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Bach: Sacred Cantatas Vol 5 / Harnoncourt, Leonhardt


Release Date: 11/01/1994 
Label:  Teldec Das Alte Werk Catalog #: 91759   Spars Code: ADD 
Composer:  Johann Sebastian Bach
Performer:  Detlef BratschkePaul EsswoodMax van EgmondRuud Van der Meer,   ... 
Conductor:  Gustav LeonhardtNikolaus Harnoncourt
Orchestra/Ensemble:  Leonhardt ConsortGhent Collegium VocaleHanover Boys' Choir,   ... 
Number of Discs: 6 
Recorded in: Stereo 
Length: 6 Hours 25 Mins. 

Imported from : European Union   
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Works on This Recording

1. Gott, der Herr, ist Sonn und Schild, BWV 79 by Johann Sebastian Bach
Performer:  Detlef Bratschke (Boy Soprano), Paul Esswood (Countertenor), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Language: German 
2. Ein feste Burg ist unser Gott, BWV 80 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor),
Wilhelm Wiedl (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: by 1744; Leipzig, Germany 
Language: German 
3. Jesus schläft, was soll ich hoffen?, BWV 81 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Language: German 
4. Ich habe genug, BWV 82 by Johann Sebastian Bach
Performer:  Philippe Huttenlocher (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus
Period: Baroque 
Written: 1727; Cöthen, Germany 
Language: German 
5. Erfreute Zeit im neuen Bunde, BWV 83 by Johann Sebastian Bach
Performer:  Vienna Boys Choir Soloist (Boy Alto), Max van Egmond (Bass), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Language: German 
6. Ich bin vergnügt mit meinem Glücke, das mir der liebe Gott beschert, BWV 84 by Johann Sebastian Bach
Performer:  Wilhelm Wiedl (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1727; Leipzig, Germany 
Language: German 
7. Ich bin ein guter Hirt, BWV 85 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Wilhelm Wiedl (Boy Soprano), Kurt Equiluz (Tenor),
Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Language: German 
8. Wahrlich, wahrlich ich sage euch, BWV 86 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor),
Wilhelm Wiedl (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Language: German 
9. Bisher habt ihr nichts gebeten in meinem Namen, BWV 87 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Ruud Van der Meer (Bass), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Language: German 
10. Siehe, ich will viel Fischer aussenden, BWV 88 by Johann Sebastian Bach
Performer:  Marcus Klein (Boy Soprano), Max van Egmond (Bass), Kurt Equiluz (Tenor),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Language: German 
11. Was soll ich aus dir machen, Ephraim, BWV 89 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Marcus Klein (Boy Soprano), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Language: German 
12. Es reisset euch ein schrecklich Ende, ihr sündlichen verächter, hin, BWV 90 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Language: German 
13. Gelobet seist du, Jesu Christ, BWV 91 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor),
Detlef Bratschke (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Language: German 
14. Ich hab in Gottes Herz und Sinn mein Herz und Sinn ergeben, BWV 92 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor),
Detlef Bratschke (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Language: German 
15. Wer nur den lieben Gott lässt walten, BWV 93 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Wilhelm Wiedl (Boy Soprano), Paul Esswood (Countertenor),
Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Language: German 
16. Was frag ich nach der Welt und allen ihren Schatten wenn ich mich nur an dir, mein Jesu, BWV 94 by Johann Sebastian Bach
Performer:  Wilhelm Wiedl (Boy Soprano), Kurt Equiluz (Tenor), Philippe Huttenlocher (Bass),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Language: German 
17. Christus, der ist mein Leben, BWV 95 by Johann Sebastian Bach
Performer:  Wilhelm Wiedl (Boy Soprano), Philippe Huttenlocher (Bass), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Language: German 
18. Herr Christ, der ein'ge Gottessohn, BWV 96 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Wilhelm Wiedl (Boy Soprano), Paul Esswood (Countertenor),
Philippe Huttenlocher (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Language: German 
19. In allen meinen Taten, BWV 97 by Johann Sebastian Bach
Performer:  Philippe Huttenlocher (Bass), Ruud Van der Meer (Bass), Kurt Equiluz (Tenor),
Paul Esswood (Countertenor), Wilhelm Wiedl (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1734; Leipzig, Germany 
Language: German 
20. Was Gott tut, das ist wohlgetan, BWV 98 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor),
Claus Lengert (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Language: German 
21. Was Gott tut, das ist wohlgetan, BWV 99 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Philippe Huttenlocher (Bass), Paul Esswood (Countertenor),
Wilhelm Wiedl (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Language: German 

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