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Placido Domingo - My Greatest Roles - French Opera

Domingo,Placido
Release Date: 09/28/2010 
Label:  Kultur Video   Catalog #: 4649  
Composer:  Georges BizetCamille Saint-SaënsJacques Offenbach
Performer:  Placido DomingoElena ObraztsovaYuri MazurokShirley Verrett,   ... 
Conductor:  Carlos KleiberJulius RudelGeorges Prêtre
Orchestra/Ensemble:  Vienna State Opera ChorusVienna State Opera OrchestraVienna Boys' Choir,   ... 
Number of Discs: 4 
Length: 7 Hours 59 Mins. 

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Notes and Editorial Reviews

Kultur is delighted to announce the release of the third volume of DVD boxed sets showcasing some of the greatest recordings of Plácido Domingo's career on stage.

This volume features full-length performances of French operas, including Carmen from Vienna State Opera, Samson and Delilah from San Francisco Opera, and The Tales of Hoffmann from The Royal Opera Covent Garden.

Bonus Interview: Placido Domingo speaks at length about each of the roles he sings in these three operas.

Region: 1 (US and Canada)
Running Time: 479 minutes
Color: Color
Language: French, English Subtitles: German, French, Italian, Spanish, English

R E V I E W:

“My
Read more Greatest Roles” the front cover of the box, and this is no mere hype – as long as we cautiously add “in French repertoire”. No one, not even Placido Domingo, humble as always, can possibly exclude Otello and Cavaradossi from his greatest moments and among his 130+ roles there may be others as well that come to mind. But these three performances, filmed when Domingo was at the height of his powers some thirty years ago, are marvellous documents and what makes them so attractive is that they are far from one-man-shows. In all three cases the casts are generally on the highest possible level.

The Zeffirelli production of Carmen from the Vienna State Opera is quite possibly the most lavish version ever. I reviewed it enthusiastically in another box a couple of years ago and refer readers to that review, where I concluded that this ‘phenomenal Carmen should be in every opera collection’.

The San Francisco production of Samson et Dalila is also well worth anyone’s money. Sets and costumes are traditional but beautiful and inoffensive and my only complaint is that I would have liked to see more of the full stage picture. Close-ups are essential to get under the skin of the actors but one also needs to get the atmosphere surrounding them. Julius Rudel’s conducting is a bit hard-driven, which may be due to his wish to heighten the tension. This opera has sometimes been regarded more as an oratorio than an opera. But speeding things up does not necessarily make it more dramatic and one loses some of the beauty of the music. There is also some less than first-class choral singing – and the choruses are important in Samson et Dalila.

But the solo singing is a different matter. Shirley Verrett’s assumption of the role of Dalila can stand comparison with all the great mezzo-sopranos who have sung it in the past. Maybe it was at this phase of her career a mite too low for her. She was then also singing soprano roles. But this is a glorious reading and, being an excellent actress as well, she creates a fascinating, seductive portrait that corresponds to her Italian nick-name ‘La Nera Callas’ (The Black Callas). Among her many successful recordings – notably the Giulini-conducted Don Carlo (EMI) and Abbado’s Macbeth (DG) – this Dalila now occupies a revered place alongside those in my collection.

In both those mentioned recordings the leading tenor role was sung by Placido Domingo. His Samson was rightly praised and he recorded it twice on LP/CD; there is also a much later DVD available. His is as strong and potent a reading as his Don José: glowing tone and lively acting. His French has sometimes been criticised but to my ears it is fully acceptable. Wolfgang Brendel’s high priest is dramatic and sonorous and the supporting cast is good.

The Covent Garden production of Les Contes d’Hoffmann is another treat for both eyes and ears. It is lavish - almost over the top. Very realistic sets also here and anyone with a liking for the spectacular will find it irresistible. The star-studded cast with great names down to even the tiniest roles is on top form and Georges Prêtre, who can be uneven in opera, is inspired. A lifelike Jacques Offenbach is present from the beginning in the shape of Robert Lloyd as Lindorf, magnificent and black-voiced.

Domingo is excellent in the title role and few tenors have surpassed him in the Kleinzack aria. This is another role that has followed him through the years. One of his first complete recordings – and his first for Decca – was with Joan Sutherland in the female roles and Gabriel Bacquier taking all the villains, Bonynge conducting. This is still the most recommendable set on CD. His later attempt, for DG under Ozawa, is less of a treat. Domingo is still magnificent though in slightly less sappy voice, and Edita Gruberova sings the soprano characters with flair, but some of the supporting roles are less than first class. Here, though, everything is in order. Geraint Evans, Siegmund Nimsgern and Nicola Ghiuselev are impressive evil characters, Luciana Serra is a stunning Olympia, Agnes Baltsa’s Giulietta superb and, most touching of all, Ileana Cotrubas’s vulnerable Antonia. And with such superb singing actors as Robert Tear as Spalanzani, John Rawnsley as Hermann, Gwynne Howell as Crespel and Claire Powell as Nicklaus, to mention just a few others, the standard is continuously high throughout. This Hoffmann is no doubt in the same class as Zeffirelli’s Carmen and with a Samson to match – in spite of some reservations – this box should be an obligatory purchase for all lovers of French opera.

The bonus disc with interviews with Domingo is a valuable addition, giving us an opportunity to get closer to the person Placido Domingo, as opposed to the artist.

-- Göran Forsling, MusicWeb International
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Works on This Recording

1.
Carmen by Georges Bizet
Performer:  Placido Domingo (Tenor), Elena Obraztsova (Mezzo Soprano), Yuri Mazurok (Baritone)
Conductor:  Carlos Kleiber
Orchestra/Ensemble:  Vienna State Opera Chorus,  Vienna State Opera Orchestra,  Vienna Boys' Choir
Period: Romantic 
Written: 1873-1874; France 
2.
Samson et Dalila, Op. 47 by Camille Saint-Saëns
Performer:  Shirley Verrett (Mezzo Soprano), Placido Domingo (Tenor), Wolfgang Brendel (Baritone)
Conductor:  Julius Rudel
Orchestra/Ensemble:  San Francisco Opera Orchestra,  San Francisco Opera Chorus
Period: Romantic 
Written: 1877; France 
3.
Les contes d'Hoffmann by Jacques Offenbach
Performer:  Agnes Baltsa (Mezzo Soprano), Placido Domingo (Tenor), Luciana Serra (Soprano),
Ileana Cotrubas (Soprano)
Conductor:  Georges Prêtre
Orchestra/Ensemble:  Royal Opera House Covent Garden Orchestra,  Royal Opera House Covent Garden Chorus
Period: Romantic 
Written: 1881; Paris, France 

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