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Kulenkampff Plays Tchaikovsky, Mendelssohn, Bach & Schumann

Kulenkampff / Tchaikovsky / Schmidt-isserstedt
Release Date: 11/09/2010 
Label:  Dutton Laboratories/Vocalion   Catalog #: 9800   Spars Code: DDD 
Composer:  Peter Ilyich TchaikovskyFelix MendelssohnJohann Sebastian BachRobert Schumann
Performer:  Georg Kulenkampff
Conductor:  Arthur RotherHans Schmidt-Isserstedt
Orchestra/Ensemble:  Berlin Deutsche Oper OrchestraBerlin Philharmonic Orchestra
Number of Discs: 1 
Recorded in: Mono 
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Notes and Editorial Reviews

An eminently reliable artist who seldom had an off-day in the studio.

This is the companion to Dutton CDBP 9804, which has concertos by Bruch, Spohr and Mozart. Both discs display Kulenkampff’s very considerable strengths, allied to which he was an eminently reliable artist and seldom had an off-day in the studio. This offering includes the 1935 Mendelssohn Concerto - an ‘export only’ affair for obvious reasons, and one that displayed a suitably mercenary side to the Nazi artistic machinery. We also have the Tchaikovsky - in these circumstances one could almost venture a proto-political reason for its having being recorded in 1939, as one assuredly could when Talich and the Czech Philharmonic were forced to record the
Read more same work with Wolfgang Schneiderhan, after the fall of Czechoslovakia.
The Mendelssohn Concerto on disc was then dominated by Kreisler and Szigeti. Leaving to one side the rather unpleasant political ramifications of the Berlin recording, this particular addition, whilst hardly in that class of personalisation, is still a valuable inscription, capturing Kulenkampff in the classical milieu in which he flourished. His Spohr was equally excellent - and can be found on the companion Dutton disc - and so it would be fair to note him as a wholly responsive and intelligent exponent of the concerto. One might query the ‘rough sea’ voyage that Schmidt-Isserstedt directs in the central movement - not joined to the first by the way in this transfer - but in compensation there are some marvellously vivid basses and one can hear the soloist in his accompanying figures in places where, at the time, one usually couldn’t hear a soloist unless he was directly under the microphone.
The Tchaikovsky should have suited Kulenkampff, who always had a Slavic inclination - he essayed the Glazunov excellently, for instance, and his way with the more northerly Sibelius is well known. The introduction, eked out by a lugubrious Artur Rother and his Berlin Deutsches Opernhaus Orchestra, prefigures an unusually ugly slide from the soloist (it’s at 1:17) and altogether this is rather a sentimentalised approach, with Kulenkampff playing the coquette before the tuttis in a rather fanciful way. The orchestra responds with military medium strict rhythm. The slow movement is salon-ised, and becomes an avuncular lied, whilst interest in the finale (with the usual cuts) is reserved for some interesting phrasal variants from Kulenkampff. This is an interesting, unusual reading, and peripheral for most people, I suspect, but very valuable to admirers of the soloist or the circumstances. The transfer on LYS097 wasn’t especially good and this Dutton presents a stronger approach though one with a rather generic string sound - hemmed in and rather airless in house style. The Mendelssohn is also on Opus Kura [OPK2092]. The two makeweights are orchestrally-accompanied and enjoyably unsugary. I was expecting the worst, but should have trusted the soloist.
-- Jonathan Woolf, MusicWeb International  
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Works on This Recording

Concerto for Violin in D major, Op. 35 by Peter Ilyich Tchaikovsky
Performer:  Georg Kulenkampff (Violin)
Conductor:  Arthur Rother
Orchestra/Ensemble:  Berlin Deutsche Oper Orchestra
Period: Romantic 
Written: 1878; Russia 
Date of Recording: 1939 
Concerto for Violin in E minor, Op. 64 by Felix Mendelssohn
Performer:  Georg Kulenkampff (Violin)
Conductor:  Hans Schmidt-Isserstedt
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Romantic 
Written: 1844; Germany 
Date of Recording: 1935 
Suite for Orchestra no 3 in D major, BWV 1068: Air by Johann Sebastian Bach
Performer:  Georg Kulenkampff (Violin)
Conductor:  Hans Schmidt-Isserstedt
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Baroque 
Written: circa 1729-1731; Leipzig, Germany 
Date of Recording: 1935 
Pieces (12) for Piano 4 hands, Op. 85: no 12, Abendlied by Robert Schumann
Performer:  Georg Kulenkampff (Violin)
Conductor:  Hans Schmidt-Isserstedt
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Romantic 
Written: 1849; Germany 
Date of Recording: 1935 

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