Notes and Editorial Reviews
BEETHOVEN
Piano Sonata in D,
op. 10/3.
SCHUMANN
Kreisleriana.
CHOPIN
Ballade No. 3.
PROKOFIEV
War and Peace:
Waltz
•
Anika Vavic (pn)
•
GRAMOLA 96889 (72: 12)
In this interesting program, Anika Vavic, who was born in Belgrade and lives in Vienna, plays music
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that was inspired, one way or another, by literature. Beethoven said that the slow movement of his Sonata in D, op. 10/3 was affected by Klärchen’s death in
Egmont; Kreisleriana
is meant to evoke the moods of the E. T. A. Hoffmann character in
Katers Murr;
Chopin was inspired by the Polish poet Adam Mickeiwicz; and the Prokofiev waltz was, of course, meant to be part of the composer’s opera based on Tolstoy’s
War and Peace.
That proves, certainly, that Anika Vavic has a literary bent. Interestingly, she talks in her notes about art as a way of slowing down, or suspending, the rush of (post)modern life, of finding perhaps the still point at the center of the music.
At least that is what I understand of her writings. What I hear is an intriguing, even bold, program played masterfully, with character and yet often with gentleness. Her Schumann, for instance, is not so bright and striking as the recent recording of
Kreisleriana
by Pollini. Yet I find it also satisfying in its (relatively) muted colors. The Beethoven with which the program begins is stately and sensitive, the astonishing slow movement taken not quite as slowly as did the masterly Schnabel, but with a steady sobriety that does not lose tension. Beethoven’s music can be many things, including eccentric. My only quarrel with the Vavic performance comes in the quirky last movement, with its (to me) odd rushes and hesitations. I think she underplays, or smoothes over, the playfulness. Even if I am used to hearing the opening bars of the Chopin Ballade played with more tension, the piece nonetheless responds well to her style and modest tempos. (Again, Pollini stands out in my mind among recent performances, as does Perahia.) The Prokofiev is charming. I find myself, however, most wanting to recommend this disc for the Beethoven and the Schumann.
FANFARE: Michael Ullman
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Works on This Recording
1.
Sonata for Piano no 7 in D major, Op. 10 no 3 by Ludwig van Beethoven
Performer:
Anika Vavic (Piano)
Period: Classical
Written: 1797-1798; Vienna, Austria
Venue: Studio Tonal, Vienna
Length: 23 Minutes 58 Secs.
2.
Kreisleriana, Op. 16 by Robert Schumann
Performer:
Anika Vavic (Piano)
Period: Romantic
Written: 1838; Germany
Venue: Studio Tonal, Vienna
Length: 33 Minutes 8 Secs.
3.
Ballade for Piano no 3 in A flat major, B 136/Op. 47 by Frédéric Chopin
Performer:
Anika Vavic (Piano)
Period: Romantic
Written: 1840-1841; Paris, France
Venue: Studio Tonal, Vienna
Length: 8 Minutes 18 Secs.
4.
War and Peace, Op. 91: Waltz by Sergei Prokofiev
Performer:
Anika Vavic (Piano)
Period: Modern
Written: 1941-1943
Venue: Studio Tonal, Vienna
Length: 4 Minutes 0 Secs.
Sound Samples
Piano Sonata No. 7 in D major, Op. 10, No. 3: I. Presto
Piano Sonata No. 7 in D major, Op. 10, No. 3: II. Largo e mesto
Piano Sonata No. 7 in D major, Op. 10, No. 3: III. Menuetto - Trio - Menuetto: Allegro
Piano Sonata No. 7 in D major, Op. 10, No. 3: IV. Rondo: Allegro
Kreisleriana, Op. 16: I. Ausserst bewegt
Kreisleriana, Op. 16: II. Sehr innig und nicht zu rasch
Kreisleriana, Op. 16: III. Sehr aufgeregt
Kreisleriana, Op. 16: IV. Sehr langsam
Kreisleriana, Op. 16: V. Sehr lebhaft
Kreisleriana, Op. 16: VI. Sehr langsam
Kreisleriana, Op. 16: VII. Sehr rasch
Kreisleriana, Op. 16: VIII. Schnell und spielend
Ballade No. 3 in A flat major, Op. 47
Voyna i mir (War and Peace), Op. 91: Waltz
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