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Opera In English - Great Operatic Arias Vol 8 / J. Tomlinson


Release Date: 04/23/2002 
Label:  Chandos   Catalog #: 3076   Spars Code: DDD 
Composer:  Ludwig van BeethovenRichard WagnerRichard StraussWolfgang Amadeus Mozart,   ... 
Performer:  John TomlinsonColin LeeAlice CooteElizabeth Vaughan
Conductor:  David Parry
Orchestra/Ensemble:  London Philharmonic OrchestraGeoffrey Mitchell ChoirPhilharmonia Orchestra
Number of Discs: 1 
Recorded in: Stereo 
Length: 1 Hours 19 Mins. 

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Notes and Editorial Reviews

Recorded in: Blackheath Halls, London 14-16 & 18 December 1998 (Der Rosenkavalier; 16-17 October 1999 (Daland's Aria and Flieder Monologue from The Flying Dutchman, and 'If you don't have any money' from Fidelio; 24-27 September 2001 (others) Producer(s) Brian Couzens Sound Engineer(s) Ralph Couzens Christopher Brooke (Assistant) Michael Common (Assistant) Recorded in: Blackheath Halls, London 14-16 & 18 December 1998 (Der Rosenkavalier; 16-17 October 1999 (Daland's Aria and Flieder Monologue from The Flying Dutchman, and 'If you don't have any money' from Fidelio; 24-27 September 2001 (others) Producer(s) Brian Couzens Sound Engineer(s) Ralph Couzens Christopher Brooke (Assistant) Michael Common (Assistant) Read less

Works on This Recording

1.
Fidelio, Op. 72: Ha! Welch ein Augenblick by Ludwig van Beethoven
Performer:  John Tomlinson (Bass)
Conductor:  David Parry
Orchestra/Ensemble:  London Philharmonic Orchestra,  Geoffrey Mitchell Choir
Period: Classical 
Written: 1805/1814; Vienna, Austria 
Date of Recording: 09/2001 
Venue:  Blackheath Halls, London, England 
Length: 3 Minutes 25 Secs. 
Language: English 
2.
Fidelio, Op. 72: Hat man nicht auch Gold beineben.... by Ludwig van Beethoven
Performer:  John Tomlinson (Bass)
Conductor:  David Parry
Orchestra/Ensemble:  Philharmonia Orchestra
Period: Classical 
Written: 1805/1814; Vienna, Austria 
Date of Recording: 10/1999 
Venue:  Blackheath Halls, London, England 
Length: 2 Minutes 47 Secs. 
Language: English 
3.
Das Rheingold: Abendlich strahlt der Sonne Auge by Richard Wagner
Performer:  John Tomlinson (Bass), Colin Lee (Tenor), Alice Coote (Mezzo Soprano)
Conductor:  David Parry
Orchestra/Ensemble:  London Philharmonic Orchestra
Period: Romantic 
Written: 1854; Germany 
Date of Recording: 09/2001 
Venue:  Blackheath Halls, London, England 
Length: 6 Minutes 7 Secs. 
Language: English 
4.
Der Rosenkavalier, Op. 59: Baron Ochs' Waltz by Richard Strauss
Performer:  Elizabeth Vaughan (Alto), John Tomlinson (Bass)
Conductor:  David Parry
Orchestra/Ensemble:  London Philharmonic Orchestra
Period: Romantic 
Written: 1909-1910; Germany 
Date of Recording: 12/1998 
Venue:  Blackheath Halls, London, England 
Length: 5 Minutes 58 Secs. 
Language: English 
5.
Die Entführung aus dem Serail, K 384: Ha! wie will ich triumphieren by Wolfgang Amadeus Mozart
Performer:  John Tomlinson (Bass)
Conductor:  David Parry
Orchestra/Ensemble:  London Philharmonic Orchestra
Period: Classical 
Written: 1782; Vienna, Austria 
Date of Recording: 09/2001 
Venue:  Blackheath Halls, London, England 
Length: 3 Minutes 30 Secs. 
Language: English 
6.
Die Zauberflöte, K 620: O Isis und Osiris by Wolfgang Amadeus Mozart
Performer:  John Tomlinson (Bass)
Conductor:  David Parry
Orchestra/Ensemble:  London Philharmonic Orchestra,  Geoffrey Mitchell Choir
Period: Classical 
Written: 1791; Vienna, Austria 
Date of Recording: 09/2001 
Venue:  Blackheath Halls, London, England 
Length: 4 Minutes 13 Secs. 
Language: English 
7.
Der Waffenschmied: Auch ich war ein Jüngling by Albert Lortzing
Performer:  John Tomlinson (Bass)
Conductor:  David Parry
Orchestra/Ensemble:  London Philharmonic Orchestra
Period: Romantic 
Written: 1846; Germany 
Date of Recording: 09/2001 
Venue:  Blackheath Halls, London, England 
Length: 5 Minutes 36 Secs. 
Language: English 
8.
Der fliegende Holländer: Mögst du, mein Kind by Richard Wagner
Performer:  John Tomlinson (Bass)
Conductor:  David Parry
Orchestra/Ensemble:  Philharmonia Orchestra
Period: Romantic 
Written: 1841/1852; Germany 
Date of Recording: 10/1999 
Venue:  Blackheath Halls, London, England 
Length: 5 Minutes 36 Secs. 
Language: English 
9.
Der fliegende Holländer: Die Frist ist um [Monologue] by Richard Wagner
Performer:  John Tomlinson (Bass)
Conductor:  David Parry
Orchestra/Ensemble:  London Philharmonic Orchestra
Period: Romantic 
Written: 1841/1852; Germany 
Date of Recording: 10/1999 
Venue:  Blackheath Halls, London, England 
Length: 13 Minutes 12 Secs. 
Language: English 
10.
Die Meistersinger von Nürnberg: Das schöne Fest by Richard Wagner
Performer:  John Tomlinson (Bass)
Conductor:  David Parry
Orchestra/Ensemble:  London Philharmonic Orchestra
Period: Romantic 
Written: 1867; Germany 
Date of Recording: 09/2001 
Venue:  Blackheath Halls, London, England 
Length: 5 Minutes 58 Secs. 
Language: English 
11.
Die Meistersinger von Nürnberg: Was duftet doch der Flieder by Richard Wagner
Performer:  John Tomlinson (Bass)
Conductor:  David Parry
Orchestra/Ensemble:  London Philharmonic Orchestra
Period: Romantic 
Written: 1867; Germany 
Date of Recording: 09/2001 
Venue:  Blackheath Halls, London, England 
Length: 6 Minutes 32 Secs. 
Language: English 
12.
Die Meistersinger von Nürnberg: Wahn! Wahn! Überall Wahn! by Richard Wagner
Performer:  John Tomlinson (Bass)
Conductor:  David Parry
Orchestra/Ensemble:  Philharmonia Orchestra
Period: Romantic 
Written: 1867; Germany 
Date of Recording: 09/2001 
Venue:  Blackheath Halls, London, England 
Length: 7 Minutes 57 Secs. 
Language: English 
13.
Der Freischütz, J 277: Hier im ird'schen Jammertal by Carl Maria von Weber
Performer:  John Tomlinson (Bass)
Conductor:  David Parry
Orchestra/Ensemble:  London Philharmonic Orchestra
Period: Romantic 
Written: 1817-1821; Dresden, Germany 
Date of Recording: 09/2001 
Venue:  Blackheath Halls, London, England 
Length: 2 Minutes 24 Secs. 
Language: English 
14.
Der Freischütz, J 277: Schweig, damit dich niemand warnt by Carl Maria von Weber
Performer:  John Tomlinson (Bass)
Conductor:  David Parry
Orchestra/Ensemble:  London Philharmonic Orchestra
Period: Romantic 
Written: 1817-1821; Dresden, Germany 
Date of Recording: 09/2001 
Venue:  Blackheath Halls, London, England 
Length: 3 Minutes 47 Secs. 
Language: English 

Sound Samples

Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384: Die Entfuhrung aus dem Serail, K. 384, Act III: Osmin's Revenge: When they lead you to the scaffold
Die Zauberflote (The Magic Flute), K. 620: Die Zauberflote, K. 620, Act II: Sarastro's Prayer: O Isis and Osiris, listen
Fidelio, Op. 72: Act I: Pizarro's Revenge: Now, now for my victory!
Fidelio, Op. 72: Act I: Aria: If you don't have any money
Der Freischutz, J. 277: Act I: Song: On this earth we could not bear (Hier im ird'schen Jammertal)
Der Freischutz, J. 277: Act I: Aria: Go! Go! The fatal die is cast!
Das Rheingold: Der Ring des Nibelungen, "", Part I: Wotan's Monologue: The bridge leads you
Der fliegende Hollander (The Flying Dutchman): Act I: Dutchman's Monologue: The time comes round (Die Frist ist um)
Der fliegende Hollander (The Flying Dutchman): Act II: Aria: Senta, my child, please make this stranger warmly welcome (Mogst du, mein Kind, den fremden Mann wilkommen heissen!)
Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Act I: Pogner's Monologue: Now hear and attend me well. The feast of John, Midsummer day (Das schone Fest, Johannistag)
Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Act II: Hans Sachs's Flieder Monologue: My elder tree in flower (Was duftet doch der Flieder)
Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Act III: Hans Sachs's Wahn Monologue: Mad, mad, all the world's mad (Wahn! Wahn! Uberall Wahn!)
Der Rosenkavalier, Op. 59, TrV 227: Der Rosenkavalier, TrV 227: Baron Ochs's Waltz: Look for my glasses there in my jacket
Der Waffenschmied, Act III: Song: I used to be young with a fine head of hair

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