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Tchaikovsky: Symphony No 5, Moscow Cantata / Rozhdestvensky, Cherkasov

Tchaikovsky / Large Sym Orch Of Russian Federation
Release Date: 09/14/2010 
Label:  Musical Concepts   Catalog #: 1105   Spars Code: DDD 
Composer:  Peter Ilyich Tchaikovsky
Conductor:  Gennadi RozhdestvenskyGennadi Cherkasov
Orchestra/Ensemble:  Russian Federal Symphony OrchestraMoscow Radio/TV Symphony Orchestra
Number of Discs: 1 
Recorded in: Stereo 
Length: 1 Hours 11 Mins. 

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Notes and Editorial Reviews

Rozhdestvensky’s career has been prodigiously busy - not least in the recording studio. The second half of the 1980s saw him just as active for recording labels. These three discs - only available separately - represent the second time from that period that he turned to the three last-numbered Tchaikovsky symphonies. This is the first time they have been issued outside the Russian Republic. The other cycle you will know was first issued by IMP Pickwick and was taken down in London in 1987 with that most authentically Russian-sounding of non-Russian Read more orchestras, the LSO. That trio of discs remains a stunningly good choice at any price range and can still be had on Regis RRC 3009.

This Fourth is kinetically magnificent with the conductor paying special attention to the telling use of finely judged acceleration. It benefits from Russian wind and a towering passion that in the first and last movements has the brass phalanx taking voluptuous rage close to tragic rupture. The Andantino is rushed - as it was with the LSO - but the sprinting pizzicato third movement works well even if it does test the piccolo player. This is not as visceral as Mravinsky’s classic London-recorded 1960 stereo version; then again neither is it as mad-eyed manic. The Fifth goes with a doe-eyed lilt, with an indomitable gait and with fiery inspiration in the finale which I had to replay immediately. While it knows drama it is not quite as volcanic as Mravinsky’s Leningrad Fifth (DG, recorded in London in 1960) nor overall is it as satisfying as the gloriously sculpted Monteux/LSO version on Vanguard. The Sixth is outright superb with a warm and close recording of the woodwind detailing of the first movement. This is diluted by a pulling back on the controls for the louder sections but my this is blisteringly imaginative Tchaikovsky! Not once does Rozhdestvensky loosen his extraordinary grip. It’s even more effective than the Mravinsky-Leningrad.

Fedoseyev’s Serenade for Strings glows, hums and cheers with no holds barred yet makes room for delicacy and the finest emotional topography - as in the quasi-Elgarian Elegia (III). This is a nicely achieved recording and in the finale even the background pizz can be heard without undue strain through the main melodic stratum. The Moscow Cantata was previously issued on Regis RRC 1182 five or so years ago. It has the melodramatic crimson of Derbina who grips the music by the throat while Polyakov is wonderfully forward and vibrant. Listen to Derbina’s implacable concentration in the pendulum of time tolling through Am I a warrior. The six part work (each with its own track) is to words by Apollon Maykov. The final section is grand and the choral part blazes - the two soloists stand and deliver like true stalwarts. The vibrantly rushing repeated string waves echo with 1812 (tr. 6 4.55) and the brass writing growls impressively as it also does at the end of section 4 From the Large Forest (4.34). Back to Kogan and the first issue of the Nickrenz-Aubort sessions Nutcracker Suite. Hushed and distant rather than shimmying up close this is an understated Nutcracker sequence and all the better for that.

Notes by James Murray and apart from the merest hint of blast in the more extreme choral moments in the Moscow Cantata these are vivid recordings from a gloriously purple tradition.

I urge all true Tchaikovskians at the very least to hear the scorching Rozhdestvensky Sixth but the others are special too.

-- Rob Barnett, MusicWeb International Read less

Works on This Recording

Symphony no 5 in E minor, Op. 64 by Peter Ilyich Tchaikovsky
Conductor:  Gennadi Rozhdestvensky
Orchestra/Ensemble:  Russian Federal Symphony Orchestra
Period: Romantic 
Written: 1888; Russia 
Date of Recording: 1988 
Venue:  Large Studio, Moscow Radio 
Length: 46 Minutes 10 Secs. 
Cantata for the opening of the Polytechnic Exhibition in Moscow by Peter Ilyich Tchaikovsky
Conductor:  Gennadi Cherkasov
Orchestra/Ensemble:  Moscow Radio/TV Symphony Orchestra
Period: Romantic 
Written: 1872; Russia 
Date of Recording: 1988 
Venue:  Live  Studio 5 of the State Radio House 
Length: 5 Minutes 25 Secs. 

Customer Reviews

Average Customer Review:  1 Customer Review )
 A Virile Fifth April 12, 2016 By owen  ryan (lakewood, CA) See All My Reviews "I don't think it's possible to get bored with a Rozhdestvensky performance of Russian music and that is certainly the case here. This is a hard driven, urgent and dynamic performance that makes some other recordings of Tchaikovsky's Fifth seem soft or tame in comparison. Although there are other very fine recordings available, it's hard to beat this bargain priced issue ( I paid $7- on a sale from Arkiv)." Report Abuse
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