Notes and Editorial Reviews
Includes Bonus DVD — 23 Minutes
If one believes an anecdote from the early 1790s, it was with his oratorio Die Schöpfung (The Creation) that Haydn, in the autumn of his years, hoped to perpetuate his fame for posterity — even though he was already the most celebrated composer in Europe. Not surprisingly, the work’s first public performance in 1799 was a huge triumph and the work was immediately repeated twice. Five years after his much acclaimed version of Die Jahreszeiten (The Seasons), René Jacobs offers a new, defi nitive version of this masterpiece as his major contribution to the celebration of the bicentenary of Haydn’s death.
“Mr. Jacobs, more than anyone else I’ve heard, blows away the prim
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domesticity of our classical music world, and shows us past centuries as they really might have been.” -- The Wall Street Journal
A New York Times Record of the Year for 2009
"An invigorating jolt of the kind Mr. Jacobs and his period-instrument forces from Freiburg specialize in."
"The sharp crack of an
ff
drumbeat kicks off the most eagerly awaited recording of the Haydn year (it is still 2009 as I write). Jacobs’
The Seasons
(
Fanfare
28:3) demolished all competition, and we have waited five years for the other shoe to drop. The Freiburg period-instrument ensemble divides the strings 7/6/4/3/3 (double basses), and the chorus is 11/8/9/8—all just the right size for this masterpiece, balancing subtlety with power.
The Creation
is the most modern piece Jacobs has recorded (although written later,
The Seasons
has more of the Baroque than the strictly classical
Creation
), so there is appropriately less ornamentation to the vocal lines here. Jacobs, originally a singer, is a noted vocal teacher and coach; his soloists are always excellent, as are the chorus and orchestra. In short, this is a gripping, rewarding, thrilling
Creation
, blessed with fine, well-balanced recorded sound.
The competition among recordings of
The Creation
is stronger than it was for
The Seasons
, however. My preference among period-performance recordings has been that led by Thomas Hengelbrock on Deutsche Harmonia Mundi (
Fanfare
27:3). The two recordings are amazingly similar, but differences begin to stand out after a few hearings. Choral and orchestral contributions are virtually indistinguishable, although Jacobs’ slightly larger forces have a small edge at the climactic choral/orchestral moments. Jacobs’ fortepiano continuo is more active than Hengelbrock’s, often contributing extra little flourishes before recitatives. Kleiter’s soprano is surprisingly operatic and not always on pitch; I much prefer Harmonia Mundi’s Simone Kermes, for her sweeter tone and more subtle singing. Hengelbrock’s Raphael, Johannes Mannov, is even cleaner and more solid than Weisser. My overall impression is that Jacobs is looking back to the Baroque, whereas Henglebrock is purely classical: fresh, alive, and looking forward. Either performance could stand as your one and only
Creation
. I am also partial to Neville Marriner’s Stuttgart recording on EMI, a modern-instrument performance with period sensibilities; it features the most angelic trio of all: Barbara Bonney, Hans Peter Blochwitz, and Jan-Hendrik Rootering. Jacobs’ soloists cover the roles of Adam and Eve, whereas the other two recordings employ separate singers. Hengelbrock’s pair are shy at first meeting, half whispering and half singing the opening stanza of their duet. It’s a lovely touch."
FANFARE: James H. North
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Works on This Recording
1.
The Creation, H 21 no 2 by Franz Joseph Haydn
Performer:
Johannes Weisser (Baritone),
Maximilian Schmitt (Tenor),
Julia Kleiter (Soprano)
Conductor:
René Jacobs
Orchestra/Ensemble:
Berlin RIAS Chamber Chorus,
Freiburg Baroque Orchestra
Period: Classical
Written: 1796-1798; Vienna, Austria
Sound Samples
The Creation: I. Teil. 1. Einleitung. Die Vorstellung des Chaos
The Creation: I. Teil. 1. Rezitativ mit Chor. Raphael, Uriel "Im Anfange schuf Gott Himmel und Erde"
The Creation: I. Teil. 2. Arie mit Chor. Uriel "Nun schwanden vor dem heiligen Strahle"
The Creation: I. Teil. 3. Rezitativ. Raphael "Und Gott machte das Firmament"
The Creation: I. Teil. 4. Chor mit Sopransolo "Mit Staunen sieht das Wunderwerk"
The Creation: I. Teil. 5. Rezitativ. Raphael "Und Gott sprach: Es sammle sich das Wasser"
The Creation: I. Teil. 6. Arie. Raphael "Rollend in schäumenden Wellen"
The Creation: I. Teil. 7. Rezitativ. Gabriel "Und Gott sprach: Es bringe die Erde Gras hervor"
The Creation: I. Teil. 8. Arie. Gabriel "Nun beut die Flur das frische Grün"
The Creation: I. Teil. 9. Rezitativ. Uriel "Und die himmlische Heerscharen"
The Creation: I. Teil. 10. Chor "Stimmt an die Saiten"
The Creation: I. Teil. 11. Rezitativ. Uriel "Und Gott sprach: Es sei'n Lichter"
The Creation: I. Teil. 12. Rezitativ. Uriel "In vollem Glanze steiget jetzt die Sonne"
The Creation: I. Teil. 13. Chor mit Soli. Gabriel, Uriel, Raphael "Die Himmel erzählen die Ehre Gottes"
The Creation: II. Teil. 14. Rezitativ. Gabriel "Und Gott sprach: Es bringe das Wasser"
The Creation: II. Teil. 15. Arie. Gabriel "Auf starkem Fittiche schwinget sich der Adler"
The Creation: II. Teil. 16. Rezitativ. Raphael "Und Gott schuf große Walfische"
The Creation: II. Teil. 17. Rezitativ. Raphael "Und die Engel rührten ihr' unsterblichen Harfen"
The Creation: II. Teil. 18. Terzet "In holder Anmut stehn" - 19. Chor mit Soli "Der Herr ist groß in seiner Macht"
The Creation: II. Teil. 20. Rezitativ. Raphael "Und Gott sprach: Es bringe die Erde hervor"
The Creation: II. Teil. 21. Rezitativ. Raphael "Gleich öffnet sich der Erde Schoß"
The Creation: II. Teil. 22. Arie. Raphael "Nun scheint in vollem Glanze der Himmel"
The Creation: II. Teil. 23. Rezitativ. Uriel "Und Gott schuf den Menschen"
The Creation: II. Teil. 24. Arie. Uriel "Mit Würd' und Hoheit angetan"
The Creation: II. Teil. 25. Rezitativ. Raphael "Und Gott sah jedes Ding, was er gemacht hatte"
The Creation: II. Teil. 26. Chor "Vollendet ist das große Werk" - 27. Terzett "Zu dir, o Herr, blickt Alles auf" - 28. Chor "Vollendet ist das große Werk"
The Creation: III. Teil. 29. Rezitativ. Uriel "Aus Rosenwolken bricht"
The Creation: III. Teil. 30. Duett mit Chor. Eva, Adam "Von deiner Güt', o Herr und Gott"
The Creation: III. Teil. 31. Rezitativ. Adam, Eva "Nun ist die erste Pflicht erfüllt"
The Creation: III. Teil. 32. Duett. Adam, Eva "Holde Gattin, dir zur Seite"
The Creation: III. Teil. 33. Rezitativ. Uriel "O glücklich Paar, und glücklich immerfort"
The Creation: III. Teil. 34. Schlußchor "Singt dem Herren alle Stimmen!"
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