WGBH Radio WGBH Radio theclassicalstation.org

The Golden Age Of Light Music: Highly Strung

Release Date: 06/08/2010 
Label:  Guild   Catalog #: 5166   Spars Code: ADD 
Composer:  Jack MasonSteve RaceGeorge FrenchCarlos Rocha,   ... 
Performer:  Johnny Dankworth
Conductor:  Arthur FiedlerEric CookEric JuppPhilippe Pages,   ... 
Orchestra/Ensemble:  Knightsbridge StringsMusic of the Mountains
Number of Discs: 1 
Recorded in: Mono 
Length: 1 Hours 19 Mins. 

In Stock: Usually ships in 24 hours.  

Notes and Editorial Reviews

Another great selection from Guild, full of the most delicious things. George French’s title piece, Highly Strung, is a wild scherzo in the manner of David Rose’s Holiday for Strings, with lots of swirling string movement and great support from the brass and winds. Jack Mason’s Pops Polka is a typical Boston rush and Steve Race’s Ring Ding has a touch of Latin about it. Very nice.

I am a big fan of Roger Roger, and it’s good to have his racy Paris Pullman here, perhaps not exactly highly strung but it does have a great string tune. David Rose’s compositions really do grow on you, and Gay Spirits is a delightful concoction which has some splendid pizzicato writing, not to mention a lovely violin solo. Bob Farnon’s Little Miss
Read more Molly has a Ravelian fairytale quality about it. It’s a delightful miniature with a prominent part for flute. Lovely. Zez Confrey, sans both kitten and keys, but armed with a xylophone delivers a good tune, with great orchestration - especially in the middle section for piano with a guitar or banjo in the background! Alex North is a much underrated composer and I welcome this excerpt from his music for The Wonderful Country - Americana at its very best. Charles Williams’s Toy Violin is a perfect pizzicato study. Fred Hartley’s Jack In The Box is a lovely piece of chamber music swing - of the kind sometimes offered by Alec Wilder.

Song of Lisbon is the kind of music you’d hear in a Mexican-set western of yesteryear, “we go to de cantina and drink wiz dee greengos”, and the cool sax of the late Johnny Dankworth graces Philip Green’s theme from Sapphire - a fine composition. Gaste’s Le Soir is a sleepy cor anglais and strings duet which is followed by a sterling Ronald Binge arrangement of Harry Warren’s (known, quite rightly, as ‘Mr Hollywood Musical’) Afraid To Dream, a beautiful song very well served by its arranger. The illustrious Clive Richardson, under a pseudonym, gives us a lovely string melody with the additional of a trumpet with felt mute. This is a lovely relaxed desert island thing.

OK, so I’ve gone to my favourites first, but can you blame me? If I didn’t it would be impossible to know where to start. For the rest there are pleasures aplenty. Schick’s Sheerline is made of the finest denier. Cry Of The Wild Goose is a bongo-driven flight, a fabulous Philip Green arrangement here. Cesana’s Whirlwind is a depiction of the wind, with romantic music in the middle, how strange this is; perhaps he had a film scene in mind. It was Cole Porter who introduced the world to the beguine and here Frank Chacksfield offers a rather lovely one, with a haunting theme, not to be forgotten in a hurry. Debussy wrote a Marche écossaise and to match it, another Frenchman crosses Hadrian’s Wall and gives us a Gigue Ecossaise, which is great fun. Ron Goodwin’s All Strung Up has the feel of the coffee bar to it, but no Teds are in evidence. Perpetual Notion, a nice title, is reminiscent of Bernstein’s Three Dance Episodes from On The Town.

For the rest, the most important is probably Adolph Deutsch’s underscore from Some Like It Hot, a real slice of Hollywood, but with a most unsatisfactory, inconclusive ending. But that’s the trouble with underscore. It comes and suddenly it’s gone!

Guild has done it again, compiling a fascinating collection of pieces in excellent sound, and with helpful, but not exhaustive, notes. I have a list of pieces I’d love them to do and my mouth waters at what delights they will come up with next. As ever, I am all anticipation. This is an invaluable series.

-- Bob Briggs, MusicWeb International
Read less

Works on This Recording

Pops Polka, for orchestra by Jack Mason
Conductor:  Arthur Fiedler
Length: 2 Minutes 49 Secs. 
Ring Ding, for orchestra by Steve Race
Orchestra/Ensemble:  Knightsbridge Strings
Length: 2 Minutes 35 Secs. 
Highly Strung, for orchestra by George French
Conductor:  Eric Cook
Length: 2 Minutes 18 Secs. 
Song Of Lisbon (Sempre Que Lisboa Canta), for orchestra by Carlos Rocha
Conductor:  Eric Jupp
Length: 2 Minutes 35 Secs. 
Paris Pullman, for orchestra by Roger Roger
Conductor:  Philippe Pages
Length: 2 Minutes 37 Secs. 
Sapphire Theme, for orchestra by Philip Green
Performer:  Johnny Dankworth (Saxophone)
Conductor:  Philip Green
Length: 2 Minutes 53 Secs. 
Le Soir (I'd Love To Fall Asleep), for orchestra by Louis Gasté
Conductor:  Boris Sarbek
Length: 3 Minutes 8 Secs. 
Afraid To Dream by Harry Revel
Conductor:  Ronald Binge
Length: 3 Minutes 1 Secs. 
Jack In The Box, for orchestra by Fred Hartley
Conductor:  Fred Hartley
Length: 2 Minutes 19 Secs. 
Gay Spirits, for orchestra by David Rose
Conductor:  David Rose
Length: 2 Minutes 39 Secs. 
Sheerline, for orchestra by Kurt Schick
Conductor:  Curt Andersen
Length: 2 Minutes 40 Secs. 
Little Miss Molly by Robert Farnon
Conductor:  Robert Farnon
Period: 20th Century 
Written: 1950s; England 
Length: 3 Minutes 3 Secs. 
Cry of the Wild Goose by Terry Gilkyson
Conductor:  Philip Green
Length: 2 Minutes 32 Secs. 
Whirlwind, for orchestra by Otto Cesana
Conductor:  Otto Cesana
Length: 3 Minutes 16 Secs. 
Life In New York, for orchestra by Bernie Wayne
Conductor:  Monty Kelly
Length: 2 Minutes 51 Secs. 
Sunshine Beguine, for orchestra by Frank Chacksfield
Conductor:  Curt Andersen
Length: 2 Minutes 44 Secs. 
Gigue Ecossaise (Scottish Jig), for orchestra by Gérard Calvi
Conductor:  Gérard Calvi
Length: 2 Minutes 46 Secs. 
Sentimental Magic, for orchestra by Paul Dubois
Conductor:  Charles Williams
Length: 3 Minutes 14 Secs. 
All Strung Up, for orchestra by Ron Goodwin
Conductor:  Ron Goodwin
Length: 2 Minutes 24 Secs. 
The Honeymoon Song, for orchestra by Mikis Theodorakis
Conductor:  Geoff Love
Orchestra/Ensemble:  Music of the Mountains
Length: 2 Minutes 23 Secs. 
Limelight Waltz, for orchestra by Albert Marland
Conductor:  Eric Cook
Length: 2 Minutes 40 Secs. 
Toy Violin, for orchestra by Charles Williams
Conductor:  Charles Williams
Length: 1 Minutes 28 Secs. 
Blue Serenade by Frank Signorelli
Conductor:  Axel Stordahl
Length: 2 Minutes 45 Secs. 
Perpetual Notion by Percy Faith
Conductor:  Percy Faith
Length: 3 Minutes 32 Secs. 
Ziegfeld Follies of 1919: A Pretty Girl is Like a Melody by Irving Berlin
Conductor:  Peter Yorke
Written: 1919 
Length: 3 Minutes 30 Secs. 
Park Avenue Fantasy, for orchestra by Adolph Deutsch
Conductor:  Adolph Deutsch
Length: 4 Minutes 3 Secs. 
Stumbling by Zez Confrey
Conductor:  Morton Gould
Period: 20th Century 
Written: 1922; USA 
Length: 2 Minutes 14 Secs. 
Ma Belle, for orchestra by Rudolf Friml
Conductor:  Geoff Love
Length: 2 Minutes 5 Secs. 
The Wonderful Country: Theme by Alex North
Conductor:  Mitchell Powell
Period: Modern 
Written: 1959 
Length: 2 Minutes 15 Secs. 

Customer Reviews

Be the first to review this title
Review This Title