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The Complete Christmas Celebration


Release Date: 11/09/2010 
Label:  Deutsche Grammophon   Catalog #: 001493002   Spars Code: n/a 
Composer:  Johann Sebastian BachGeorge Frideric HandelPeter Ilyich TchaikovskyTraditional,   ... 
Performer:  Hans-Peter BlochwitzOlaf BärAnne Sofie von OtterAnthony Rolfe Johnson,   ... 
Conductor:  John Eliot GardinerChristopher HogwoodValery GergievGeorg Ratzinger,   ... 
Orchestra/Ensemble:  English Baroque SoloistsMonteverdi ChoirAcademy of Ancient Music,   ... 
Number of Discs: 7 
Recorded in: Stereo 
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Notes and Editorial Reviews

Here's the complete Christmas box set you've been waiting for.

This 7-CD budget price box includes the complete Christmas Oratorio, the complete Messiah and the complete Nutcracker ballet in top-notch performances that have been hugely popular over the years. Plus single discs of Christmas songs and carols from Germany and England to round off the package.

Praise for some of the performances in this set:

Handel's Messiah

This is the Messiah that started it all, the first period instrument performance recorded with a choir of men and boys. It introduced music lovers the world over to Christopher Hogwood, Emma Kirkby, and a whole host of performers who have since become ubiquitous as the
Read more "English Early Music Mafia," appearing as they do under zillions of different ensemble names on a variety of labels. Hogwood's performance still holds its own, however, as one of the finest and freshest available. A first-rate effort.
-- David Hurwitz, ClassicsToday.com

Tchaikovsky's Nutcracker
The dream, the child-like wonder of The Nutcracker, remains irrepressible. But it’s not a work that plays itself. Slacken the pulse for a moment, take your eye off entries, fail to believe in its fantasy world, and it can only too easily fall apart. Gergiev and his Kirov company need no reminding of the fact. Resisting contrived understatement, free of coyness or condescension, this is one of the most compellingly dramatised, rhythmically uplifting, charismatically charmed versions of recent years, its bold, grand, savage, sweeping, three-dimensionally involving attack underlining a wealth of refined nuances and charged emotions. Detail is phenomenal, the ensemble glowingly realised, the Act II divertissement thrillingly contrasted and physically exhilarating. Colouring, projection, riotous textural overspill (from 77:42, for instance), climax, novelty (a wonderfully flighted Stravinsky Firebird foreshadowed at 15:50) are everything. Continuity within and between numbers likewise; tempo too (at 81 minutes, this is a brisk reading). Compared with the vintage handling of the old ballet masters (Ansermet, Dorati, Mravinsky), the classic-cut transatlantic dash and elegance of analogue Previn, or the varyingly intense Russian competition of Ashkenazy, Ermler, Fedoseyev, Rozhdestvensky, Svetlanov and Temirkanov, Gergiev’s urgently pressing passion may seem hard and unyielding, but it’s an approach that brings its own rewards, theatrically and structurally. And his musicality is infectious. If you like your Nutcracker fairies all-Russian, wide-screen and super-lit, if you want an up-front orchestral encounter, then this has to be a clear first recommendation. Recorded in the Baden-Baden Festspielhaus last August, the sound balance is grippingly demonstration-class. You almost feel on stage. Terrific.
-- Ates Orga, BBC Music Magazine

Bach's Christmas Oratorio
"Olaf Bar makes a wily Herod, with declamation full of subtle innuendo; and he gives a fine account of the bass arias throughout. Nancy Argenta and Anne Sofie von Otter have a fresh, lively approach to the music and their performances are articulate and well focused. The tenor Hans Peter Blochwitz is also impressive. Choral singing is almost invariably a strong feature of Gardiner's performances and that is markedly the case here. The opening chorus of Part 1 is crisp, incisive and declamatory yet not over-emphatic. The Monteverdi Choir are characteristically alert and warm-blooded and I particularly enjoyed their singing of the chorales. The orchestral and obbligato playing reaches a very high standard with oboes and flute deserving of special mention; the arioso-chorale ''Er ist auf Erden kommen arm'' (Part 1), ''Schlafe, mein Liebster'' (Part 2) and the tenor aria ''Frohe Hirten'' (Part 2) are just three of many such examples. The two-violin partnership in the tenor aria ''Ich will nur dir Ehren leben'' (Part 4) is also notably successful. I enjoyed too the frequent occasions on which Gardiner allows us to hear the continuo line when the figures call for a degree of highlighting."
-- Nicholas Anderson, Gramophone [12/1987]
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Works on This Recording

1.
Christmas Oratorio, BWV 248 by Johann Sebastian Bach
Performer:  Hans-Peter Blochwitz (Tenor), Olaf Bär (Baritone), Anne Sofie von Otter (Mezzo Soprano),
Anthony Rolfe Johnson (Tenor), Nancy Argenta (Soprano)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  English Baroque Soloists,  Monteverdi Choir
Period: Baroque 
Written: 1734-1735; Leipzig, Germany 
2.
Messiah, HWV 56 by George Frideric Handel
Performer:  Carolyn Watkinson (Alto), Paul Elliott (Tenor), Emma Kirkby (Soprano),
David Thomas (Bass), Judith Nelson (Soprano)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music,  Oxford Christ Church Cathedral Choir
Period: Baroque 
Written: 1741; London, England 
3.
Nutcracker, Op. 71 by Peter Ilyich Tchaikovsky
Conductor:  Valery Gergiev
Orchestra/Ensemble:  Kirov Theater Orchestra,  Kirov Theater Chorus
Period: Romantic 
Written: 1891-1892; Russia 
4.
O du fröhliche by Traditional
Conductor:  Georg Ratzinger
Orchestra/Ensemble:  Regensburg Cathedral Choir
Written: Germany 
5.
Symphoniae sacrae, Book 2: Benedictus es, Dominus by Giovanni Gabrieli
Conductor:  Georg Ratzinger
Orchestra/Ensemble:  Regensburg Cathedral Choir
Period: Renaissance 
Written: Venice, Italy 
6.
Hodie Christus natus est by Giovanni Palestrina
Conductor:  Georg Ratzinger
Orchestra/Ensemble:  Regensburg Cathedral Choir
Period: Renaissance 
Written: 16th Century; Italy 
7.
O Jesulein süss, o Jesulein mild by Samuel Scheidt
Conductor:  Georg Ratzinger
Orchestra/Ensemble:  Regensburg Cathedral Choir
Period: Baroque 
Written: by 1650; Halle, Germany 
8.
Musae Sioniae: Es ist ein' Ros' entsprungen by Michael Praetorius
Conductor:  Georg Ratzinger
Orchestra/Ensemble:  Regensburg Cathedral Choir
Period: Renaissance 
Written: by 1609; Germany 
9.
O Freude über Freud' by Johannes Eccard
Conductor:  Georg Ratzinger
Orchestra/Ensemble:  Regensburg Cathedral Choir
Period: Renaissance 
Written: Germany 
10.
Übers Gebirg Maria geht by Johannes Eccard
Conductor:  Georg Ratzinger
Orchestra/Ensemble:  Regensburg Cathedral Choir
Period: Renaissance 
Written: Germany 
11.
Heilige Nacht, Nacht der unendlichen Liebe by Johann Friedrich Reichardt
Conductor:  Georg Ratzinger
Orchestra/Ensemble:  Regensburg Cathedral Choir
Period: Classical 
Written: Germany 
12.
Quem pastores laudavere by Carl Loewe
Conductor:  Georg Ratzinger
Orchestra/Ensemble:  Regensburg Cathedral Choir
Period: Romantic 
Written: Germany 
13.
Vom Himmel hoch, da komm ich her by Traditional
Conductor:  Georg Ratzinger
Orchestra/Ensemble:  Regensburg Cathedral Choir
14.
Wie schön singt uns der Engel Schar by Cornelius Freundt
Conductor:  Georg Ratzinger
Orchestra/Ensemble:  Regensburg Cathedral Choir
Period: Renaissance 
Written: 16th Century; Germany 
15.
Still, o Himmel by Gottfried Rüdiger
Conductor:  Georg Ratzinger
Orchestra/Ensemble:  Regensburg Cathedral Choir
Period: 20th Century 
16.
Es blühen die Maien by Gottfried Rüdiger
Conductor:  Georg Ratzinger
Orchestra/Ensemble:  Regensburg Cathedral Choir
Period: 20th Century 
17.
Verbum caro factum est by Hans Leo Hassler
Conductor:  Georg Ratzinger
Orchestra/Ensemble:  Regensburg Cathedral Choir
Period: Renaissance 
Written: Germany 
18.
Freu' dich, Erd' und Sternenzelt by Carl Thiel
Conductor:  Georg Ratzinger
Orchestra/Ensemble:  Regensburg Cathedral Choir
Period: 20th Century 
19.
O schlafe, schlafe, göttlicher Knabe by Anonymous
Conductor:  Georg Ratzinger
Orchestra/Ensemble:  Regensburg Cathedral Choir
20.
Auf dem Berge da geht der Wind by Anonymous
Conductor:  Georg Ratzinger
Orchestra/Ensemble:  Regensburg Cathedral Choir
21.
Adeste fideles by Carl Thiel
Conductor:  Georg Ratzinger
Orchestra/Ensemble:  Regensburg Cathedral Choir
Period: 20th Century 
22.
Silent Night by Franz Xaver Gruber
Conductor:  Georg Ratzinger
Orchestra/Ensemble:  Regensburg Cathedral Choir
Period: Classical 
Written: 1818; Austria 
23.
Once in Royal David's City by Henry John Gauntlett
Performer:  David Briggs (Organ)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  King's College Choir of Cambridge
Period: Romantic 
Written: 19th Century; England 
24.
Once in Royal David's City by Henry John Gauntlett
Performer:  Robin Barter (), David Briggs (Organ)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  King's College Choir of Cambridge
Period: Romantic 
Written: 19th Century; England 
Length: 4 Minutes 27 Secs. 
Language: English 
25.
Up! good Christian folk, and listen, for chorus & orchestra by George Ratcliffe Woodward
Performer:  David Briggs (Organ)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  King's College Choir of Cambridge
Length: 1 Minutes 18 Secs. 
Language: English 
26.
On Christmas Night by Ledger, Philip, Sir
Performer:  David Briggs (Organ), Cambridge King's College Choir ()
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  King's College Choir of Cambridge
Period: Contemporary 
Length: 2 Minutes 1 Secs. 
Language: English 
27.
Ding Dong! Merrily on high by Traditional
Performer:  David Briggs (Organ)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  King's College Choir of Cambridge
Period: Renaissance 
Written: 16th Century; France 
Length: 2 Minutes 0 Secs. 
Language: English 
28.
English Hymnal: O little town of Bethlehem by Ralph Vaughan Williams
Performer:  David Briggs (Organ), Cambridge King's College Choir ()
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  King's College Choir of Cambridge
Period: 20th Century 
Written: 1906; England 
Length: 3 Minutes 19 Secs. 
Language: English 
29.
Silent Night by Franz Xaver Gruber
Performer:  David Briggs (Organ)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  King's College Choir of Cambridge
Period: Classical 
Written: 1818; Austria 
Length: 2 Minutes 33 Secs. 
30.
In the bleak midwinter by Harold Drake
Performer:  David Briggs (Organ), John Bowen ()
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  King's College Choir of Cambridge
Period: 20th Century 
Length: 4 Minutes 19 Secs. 
31.
The first nowell by Traditional
Performer:  Cambridge King's College Choir (), John Bowen (), David Briggs (Organ)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  King's College Choir of Cambridge
Written: England 
Length: 4 Minutes 57 Secs. 
32.
Festgesang "Hark! The herald angels sing" by Felix Mendelssohn
Performer:  David Briggs (Organ)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  King's College Choir of Cambridge
Period: Romantic 
Written: 1840; Germany 
Length: 3 Minutes 6 Secs. 
33.
Away in a manger by William James Kirkpatrick
Performer:  David Briggs (Organ)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  King's College Choir of Cambridge
Length: 1 Minutes 59 Secs. 
34.
Seven Joys of Mary (English) by Traditional
Performer:  David Briggs (Organ), Graham Green ()
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  King's College Choir of Cambridge
Length: 3 Minutes 18 Secs. 
35.
The infant King (Basque) by Traditional
Performer:  David Briggs (Organ)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  King's College Choir of Cambridge
Written: France 
Length: 3 Minutes 13 Secs. 
36.
God rest ye merry, gentlemen by Traditional
Performer:  David Briggs (Organ)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  King's College Choir of Cambridge
Written: England 
Length: 3 Minutes 30 Secs. 
37.
The holly and the ivy by Henry Walford Davies
Performer:  Jonathan Lamb (), Simon Haynes (), Christopher Hughes (),
David Briggs (Organ), Roland Robertson ()
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  King's College Choir of Cambridge
Period: 20th Century 
Written: England 
Length: 2 Minutes 41 Secs. 
38.
I Saw Three Ships, carol by Traditional
Performer:  David Briggs (Organ), John Bowen ()
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  King's College Choir of Cambridge
Period: Renaissance 
Written: circa 1666; England 
Length: 1 Minutes 34 Secs. 
39.
Adeste fideles "O come, all ye faithful" by John Francis Wade
Performer:  David Briggs (Organ)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  King's College Choir of Cambridge
Period: Classical 
Written: by 1782; England 
Length: 4 Minutes 2 Secs. 

Sound Samples

Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas: No.1 Chorus: "Jauchzet, frohlocket"
Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas: No.2 Evangelist: "Es begab sich aber zu der Zeit"
Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas: No.3 Rezitativ (Alt): "Nun wird mein liebster Bräutigam"
Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas: No.4 Aria (Alto): " Bereite dich, Zion"
Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas: No.5 Choral: "Wie soll ich dich empfangen"
Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas: No.6 Evangelist: "Und sie gebar ihren ersten Sohn"
Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas: No.7 Chorale: "Er ist auf Erden kommen arm", Recitativ (Bass): Wer will die Liebe recht erhöhn"
Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas: No.8 Aria (Baß): "Großer Herr, o starker König"
Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas: No.9 Choral: "Ach mein herzliebes Jesulein"
Christmas Oratorio, BWV 248 / Part Two - For The Second Day Of Christmas: No.10 Sinfonia
Christmas Oratorio, BWV 248 / Part Two - For The Second Day Of Christmas: No.11 Evangelist: "Und es waren Hirten in derselben Gegend"
Christmas Oratorio, BWV 248 / Part Two - For The Second Day Of Christmas: No.12 Chorale: "Brich an, o schönes Morgenlicht"
Christmas Oratorio, BWV 248 / Part Two - For The Second Day Of Christmas: No.13 Evangelist, Engel: "Und der Engel sprach zu Ihnen"
Christmas Oratorio, BWV 248 / Part Two - For The Second Day Of Christmas: No.14 Rezitativ (Baß): "Was Gott dem Abraham Verheißen"
Christmas Oratorio, BWV 248 / Part Two - For The Second Day Of Christmas: No.15 Aria (Tenor): "Frohe Hirten, eilt, ach eilet"
Christmas Oratorio, BWV 248 / Part Two - For The Second Day Of Christmas: No.16 Evangelist: "Und das habt zum Zeichen"
Christmas Oratorio, BWV 248 / Part Two - For The Second Day Of Christmas: No.17 Chorale: "Schaut hin, dort liegt im finstern Stall"
Christmas Oratorio, BWV 248 / Part Two - For The Second Day Of Christmas: No.18 Rezitativ (Baß): "So geht denn hin, ihr Hirten, geht"
Christmas Oratorio, BWV 248 / Part Two - For The Second Day Of Christmas: No.19 Aria (Alto): "Schlafe, mein Liebster, geniesse der Ruh"
Christmas Oratorio, BWV 248 / Part Two - For The Second Day Of Christmas: No.20 Evangelist: "Und alsbald war da bei dem Engel"
Christmas Oratorio, BWV 248 / Part Two - For The Second Day Of Christmas: No.21 Chor: "Ehre sei Gott in der Höhe"
Christmas Oratorio, BWV 248 / Part Two - For The Second Day Of Christmas: No.22 Rezitativ (Baß): "So recht, ihr Engel, jauchzt und singet"
Christmas Oratorio, BWV 248 / Part Two - For The Second Day Of Christmas: No.23 Chorale: "Wir singen dir in deinem Heer"
Christmas Oratorio, BWV 248 / Part Three - For The Third Day Of Christmas: No.24 Chor: "Herrscher des Himmels, erhöre das Lallen"
Christmas Oratorio, BWV 248 / Part Three - For The Third Day Of Christmas: No.24 Chor: "Herrscher des Himmels, erhöre das Lallen"
Christmas Oratorio, BWV 248 / Part Three - For The Third Day Of Christmas: No.25 Evangelist: "Und da die Engel von ihnen gen Himmel fuhren"
Christmas Oratorio, BWV 248 / Part Three - For The Third Day Of Christmas: No.26 Chor: "Lasset uns nun gehen gen Bethlehem"
Christmas Oratorio, BWV 248 / Part Three - For The Third Day Of Christmas: No.27 Rezitativ (Baß): "Er hat sein Volk getröst"
Christmas Oratorio, BWV 248 / Part Three - For The Third Day Of Christmas: No.28 Choral: "Dies hat er alles uns getan"
Christmas Oratorio, BWV 248 / Part Three - For The Third Day Of Christmas: No.29 Duett (Sopran, Baß): "Herr, dein Mitleid, dein Erbarmen"
Christmas Oratorio, BWV 248 / Part Three - For The Third Day Of Christmas: No.30 Evangelist: "Und sie kamen eilend"
Christmas Oratorio, BWV 248 / Part Three - For The Third Day Of Christmas: No.31 Aria (Alt): "Schließe, mein Herze, dies selige Wunder"
Christmas Oratorio, BWV 248 / Part Three - For The Third Day Of Christmas: No.32 Recitativ (Alt): "Ja, ja, mein Herz soll es bewahren"
Christmas Oratorio, BWV 248 / Part Three - For The Third Day Of Christmas: No.33 Choral: "Ich will dich mit Fleiß bewahren"
Christmas Oratorio, BWV 248 / Part Three - For The Third Day Of Christmas: No.34 Evangelist: "Und die Hirten kehrten wieder um"
Christmas Oratorio, BWV 248 / Part Three - For The Third Day Of Christmas: No.35 Choral: "Seid froh dieweil"
Christmas Oratorio, BWV 248 / Part Four - For New Year's Day: No.36 Chor: "Fallt mit Danken, fallt mit Loben"
Christmas Oratorio, BWV 248 / Part Four - For New Year's Day: No.37 Evangelist: "Und da acht Tage um waren"
Christmas Oratorio, BWV 248 / Part Four - For New Year's Day: No.38 Rezitativ (Baß): "Immanuel, o süßes Wort" Arioso (Chor-Sopran, Baß): "Jesu, du mein liebstes Leben"-"Komm ich will dich mit Lust umfassen"
Christmas Oratorio, BWV 248 / Part Four - For New Year's Day: No.39 Aria (Soprano, Echo-soprano): "Flösst, mein Heiland, flösst dein Namen"
Christmas Oratorio, BWV 248 / Part Four - For New Year's Day: No.40 Rezitativ (Baß): "Wohlan, dein Name soll allein" Arioso (Chor-Sopran): "Jesu mein Freud und Wonne"
Christmas Oratorio, BWV 248 / Part Four - For New Year's Day: No.41 Aria (Tenor): "Ich will nur dir zu Ehren leben"
Christmas Oratorio, BWV 248 / Part Four - For New Year's Day: No.42 Choral: "Jesus richte mein Beginnen"
Christmas Oratorio, BWV 248 / Part Five - For The 1st Sunday In The New Year: No.43 Chor: "Ehre sei dir, Gott, gesungen"
Christmas Oratorio, BWV 248 / Part Five - For The 1st Sunday In The New Year: No.44 Evangelist: "Da Jesu geboren war zu Bethlehem"
Christmas Oratorio, BWV 248 / Part Five - For The 1st Sunday In The New Year: No.45 Chor: "Wo ist der neugeborne König der Juden?" - Rezitativ (Alt): "Sucht ihn in meiner Brust"
Christmas Oratorio, BWV 248 / Part Five - For The 1st Sunday In The New Year: No.46 Choral: "Dein Glanz all Finsternis verzehrt"
Christmas Oratorio, BWV 248 / Part Five - For The 1st Sunday In The New Year: No.47 Aria (Bass): "Erleucht auch meine finstre Sinnen"
Christmas Oratorio, BWV 248 / Part Five - For The 1st Sunday In The New Year: No.48 Evangelist: "Da das der König Herodes hörte"
Christmas Oratorio, BWV 248 / Part Five - For The 1st Sunday In The New Year: No.49 Rezitativ (Alt): "Warum wollt ihr erschrecken?"
Christmas Oratorio, BWV 248 / Part Five - For The 1st Sunday In The New Year: No.50 Evangelist: "Und ließ versammeln alle Hohepriester"
Christmas Oratorio, BWV 248 / Part Five - For The 1st Sunday In The New Year: No.51 Terzetto (Soprano, Alto, Tenor): "Ach, wann wird die Zeit erscheinen?"
Christmas Oratorio, BWV 248 / Part Five - For The 1st Sunday In The New Year: No.52 Rezitativ (Alt): "Mein Liebster herrschet schon"
Christmas Oratorio, BWV 248 / Part Five - For The 1st Sunday In The New Year: No.53 Choral: "Zwar ist solche Herzensstube"
Christmas Oratorio, BWV 248 / Part Six - For The Feast Of Epiphany: No.54 Chor: "Herr, wenn die stolzen Feinde schnauben"
Christmas Oratorio, BWV 248 / Part Six - For The Feast Of Epiphany: No.55 Evangelist: "Da berief Herodes die Weisen heimlich" - Herodes: "Ziehet hin und forschet fleißig"
Christmas Oratorio, BWV 248 / Part Six - For The Feast Of Epiphany: No.56 Rezitativ (Sopran): "Du Falscher, suche nur den Herrn zu fällen"
Christmas Oratorio, BWV 248 / Part Six - For The Feast Of Epiphany: No.57 Aria (Sopran): "Nur ein Wink von seinen Händen"
Christmas Oratorio, BWV 248 / Part Six - For The Feast Of Epiphany: No.58 Evangelist: "Als sie nun den König gehöret hatten"
Christmas Oratorio, BWV 248 / Part Six - For The Feast Of Epiphany: No.59 Chorale: "Ich steh an deiner Krippen hier"
Christmas Oratorio, BWV 248 / Part Six - For The Feast Of Epiphany: No.60 Evangelist: "Und Gott befahl ihnen im Traum"
Christmas Oratorio, BWV 248 / Part Six - For The Feast Of Epiphany: No.61 Rezitativ (Tenor): "So geht! Genug, mein Schatz geht nicht von hier"
Christmas Oratorio, BWV 248 / Part Six - For The Feast Of Epiphany: No.62 Aria (Tenor): "Nun mögt ihr stolzen Feinde schrecken"
Christmas Oratorio, BWV 248 / Part Six - For The Feast Of Epiphany: No.63 Rezitativ (Sopran, Alt, Tenor, Baß): "Was will der Hölle Schrecken nun?"
Christmas Oratorio, BWV 248 / Part Six - For The Feast Of Epiphany: No.64 Choral: "Nun seid ihr wohl gerochen"

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