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English Part Songs & Lute Songs / Pro Cantione Antiqua


Release Date: 07/21/2008 
Label:  Warner Classics   Catalog #: 4696140  
Composer:  Thomas RavenscroftEdward PiersRichard BrownHenry Purcell,   ... 
Conductor:  Mark BrownIan Partridge
Orchestra/Ensemble:  Pro Cantione Antiqua
Number of Discs: 1 
In Stock: Usually ships in 24 hours.  

Works on This Recording

1.
Hey ho, to the greenwood by Thomas Ravenscroft
Conductor:  Mark Brown
Orchestra/Ensemble:  Pro Cantione Antiqua
Period: Renaissance 
Written: England 
Length: 1 Minutes 5 Secs. 
Language: English 
2.
Hey trola by Edward Piers
Conductor:  Mark Brown
Orchestra/Ensemble:  Pro Cantione Antiqua
Period: Renaissance 
Length: 3 Minutes 7 Secs. 
Language: English 
3.
We cats by Richard Brown
Conductor:  Mark Brown
Orchestra/Ensemble:  Pro Cantione Antiqua
Period: Baroque 
Written: England 
Length: 2 Minutes 19 Secs. 
Language: English 
4.
Yonder comes a courteous knight by Thomas Ravenscroft
Conductor:  Mark Brown
Orchestra/Ensemble:  Pro Cantione Antiqua
Period: Renaissance 
Written: England 
Length: 6 Minutes 24 Secs. 
Language: English 
5.
I cannot come by Thomas Ravenscroft
Conductor:  Mark Brown
Orchestra/Ensemble:  Pro Cantione Antiqua
Period: Renaissance 
Written: England 
Length: 2 Minutes 56 Secs. 
Language: English 
6.
Once, twice, thrice, I Julia tried, Z 265 by Henry Purcell
Conductor:  Mark Brown
Orchestra/Ensemble:  Pro Cantione Antiqua
Period: Baroque 
Written: England 
Length: 1 Minutes 42 Secs. 
Language: English 
7.
Tomorrow the fox will come to town by Thomas Ravenscroft
Conductor:  Mark Brown
Orchestra/Ensemble:  Pro Cantione Antiqua
Period: Renaissance 
Written: England 
Length: 2 Minutes 8 Secs. 
Language: English 
8.
Canst thou love by Thomas Ravenscroft
Conductor:  Mark Brown
Orchestra/Ensemble:  Pro Cantione Antiqua
Period: Renaissance 
Written: England 
Length: 2 Minutes 9 Secs. 
Language: English 
9.
Celia Learning on the Spinnet by John Isham
Conductor:  Mark Brown
Orchestra/Ensemble:  Pro Cantione Antiqua
Period: Baroque 
Length: 1 Minutes 42 Secs. 
Language: English 
10.
Who liveth so merry by Thomas Ravenscroft
Conductor:  Mark Brown
Orchestra/Ensemble:  Pro Cantione Antiqua
Period: Renaissance 
Written: England 
Length: 1 Minutes 50 Secs. 
Language: English 
11.
Long have we bin perplext by Thomas Ravenscroft
Conductor:  Mark Brown
Orchestra/Ensemble:  Pro Cantione Antiqua
Period: Renaissance 
Written: England 
Length: 2 Minutes 2 Secs. 
Language: English 
12.
Hey ho, nobody at home by Thomas Ravenscroft
Conductor:  Mark Brown
Orchestra/Ensemble:  Pro Cantione Antiqua
Period: Renaissance 
Written: England 
Length: 1 Minutes 1 Secs. 
Language: English 
13.
Give us once a drink by Thomas Ravenscroft
Conductor:  Mark Brown
Orchestra/Ensemble:  Pro Cantione Antiqua
Period: Renaissance 
Written: England 
Length: 2 Minutes 56 Secs. 
Language: English 
14.
Glories of our birth and state by Edward Coleman
Conductor:  Mark Brown
Orchestra/Ensemble:  Pro Cantione Antiqua
Period: Renaissance 
Length: 4 Minutes 4 Secs. 
Language: English 
15.
Under this stone lies Gabriel John, Z 286 by Henry Purcell
Conductor:  Mark Brown
Orchestra/Ensemble:  Pro Cantione Antiqua
Period: Baroque 
Written: by 1686; England 
Length: 1 Minutes 54 Secs. 
Language: English 
16.
Who's the fool now by Thomas Ravenscroft
Conductor:  Mark Brown
Orchestra/Ensemble:  Pro Cantione Antiqua
Period: Renaissance 
Written: England 
Length: 1 Minutes 41 Secs. 
Language: English 
17.
Diaphenia, like the daffdowndilly by Francis Pilkington
Conductor:  Ian Partridge
Orchestra/Ensemble:  Pro Cantione Antiqua
Period: Renaissance 
Written: by 1605; England 
Length: 2 Minutes 24 Secs. 
Language: English 
18.
Thinkst thou Kate by Robert Jones
Conductor:  Ian Partridge
Orchestra/Ensemble:  Pro Cantione Antiqua
Period: Renaissance 
Written: England 
Length: 1 Minutes 54 Secs. 
Language: English 
19.
Down, a down by Francis Pilkington
Conductor:  Ian Partridge
Orchestra/Ensemble:  Pro Cantione Antiqua
Period: Renaissance 
Length: 2 Minutes 54 Secs. 
Language: English 
20.
A shepherd in a shade his plaining made, D 45 by John Dowland
Conductor:  Ian Partridge
Orchestra/Ensemble:  Pro Cantione Antiqua
Period: Renaissance 
Written: 1600; England 
Length: 3 Minutes 6 Secs. 
Language: English 
21.
Second Booke of Songes or Ayres: no 12, Fine knacks for ladies by John Dowland
Conductor:  Ian Partridge
Orchestra/Ensemble:  Pro Cantione Antiqua
Period: Renaissance 
Written: 1600; England 
Length: 2 Minutes 47 Secs. 
Language: English 
22.
A Pilgrimes Solace: no 17, Where sinne sore wounding by John Dowland
Conductor:  Ian Partridge
Orchestra/Ensemble:  Pro Cantione Antiqua
Period: Renaissance 
Written: England 
Length: 2 Minutes 32 Secs. 
Language: English 
23.
Never weather-beaten saile more willing bent to shore by Thomas Campion
Conductor:  Ian Partridge
Orchestra/Ensemble:  Pro Cantione Antiqua
Period: Renaissance 
Written: by 1613; England 
Length: 2 Minutes 43 Secs. 
Language: English 
24.
Jacke and Jone they thinke no ill by Thomas Campion
Conductor:  Ian Partridge
Orchestra/Ensemble:  Pro Cantione Antiqua
Period: Renaissance 
Written: by 1613; England 
Length: 2 Minutes 17 Secs. 
Language: English 
25.
Luer falconer by John Bennet
Conductor:  Mark Brown
Orchestra/Ensemble:  Pro Cantione Antiqua
Period: Renaissance 
Written: England 
Length: 1 Minutes 36 Secs. 
Language: English 
26.
Round about in a fair ring by John Bennet
Conductor:  Mark Brown
Orchestra/Ensemble:  Pro Cantione Antiqua
Period: Renaissance 
Written: by 1599; England 
Length: 1 Minutes 4 Secs. 
Language: English 

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