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Babbitt: Philomel, Phonemena, Post-partitions, Reflections

Release Date: 05/30/1995 
Label:  New World Records   Catalog #: 80466   Spars Code: n/a 
Composer:  Milton Babbitt
Performer:  Bethany BeardsleeLynne WebberRobert Miller
Number of Discs: 1 
Recorded in: Stereo 
Length: 0 Hours 42 Mins. 

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Notes and Editorial Reviews

For all his brainy complexity, the American serialist Milton Babbitt demonstrated a surprising affinity for the female voice. This album features the contemporary music diva Bethany Beardslee ("Philomel") and the lesser known Lynne Webber ("Phonemena"), both of whom handle these challenging scores with ease. Even though one can accurately call Babbitt Schoenberg's direct heir, he shares none of Schoenberg's knotty angst; his music--formidable as it is--has a definite wit, energy, and polish in addition to a tactile sensitivity for whatever solo instrument--including voice--he is writing for.
PHILOMEL catches Babbitt at a time when he was still involved with electronic music, especially during its jumbo-sized RCA synthesizer beginnings.
Read more There's a chance here to compare the piano-only accompanied version of "Phenomena" with its electronic analogue. Ms. Weber sounds equally comfortable in both incarnations, as does the great pianist Robert Miller who also straddles the two worlds on his featured pieces "Post- Partitions" and "Reflections." Read less

Works on This Recording

Philomel by Milton Babbitt
Performer:  Bethany Beardslee (Soprano)
Period: 20th Century 
Written: 1963; USA 
Venue:  Chapel, General Theological Seminary, NY 
Length: 18 Minutes 47 Secs. 
Language: English 
Phonemena by Milton Babbitt
Performer:  Lynne Webber (Soprano)
Period: 20th Century 
Written: 1969/1975; USA 
Venue:  Columbia Recording Studios, NYC 
Length: 4 Minutes 13 Secs. 
Language: English 
Post-Partitions by Milton Babbitt
Performer:  Robert Miller (Piano)
Period: 20th Century 
Written: 1966; USA 
Venue:  Columbia Recording Studios, NYC 
Length: 3 Minutes 31 Secs. 
Reflections by Milton Babbitt
Performer:  Robert Miller (Piano)
Period: 20th Century 
Written: 1974; USA 
Venue:  Columbia Recording Studios, NYC 
Length: 10 Minutes 16 Secs. 
Notes: This composition is for piano and synthesized tape. 

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