Works on This Recording
1.
Fantasia a 3 by Giovanni Coprario
Orchestra/Ensemble:
Ensemble Mikado
Period: Baroque
Venue: Kollegium Kalksburg, Vienna
Length: 2 Minutes 11 Secs.
2.
Second Booke of Songes or Ayres: no 21, Cleare or cloudie sweet as April showring by John Dowland
Performer:
Theresa Dlouhy ()
Orchestra/Ensemble:
Ensemble Mikado
Period: Renaissance
Written: 1600; England
Venue: Kollegium Kalksburg, Vienna
Length: 2 Minutes 28 Secs.
3.
Lumley Books: Gallyard by Lumley Books Anonymous
Orchestra/Ensemble:
Ensemble Mikado
Venue: Kollegium Kalksburg, Vienna
Length: 0 Minutes 38 Secs.
4.
Venus' birds by John Bennet
Performer:
Theresa Dlouhy ()
Orchestra/Ensemble:
Ensemble Mikado
Period: Renaissance
Written: England
Venue: Kollegium Kalksburg, Vienna
Length: 1 Minutes 7 Secs.
5.
Lumley Books: Galliard by Lumley Books Anonymous
Orchestra/Ensemble:
Ensemble Mikado
Venue: Kollegium Kalksburg, Vienna
Length: 1 Minutes 10 Secs.
6.
Paven, for 4 parts (from Thomas Wode's Partbooks) by Anonymous
Orchestra/Ensemble:
Ensemble Mikado
Written: by 1592
Venue: Kollegium Kalksburg, Vienna
Length: 2 Minutes 17 Secs.
7.
O thrice-blessed earthbed, song by John Tomkins
Performer:
Theresa Dlouhy ()
Orchestra/Ensemble:
Ensemble Mikado
Period: Renaissance
Venue: Kollegium Kalksburg, Vienna
Length: 2 Minutes 45 Secs.
8.
Go, Passions, to the Cruel Fair by Thomas Ford
Performer:
Theresa Dlouhy ()
Orchestra/Ensemble:
Ensemble Mikado
Period: Baroque
Venue: Kollegium Kalksburg, Vienna
Length: 4 Minutes 53 Secs.
9.
What Greater Griefe, for soprano & ensemble (from Captaine Humes Poeticall Musicke) by Tobias Hume
Performer:
Theresa Dlouhy ()
Orchestra/Ensemble:
Ensemble Mikado
Period: Renaissance
Written: 1607; England
Venue: Kollegium Kalksburg, Vienna
Length: 3 Minutes 31 Secs.
10.
What if a daye, for lyra-viol (from Manchester Lyra-Viol Ms.) by Anonymous
Orchestra/Ensemble:
Ensemble Mikado
Period: Renaissance
Venue: Kollegium Kalksburg, Vienna
Length: 2 Minutes 39 Secs.
11.
How can the tree (fromThe Parradise of Dainty Devices) by Anonymous
Performer:
Theresa Dlouhy ()
Orchestra/Ensemble:
Ensemble Mikado
Period: Renaissance
Written: 1576
Venue: Kollegium Kalksburg, Vienna
Length: 3 Minutes 19 Secs.
12.
Browning a 3 by Elway Bevin
Orchestra/Ensemble:
Ensemble Mikado
Period: Renaissance
Written: Wales, UK
Venue: Kollegium Kalksburg, Vienna
Length: 2 Minutes 55 Secs.
13.
Joan quoth John (A dialogue) by Richard Nicholson
Performer:
Theresa Dlouhy ()
Orchestra/Ensemble:
Ensemble Mikado
Period: Renaissance
Venue: Kollegium Kalksburg, Vienna
Length: 3 Minutes 40 Secs.
14.
The First Set, beeing Songs of Divers Ayres and Natures: Mother, I will have a husband by Thomas Vautor
Performer:
Theresa Dlouhy ()
Orchestra/Ensemble:
Ensemble Mikado
Period: Renaissance
Written: by 1620; England
Venue: Kollegium Kalksburg, Vienna
Length: 1 Minutes 28 Secs.
15.
His humour by Giles Farnaby
Orchestra/Ensemble:
Ensemble Mikado
Period: Renaissance
Written: England
Venue: Kollegium Kalksburg, Vienna
Length: 1 Minutes 11 Secs.
16.
My mistress had a little dog by William Byrd
Performer:
Theresa Dlouhy ()
Orchestra/Ensemble:
Ensemble Mikado
Period: Renaissance
Written: England
Venue: Kollegium Kalksburg, Vienna
Length: 4 Minutes 48 Secs.
17.
Come lovers, follow me, madrigal for 4 voices by Thomas Morley
Performer:
Theresa Dlouhy ()
Orchestra/Ensemble:
Ensemble Mikado
Period: Renaissance
Written: by 1594
Venue: Kollegium Kalksburg, Vienna
Length: 1 Minutes 58 Secs.
18.
There Is a Ladie, Sweet and Kind for 4 voices & instruments by Thomas Ford
Performer:
Theresa Dlouhy ()
Orchestra/Ensemble:
Ensemble Mikado
Period: Baroque
Written: 1607
Venue: Kollegium Kalksburg, Vienna
Length: 2 Minutes 31 Secs.
19.
What Shall I Doe, madrigal by John Wilbye
Performer:
Theresa Dlouhy ()
Orchestra/Ensemble:
Ensemble Mikado
Period: Renaissance
Venue: Kollegium Kalksburg, Vienna
Length: 3 Minutes 55 Secs.
20.
Firste Booke of Songes or Ayres: no 5, Can she excuse my wrongs? by John Dowland
Performer:
Theresa Dlouhy ()
Orchestra/Ensemble:
Ensemble Mikado
Period: Renaissance
Written: 1597; England
Venue: Kollegium Kalksburg, Vienna
Length: 2 Minutes 41 Secs.
21.
Farewell the Bliss by Anonymous
Performer:
Theresa Dlouhy ()
Orchestra/Ensemble:
Ensemble Mikado
Period: Renaissance
Written: by 1620; England
Venue: Kollegium Kalksburg, Vienna
Length: 2 Minutes 46 Secs.
22.
Galliard, for 4 parts (from Thomas Wode's Partbooks) by Anonymous
Orchestra/Ensemble:
Ensemble Mikado
Period: Renaissance
Venue: Kollegium Kalksburg, Vienna
Length: 0 Minutes 56 Secs.
23.
Sorrow, come by John Dowland
Performer:
Theresa Dlouhy ()
Orchestra/Ensemble:
Ensemble Mikado
Period: Renaissance
Written: England
Venue: Kollegium Kalksburg, Vienna
Length: 3 Minutes 7 Secs.
24.
Loath to Depart by Giles Farnaby
Orchestra/Ensemble:
Ensemble Mikado
Period: Renaissance
Written: England
Venue: Kollegium Kalksburg, Vienna
Length: 1 Minutes 56 Secs.
25.
All creatures now are merry minded by John Bennet
Performer:
Theresa Dlouhy ()
Orchestra/Ensemble:
Ensemble Mikado
Period: Renaissance
Written: England
Venue: Kollegium Kalksburg, Vienna
Length: 2 Minutes 8 Secs.
26.
Never Weather-Beaten Sail for voice, lute & bass viol by Thomas Campion
Performer:
Theresa Dlouhy ()
Orchestra/Ensemble:
Ensemble Mikado
Period: Renaissance
Written: 1613; England
Venue: Kollegium Kalksburg, Vienna
Length: 8 Minutes 1 Secs.
Sound Samples
Book of Songs, Book 2: Clear or cloudy sweet as April showering
Galliard [London, British Library, MSS R.App. 76]
Venus' birds whose mournful tunes
Galliard [London, British Library, MSS R.App. 74]
Goe passions to the cruell faire
What greater griefe: What Greater Griefe
Joan, quoth John, when will it be
The First Set, beeing Songs of Divers Ayres and Natures, of Five and Sixe Parts, Apt for Vyols and Voyces: No. 4. Mother, I will have a husband
My mistress had a little dog
Book of Songs, Book 1: Can she excuse my wrongs: Book of Songs, Book 1: Can She Excuse My Wrongs
Galliard [Edinburgh University Library: Thomas Wode's part-books, 1562-?1592]
All creatures now are merry merry-minded
Bookes of Ayres, Book 2: Never weather-beaten saile more willing bent to shore
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