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The Early Byrd Vol 1 / I Fagiolini, Fretwork, Sophie Yates


Release Date: 05/23/1995 
Label:  Chandos   Catalog #: 578   Spars Code: DDD 
Composer:  William Byrd
Performer:  Robin BlazeCarys-Anne LaneAnna CrookesRichard Roberts,   ... 
Orchestra/Ensemble:  FretworkI Fagiolini
Number of Discs: 1 
Recorded in: Stereo 
Length: 1 Hours 13 Mins. 

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Notes and Editorial Reviews

Recorded in: Forde Abbey, Somerset 17 November 1994 Recorded in: The Warehouse, London 28-30 November 1994 Producer(s) Adrian Hunter Sound Engineer(s) Ben Connellan Richard Smoker (Assistant) Recorded in: Forde Abbey, Somerset 17 November 1994 Recorded in: The Warehouse, London 28-30 November 1994 Producer(s) Adrian Hunter Sound Engineer(s) Ben Connellan Richard Smoker (Assistant) Read less

Works on This Recording

1.
Farewell, false love by William Byrd
Performer:  Robin Blaze (Countertenor)
Orchestra/Ensemble:  Fretwork
Period: Renaissance 
Written: by 1588; England 
2.
My mind to me a kingdom is by William Byrd
Performer:  Carys-Anne Lane (Soprano)
Orchestra/Ensemble:  Fretwork
Period: Renaissance 
Written: by 1588; England 
3.
O Lord, how vain by William Byrd
Performer:  Anna Crookes (Soprano)
Orchestra/Ensemble:  Fretwork
Period: Renaissance 
Written: by 1623; England 
4.
Triumph with pleasant melody by William Byrd
Performer:  Richard Roberts (Countertenor), Robin Blaze (Countertenor)
Orchestra/Ensemble:  Fretwork
Period: Renaissance 
Written: England 
5.
Truth at the first by William Byrd
Performer:  Carys-Anne Lane (Soprano)
Orchestra/Ensemble:  Fretwork
Period: Renaissance 
Written: 16th Century; England 
6.
Who likes to love by William Byrd
Performer:  Anna Crookes (Soprano)
Orchestra/Ensemble:  Fretwork
Period: Renaissance 
Written: by 1588; England 
7.
Cantiones, quae ab argumento sacrae vocantur: Attolite portas by William Byrd
Performer:  Matthew Brook (Bass), Richard Roberts (Countertenor), Anna Crookes (Soprano),
Robin Blaze (Countertenor), Hugh Wilson (Tenor), Carys-Anne Lane (Soprano)
Orchestra/Ensemble:  I Fagiolini
Period: Renaissance 
Written: by 1570; England 
8.
All in a garden green, MB 56 by William Byrd
Performer:  Sophie Yates (Harpsichord)
Period: Renaissance 
Written: England 
9.
Domine, secundum actum meum by William Byrd
Performer:  Robin Blaze (Countertenor), Anna Crookes (Soprano), Richard Roberts (Countertenor),
Nicholas Hurndall Smith (Tenor), Matthew Brook (Bass), Hugh Wilson (Tenor)
Orchestra/Ensemble:  I Fagiolini
Period: Renaissance 
Written: by 1575; England 
10.
Wilson's wild, MB 37 by William Byrd
Performer:  Sophie Yates (Harpsichord)
Period: Renaissance 
Written: England 
11.
Da mihi auxilium by William Byrd
Performer:  Matthew Brook (Bass), Hugh Wilson (Tenor), Nicholas Hurndall Smith (Tenor),
Richard Roberts (Countertenor), Robin Blaze (Countertenor), Carys-Anne Lane (Soprano)
Orchestra/Ensemble:  I Fagiolini
Period: Renaissance 
Written: by 1575; England 
12.
O mistress mine, I must, MB 83 by William Byrd
Performer:  Sophie Yates (Harpsichord)
Period: Renaissance 
Written: after 1590; England 
13.
Miserere mihi, Domine by William Byrd
Performer:  Matthew Brook (Bass), Nicholas Hurndall Smith (Tenor), Richard Roberts (Countertenor),
Robin Blaze (Countertenor), Carys-Anne Lane (Soprano), Hugh Wilson (Tenor)
Orchestra/Ensemble:  I Fagiolini
Period: Renaissance 
Written: by 1575; England 
14.
Ad Dominum cum tribularer by William Byrd
Performer:  Hugh Wilson (Tenor), Carys-Anne Lane (Soprano), Robin Blaze (Countertenor),
Richard Roberts (Countertenor), Roderick Williams (Baritone), Anna Crookes (Soprano),
Charles Gibbs (Bass), Matthew Brook (Bass)
Orchestra/Ensemble:  I Fagiolini
Period: Renaissance 
Written: England 
15.
Lavolta in G minor no 1, MB 90 "Lady Morley" by William Byrd
Performer:  Sophie Yates (Harpsichord)
Period: Renaissance 
Written: England 

Sound Samples

Attollite portas
Triumphant with pleasant melody
O Lord, how vain
All in a garden green
Domine, secundum actum meum
Truth at the first
Who likes to love
Wilson's wild
Da mihi auxilium
Farewell, false love
O mistress mine, I must
Miserere mihi, Domine
My mind to me a kingdom
La volta No. 1 in G major, "Lady Morley": La volta in No. 1 in G major, "Lady Morley"
Ad Dominum cum tribularer

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