Works on This Recording
1.
Sonata for Cello and Piano no 1 in F major, Op. 5 no 1 by Ludwig van Beethoven
Performer:
Yo-Yo Ma (Cello),
Emanuel Ax (Piano)
Period: Classical
Written: 1796; Vienna, Austria
2.
Sonata for Cello and Piano no 2 in G minor, Op. 5 no 2 by Ludwig van Beethoven
Performer:
Yo-Yo Ma (Cello),
Emanuel Ax (Piano)
Period: Classical
Written: 1796; Vienna, Austria
3.
Sonata for Cello and Piano no 4 in C major, Op. 102 no 1 by Ludwig van Beethoven
Performer:
Yo-Yo Ma (Cello),
Emanuel Ax (Piano)
Period: Classical
Written: 1815; Vienna, Austria
4.
Sonata for Cello and Piano no 3 in A major, Op. 69 by Ludwig van Beethoven
Performer:
Emanuel Ax (Piano),
Yo-Yo Ma (Cello)
Period: Classical
Written: 1807-1808; Vienna, Austria
5.
Sonata for Cello and Piano no 5 in D major, Op. 102 no 2 by Ludwig van Beethoven
Performer:
Yo-Yo Ma (Cello),
Emanuel Ax (Piano)
Period: Classical
Written: 1815; Vienna, Austria
6.
Variations (12) for Cello and Piano in G major on a theme by Handel, WoO 45 by Ludwig van Beethoven
Performer:
Yo-Yo Ma (Cello),
Emanuel Ax (Piano)
Period: Classical
Written: 1796; Vienna, Austria
7.
Variations (7) for Cello and Piano on Mozart's "Bei Männern", WoO 46 by Ludwig van Beethoven
Performer:
Emanuel Ax (Piano),
Yo-Yo Ma (Cello)
Period: Classical
Written: 1801; Vienna, Austria
8.
Variations (12) for Cello and Piano in F major on "Ein Mädchen oder Weibchen", Op. 66 by Ludwig van Beethoven
Performer:
Emanuel Ax (Piano),
Yo-Yo Ma (Cello)
Period: Classical
Written: 1796; Vienna, Austria
Sound Samples
I. Adagio sostenuto-Allegro-Adagio-Presto
II. Rondo: Allegro vivace
I. Adagio sostenuto e espressivo-Allegro molto piu tosto presto
I. Andante; Allegro vivace
II. Adagio; Allegro vivace
II. Scherzo: Allegro molto
III. Adagio cantabile; Allegro vivace
II. Adagio con molto sentimento d'affetto
Seven Variations in E-flat Major on the Theme Bei Männern, Welche Liebe Fühlen, from Mozart's Die Zauberflüte, WoO. 46
Twelve Variations in F Major on the Theme Ein Mädchen Oder Weibchen, from Mozart's Die Zauberflüte, Op. 66
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