen
Orchestra/Ensemble:
Swedish Radio Symphony Orchestra
Period: Romantic
Written: 1903-1905; Finland
98.
Concerto for Violin, Op. 36 by Arnold Schoenberg
Performer:
Hilary Hahn (Violin)
Conductor:
Esa-Pekka Salonen
Orchestra/Ensemble:
Swedish Radio Symphony Orchestra
Period: 20th Century
Written: 1935-1936; USA
99.
Chaconne in G major by Andrea Falconieri
Performer:
Stephan Rath (Chitarrone),
Kristian Bezuidenhout (Piano),
Lorenza Borrani (Violin),
Daniel Hope (Violin),
Jonathan Cohen (Cello),
Stefan Maass (Lute),
Hans-Kristian Kjos Sorensen (Percussion)
Period: Baroque
Written: Italy
100.
Suite for Harpsichord in D minor, HWV 447: Sarabande by George Frideric Handel
Performer:
Enno Senft (Double Bass),
Stewart Eaton (Viola),
William Conway (Cello),
Jonathan Cohen (Cello),
Stefan Maass (Lute),
Daniel Hope (Violin),
Kristian Bezuidenhout (Piano),
Lorenza Borrani (Violin),
Stephan Rath (Chitarrone),
Lucy Gould (Violin)
Period: Baroque
Written: 1739; London, England
101.
Recercada no 2 by Diego Ortiz
Performer:
Lucy Gould (Violin),
Hans-Kristian Kjos Sorensen (Percussion),
Stefan Maass (Lute),
Jonathan Cohen (Cello),
Daniel Hope (Violin),
Lorenza Borrani (Violin),
Stephan Rath (Chitarrone),
Stewart Eaton (Viola)
Period: Renaissance
Written: 16th Century; Spain
102.
La suave melodia y su corrente by Andrea Falconieri
Performer:
Stefan Maass (Lute),
Jonathan Cohen (Cello),
Daniel Hope (Violin),
Stephan Rath (Chitarrone)
Period: Renaissance
103.
Passacalio by Biagio Marini
Performer:
Stewart Eaton (Viola),
Lorenza Borrani (Violin),
Kristian Bezuidenhout (Piano),
Daniel Hope (Violin),
Jonathan Cohen (Cello)
Period: Baroque
Written: 17th Century
106.
Concerto for Violin and Basso continuo in A minor, TV 51 no a 1 by Georg Philipp Telemann
Performer:
Stephan Rath (Chitarrone),
Lorenza Borrani (Violin),
Kristian Bezuidenhout (Piano),
Daniel Hope (Violin),
Stefan Maass (Lute),
William Conway (Cello),
Stewart Eaton (Viola),
Enno Senft (Double Bass),
Lucy Gould (Violin)
Period: Baroque
Written: circa 1708-1716; Germany
108.
Ground upon a Scotch Humour by Nicola Matteis
Performer:
Hans-Kristian Kjos Sorensen (Percussion),
Stefan Maass (Lute),
Jonathan Cohen (Cello),
Daniel Hope (Violin),
Kristian Bezuidenhout (Piano),
Stephan Rath (Chitarrone)
109.
Concerti grossi (12) after Op. 5 of Arcangelo Corelli: no 5 in G minor by Francesco Geminiani
Performer:
Stephan Rath (Chitarrone),
Lorenza Borrani (Violin),
Kristian Bezuidenhout (Piano),
Daniel Hope (Violin),
Stefan Maass (Lute),
William Conway (Cello),
Stewart Eaton (Viola),
Enno Senft (Double Bass),
Lucy Gould (Violin)
Period: Baroque
Written: by 1726; London, England
110.
Galliarda napolitana by Antonio Valente
Performer:
Kristian Bezuidenhout (Piano),
Hans-Kristian Kjos Sorensen (Percussion),
Jonathan Cohen (Cello),
Stefan Maass (Lute),
Daniel Hope (Violin),
Stephan Rath (Chitarrone)
Period: Renaissance
Written: by 1576; Naples, Italy
111.
Passacalle by Andrea Falconieri
Performer:
Jonathan Cohen (Cello),
Hans-Kristian Kjos Sorensen (Percussion),
Lorenza Borrani (Violin),
Kristian Bezuidenhout (Piano),
Daniel Hope (Violin)
Period: Renaissance
113.
Greensleeves by Traditional
Performer:
Stephan Rath (Chitarrone),
Daniel Hope (Violin),
Stefan Maass (Lute)
Period: Renaissance
Written: 16th Century; England
114.
Sonata for Violin and Basso Continuo in A major "La Guerra" by Johann Paul von Westhoff
Performer:
Kristian Bezuidenhout (Piano),
Hans-Kristian Kjos Sorensen (Percussion),
Jonathan Cohen (Cello),
Stefan Maass (Lute),
Daniel Hope (Violin),
Stephan Rath (Chitarrone)
Period: Baroque
Written: by 1682; Germany
116.
Suite for Orchestra no 3 in D major, BWV 1068: Air by Johann Sebastian Bach
Performer:
Enno Senft (Double Bass),
Stewart Eaton (Viola),
William Conway (Cello),
Stefan Maass (Lute),
Daniel Hope (Violin),
Lorenza Borrani (Violin),
Stephan Rath (Chitarrone),
Lucy Gould (Violin)
Period: Baroque
Written: circa 1729-1731; Leipzig, Germany
125.
German Requiem, Op. 45 by Johannes Brahms
Performer:
Gundula Janowitz (Soprano),
Franz Waechter (Baritone)
Conductor:
Herbert von Karajan
Orchestra/Ensemble:
Vienna Singverein,
Berlin Philharmonic Orchestra
Period: Romantic
Written: 1854-1868; Austria
126.
La traviata by Giuseppe Verdi
Performer:
Sherrill Milnes (Baritone),
Placido Domingo (Tenor),
Paul Friess (Bass),
Ileana Cotrubas (Soprano),
Giovanni Foiani (Bass),
Bruno Grella (Bass),
Alfredo Giacomotti (Bass),
Walter Gullino (Tenor),
Helena Jungwirth (Mezzo Soprano),
Stefania Malagú (Mezzo Soprano),
Paul Winter (Bass)
Conductor:
Carlos Kleiber
Orchestra/Ensemble:
Bavarian State Opera Orchestra,
Bavarian State Opera Chorus
Period: Romantic
Written: 1853; Italy
Date of Recording: 1977
Venue: Bayerischen Staatsoper
Language: Italian
129.
Non più, tutto ascoltai...Non temer, amato bene, K 490 by Wolfgang Amadeus Mozart
Performer:
Jos van Immerseel (Fortepiano),
Magdalena Kozená (Mezzo soprano)
Conductor:
Simon Rattle
Orchestra/Ensemble:
Orchestra of the Age of Enlightenment
Period: Classical
Written: 1786; Vienna, Austria
130.
Così fan tutte, K 588: In uomini, in soldati by Wolfgang Amadeus Mozart
Performer:
Magdalena Kozená (Mezzo Soprano)
Conductor:
Simon Rattle
Orchestra/Ensemble:
Orchestra of the Age of Enlightenment
Period: Classical
Written: 1790; Vienna, Austria
132.
Così fan tutte, K 588: Per pietà, ben mio by Wolfgang Amadeus Mozart
Performer:
Magdalena Kozená (Mezzo Soprano)
Conductor:
Simon Rattle
Orchestra/Ensemble:
Orchestra of the Age of Enlightenment
Written: 1790
133.
Così fan tutte, K 588: E amore un ladroncello by Wolfgang Amadeus Mozart
Performer:
Magdalena Kozená (Mezzo Soprano)
Conductor:
Simon Rattle
Orchestra/Ensemble:
Orchestra of the Age of Enlightenment
Period: Classical
Written: 1790; Vienna, Austria
135.
Vado, ma dove?, K 583 by Wolfgang Amadeus Mozart
Performer:
Jos van Immerseel (Fortepiano),
Magdalena Kozená (Mezzo soprano)
Conductor:
Simon Rattle
Orchestra/Ensemble:
Orchestra of the Age of Enlightenment
Period: Classical
Written: 1789; Vienna, Austria
137.
Alma grande e nobil core, K 578 by Wolfgang Amadeus Mozart
Performer:
Jos van Immerseel (Fortepiano),
Magdalena Kozená (Mezzo soprano)
Conductor:
Simon Rattle
Orchestra/Ensemble:
Orchestra of the Age of Enlightenment
Period: Classical
Written: 1789; Vienna, Austria
139.
Concerto for Violin by Philip Glass
Performer:
Gidon Kremer (Violin)
Conductor:
Christoph von Dohnányi
Orchestra/Ensemble:
Vienna Philharmonic Orchestra
Period: 20th Century
Written: 1987; USA
Date of Recording: 02/1992
Venue: Live Grosser Saal, Musikverein, Vienna
Length: 24 Minutes 54 Secs.
140.
Concerto Grosso no 5 by Alfred Schnittke
Performer:
Rainer Keuschnig (Piano),
Gidon Kremer (Violin)
Conductor:
Christoph von Dohnányi
Orchestra/Ensemble:
Vienna Philharmonic Orchestra
Period: 20th Century
Written: 1990-1991; Russia
Date of Recording: 11/1991
Venue: Live Grosser Saal, Musikverein, Vienna
Length: 27 Minutes 35 Secs.
141.
Sonata for Piano no 10 in C major, K 330 (300h) by Wolfgang Amadeus Mozart
Performer:
Lang Lang (Piano)
Period: Classical
Written: 1781-1783
Date of Recording: 08/2005
Venue: Friedrich-Ebert-Halle, Hamburg, Germany
Length: 19 Minutes 42 Secs.
142.
Sonata for Piano no 3 in B minor, B 155/Op. 58 by Frédéric Chopin
Performer:
Lang Lang (Piano)
Period: Romantic
Written: 1844; Paris, France
Date of Recording: 08/2005
Venue: Friedrich-Ebert-Halle, Hamburg, Germany
Length: 38 Minutes 13 Secs.
143.
Kinderszenen, Op. 15 by Robert Schumann
Performer:
Lang Lang (Piano)
Period: Romantic
Written: 1838; Germany
Date of Recording: 08/2005
Venue: Friedrich-Ebert-Halle, Hamburg, Germany
Length: 21 Minutes 32 Secs.
145.
An American in Paris by George Gershwin
Conductor:
James Levine
Orchestra/Ensemble:
Chicago Symphony Orchestra
Period: 20th Century
Written: 1928; USA
Date of Recording: 07/1990
Venue: Orchestra Hall, Chicago
Length: 17 Minutes 33 Secs.
146.
Cuban Overture by George Gershwin
Conductor:
James Levine
Orchestra/Ensemble:
Chicago Symphony Orchestra
Period: 20th Century
Written: 1932; USA
Date of Recording: 07/1990
Venue: Orchestra Hall, Chicago
Length: 9 Minutes 47 Secs.
147.
Porgy and Bess: Suite "Catfish Row" by George Gershwin
Conductor:
James Levine
Orchestra/Ensemble:
Chicago Symphony Orchestra
Period: 20th Century
Written: 1936; USA
Date of Recording: 07/1990
Venue: Orchestra Hall, Chicago
Length: 23 Minutes 21 Secs.
148.
Rhapsody in Blue by George Gershwin
Performer:
James Levine (Piano)
Conductor:
James Levine
Orchestra/Ensemble:
Chicago Symphony Orchestra
Period: 20th Century
Written: 1924; USA
Date of Recording: 07/1990
Venue: Orchestra Hall, Chicago
Length: 16 Minutes 4 Secs.
149.
Mass in C minor, K 427 (417a) "Great" by Wolfgang Amadeus Mozart
Performer:
Katy Bircher (Flute),
Katharina Spreckelsen (Oboe),
Timothy Robinson (Tenor),
Sally Jackson (Bassoon),
Sarah Connolly (Soprano),
Camilla Tilling (Soprano),
Neal Davies (Baritone)
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Classical
Written: 1782-1783; Vienna, Austria
Date of Recording: 10/2004
Venue: Walthamstow Town Hall, England
Length: 48 Minutes 54 Secs.
150.
Berenice, che fai, H 24a no 10 by Franz Joseph Haydn
Performer:
Sarah Connolly (Soprano)
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Players
Period: Classical
Written: 1795; London, England
Date of Recording: 10/2004
Venue: Walthamstow Town Hall, England
Length: 12 Minutes 25 Secs.
Language: Italian
151.
Ah, Perfido!, Op. 65 by Ludwig van Beethoven
Performer:
Camilla Tilling (Soprano)
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Players
Period: Classical
Written: 1795-1796; Vienna, Austria
Date of Recording: 10/2004
Venue: Walthamstow Town Hall, England
Length: 12 Minutes 30 Secs.
Language: Italian
152.
Viderunt omnes by Léonin
Conductor:
David Munrow
Orchestra/Ensemble:
Early Music Consort of London
Period: Medieval
Written: 12th Century; France
Date of Recording: 04/1975
Venue: Chapel, Charter House, Godalming, Surrey
Length: 9 Minutes 14 Secs.
Language: Latin
153.
Viderunt omnes by Pérotin
Conductor:
David Munrow
Orchestra/Ensemble:
Early Music Consort of London
Period: Medieval
Written: circa 1200; France
Date of Recording: 04/1975
Venue: Chapel, Charter House, Godalming, Surrey
Length: 11 Minutes 55 Secs.
Language: Latin
154.
Alle psallite cum luya by Anonymous
Performer:
David Corkhill (Tabor)
Conductor:
David Munrow
Orchestra/Ensemble:
Early Music Consort of London
Period: Medieval
Written: 13th Century
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 1 Minutes 9 Secs.
Language: Latin
155.
Amor potest/Ad amorem by Anonymous
Conductor:
David Munrow
Orchestra/Ensemble:
Early Music Consort of London
Period: Medieval
Written: 13th Century; France
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 1 Minutes 1 Secs.
Language: Latin
156.
S'on me regarde by Anonymous
Conductor:
David Munrow
Orchestra/Ensemble:
Early Music Consort of London
Period: Medieval
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 2 Minutes 23 Secs.
Language: French
157.
In mari miserie by Anonymous
Conductor:
David Munrow
Orchestra/Ensemble:
Early Music Consort of London
Period: Medieval
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 1 Minutes 52 Secs.
Language: Latin
158.
O mitissima by Anonymous
Performer:
David Corkhill (Tabor)
Conductor:
David Munrow
Orchestra/Ensemble:
Early Music Consort of London
Period: Medieval
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 1 Minutes 29 Secs.
159.
In seculum d'Amiens longum by Anonymous
Conductor:
David Munrow
Orchestra/Ensemble:
Early Music Consort of London
Period: Medieval
Written: 13th Century
Date of Recording: 10/1975
Venue: Conway Hall, London, England
160.
Aucun ont trouvé by Petrus de Cruce
Conductor:
David Munrow
Orchestra/Ensemble:
Early Music Consort of London
Period: Medieval
Written: 13th Century; France
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 3 Minutes 14 Secs.
Language: French
161.
De ma dame vient by Adam de la Halle
Conductor:
David Munrow
Orchestra/Ensemble:
Early Music Consort of London
Period: Medieval
Written: 13th Century; France
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 2 Minutes 26 Secs.
Language: French
162.
J'os bien a m'amie parler by Adam de la Halle
Performer:
David Munrow (Recorder)
Conductor:
David Munrow
Orchestra/Ensemble:
Early Music Consort of London
Period: Medieval
Written: 13th Century; France
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 1 Minutes 50 Secs.
Language: French
163.
La mesnie fauveline/J'ai fait nouveletement/Grant despit by Anonymous
Conductor:
David Munrow
Orchestra/Ensemble:
Early Music Consort of London
Period: Medieval
Written: France
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 1 Minutes 17 Secs.
Language: French
164.
Impudenter circumivi by Philippe De Vitry
Conductor:
David Munrow
Orchestra/Ensemble:
Early Music Consort of London
Period: Medieval
Written: circa 1330; France
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 3 Minutes 10 Secs.
Language: Latin
165.
Cum statua by Philippe De Vitry
Performer:
David Munrow (Shawm)
Conductor:
David Munrow
Orchestra/Ensemble:
Early Music Consort of London
Period: Medieval
Written: circa 1330; France
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 2 Minutes 27 Secs.
Language: Latin
166.
Clap, par un matin by Anonymous
Performer:
Gillian Reid (Psaltery),
James Tyler (Mandore),
Christopher Hogwood (Harp)
Conductor:
David Munrow
Orchestra/Ensemble:
Early Music Consort of London
Period: Medieval
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 1 Minutes 29 Secs.
Language: French
167.
Febus mundo Oriens-Lanista vipereus-Cornibus by Anonymous
Conductor:
David Munrow
Orchestra/Ensemble:
Early Music Consort of London
Period: Medieval
Written: France
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 3 Minutes 31 Secs.
Language: Latin
170.
Inter densas - Imbribus irriguis by Anonymous
Performer:
James Tyler (Lute)
Conductor:
David Munrow
Orchestra/Ensemble:
Early Music Consort of London
Period: Medieval
Written: France
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 3 Minutes 17 Secs.
Language: Latin
171.
Hoquetus David by Guillaume de Machaut
Performer:
David Munrow (Shawm)
Conductor:
David Munrow
Orchestra/Ensemble:
Early Music Consort of London
Period: Medieval
Written: 14th Century; France
Date of Recording: 10/1975
Venue: Conway Hall, London, England
Length: 3 Minutes 18 Secs.
172.
Carmen Fantasy for Violin and Orchestra/Piano, Op. 25 by Pablo de Sarasate
Performer:
Anne-Sophie Mutter (Violin)
Conductor:
James Levine
Orchestra/Ensemble:
Vienna Philharmonic Orchestra
Period: Romantic
Written: ?1883
Date of Recording: 11/1992
Venue: Grosser Saal, Musikverein, Vienna
Length: 12 Minutes 38 Secs.
173.
Berceuse for Violin and Piano in D major, Op. 16 by Gabriel Fauré
Performer:
Anne-Sophie Mutter (Violin)
Conductor:
James Levine
Orchestra/Ensemble:
Vienna Philharmonic Orchestra
Period: Romantic
Written: 1878-1879; France
Date of Recording: 11/1992
Venue: Grosser Saal, Musikverein, Vienna
Length: 4 Minutes 28 Secs.
174.
Thaïs: Meditation by Jules Massenet
Performer:
Anne-Sophie Mutter (Violin)
Conductor:
James Levine
Orchestra/Ensemble:
Vienna Philharmonic Orchestra
Period: Romantic
Written: 1894; France
Date of Recording: 11/1992
Venue: Grosser Saal, Musikverein, Vienna
Length: 6 Minutes 42 Secs.
175.
Tzigane for Violin and Orchestra by Maurice Ravel
Performer:
Anne-Sophie Mutter (Violin)
Conductor:
James Levine
Orchestra/Ensemble:
Vienna Philharmonic Orchestra
Period: 20th Century
Written: 1924; France
Date of Recording: 11/1992
Venue: Grosser Saal, Musikverein, Vienna
Length: 10 Minutes 1 Secs.
177.
Zigeunerweisen, Op. 20 by Pablo de Sarasate
Performer:
Anne-Sophie Mutter (Violin)
Conductor:
James Levine
Orchestra/Ensemble:
Vienna Philharmonic Orchestra
Period: Romantic
Written: 1878
Date of Recording: 11/1992
Venue: Grosser Saal, Musikverein, Vienna
Length: 8 Minutes 41 Secs.
178.
Légende for Violin and Orchestra in G major, Op. 17 by Henri Wieniawski
Performer:
Anne-Sophie Mutter (Violin)
Conductor:
James Levine
Orchestra/Ensemble:
Vienna Philharmonic Orchestra
Period: Romantic
Written: circa 1860; St. Petersburg, Russ
Date of Recording: 11/1992
Venue: Grosser Saal, Musikverein, Vienna
Length: 7 Minutes 41 Secs.
179.
La Bohème: O soave fanciulla by Giacomo Puccini
Performer:
Rolando Villazón (Tenor),
Anna Netrebko (Soprano)
Conductor:
Nicola Luisotti
Orchestra/Ensemble:
Dresden Staatskapelle
Period: Romantic
Written: 1896; Italy
Date of Recording: 08/2006
Venue: Lukas Kirche, Dresden, Germany
Length: 4 Minutes 10 Secs.
180.
Lucia di Lammermoor: Sulla tomba che rinserra...Verranno a te by Gaetano Donizetti
Performer:
Rolando Villazón (Tenor),
Anna Netrebko (Soprano)
Conductor:
Nicola Luisotti
Orchestra/Ensemble:
Dresden Staatskapelle
Period: Romantic
Written: 1835; Italy
Date of Recording: 08/2006
Venue: Lukas Kirche, Dresden, Germany
Length: 12 Minutes 40 Secs.
Language: Italian
181.
Rigoletto: E' il sol dell' anima by Giuseppe Verdi
Performer:
Anna Netrebko (Soprano),
Rolando Villazón (Tenor),
Nadine Weissmann (Soprano),
Nicola Luisotti ()
Conductor:
Nicola Luisotti
Orchestra/Ensemble:
Dresden Staatskapelle
Period: Romantic
Written: 1851; Italy
Date of Recording: 08/2006
Venue: Lukas Kirche, Dresden, Germany
Length: 8 Minutes 19 Secs.
Language: Italian
182.
Roméo et Juliette: Nuit d'hyménée by Charles Gounod
Performer:
Anna Netrebko (Soprano),
Rolando Villazón (Tenor)
Conductor:
Nicola Luisotti
Orchestra/Ensemble:
Dresden Staatskapelle
Period: Romantic
Written: 1867; France
Date of Recording: 08/2006
Venue: Lukas Kirche, Dresden, Germany
Length: 8 Minutes 5 Secs.
Language: French
183.
Les pêcheurs de perles: De mon amie, fleur endormie by Georges Bizet
Performer:
Anna Netrebko (Soprano),
Rolando Villazón (Tenor)
Conductor:
Nicola Luisotti
Orchestra/Ensemble:
Dresden Staatskapelle
Period: Romantic
Written: 1863; France
Date of Recording: 08/2006
Venue: Lukas Kirche, Dresden, Germany
Length: 9 Minutes 0 Secs.
Language: French
184.
Manon: Toi! Vous!...N'est ce plus ma main by Jules Massenet
Performer:
Anna Netrebko (Soprano),
Rolando Villazón (Tenor)
Conductor:
Nicola Luisotti
Orchestra/Ensemble:
Dresden Staatskapelle
Period: Romantic
Written: 1883-1884; France
Date of Recording: 08/2006
Venue: Lukas Kirche, Dresden, Germany
Length: 8 Minutes 5 Secs.
Language: French
185.
Iolanta, Op. 69: Wondrous firstling of creation by Peter Ilyich Tchaikovsky
Performer:
Anna Netrebko (Soprano),
Rolando Villazón (Tenor)
Conductor:
Nicola Luisotti
Orchestra/Ensemble:
Dresden Staatskapelle
Period: Romantic
Written: 1891; Russia
Date of Recording: 08/2006
Venue: Lukas Kirche, Dresden, Germany
Length: 10 Minutes 3 Secs.
Language: Russian
186.
Luisa Fernanda: Cállate, corazón! Duèrmete y calla! by Federico Moreno-Torroba
Performer:
Anna Netrebko (Soprano),
Rolando Villazón (Tenor)
Conductor:
Nicola Luisotti
Orchestra/Ensemble:
Dresden Staatskapelle
Period: 20th Century
Written: 1932; Spain
Date of Recording: 08/2006
Venue: Lukas Kirche, Dresden, Germany
Length: 5 Minutes 28 Secs.
Language: Spanish
188.
Die sieben Todsünden der Kleinbürger by Kurt Weill
Performer:
Christfried Biebrach (Baritone),
Frédéric Martin (Bass),
Karl-Heinz Lampe (Tenor),
James Sims (Tenor),
Anne Sofie von Otter (Soprano)
Conductor:
John Eliot Gardiner
Orchestra/Ensemble:
North German Radio Symphony Orchestra
Period: 20th Century
Written: 1933; Germany
Date of Recording: 09/1973
Venue: Friedrich-Ebert-Halle, Hamburg
Length: 34 Minutes 12 Secs.
Language: German
189.
Lady in the Dark: My ship by Kurt Weill
Performer:
Anne Sofie von Otter (Soprano)
Conductor:
John Eliot Gardiner
Orchestra/Ensemble:
North German Radio Symphony Orchestra
Period: 20th Century
Written: 1940; USA
Date of Recording: 09/1993
Venue: Friedrich-Ebert-Halle, Hamburg
Length: 2 Minutes 42 Secs.
Language: English
190.
Lady in the Dark: One life to live by Kurt Weill
Performer:
Anne Sofie von Otter (Soprano),
Bengt Forsberg (Piano)
Conductor:
John Eliot Gardiner
Orchestra/Ensemble:
North German Radio Symphony Orchestra
Period: 20th Century
Written: 1940; USA
Date of Recording: 09/1993
Venue: Friedrich-Ebert-Halle, Hamburg
Length: 3 Minutes 1 Secs.
Language: English
191.
Propaganda Songs (9): Buddy on the Nightshift by Kurt Weill
Performer:
Bengt Forsberg (Piano),
Anne Sofie von Otter (Soprano)
Period: 20th Century
Written: 1942; USA
Date of Recording: 09/1993
Venue: Friedrich-Ebert-Halle, Hamburg
Length: 2 Minutes 9 Secs.
Language: English
192.
Nanna's Lied by Kurt Weill
Performer:
Bengt Forsberg (Piano),
Anne Sofie von Otter (Soprano)
Period: 20th Century
Written: 1939; New York, USA
Date of Recording: 09/1993
Venue: Friedrich-Ebert-Halle, Hamburg
Length: 4 Minutes 2 Secs.
Language: German
193.
Happy End: Bilbao Song by Kurt Weill
Performer:
Anne Sofie von Otter (Soprano)
Conductor:
John Eliot Gardiner
Orchestra/Ensemble:
North German Radio Symphony Orchestra
Period: 20th Century
Written: 1929; Berlin, Germany
Date of Recording: 09/1993
Venue: Friedrich-Ebert-Halle, Hamburg
Length: 4 Minutes 27 Secs.
Language: English
194.
Happy End: Surabaya Johnny by Kurt Weill
Performer:
Anne Sofie von Otter (Soprano)
Conductor:
John Eliot Gardiner
Orchestra/Ensemble:
North German Radio Symphony Orchestra
Date of Recording: 09/1993
Venue: Friedrich-Ebert-Halle, Hamburg
Length: 6 Minutes 1 Secs.
Language: English
195.
Happy End: Das Lied von der harten Nuss by Kurt Weill
Performer:
Anne Sofie von Otter (Soprano)
Conductor:
John Eliot Gardiner
Orchestra/Ensemble:
North German Radio Symphony Orchestra
Period: 20th Century
Written: 1929; Berlin, Germany
Date of Recording: 09/1993
Venue: Friedrich-Ebert-Halle, Hamburg
Length: 1 Minutes 6 Secs.
Language: German
196.
Je ne t'aime pas by Kurt Weill
Performer:
Bengt Forsberg (Piano),
Anne Sofie von Otter (Soprano)
Period: 20th Century
Written: 1934; France
Date of Recording: 09/1993
Venue: Friedrich-Ebert-Halle, Hamburg
Length: 4 Minutes 29 Secs.
Language: French
197.
Propaganda Songs (9): Schickelgruber by Kurt Weill
Performer:
Bengt Forsberg (Piano),
Anne Sofie von Otter (Soprano)
Period: 20th Century
Written: 1942; USA
Date of Recording: 09/1993
Venue: Friedrich-Ebert-Halle, Hamburg
Length: 2 Minutes 51 Secs.
Language: German
198.
Der Abschiedsbrief by Kurt Weill
Performer:
Bengt Forsberg (Piano),
Anne Sofie von Otter (Soprano)
Period: 20th Century
Written: 1933; Germany
Date of Recording: 09/1993
Venue: Friedrich-Ebert-Halle, Hamburg
Length: 3 Minutes 25 Secs.
Language: German
199.
One touch of Venus: Foolish heart by Kurt Weill
Performer:
Anne Sofie von Otter (Soprano)
Conductor:
John Eliot Gardiner
Orchestra/Ensemble:
North German Radio Symphony Orchestra
Period: 20th Century
Written: 1943; New York, USA
Date of Recording: 09/1993
Venue: Friedrich-Ebert-Halle, Hamburg
Length: 2 Minutes 28 Secs.
Language: English
200.
One touch of Venus: Speak Low by Kurt Weill
Performer:
Anne Sofie von Otter (Soprano)
Conductor:
John Eliot Gardiner
Orchestra/Ensemble:
North German Radio Symphony Orchestra
Period: 20th Century
Written: 1943; New York, USA
Date of Recording: 09/1993
Venue: Friedrich-Ebert-Halle, Hamburg
Length: 3 Minutes 59 Secs.
Language: English
201.
One touch of Venus: I'm a stranger here myself by Kurt Weill
Performer:
Anne Sofie von Otter (Soprano)
Conductor:
John Eliot Gardiner
Orchestra/Ensemble:
North German Radio Symphony Orchestra
Period: 20th Century
Written: 1943; New York, USA
Date of Recording: 09/1993
Venue: Friedrich-Ebert-Halle, Hamburg
Length: 3 Minutes 13 Secs.
Language: German
205.
Concerto for Piano no 14 in E flat major, K 449 by Wolfgang Amadeus Mozart
Performer:
Maria-Joao Pires (Piano)
Conductor:
Claudio Abbado
Orchestra/Ensemble:
Vienna Philharmonic Orchestra
Period: Classical
Written: 1784; Vienna, Austria
Date of Recording: 03/1992
Venue: Grosser Saal, Musikverein, Vienna
Length: 21 Minutes 28 Secs.
206.
Concerto for Piano no 26 in D major, K 537 "Coronation" by Wolfgang Amadeus Mozart
Performer:
Maria-Joao Pires (Piano)
Conductor:
Claudio Abbado
Orchestra/Ensemble:
Vienna Philharmonic Orchestra
Period: Classical
Written: 1788; Vienna, Austria
Date of Recording: 04/1990
Venue: Live Grosses Festespielhaus, Salzburg
Length: 30 Minutes 22 Secs.
207.
Pétrouchka: Three movements for Piano by Igor Stravinsky
Performer:
Maurizio Pollini (Piano)
Period: 20th Century
Written: 1921; France
Date of Recording: 09/1971
Venue: Herkules Saal, Residenz, Munich
Length: 15 Minutes 19 Secs.
208.
Sonata for Piano no 7 in B flat major, Op. 83 by Sergei Prokofiev
Performer:
Maurizio Pollini (Piano)
Period: 20th Century
Written: 1939-1942; USSR
Date of Recording: 09/1971
Venue: Herkules Saal, Residenz, Munich
Length: 17 Minutes 1 Secs.
209.
Variations for piano, Op. 27 by Anton Webern
Performer:
Maurizio Pollini (Piano)
Period: Modern
Written: 1935-1936; Austria
Date of Recording: 07/1976
Venue: Herkules Saal, Residenz, Munich
Length: 6 Minutes 2 Secs.
210.
Sonata for Piano no 2 by Pierre Boulez
Performer:
Maurizio Pollini (Piano)
Period: 20th Century
Written: 1948
Date of Recording: 07/1976
Venue: Herkules Saal, Residenz, Munich
Length: 29 Minutes 35 Secs.
211.
Die schöne Müllerin, D 795/Op. 25 by Franz Schubert
Performer:
Justus Zeyen (Piano),
Thomas Quasthoff (Bass Baritone)
Period: Romantic
Written: 1823; Vienna, Austria
Date of Recording: 07/2005
Venue: Teldex Studio, Berlin, Germany
Length: 61 Minutes 24 Secs.
Language: German
212.
Drumming by Steve Reich
Conductor:
Steve Reich
Orchestra/Ensemble:
Steve Reich and Musicians
Period: 20th Century
Written: 1970-1971; USA
213.
Six Pianos by Steve Reich
Orchestra/Ensemble:
Steve Reich and Musicians
Period: 20th Century
Written: 1973; USA
215.
Sleeping Beauty Suite, Op. 66a by Peter Ilyich Tchaikovsky
Conductor:
Mstislav Rostropovich
Orchestra/Ensemble:
Berlin Philharmonic Orchestra
Period: Romantic
Written: 1889; Russia
Date of Recording: 06/1978
216.
Swan Lake Suite, Op. 20a by Peter Ilyich Tchaikovsky
Performer:
Leon Spierer (Violin),
Eberhard Finke (Cello)
Conductor:
Mstislav Rostropovich
Orchestra/Ensemble:
Berlin Philharmonic Orchestra
Period: Romantic
Written: 1875-1876; Russia
Date of Recording: 06/1978
217.
Nutcracker Suite, Op. 71a by Peter Ilyich Tchaikovsky
Conductor:
Mstislav Rostropovich
Orchestra/Ensemble:
Berlin Philharmonic Orchestra
Period: Romantic
Written: 1892; Russia
Date of Recording: 06/1978
218.
Sonata concertata in A major, Op. 61/MS 2 by Niccolò Paganini
Performer:
Göran Söllscher (Guitar),
Gil Shaham (Violin)
Period: Romantic
Written: 1804; Italy
Date of Recording: 11/1992
Venue: Jesus Christus Kirche, Berlin
Length: 14 Minutes 14 Secs.
222.
Sonata for Guitar in A major, MS 3 "Grande" by Niccolò Paganini
Performer:
Göran Söllscher (Guitar),
Gil Shaham (Violin)
Period: Romantic
Date of Recording: 11/1992
Venue: Jesus Christus Kirche, Berlin
Length: 4 Minutes 28 Secs.
225.
Cantabile for Violin and Piano in D major by Niccolò Paganini
Performer:
Göran Söllscher (Guitar),
Gil Shaham (Violin)
Period: Romantic
Written: ?1824
Date of Recording: 11/1992
Venue: Jesus Christus Kirche, Berlin
Length: 3 Minutes 43 Secs.
228.
Die Zauberflöte, K 620: Chorus(es) by Wolfgang Amadeus Mozart
Conductor:
Giuseppe Sinopoli
Orchestra/Ensemble:
Berlin Deutsche Oper Orchestra,
Berlin Deutsche Oper Chorus
Period: Classical
229.
Der Freischütz, J 277: Chorus(es) by Carl Maria von Weber
Conductor:
Giuseppe Sinopoli
Orchestra/Ensemble:
Berlin Deutsche Oper Orchestra,
Berlin Deutsche Oper Chorus
Period: Romantic
Written: 1817-1821; Dresden, Germany
230.
Fidelio, Op. 72: Chorus(es) by Ludwig van Beethoven
Conductor:
Giuseppe Sinopoli
Orchestra/Ensemble:
Berlin Deutsche Oper Orchestra,
Berlin Deutsche Oper Chorus
Period: Romantic
231.
Tannhäuser: Chorus(es) by Richard Wagner
Conductor:
Giuseppe Sinopoli
Orchestra/Ensemble:
Berlin Deutsche Oper Orchestra,
Berlin Deutsche Oper Chorus
Period: Romantic
Written: 1845/1861; Germany
232.
Nabucco: Chorus(es) by Giuseppe Verdi
Conductor:
Giuseppe Sinopoli
Orchestra/Ensemble:
Berlin Deutsche Oper Orchestra,
Berlin Deutsche Oper Chorus
Period: Romantic
Written: 1842; Italy
233.
Macbeth: Chorus(es) by Giuseppe Verdi
Conductor:
Giuseppe Sinopoli
Orchestra/Ensemble:
Berlin Deutsche Oper Orchestra,
Berlin Deutsche Oper Chorus
Period: Romantic
Written: 1847/1865; Italy
234.
I lombardi: Chorus(es) by Giuseppe Verdi
Conductor:
Giuseppe Sinopoli
Orchestra/Ensemble:
Berlin Deutsche Oper Orchestra,
Berlin Deutsche Oper Chorus
Period: Romantic
Written: 1843; Italy
235.
Il trovatore: Chorus(es) by Giuseppe Verdi
Conductor:
Giuseppe Sinopoli
Orchestra/Ensemble:
Berlin Deutsche Oper Orchestra,
Berlin Deutsche Oper Chorus
Period: Romantic
Written: 1853; Italy
236.
Aida: Chorus(es) by Giuseppe Verdi
Conductor:
Giuseppe Sinopoli
Orchestra/Ensemble:
Berlin Deutsche Oper Orchestra,
Berlin Deutsche Oper Chorus
Period: Romantic
Written: 1871; Italy
237.
Le nozze di Figaro, K 492: Non più andrai farfallone amoroso by Wolfgang Amadeus Mozart
Performer:
Bryn Terfel (Bass Baritone)
Conductor:
James Levine
Orchestra/Ensemble:
Metropolitan Opera Orchestra
Period: Classical
Written: 1786; Vienna, Austria
Date of Recording: 1994
Venue: Manhattan Center, New York City
Length: 3 Minutes 54 Secs.
Language: Italian
238.
Don Giovanni, K 527: Deh vieni alla finestra [Serenade] by Wolfgang Amadeus Mozart
Performer:
Bryn Terfel (Bass Baritone)
Conductor:
James Levine
Orchestra/Ensemble:
Metropolitan Opera Orchestra
Period: Classical
Written: 1787; Prague, Czech Republ
Date of Recording: 1994
Venue: Manhattan Center, New York City
Length: 2 Minutes 7 Secs.
Language: Italian
239.
Don Giovanni, K 527: Madamina, il catalogo è questo by Wolfgang Amadeus Mozart
Performer:
Bryn Terfel (Bass Baritone)
Conductor:
James Levine
Orchestra/Ensemble:
Metropolitan Opera Orchestra
Period: Classical
Written: 1787; Prague, Czech Republ
Date of Recording: 1994
Venue: Manhattan Center, New York City
Length: 5 Minutes 35 Secs.
Language: Italian
240.
Così fan tutte, K 588: Rivolgete a lui lo sguardo by Wolfgang Amadeus Mozart
Performer:
Bryn Terfel (Bass Baritone)
Conductor:
James Levine
Orchestra/Ensemble:
Metropolitan Opera Orchestra
Period: Classical
Written: 1790; Vienna, Austria
Date of Recording: 09/1995
Venue: Manhattan Center, New York City
Length: 4 Minutes 52 Secs.
Language: Italian
241.
Die Zauberflöte, K 620: Der Vogelfänger bin ich ja by Wolfgang Amadeus Mozart
Performer:
Bryn Terfel (Bass Baritone)
Conductor:
James Levine
Orchestra/Ensemble:
Metropolitan Opera Orchestra
Period: Classical
Written: 1791; Vienna, Austria
Date of Recording: 09/1995
Venue: Manhattan Center, New York City
Length: 2 Minutes 55 Secs.
Language: German
242.
Tannhäuser: O, du mein holder Abendstern by Richard Wagner
Performer:
Bryn Terfel (Bass Baritone)
Conductor:
James Levine
Orchestra/Ensemble:
Metropolitan Opera Orchestra
Period: Romantic
Written: 1845/1861; Germany
Date of Recording: 1994
Venue: Manhattan Center, New York City
Length: 5 Minutes 57 Secs.
Language: German
243.
Der fliegende Holländer: Die Frist ist um [Monologue] by Richard Wagner
Performer:
Bryn Terfel (Bass Baritone)
Conductor:
James Levine
Orchestra/Ensemble:
Metropolitan Opera Orchestra
Period: Romantic
Written: 1841/1852; Germany
Date of Recording: 1994
Venue: Manhattan Center, New York City
Length: 11 Minutes 54 Secs.
Language: German
244.
Les contes d'Hoffmann: Scintille diamant by Jacques Offenbach
Performer:
Bryn Terfel (Bass Baritone)
Conductor:
James Levine
Orchestra/Ensemble:
Metropolitan Opera Orchestra
Period: Romantic
Written: 1881; Paris, France
Date of Recording: 09/1995
Venue: Manhattan Center, New York City
Length: 3 Minutes 46 Secs.
Language: French
245.
Faust: Vous qui faites l'endormie "Serenade" by Charles Gounod
Performer:
Bryn Terfel (Bass Baritone)
Conductor:
James Levine
Orchestra/Ensemble:
Metropolitan Opera Orchestra
Period: Romantic
Written: 1859; France
Date of Recording: 1994
Venue: Manhattan Center, New York City
Length: 3 Minutes 4 Secs.
Language: French
246.
Prince Igor: No sleep, no rest "Igor's Aria" by Alexander Borodin
Performer:
Bryn Terfel (Bass Baritone)
Conductor:
James Levine
Orchestra/Ensemble:
Metropolitan Opera Orchestra
Period: Romantic
Written: 1869-1887; Russia
Date of Recording: 09/1995
Venue: Manhattan Center, New York City
Length: 8 Minutes 16 Secs.
Language: Russian
247.
Don Pasquale: Bella siccome un angelo by Gaetano Donizetti
Performer:
Bryn Terfel (Bass Baritone)
Conductor:
James Levine
Orchestra/Ensemble:
Metropolitan Opera Orchestra
Period: Romantic
Written: 1843; Italy
Date of Recording: 09/1995
Venue: Manhattan Center, New York City
Length: 3 Minutes 0 Secs.
Language: Italian
248.
Macbeth: Perfidi! All'anglo...Pietà, rispetto, amore by Giuseppe Verdi
Performer:
Bryn Terfel (Bass Baritone)
Conductor:
James Levine
Orchestra/Ensemble:
Metropolitan Opera Orchestra
Period: Romantic
Written: 1847/1865; Italy
Date of Recording: 1994
Venue: Manhattan Center, New York City
Length: 5 Minutes 23 Secs.
Language: Italian
249.
Falstaff: L'onore! Ladri! "Ford's Monologue" by Giuseppe Verdi
Performer:
Bryn Terfel (Bass Baritone)
Conductor:
James Levine
Orchestra/Ensemble:
Metropolitan Opera Orchestra
Period: Romantic
Written: 1893; Italy
Date of Recording: 1994
Venue: Manhattan Center, New York City
Length: 4 Minutes 32 Secs.
Language: Italian
250.
La Cenerentola: Miei rampolli, miei rampolli femmini by Gioachino Rossini
Performer:
Bryn Terfel (Bass Baritone)
Conductor:
James Levine
Orchestra/Ensemble:
Metropolitan Opera Orchestra
Period: Romantic
Written: 1817; Italy
Date of Recording: 1994
Venue: Manhattan Center, New York City
Length: 5 Minutes 36 Secs.
Language: Italian
256.
Concierto de Aranjuez for Guitar by Joaquin Rodrigo
Performer:
Narciso Yepes (Guitar)
Conductor:
Luis Garcia-Navarro
Orchestra/Ensemble:
English Chamber Orchestra
Period: 20th Century
Written: 1939; Spain
257.
Fantasía para un gentilhombre by Joaquin Rodrigo
Performer:
Narciso Yepes (Guitar)
Conductor:
Luis Garcia-Navarro
Orchestra/Ensemble:
English Chamber Orchestra
Period: 20th Century
Written: 1954; Spain
274.
Die Zauberflöte, K 620: Der Hölle Rache by Wolfgang Amadeus Mozart
Performer:
Rita Streich (Soprano)
Conductor:
Arthur Rother
Orchestra/Ensemble:
Berlin RIAS Symphony Orchestra
Period: Classical
Written: 1791; Vienna, Austria
275.
Semiramide: Bel raggio lusinghier by Gioachino Rossini
Performer:
Rita Streich (Soprano)
Conductor:
Arthur Rother
Orchestra/Ensemble:
Berlin RIAS Symphony Orchestra
Period: Romantic
Written: 1823; Italy
278.
Rigoletto: Caro nome by Giuseppe Verdi
Performer:
Rita Streich (Soprano)
Conductor:
Ferdinand Leitner
Orchestra/Ensemble:
Berlin RIAS Symphony Orchestra
Period: Romantic
Written: 1851; Italy
279.
Un ballo in maschera: Volta la terrea by Giuseppe Verdi
Performer:
Rita Streich (Soprano)
Conductor:
Ferdinand Leitner
Orchestra/Ensemble:
Berlin RIAS Symphony Orchestra
Period: Romantic
Written: 1859; Italy
282.
Les Huguenots: Nobles seigneurs, salut! by Giacomo Meyerbeer
Performer:
Rita Streich (Soprano)
Conductor:
Ferdinand Leitner
Orchestra/Ensemble:
Berlin RIAS Symphony Orchestra
Period: Romantic
Written: 1836; France
286.
Waldszenen, Op. 82 by Robert Schumann
Performer:
Sviatoslav Richter (Piano)
Period: Romantic
Written: 1848-1849; Germany
287.
Phantasiestücke (8) for Piano, Op. 12 by Robert Schumann
Performer:
Sviatoslav Richter (Piano)
Period: Romantic
Written: 1837; Germany
Notes: This recording does not include the 4th or 6th phantasiestücke.
Sound Samples
Carmen: Overture (Prelude)
Carmen / Act 1: Introduction: "Sur la place chacun passe"
Carmen / Act 1: Regardez donc cette petite (Moralès, Les Soldats, Micaela)
Carmen / Act 1: Avec la garde montante (Choeur des Gamins)
Carmen / Act 1: Repos! (Zuniga, Moralès, Don José)
Carmen / Act 1: Allons! Allons! (Zuniga, Choeur des Gamins)
Carmen / Act 1: Dites-moi, brigadier? (Zuniga, Don José)
Carmen / Act 1: La cloche a sonné (Les Jeunes Gens, Les Soldats, Les Cigarières)
Carmen / Act 1: Mais nous ne voyons pas la Carmencita (Les Soldats, Les Jeunes Gens)
Carmen / Act 1: "Quand je vous aimerai?" - "L'amour est un oiseau rebelle" (Havanaise) (Carmen, Choeur)
Carmen / Act 1: Carmen, sur tes pas, nous nous pressons tous (Les Jeunes Gens, Les Cigarières, Don José)
Carmen / Act 1: "Monsieur le brigadier?" - "Parle-moi de ma mère!" (Micaela, Don José / Don José, Micaela)
Carmen / Act 1: Votre mère avec moi sortait de la chapelle (Micaela, Don José)
Carmen / Act 1: Ma mère, je la vois.. (Don José, Micaela)
Carmen / Act 1: "Que son fils l'aime et la vénère" - "Eh bien, eh bien!" (Don José, Micaela / Zuniga)
Carmen / Act 1: Au secours! (Les Cigarières, Zuniga, Les Soldats)
Carmen / Act 1: "Voyons, brigadier..." - "Tra la la la..." (Zuniga, Don José, Carmen / Carmen, Zuniga, Les Cigarières, Un Soldat, Don José)
Carmen / Act 1: Chanson et Duo: "Près des remparts de Séville"
Carmen / Act 1: Le lieutenant!... Prenez garde. (Don José, Zuniga, Carmen)
Carmen: Entracte (between Act I & II)
Carmen / Act 2: Les tringles des sistres tintaient (Carmen, Mercédès, Frasquita)
Carmen / Act 2: Vous avez quelque chose à nous dire (Zuniga, Pastia, Frasquita, andrès, Mercédès, Carmen)
Carmen / Act 2: "Tout est bien alors" - "Vivat! vivat le toréro!" (Carmen, Zuniga / Choeur, Zuniga, Mercédès, Frasquita, Escamillo, Carmen, Andrès, Pastia)
Carmen / Act 2: "Votre toast... je peux..." - "Toréador, en garde" (Escamillo , tout le monde , Pastia , Zuniga , Carmen/ Choeur, Frasquita, Pastia, Dancaire,
Carmen / Act 2: Nous avons en tête une affaire! (Dancaire, Frasquita, Mercédès, Remendado, Carmen)
Carmen / Act 2: "Amoureuse... ce n'est pas une raison" - "Halte-là! Qui va là?" (Dancaire,Remendado,Frasquita,Mercédès, Carmen/Don José,Mercédès,Frasquita,Dancaire,Carmen)
Carmen / Act 2: Je vais danser en votre honneur (Carmen, Don José)
Carmen / Act 2: La fleur que tu m'avais jetée (Don José)
Carmen / Act 2: Non, tu ne m'aimes pas! (Carmen, Don José)
Carmen / Act 2: Holà! Carmen! Holà! (Zuniga, Don José, Carmen, Dancaire, Remendado, Les Bohémiens)
Carmen / Act 2: Suis-nous à travers la campagne (Frasquita, Mercédès, Dancaire, Remendado, Les Bohémiens, Les Bohémiennes)
Carmen: Entracte (Between Act II & III)
Carmen / Act 3: Écoute, compagnon, écoute! (les Contrebandiers, Frasquita, Mercédès, Carmen, Don José, Dancaire, Remendado)
Carmen / Act 3: Halte! nous allons nous arrêter ici! (Dancaire, Remendado, Don José, Carmen)
Carmen / Act 3: "Mêlons!"/"Mêlons!"/"Coupons!" (Frasquita, Mercédès)
Carmen / Act 3: Carreau! Pique!... La mort! (Carmen)
Carmen / Act 3: Parlez encore, parlez, mes belles (Frasquita, Mercédès, Carmen)
Carmen / Act 3: Eh! bien, j'avais raison. (Dancaire, Carmen, Remendado, Frasquita, Mercédès, Don José)
Carmen / Act 3: Quant au douanier, c'est notre affaire! (Carmen, Mercédès, Frasquita, Les Bohémiennes, Les Bohémiens, Dancaire, Remendado)
Carmen / Act 3: Nous y sommes (Le Guide, Micaela)
Carmen / Act 3: Je dis que rien ne m'épouvante (Micaela)
Carmen / Act 3: "Mais... je ne me trompe pas..." - "Je suis Escamillo, toréro de Grenade." (Micaela, Escamillo, Don José / Escamillo, Don José)
Carmen / Act 3: Holà, José! (Carmen, Escamillo, Dancaire, Don José, Les Contrebandiers, Les Contrebandières)
Carmen / Act 3: Halte! quelqu'un est là qui cherche à se cacher. (Remendado, Carmen, Dancaire, Don José, Micaela, Choeur)
Carmen / Act 3: Entr'acte
Carmen / Act 3: Choeur: "A dos cuartos!"
Carmen / Act 3: Les voici! voici le quadrille! (Choeur)
Carmen / Act 3: Si tu m'aimes, Carmen (Escamillo, Carmen, Frasquita, Mercédès)
Carmen / Act 3: "C'est toi!" "C'est-moi!"
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