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Icon - Kirsten Flagstad - The Supreme Wagnerian Soprano


Release Date: 03/23/2010 
Label:  Warner Classics   Catalog #: 55346  
Composer:  George Frideric HandelJohann Sebastian BachHenry PurcellChristoph W. Gluck,   ... 
Performer:  Kirsten FlagstadSet SvanholmBlanche ThebomLudwig Suthaus,   ... 
Conductor:  Warwick BraithwaiteWalter SusskindUnknownIssay Dobrowen,   ... 
Orchestra/Ensemble:  Philharmonia OrchestraOrchestra
Number of Discs: 5 
In Stock: Usually ships in 24 hours.  

Notes and Editorial Reviews

The Voice of the Century!

Most of the material in this 5-disc collection has previously appeared on CD. About half the contents showcase Kirsten Flagstad's iconic Wagner interpretations in her post-war prime, when the voice had darkened and deepened. The remainder offers a wide representation of sacred music and art song recordings that date back as far as 1923. When it came to lieder, Flagstad never was much of a word painter, but why criticize Niagara Falls for not being Evian water? The main question for collectors concerns transfer quality, and it's worth citing chapter and verse.

On Disc 1, the arias from Handel's Serse and Messiah, Bach's St. Matthew Passion, Purcell's Dido and Aeneas, and Gluck's
Read more Orfeo ed Euridice stem from a 1993 Testament reissue. These are followed by Arne Dørumsgaard's arrangements from the Canzone scordate song anthology, remastered for a 2003 Testament release. The latter also included seven Dørumsgaard songs, reproduced on Disc 3 along with songs by Beethoven, Schubert, Strauss, Bridge, and Wagner (several of which are newly transferred here).

Disc 2 clones the 1990 Great Recordings of the 20th Century reissue of Flagstad in Norwegian songs, down to its over-CEDAR-ized transfers. However, the aforementioned 1993 Testament CD provides the excellent transfer for the 1949 Todesverkündigung scene from Wagner's Die Walküre Act 2 with Set Svanholm. So far as my ears can perceive, the 1951 Siegfried and Götterdämmerung duets with Svanholm sound like the transfers effected for EMI's Les Introuvables du Ring 4-CD anthology.

Wagner's Wesendonck-Lieder with Gerald Moore at the piano, the 1949 Allmächt'ge Junfraud from Tannhäuser Act 3, and the 1949 Götterdämmerung Immolation Scene are from a 2004 Great Artists of the 20th Century Flagstad/Wagner reissue. Lastly, excerpts from the classic 1952 Tristan und Isolde under Furtwängler are drawn from EMI's superb 2001 GROC remastering of the complete opera. You won't find a better overview of Flagstad's EMI studio recordings at a lower price.

--Jed Distler, ClassicsToday.com

"No one within living memory surpassed her in sheer beauty and consistency of line and tone." (New Grove); "The greatest soprano of this century” (Rudolf Bing). These are only two random commentaries on the greatness of Kirsten Flagstad. The recordings on this issue only serve to endorse these verdicts.
 
Born in Hamar on Lake Mjösa in Norway she very early learnt to play the piano from her pianist mother. After further studies in Oslo she made her stage debut at the age of eighteen. The next twenty years she spent in Norway and Sweden, appearing in operettas and various operas. It was not until 1935, after appearances at Bayreuth, that she was engaged by the Metropolitan Opera, where she over-night became a superstar. She made song recordings as early as 1914 and then in 1923 and 1929; some of these can be heard on the present issue. Unfortunately no recordings of operatic arias exist until 1935, after her great break-through. But we have to be grateful that anything at all from her formative years has been preserved. On the two last tracks on CD 2 we encounter a 28-year-old Flagstad and we immediately recognize her voice, in spite of the primitive acoustic recording. The tone is lighter and more silvery, and the sides set down in January 1929 display the same characteristics: a more youthful voice but the power is undoubtedly there and we should be aware of the fact that she had already been singing Aida and Tosca and that her first Wagner role, Elsa in Lohengrin, was in the pipeline within months. These are fascinating issues and one can wonder why nobody was imaginative enough to record her in at least a couple of arias. It would have been great to hear her as Tosca and Aida for instance and maybe even more thrilling lyrical roles like Marguerite.
 
On CD 2 and CD 3 there are also a handful of songs recorded in 1936 and 1937 with her regular accompanist for many years Edwin McArthur but the rest of the material is from the late 1940s and early 1950s, when she was already well past fifty. But her voice was still in mint condition and her insight even greater than a decade earlier. CD 1 with songs and arias from Baroque and early Classicism may not be, stylistically, what we expect today but there is no mistaking the nobility of the readings. I was deeply moved by the first five standard arias and among the Canzone scordate I was particularly impressed by the songs of C.P.E. Bach.
 
Grieg was a favourite for Kirsten Flagstad and I have known the recordings on CD 2 these many years. I had intended just to sample some of them but was so captivated that I listened through all eighteen. Few singers have got to the core of this music as Flagstad did. Of the other Norwegian songs Alf Hurum’s Blonde naetter was new to me – and a very pleasant acquaintance at that.
 
On CD 3 we get some well known Lieder and some very attractive Norwegian songs. Schubert’s Die Allmacht gets a monumental reading, while Frühlingsglaube is marred by heavy rubato and lacks freshness. Wanderers Nachtlied is more majestic than truly inward. Beethoven’s Die Ehre Gottes is glorious, though uncommonly restrained. The two Strauss songs – of which Cäcilie shows Flagstad at her very best as a song interpreter – are a reminder that the composer had heard her in Bayreuth in 1933, where he offered her the soprano part in Beethoven’s symphony No. 9, and much later invited her to premiere his Vier letzte Lieder. Alas Strauss didn’t live long enough to hear them.
 
Frank Bridge’s Love went a-riding is lively and dramatic. A gem! Arne Dørumsgaard, who is probably better known as an arranger of older music, was also a composer in his own right and the seven songs here are vital and grateful for a dramatic singer. Hjuring-lokk is a riveting piece and so is the concluding Alle mann hadde fota.
 
And so we reach what most readers are waiting for: Flagstad as the supreme Wagner soprano. No one will be disappointed. The Wesendonck-Lieder from 1948 with piano accompaniment (by the ever-sensitive Gerald Moore) are wonderful readings, inward and full of feeling. She recorded them again a decade later for Decca with Hans Knappertsbusch conducting the Vienna Philharmonic, but good as they are this version with piano is even better. Few singers have equalled Flagstad here. The Tannhäuser aria is also desert island stuff with luminous tone and exquisite phrasing.
 
The remaining space on CD 3 and three tracks on CD 4 find her in harness with her favourite tenor Set Svanholm. He was a brilliant singer, not as sonorous as Melchior but definitely the most dramatic and accurate of his generation. These recordings should be in every decent Wagner collection and it is a pity there was no room for the love duet from Tristan und Isolde with the two Scandinavians. The last track on CD 4 is the even more unforgettable Immolation scene from Götterdämmerung with Furtwängler and it is unsurpassed!
 
On CD 5 we are offered five substantial chunks from the complete Tristan und Isolde, again with Furtwängler at the helm. This is by many regarded as the best ever recording of the work – and who am I to deny that verdict? Maybe there have been greater Brangänes – Christa Ludwig on Karl Böhm’s Bayreuth set from the mid-1960s – but Blanche Thebom, Swedish-born like Svanholm, is more than acceptable. There have also been more charismatic Tristans than Suthaus, but he too is well in the picture and, contrary to many exponents of the role, he sings it, never resorting to shouting. The complete recording, available on several labels, is always preferable but those who feel life is satisfactory with only highlights will feel more than content with these 78 minutes.
 
Flagstad lovers who lack some or most of these recordings need no encouragement to buy this set; those unfamiliar with “The Voice of the Century” should without delay place their orders. To get a fuller picture of Flagstad they will also need her mid-1930s American recordings for RCA Victor, including Grieg’s Haugtussa and a number of arias by Beethoven, Weber and Wagner. They are available on Naxos 8.110725. For the very late Flagstad her Decca recordings, now available at super-budget price on Australian Eloquence, will give an even fuller picture. Especially the Wagner recordings and the songs by Grieg and Sibelius are essential. Such a collection will give pleasure for uncountable hours to come. But start with this EMI box. “The Voice of the Century”, indeed!
 
-- Göran Forsling, MusicWeb International
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Works on This Recording

1.
Serse, HWV 40: Ombra mai fu "Largo" by George Frideric Handel
Performer:  Kirsten Flagstad (Soprano)
Conductor:  Warwick Braithwaite
Orchestra/Ensemble:  Philharmonia Orchestra
Period: Baroque 
Written: 1738; London, England 
2.
Messiah, HWV 56: I know that my redeemer liveth by George Frideric Handel
Performer:  Kirsten Flagstad (Soprano)
Conductor:  Warwick Braithwaite
Orchestra/Ensemble:  Philharmonia Orchestra
Period: Baroque 
Written: 1742; London, England 
3.
Saint Matthew Passion, BWV 244: no 47, Erbarme dich by Johann Sebastian Bach
Performer:  Kirsten Flagstad (Soprano)
Conductor:  Walter Susskind
Orchestra/Ensemble:  Philharmonia Orchestra
Period: Baroque 
Written: ?1727; Leipzig, Germany 
4.
Dido and Aeneas, Z 626: Thy hand, Belinda...When I am laid in earth by Henry Purcell
Performer:  Kirsten Flagstad (Soprano)
Conductor:  Warwick Braithwaite
Orchestra/Ensemble:  Philharmonia Orchestra
Period: Baroque 
Written: 1689; England 
5.
Orfeo ed Euridice: Che farò senza Euridice? by Christoph W. Gluck
Performer:  Kirsten Flagstad (Soprano)
Conductor:  Walter Susskind
Orchestra/Ensemble:  Philharmonia Orchestra
Period: Classical 
Written: 1762/1774; Vienna, Austria 
6.
Songs (6), Op. 48: no 6, Ein Traum by Edvard Grieg
Performer:  Kirsten Flagstad (Soprano)
Conductor:  Warwick Braithwaite
Orchestra/Ensemble:  Philharmonia Orchestra
Period: Romantic 
Written: 1889; Norway 
7.
Songs (4), Op. 21: no 4, Thanks for your advice by Edvard Grieg
Performer:  Kirsten Flagstad (Soprano)
Conductor:  Warwick Braithwaite
Orchestra/Ensemble:  Philharmonia Orchestra
Period: Romantic 
Written: 1872; Norway 
8.
Melodies (12), Op. 33: no 2, Spring by Edvard Grieg
Performer:  Kirsten Flagstad (Soprano)
Conductor:  Walter Susskind
Orchestra/Ensemble:  Philharmonia Orchestra
Period: Romantic 
Written: 1880; Norway 
9.
Romances (6), Op. 39: no 1, From Monte Pincio by Edvard Grieg
Performer:  Kirsten Flagstad (Soprano)
Conductor:  Warwick Braithwaite
Orchestra/Ensemble:  Philharmonia Orchestra
Period: Romantic 
Written: 1870; Norway 
10.
Melodies (12), Op. 33: no 1, The youth by Edvard Grieg
Performer:  Kirsten Flagstad (Soprano)
Conductor:  Warwick Braithwaite
Orchestra/Ensemble:  Philharmonia Orchestra
Period: Romantic 
Written: 1880; Norway 
11.
Songs (5), Op. 70: no 1, Eros by Edvard Grieg
Performer:  Kirsten Flagstad (Soprano)
Conductor:  Warwick Braithwaite
Orchestra/Ensemble:  Philharmonia Orchestra
Period: Romantic 
Written: 1900; Norway 
12.
Melodies (12), Op. 33: no 9, At Rundarne by Edvard Grieg
Performer:  Kirsten Flagstad (Soprano)
Conductor:  Warwick Braithwaite
Orchestra/Ensemble:  Philharmonia Orchestra
Period: Romantic 
Written: 1880; Norway 
13.
Songs (6), Op. 48: no 6, Ein Traum by Edvard Grieg
Performer:  Kirsten Flagstad (Soprano)
Conductor:  Warwick Braithwaite
Orchestra/Ensemble:  Philharmonia Orchestra
Period: Romantic 
Written: 1889; Norway 
14.
Songs (6), Op. 25: no 2, A swan by Edvard Grieg
Performer:  Kirsten Flagstad (Soprano)
Conductor:  Warwick Braithwaite
Orchestra/Ensemble:  Philharmonia Orchestra
Period: Romantic 
Written: 1876; Norway 
15.
Melodies (12), Op. 33: no 3, The wounded heart by Edvard Grieg
Performer:  Kirsten Flagstad (Soprano)
Conductor:  Warwick Braithwaite
Orchestra/Ensemble:  Philharmonia Orchestra
Period: Romantic 
Written: 1880; Norway 
16.
Romances (4), Op. 15: no 4, A mother's grief by Edvard Grieg
Performer:  Kirsten Flagstad (Soprano)
Conductor:  Unknown
Orchestra/Ensemble:  Orchestra
Period: Romantic 
Written: 1868; Norway 
17.
Peer Gynt, Op. 23: no 18, Solvejg's Song by Edvard Grieg
Performer:  Kirsten Flagstad (Soprano)
Conductor:  Unknown
Orchestra/Ensemble:  Orchestra
Period: Romantic 
Written: 1874-1875; Norway 
18.
Säterjäntans söndag by Ole Borneman Bull
Performer:  Kirsten Flagstad (Soprano)
Conductor:  Unknown
Orchestra/Ensemble:  Orchestra
Period: Romantic 
19.
Romances (6), Op. 39: no 4, Among the roses by Edvard Grieg
Performer:  Kirsten Flagstad (Soprano)
Conductor:  Unknown
Orchestra/Ensemble:  Orchestra
Period: Romantic 
Written: 1869; Norway 
20.
The Child's Spring Day, Op. 42: no 7, Eventide by Agathe Backer Grondahl
Performer:  Kirsten Flagstad (Soprano)
Conductor:  Unknown
Orchestra/Ensemble:  Orchestra
Period: Romantic 
Written: by 1899; Norway 
21.
Tannhäuser: Allmächt'ge Jungfrau "Elisabeth's Prayer" by Richard Wagner
Performer:  Kirsten Flagstad (Soprano)
Conductor:  Issay Dobrowen
Orchestra/Ensemble:  Philharmonia Orchestra
Period: Romantic 
Written: 1845/1861; Germany 
22.
Die Walküre: Siegmund, sieh' auf mich "Todesverkündigung" by Richard Wagner
Performer:  Kirsten Flagstad (Soprano), Set Svanholm (Tenor)
Conductor:  Karl Böhm
Orchestra/Ensemble:  Philharmonia Orchestra
Period: Romantic 
Written: 1856; Germany 
23.
Siegfried: Heil dir, Sonne! by Richard Wagner
Performer:  Kirsten Flagstad (Soprano), Set Svanholm (Tenor)
Conductor:  Georges Sebastian
Orchestra/Ensemble:  Philharmonia Orchestra
Period: Romantic 
Written: 1871; Germany 
24.
Götterdämmerung: Zu neuen Taten by Richard Wagner
Performer:  Kirsten Flagstad (Soprano), Set Svanholm (Tenor)
Conductor:  Georges Sebastian
Orchestra/Ensemble:  Philharmonia Orchestra
Period: Romantic 
Written: 1874; Germany 
25.
Götterdämmerung: Helle Wehr! heilige Waffe! by Richard Wagner
Performer:  Kirsten Flagstad (Soprano), Set Svanholm (Tenor)
Conductor:  Hermann Weigert
Orchestra/Ensemble:  Philharmonia Orchestra
Period: Romantic 
Written: 1874; Germany 
26.
Götterdämmerung: Immolation by Richard Wagner
Performer:  Kirsten Flagstad (Soprano)
Conductor:  Wilhelm Furtwängler
Orchestra/Ensemble:  Philharmonia Orchestra
Period: Romantic 
Written: 1874; Germany 
27.
Tristan und Isolde: Doch nun von Tristan! by Richard Wagner
Performer:  Kirsten Flagstad (Soprano), Blanche Thebom (Mezzo Soprano)
Conductor:  Wilhelm Furtwängler
Orchestra/Ensemble:  Philharmonia Orchestra
Written: 1865 
28.
Tristan und Isolde: Hörst du sie noch? by Richard Wagner
Performer:  Kirsten Flagstad (Soprano), Blanche Thebom (Mezzo Soprano)
Conductor:  Wilhelm Furtwängler
Orchestra/Ensemble:  Philharmonia Orchestra
Period: Romantic 
Written: 1859; Germany 
29.
Tristan und Isolde: Isolde! Tristan!...O sink' hernieder by Richard Wagner
Performer:  Blanche Thebom (Mezzo Soprano), Kirsten Flagstad (Soprano), Ludwig Suthaus (Tenor)
Conductor:  Wilhelm Furtwängler
Orchestra/Ensemble:  Philharmonia Orchestra
Period: Romantic 
Written: 1859; Germany 
30.
Tristan und Isolde: Mild und leise "Liebestod" by Richard Wagner
Performer:  Kirsten Flagstad (Soprano)
Conductor:  Wilhelm Furtwängler
Orchestra/Ensemble:  Philharmonia Orchestra
Period: Romantic 
Written: 1859; Germany 
31.
Auf, auf mein Herz mit Freude by Johannes Crüger
Performer:  Kirsten Flagstad (Soprano), Gerald Moore (Piano)
Period: Baroque 
32.
Geh' ein, mein Leib, in deine Kammer by Georg Böhm
Performer:  Kirsten Flagstad (Soprano), Gerald Moore (Piano)
Period: Baroque 
33.
Die Gütes Gottes by Carl Philipp Emmanuel Bach
Performer:  Kirsten Flagstad (Soprano), Gerald Moore (Piano)
Period: Classical 
Written: by 1757; Germany 
34.
Geistliche Oden und Lieder (55), Wq 194/H 686: no 46, Busslied by Carl Philipp Emmanuel Bach
Performer:  Kirsten Flagstad (Soprano), Gerald Moore (Piano)
Period: Classical 
Written: 1757; Berlin, Germany 
35.
Sacred Songs (30) II, Wq 198/H 752: no 6, Passionslied by Carl Philipp Emmanuel Bach
Performer:  Kirsten Flagstad (Soprano), Gerald Moore (Piano)
Period: Classical 
Written: 1781; Hamburg, Germany 
36.
Preis sei dem Gotte by Carl Philipp Emmanuel Bach
Performer:  Kirsten Flagstad (Soprano), Gerald Moore (Piano)
Period: Classical 
37.
Vergiss mein nicht, vergiss mein nicht! BWV 505 by Johann Sebastian Bach
Performer:  Kirsten Flagstad (Soprano), Gerald Moore (Piano)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
38.
O finstre Nacht, BWV 492 by Johann Sebastian Bach
Performer:  Kirsten Flagstad (Soprano), Gerald Moore (Piano)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
39.
Liebster Herr Jesu! Wo bleibest du so lange?, BWV 484 by Johann Sebastian Bach
Performer:  Kirsten Flagstad (Soprano), Gerald Moore (Piano)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
40.
Komm, süsser Tod, komm, sel'ge Ruh'!, BWV 478 by Johann Sebastian Bach
Performer:  Kirsten Flagstad (Soprano), Gerald Moore (Piano)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
41.
Dir, dir, Jehova, will ich singen, BWV 452 by Johann Sebastian Bach
Performer:  Kirsten Flagstad (Soprano), Gerald Moore (Piano)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
42.
Wie seh' ich dich, mein Jesu, bluten by Johann Wolfgang Franck
Performer:  Kirsten Flagstad (Soprano), Gerald Moore (Piano)
Period: Baroque 
43.
Sei nur still by Johann Wolfgang Franck
Performer:  Kirsten Flagstad (Soprano), Gerald Moore (Piano)
Period: Baroque 
44.
Auf, auf! zu Gottes Lob! by Johann Wolfgang Franck
Performer:  Kirsten Flagstad (Soprano), Gerald Moore (Piano)
Period: Baroque 
45.
Soccorretemi, ch' io moro by Giacomo Carissimi
Performer:  Kirsten Flagstad (Soprano), Gerald Moore (Piano)
Period: Baroque 
Written: 17th Century; Italy 
46.
O Ewigkeit by Johann Löhner
Performer:  Kirsten Flagstad (Soprano), Gerald Moore (Piano)
Period: Baroque 

Sound Samples

Serse: Ombra mai fu (1993 Digital Remaster)
Serse: Ombra mai fu (1993 Digital Remaster): Serse: Ombra mai fu
Messiah: I know that my redeemer liveth (1993 Digital Remaster): Messiah: I know that my redeemer liveth
Messiah: I know that my redeemer liveth (1993 Digital Remaster)
St Matthew Passion: Erbarme dich, mein Gott (1993 Digital Remaster): St Matthew Passion: Erbarme dich, mein Gott
St Matthew Passion: Erbarme dich, mein Gott (1993 Digital Remaster)
Dido & Aeneas: Thy hand, Belinda...When I am laid in earth (1993 Digital Remaster)
Dido & Aeneas: Thy hand, Belinda...When I am laid in earth (1993 Digital Remaster): Dido & Aeneas: Thy hand, Belinda...When I am laid in earth
Orfeo ed Euridice: Che farò senza Euridice
Orfeo ed Euridice: Che farò senza Euridice
Auf, auf mein Herz mit Freude
Auf, auf mein Herz mit Freude
Geh'ein, mein Leib, in deine Kammer
Geh'ein, mein Leib, in deine Kammer
Die Güte Gottes
Die Güte Gottes
Busslied (An dir Allein)
Busslied (An dir Allein)
Passionslied
Passionslied
Preis sei dem Gotte
Preis sei dem Gotte
Vergiss mein nicht
Vergiss mein nicht
O finstre Nacht
O finstre Nacht
Liebster Herr Jesu
Liebster Herr Jesu
Komm, süsser Tod
Komm, süsser Tod
Dir, dir Jehova
Dir, dir Jehova
Wie seh'ich dich, mein Jesu, bluten
Wie seh'ich dich, mein Jesu, bluten
Sei nur still
Sei nur still
Auf, auf! zu Gottes Lob!
Auf, auf! zu Gottes Lob!
Soccorretemi ch'io moro
Soccorretemi ch'io moro
O Ewigkeit
O Ewigkeit
En Drøm Op. 48 No. 6 (orch. Kleven) (1990 Digital Remaster)
En Drøm Op. 48 No. 6 (orch. Kleven) (1990 Digital Remaster): En Drøm Op. 48 No. 6 (orch. Kleven)
Tak for dit Råd Op. 21 No. 4 (orch. Kleven) (1990 Digital Remaster): Tak for dit Råd Op. 21 No. 4 (orch. Kleven)
Tak for dit Råd Op. 21 No. 4 (orch. Kleven) (1990 Digital Remaster)
Våren Op. 33 No.2 (1990 Digital Remaster): Våren Op. 33 No.2
Våren Op. 33 No.2 (1990 Digital Remaster)
Fra Monte Pincio Op. 39 No. 1 (1990 Digital Remaster): Fra Monte Pincio Op. 39 No. 1
Fra Monte Pincio Op. 39 No. 1 (1990 Digital Remaster)
Guten Op .33 No. 1 (orch. Gunstrom) (1990 Digital Remaster): Guten Op .33 No. 1 (orch. Gunstrom)
Guten Op .33 No. 1 (orch. Gunstrom) (1990 Digital Remaster)
Eros Op. 70 No. 1 (orch. Reger) (1990 Digital Remaster)
Eros Op. 70 No. 1 (orch. Reger) (1990 Digital Remaster): Eros Op. 70 No. 1 (orch. Reger)
Ved Rundarne Op. 33 No. 9 (orch. Kleven) (1990 Digital Remaster)
Ved Rundarne Op. 33 No. 9 (orch. Kleven) (1990 Digital Remaster): Ved Rundarne Op. 33 No. 9 (orch. Kleven)
Ein Traum Op.48 No.6
Ein Traum Op.48 No.6
Six Songs Op. 25 (1990 Digital Remaster): II. En svane - A swan
Six Songs Op. 25 (1990 Digital Remaster): II. En svane - A swan
Den Saerde Op. 33 No. 3 (1990 Digital Remaster)
Den Saerde Op. 33 No. 3 (1990 Digital Remaster): Den Saerde Op. 33 No. 3
Six Songs Op. 25 (1990 Digital Remaster): IV. Med en vandlilje - With a water lily
Six Songs Op. 25 (1990 Digital Remaster): IV. Med en vandlilje - With a water lily
Prinsessen (1990 Digital Remaster)
Prinsessen (1990 Digital Remaster): Prinsessen
Lanfs ei Å Op.33 No.5
Lanfs ei Å Op.33 No.5
Mens jeg venter Op.60 No.3
Mens jeg venter Op.60 No.3
5 Songs Op. 26 (1990 Digital Remaster): Med en primulaveris (With a primrose) (Paulsen)
5 Songs Op. 26 (1990 Digital Remaster): Med en primulaveris (With a primrose) (Paulsen)
Og jeg vil ha mig en Hjertenskjaer Op. 60 No. 5 (1990 Digital Remaster)
Og jeg vil ha mig en Hjertenskjaer Op. 60 No. 5 (1990 Digital Remaster): Og jeg vil ha mig en Hjertenskjaer Op. 60 No. 5
Modersorg Op. 15 No. 4 (1990 Digital Remaster)
Modersorg Op. 15 No. 4 (1990 Digital Remaster): Modersorg Op. 15 No. 4
Solveigs Sang Op.23 No.1 (from 'Peer Gynt') (Ibsen) (1990 Digital Remaster)
Solveigs Sang Op.23 No.1 (from 'Peer Gynt') (Ibsen) (1990 Digital Remaster): Solveigs Sang Op.23 No.1 (from 'Peer Gynt') (Ibsen)
Blonde naetter Op. 13 No. 1 (1990 Digital Remaster): Blonde naetter Op. 13 No. 1
Blonde naetter Op. 13 No. 1 (1990 Digital Remaster)
Sne (1990 Digital Remaster)
Sne (1990 Digital Remaster): Sne
Lykken mellem to Mennesker Op 26 No. 1 (1990 Digital Remaster)
Lykken mellem to Mennesker Op 26 No. 1 (1990 Digital Remaster): Lykken mellem to Mennesker Op 26 No. 1
Saeterjentens Søndag (1990 Digital Remaster): Saeterjentens Søndag
Saeterjentens Søndag (1990 Digital Remaster)
Millom Rosor Op. 39 No. 4 (1990 Digital Remaster): Millom Rosor Op. 39 No. 4
Millom Rosor Op. 39 No. 4 (1990 Digital Remaster)
Mot kvold Op. 42 No. 7 (1990 Digital Remaster)
Mot kvold Op. 42 No. 7 (1990 Digital Remaster): Mot kvold Op. 42 No. 7
Majnat Op. 22 No. 3 (1990 Digital Remaster)
Majnat Op. 22 No. 3 (1990 Digital Remaster): Majnat Op. 22 No. 3

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