Works on This Recording
1.
Theme and Variations, Op. 77 by Lennox Berkeley
Performer:
Anders Miolin (Guitar)
Period: 20th Century
Written: 1970; England
Date of Recording: 11/1997
Venue: Länna Church, Sweden
Length: 6 Minutes 57 Secs.
2.
Nocturnal after John Dowland, Op. 70 by Benjamin Britten
Performer:
Anders Miolin (Guitar)
Period: 20th Century
Written: 1963; England
Date of Recording: 11/1997
Venue: Länna Church, Sweden
Length: 17 Minutes 48 Secs.
3.
Elegy for Guitar by Alan Rawsthorne
Performer:
Anders Miolin (Guitar)
Period: 20th Century
Written: 1971; England
Date of Recording: 11/1997
Venue: Länna Church, Sweden
Length: 7 Minutes 45 Secs.
4.
Sonatina for Guitar, Op. 52 no 1 by Lennox Berkeley
Performer:
Anders Miolin (Guitar)
Period: 20th Century
Written: 1957; England
Date of Recording: 11/1997
Venue: Länna Church, Sweden
Length: 11 Minutes 26 Secs.
5.
The blue guitar by Michael Tippett
Performer:
Anders Miolin (Guitar)
Period: 20th Century
Written: 1983; England
Date of Recording: 11/1997
Venue: Länna Church, Sweden
Length: 17 Minutes 46 Secs.
6.
Bagatelles (5) for Guitar by Sir William Walton
Performer:
Anders Miolin (Guitar)
Period: 20th Century
Written: 1972; England
Date of Recording: 11/1997
Venue: Länna Church, Sweden
Length: 11 Minutes 31 Secs.
Sound Samples
5 Bagatelles: III. Alla Cubana
5 Bagatelles: IV. Quaver = 126c.
5 Bagatelles: V. Con slancio
Guitar Sonatina, Op. 52, No. 1: I. Allegretto
Guitar Sonatina, Op. 52, No. 1: II. Lento
Guitar Sonatina, Op. 52, No. 1: III. Rondo: Allegro non troppo
Theme and Variations, Op. 77: Theme: Moderato
Theme and Variations, Op. 77: Variation 1: Allegro
Theme and Variations, Op. 77: Variation 2: Allegretto
Theme and Variations, Op. 77: Variation 3: Lento
Theme and Variations, Op. 77: Variation 4: Andante
Theme and Variations, Op. 77: Variation 5: Allegro
Theme and Variations, Op. 77: Variation 6: Lento (Epilogue)
The Blue Guitar: I. Transforming: Medium Slow - Slow
The Blue Guitar: II. Juggling: Very Slow
The Blue Guitar: III. Dreaming: Fast
Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: I. Musingly
Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: II. Very agitated
Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: III. Restless
Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: IV. Uneasy
Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: V. March-like
Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: VI. Dreaming
Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: VII. Gently rocking
Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: VIII. Passacaglia
Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: IX. Slow and quiet
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