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The Choral Collection


Release Date: 10/25/2019 
Label:  Naxos   Catalog #: 8503298  
Composer:  Alexander AgricolaKim Andre ArnesenLudwig van BeethovenJohannes Brahms,   ... 
Performer:  Alicia RigsbyBeryl FanslowSara MichaelJuliane Dowell,   ... 
Conductor:  Michael PoschJoel RinsemaHilary Davan WettonMarin Alsop,   ... 
Orchestra/Ensemble:  Ensemble UnicornKantoreiRoyal Philharmonic Orchestra,   ... 
Number of Discs: 30 
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Notes and Editorial Reviews

Covering a vast array of repertoire, this essential collection presents the greatest choral masterpieces in critically acclaimed performances. From the sacred music of the Medieval era, to the refinement of the Renaissance and the Baroque; from Mozart’s Classical perfection, to the Romantic worlds of Schumann, Brahms and Dvorak; and to the exciting new sounds of Penderecki and the inspired beauty of works by Eric Whitacre and Arvo Part, and much more- The Choral Collection is a fantastic celebration of the art of choral singing. The new Naxos “Collection” series features 30-album sets focused to a specific genre in every release. This is the second release in the series. Every one of these 30 albums received great critical acclaim on their Read more individual publications. Read less

Works on This Recording

1.
Fortuna desperata by Alexander Agricola
Conductor:  Michael Posch
Orchestra/Ensemble:  Ensemble Unicorn
Period: Renaissance 
Written: 15th Century 
2.
Even When He is Silent by Kim Andre Arnesen
Conductor:  Joel Rinsema
Orchestra/Ensemble:  Kantorei
Period: Contemporary 
Written: 2011; Norway 
3.
Flight Song by Kim Andre Arnesen
Performer:  Alicia Rigsby (Piano)
Conductor:  Joel Rinsema
Orchestra/Ensemble:  Kantorei
Period: Contemporary 
Written: 2014; Norway 
4.
O Sacrum Convivium by Kim Andre Arnesen
Conductor:  Joel Rinsema
Orchestra/Ensemble:  Kantorei
Period: Contemporary 
Written: 2014; Norway 
5.
Child of Song by Kim Andre Arnesen
Performer:  Beryl Fanslow (Soprano)
Conductor:  Joel Rinsema
Orchestra/Ensemble:  Kantorei
Period: Contemporary 
Written: 2014; Norway 
6.
The Gift I'll Leave You by Kim Andre Arnesen
Performer:  Alicia Rigsby (Piano), Sara Michael (Soprano)
Conductor:  Joel Rinsema
Orchestra/Ensemble:  Kantorei
Period: Contemporary 
Written: 2015; Norway 
7.
Dormi, Jesu by Kim Andre Arnesen
Performer:  Sara Michael (Soprano), Juliane Dowell (Soprano)
Conductor:  Joel Rinsema
Orchestra/Ensemble:  Kantorei
Period: Contemporary 
Written: 2012; Norway 
8.
Making or Breaking by Kim Andre Arnesen
Performer:  John Gunther (Soprano Saxophone), Wendi Sue Grover (Soprano)
Conductor:  Joel Rinsema
Orchestra/Ensemble:  Kantorei
Period: Contemporary 
Written: 2015; Norway 
9.
Cradle Hymn by Kim Andre Arnesen
Performer:  Alicia Rigsby (Piano)
Conductor:  Joel Rinsema
Orchestra/Ensemble:  Kantorei
Period: Contemporary 
Written: 2010; Norway 
10.
The Lamb by Kim Andre Arnesen
Conductor:  Joel Rinsema
Orchestra/Ensemble:  Kantorei
Period: Contemporary 
Written: 2015; Norway 
11.
Pie Jesu by Kim Andre Arnesen
Performer:  Christianna Sullins (Soprano), Alicia Rigsby (Piano)
Conductor:  Joel Rinsema
Orchestra/Ensemble:  Kantorei
Period: Contemporary 
Written: 2013; Norway 
12.
Infinity by Kim Andre Arnesen
Performer:  Alicia Rigsby (Soprano)
Conductor:  Joel Rinsema
Orchestra/Ensemble:  Kantorei
Period: Contemporary 
Written: 2016; Norway 
13.
There We Shall Rest by Kim Andre Arnesen
Conductor:  Joel Rinsema
Orchestra/Ensemble:  Kantorei
Period: Contemporary 
Written: 2015; Norway 
14.
Der glorreiche Augenblick, Op. 136 by Ludwig van Beethoven
Performer:  Claire Rutter (Soprano), Matilde Wallevik (Mezzo Soprano), Peter Hoare (Tenor),
Stephen Gadd (Bass Baritone)
Conductor:  Hilary Davan Wetton
Orchestra/Ensemble:  Royal Philharmonic Orchestra,  City of London Choir
Period: Classical 
Written: 1814; Vienna, Austria 
15.
Fantasia in C minor, Op. 80 "Choral Fantasy" by Ludwig van Beethoven
Performer:  Peter Hoare (Tenor), Matilde Wallevik (Mezzo Soprano), Claire Rutter (Soprano),
Stephen Gadd (Bass Baritone), Leon McCawley (Piano), Marta Fontanals-Simmons (Mezzo Soprano),
Julian Davies (Tenor)
Conductor:  Hilary Davan Wetton
Orchestra/Ensemble:  Royal Philharmonic Orchestra,  City of London Choir
Period: Classical 
Written: 1808; Vienna, Austria 
16.
German Requiem, Op. 45 by Johannes Brahms
Performer:  Anna Lucia Richter (Soprano), Stephan Genz (Baritone)
Conductor:  Marin Alsop
Orchestra/Ensemble:  Middle German Radio Symphony Orchestra,  Middle German Radio Chorus Leipzig
Period: Romantic 
Written: 1854-1868; Austria 
17.
Requiem in C minor by Luigi Cherubini
Conductor:  Diego Fasolis
Orchestra/Ensemble:  Italian Switzerland Radio/TV Chorus,  Cantemus,  Orchestra della Svizzera Italiana
Period: Classical 
Written: 1816; France 
18.
Funeral March by Luigi Cherubini
Conductor:  Diego Fasolis
Orchestra/Ensemble:  Italian Switzerland Radio/TV Chorus,  Cantemus,  Orchestra della Svizzera Italiana
Period: Classical 
Written: 1820; France 
19.
Aristea by Gaetano Donizetti
Performer:  Andreas Burkhart (Bass), Caroline Adler (Soprano), Cornel Frey (Tenor),
Andrea Lauren Brown (Soprano), Sara Hershkowitz (Soprano), Robert Sellier (Tenor)
Conductor:  Franz Hauk
Orchestra/Ensemble:  Bavarian State Opera Chorus members,  Simon Mayr Choir,  Simon Mayr Ensemble
20.
Requiem Mass, Op. 89/B 165 by Antonín Dvorák
Performer:  Daniel Kirch (), Janusz Monarcha (), Christiane Libor ()
Conductor:  Antoni Wit
Orchestra/Ensemble:  Warsaw Philharmonic Orchestra,  Warsaw Philharmonic Chorus
Period: Romantic 
Written: 1890; Bohemia 
Venue:  Warsaw Philharmonic Hall, Warsaw, Poland 
Length: 95 Minutes 46 Secs. 
21.
Requiem, Op. 48 by Gabriel Fauré
Performer:  Nicholas Gedge (Baritone), Lisa Beckley (Soprano), Colm Carey (Organ)
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata,  Schola Cantorum Oxford
Period: Romantic 
Written: 1887-1890; France 
Date of Recording: 05/1993 
Venue:  Chapel of Hertford College, Oxford, UK 
Length: 36 Minutes 38 Secs. 
Language: Latin 
22.
Messe basse by Gabriel Fauré
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata,  Schola Cantorum Oxford
Period: Romantic 
Written: 1882/1906; France 
Date of Recording: 05/1993 
Venue:  Chapel of Hertford College, Oxford, UK 
Length: 10 Minutes 25 Secs. 
Language: Latin 
23.
Cantique de Jean Racine, Op. 11 by Gabriel Fauré
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata,  Schola Cantorum Oxford
Period: Romantic 
Written: 1865; France 
Date of Recording: 05/1993 
Venue:  Chapel of Hertford College, Oxford, UK 
Length: 6 Minutes 30 Secs. 
Language: French 
24.
Tantum ergo by Déodat de Sévérac
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Schola Cantorum Oxford
Period: 20th Century 
Written: by 1920; France 
Date of Recording: 05/1993 
Venue:  Chapel of Hertford College, Oxford, UK 
Length: 3 Minutes 15 Secs. 
Language: Latin 
25.
Pičces de fantaisie - Suite no 1, Op. 51: 2nd movement, Andantino by Louis Vierne
Performer:  Colm Carey (Organ)
Period: Romantic 
Written: 1926; France 
Date of Recording: 05/1993 
Venue:  Chapel of Hertford College, Oxford, UK 
Length: 3 Minutes 36 Secs. 
26.
Madrigals, Book 4 by Carlo Gesualdo
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Renaissance 
Written: by 1596; Italy 
27.
Messiah, HWV 56: Overture by George Frideric Handel
Orchestra/Ensemble:  Scholars Baroque Ensemble
Period: Baroque 
Written: 1742; London, England 
Length: 3 Minutes 10 Secs. 
28.
Messiah, HWV 56: Comfort ye my people by George Frideric Handel
Performer:  Robin Doveton (Tenor)
Orchestra/Ensemble:  Scholars Baroque Ensemble
Period: Baroque 
Written: 1742; London, England 
Length: 6 Minutes 42 Secs. 
Language: English 
29.
Messiah, HWV 56: Ev'ry valley shall be exalted by George Frideric Handel
Performer:  Robin Doveton (Tenor)
Orchestra/Ensemble:  Scholars Baroque Ensemble
Period: Baroque 
Written: 1742; London, England 
Length: 6 Minutes 42 Secs. 
Language: English 
30.
Messiah, HWV 56: And the glory of the Lord shall be revealed by George Frideric Handel
Orchestra/Ensemble:  Scholars Baroque Ensemble
Period: Baroque 
Written: 1742; London, England 
Length: 2 Minutes 38 Secs. 
Language: English 
31.
Messiah, HWV 56: Behold a Virgin shall conceive by George Frideric Handel
Performer:  Angus Davidson (Countertenor)
Orchestra/Ensemble:  Scholars Baroque Ensemble
Period: Baroque 
Written: 1742; London, England 
Length: 5 Minutes 54 Secs. 
Language: English 
32.
Messiah, HWV 56: O thou that tellest good tidings to Zion by George Frideric Handel
Performer:  Angus Davidson (Countertenor)
Orchestra/Ensemble:  Scholars Baroque Ensemble
Period: Baroque 
Written: 1742; London, England 
Length: 5 Minutes 54 Secs. 
Language: English 
33.
Messiah, HWV 56: For unto us a child is born by George Frideric Handel
Orchestra/Ensemble:  Scholars Baroque Ensemble
Period: Baroque 
Written: 1742; London, England 
Length: 4 Minutes 9 Secs. 
Language: English 
34.
Messiah, HWV 56: Pastoral Symphony "Pifa" by George Frideric Handel
Orchestra/Ensemble:  Scholars Baroque Ensemble
Period: Baroque 
Written: 1742; London, England 
Length: 0 Minutes 58 Secs. 
35.
Messiah, HWV 56: Rejoice greatly, o daughter of Zion by George Frideric Handel
Performer:  Kym Amps (Soprano)
Orchestra/Ensemble:  Scholars Baroque Ensemble
Period: Baroque 
Written: 1742; London, England 
Length: 4 Minutes 4 Secs. 
Language: English 
36.
Messiah, HWV 56: Then shall the eyes of the blind be opened by George Frideric Handel
Performer:  Angus Davidson (Countertenor)
Orchestra/Ensemble:  Scholars Baroque Ensemble
Period: Baroque 
Written: 1742; London, England 
Length: 5 Minutes 31 Secs. 
Language: English 
37.
Messiah, HWV 56: He shall feed His flock...Come unto Him by George Frideric Handel
Performer:  Angus Davidson (Countertenor)
Orchestra/Ensemble:  Scholars Baroque Ensemble
Period: Baroque 
Written: 1742; London, England 
Length: 5 Minutes 31 Secs. 
Language: English 
38.
Messiah, HWV 56: He was despised and rejected by George Frideric Handel
Performer:  Angus Davidson (Countertenor)
Orchestra/Ensemble:  Scholars Baroque Ensemble
Period: Baroque 
Written: 1742; London, England 
Length: 11 Minutes 10 Secs. 
Language: English 
39.
Messiah, HWV 56: How beautiful are the feet of them by George Frideric Handel
Performer:  Kym Amps (Soprano)
Orchestra/Ensemble:  Scholars Baroque Ensemble
Period: Baroque 
Written: 1742; London, England 
Length: 3 Minutes 22 Secs. 
Language: English 
40.
Messiah, HWV 56: Why do the nations so furiously rage by George Frideric Handel
Performer:  David Van Asch (Bass)
Orchestra/Ensemble:  Scholars Baroque Ensemble
Period: Baroque 
Written: 1742; London, England 
Length: 3 Minutes 12 Secs. 
Language: English 
41.
Messiah, HWV 56: Hallelujah! by George Frideric Handel
Orchestra/Ensemble:  Scholars Baroque Ensemble
Period: Baroque 
Written: 1742; London, England 
Length: 3 Minutes 43 Secs. 
Language: English 
42.
Messiah, HWV 56: I know that my redeemer liveth by George Frideric Handel
Performer:  Kym Amps (Soprano)
Orchestra/Ensemble:  Scholars Baroque Ensemble
Period: Baroque 
Written: 1742; London, England 
Length: 6 Minutes 7 Secs. 
Language: English 
43.
Messiah, HWV 56: Behold, I tell you a mystery by George Frideric Handel
Performer:  David Van Asch (Bass)
Orchestra/Ensemble:  Scholars Baroque Ensemble
Period: Baroque 
Written: 1742; London, England 
Length: 9 Minutes 36 Secs. 
Language: English 
44.
Messiah, HWV 56: The trumpet shall sound by George Frideric Handel
Performer:  David Van Asch (Bass)
Orchestra/Ensemble:  Scholars Baroque Ensemble
Period: Baroque 
Written: 1742; London, England 
Length: 9 Minutes 36 Secs. 
Language: English 
45.
Messiah, HWV 56: Worthy is the Lamb that was slain by George Frideric Handel
Orchestra/Ensemble:  Scholars Baroque Ensemble
Period: Baroque 
Written: 1742; London, England 
Length: 7 Minutes 18 Secs. 
Language: English 
46.
Messiah, HWV 56: Amen by George Frideric Handel
Orchestra/Ensemble:  Scholars Baroque Ensemble
Period: Baroque 
Written: 1742; London, England 
Length: 7 Minutes 18 Secs. 
Language: English 
47.
Missa brevis in F major, H 22 no 1 by Franz Joseph Haydn
Performer:  Julie Liston (Soprano), Ann Hoyt (Soprano), Richard Lippold (Bass)
Conductor:  Owen Burdick
Orchestra/Ensemble:  New York Trinity Church Choir,  Rebel Baroque Orchestra
Period: Classical 
Written: ?1749; Vienna, Austria 
48.
Mass in B flat major, H 22 no 14 "Harmoniemesse" by Franz Joseph Haydn
Performer:  Daniel Mutlu (Tenor), Nacole Palmer (Soprano), Nina Faia (Soprano),
Kirsten Sollek (Alto), Matthew Hensrud (Tenor), Andrew Nolen (Bass)
Conductor:  Jane Glover
Orchestra/Ensemble:  New York Trinity Church Choir,  Rebel Baroque Orchestra
Period: Classical 
Written: 1802; Vienna, Austria 
49.
Glagolitic Mass by Leos Janácek
Performer:  Wojciech Adalbert Gierlach (Bass), Ewa Marciniec (Mezzo Soprano), Timothy Bentch (Tenor),
Christiane Libor (Soprano), Jaroslaw Malanowicz (Organ)
Conductor:  Antoni Wit
Orchestra/Ensemble:  Warsaw Philharmonic Orchestra,  Warsaw Philharmonic Chorus
Period: 20th Century 
Written: 1926; Brno, Czech Republic 
50.
Sinfonietta by Leos Janácek
Conductor:  Antoni Wit
Orchestra/Ensemble:  Warsaw Philharmonic Orchestra
Period: 20th Century 
Written: 1926; Brno, Czech Republic 
51.
Passio Domini nostri Jesu Christi secundum Mattheum "Saint Matthew Passion" by Orlando de Lassus
Conductor:  Bo Holten
Orchestra/Ensemble:  Musica Ficta
Period: Renaissance 
Written: by 1575 
52.
Beata viscera by Pérotin
Orchestra/Ensemble:  Tonus Peregrinus
Period: Medieval 
Written: circa 1200; France 
53.
Viderunt omnes by Pérotin
Orchestra/Ensemble:  Tonus Peregrinus
Period: Medieval 
Written: circa 1200; France 
54.
Sederunt principes by Pérotin
Orchestra/Ensemble:  Tonus Peregrinus
Period: Medieval 
Written: circa 1200; France 
55.
Viderunt omnes by Léonin
Orchestra/Ensemble:  Tonus Peregrinus
Period: Medieval 
Written: 12th Century; France 
56.
Viderunt omnes fines terrae by Anonymous
Orchestra/Ensemble:  Tonus Peregrinus
Period: Medieval 
57.
Non nobis Domine by Anonymous
Orchestra/Ensemble:  Tonus Peregrinus
Period: Medieval 
58.
Vetus abit littera by Anonymous
Orchestra/Ensemble:  Tonus Peregrinus
Period: Medieval 
59.
Te Deum by Giovanni Simone Mayr
Performer:  Andreas Hirtreiter (Tenor), Merit Ostermann (Mezzo Soprano), Priska Eser-Streit (Soprano),
Jörg Schneider (Tenor), Robert Merwald (Bass)
Conductor:  Franz Hauk
Orchestra/Ensemble:  Simon Mayr Choir,  Ingolstadt Georgian Chamber Orchestra
60.
Missa solemnis in C major, K Anh. C1.20 by Wolfgang Amadeus Mozart
Performer:  Katja Stuber (Soprano), Marc Megele (Tenor), Merit Ostermann (Mezzo Soprano),
Priska Eser-Streit (Soprano), Andreas Hirtreiter (Tenor), Robert Merwald (Bass),
Andreas Burkhart (Bass), Roland Schneider (Alto)
Conductor:  Franz Hauk
Orchestra/Ensemble:  Simon Mayr Choir,  Ingolstadt Georgian Chamber Orchestra
Period: Classical 
Written: 18th Century; Austria 
61.
Requiem in D minor, K 626 by Wolfgang Amadeus Mozart
Performer:  Marcus Ullmann (Tenor), Martin Snell (Bass), Anne Buter (Mezzo Soprano),
Miriam Allan (Soprano)
Conductor:  Morten Schuldt-Jensen
Orchestra/Ensemble:  Leipzig Chamber Orchestra,  Gewandhaus Chamber Chorus
Period: Classical 
Written: 1791; Vienna, Austria 
Venue:  Great Hall, Gewandhaus, Leipzig, Germany 
Length: 40 Minutes 54 Secs. 
62.
Inter natos mulierum in G major, K 72 (74f) by Wolfgang Amadeus Mozart
Performer:  Anne Buter (Mezzo Soprano), Martin Snell (Bass), Marcus Ullmann (Tenor),
Miriam Allan (Soprano)
Conductor:  Morten Schuldt-Jensen
Orchestra/Ensemble:  Leipzig Chamber Orchestra,  Gewandhaus Chamber Chorus
Period: Classical 
Written: 1771; Salzburg, Austria 
Venue:  Great Hall, Gewandhaus, Leipzig, Germany 
Length: 5 Minutes 9 Secs. 
Language: Latin 
63.
Misericordias Domini, K 222 (205a) by Wolfgang Amadeus Mozart
Performer:  Miriam Allan (Soprano), Martin Snell (Bass), Anne Buter (Mezzo Soprano),
Marcus Ullmann (Tenor)
Conductor:  Morten Schuldt-Jensen
Orchestra/Ensemble:  Leipzig Chamber Orchestra,  Gewandhaus Chamber Chorus
Period: Classical 
Written: 1775; Munich, Germany 
Venue:  Great Hall, Gewandhaus, Leipzig, Germany 
Length: 6 Minutes 2 Secs. 
Language: Latin 
64.
Peccantem me quotidie by Giovanni Palestrina
Performer:  Michel Van Goethem (Countertenor), Renzo Bez (Countertenor), Vincenzo Di Donato (Tenor),
Andrea Favari (Bass), Alessandro Carmignani (Tenor), Furio Zanasi (Tenor),
Marco Scavazza (Baritone), Sergio Foresti (Bass), Liuwe Tamminga (Organ)
Conductor:  Sergio Vartolo
Orchestra/Ensemble:  Capella Musicale di San Petronio members
Period: Renaissance 
Written: by 1572; Italy 
Date of Recording: 10/1995 
Language: Latin 
65.
Missa "Sine nomine" ŕ 6 by Giovanni Palestrina
Performer:  Liuwe Tamminga (Organ)
Conductor:  Sergio Vartolo
Orchestra/Ensemble:  Capella Musicale di San Petronio members
Period: Renaissance 
Written: 1590; Italy 
Date of Recording: 10/1995 
Language: Latin 
66.
Sicut cervus by Giovanni Palestrina
Performer:  Liuwe Tamminga (Organ)
Conductor:  Sergio Vartolo
Orchestra/Ensemble:  Capella Musicale di San Petronio members
Period: Renaissance 
Written: by 1581; Italy 
Date of Recording: 10/1995 
Language: Latin 
67.
Missa "L'Homme armé" by Giovanni Palestrina
Performer:  Liuwe Tamminga (Organ)
Conductor:  Sergio Vartolo
Orchestra/Ensemble:  Capella Musicale di San Petronio members
Period: Renaissance 
Written: 16th Century; Italy 
Date of Recording: 10/1995 
Language: Latin 
68.
Super flumina Babylonis by Giovanni Palestrina
Performer:  Liuwe Tamminga (Organ)
Conductor:  Sergio Vartolo
Orchestra/Ensemble:  Capella Musicale di San Petronio members
Period: Renaissance 
Written: by 1581; Italy 
Date of Recording: 10/1995 
Language: Latin 
69.
St John Passion by Arvo Pärt
Performer:  Mark Anderson (Tenor), Robert [Bass Voice] MacDonald (Bass)
Conductor:  Antony Pitts
Orchestra/Ensemble:  Tonus Peregrinus
Period: 20th Century 
Written: 1982; Germany 
Date of Recording: 2001 
Venue:  Church of St. Peter and Paul, Dorchester 
Length: 61 Minutes 50 Secs. 
Language: Latin 
70.
Utrenia by Krzysztof Penderecki
Performer:  Iwona Hossa (Soprano), Piotr Kusiewicz (Tenor), Piotr Nowacki (Bass),
Agnieszka Rehlis (Mezzo Soprano)
Conductor:  Antoni Wit
Orchestra/Ensemble:  Warsaw Philharmonic Chorus,  Warsaw Boys' Choir,  Warsaw Philharmonic Orchestra
Period: 20th Century 
Length: 72 Minutes 2 Secs. 
71.
Te Deum and Jubilate in D major, Z 232 by Henry Purcell
Performer:  Ian Honeyman (Tenor), William Purefoy (Countertenor), Christopher Robson (Countertenor),
Susan Bisatt (Soprano), Jeni Bern (Soprano), Thomas Guthrie (Bass)
Conductor:  Robert Glenton
Orchestra/Ensemble:  Golden Age Singers,  Orchestra of the Golden Age
Period: Baroque 
Written: 1694; England 
Date of Recording: 05/1995 
Venue:  Grammar School, Manchester, England 
Length: 21 Minutes 38 Secs. 
72.
Raise, raise the voice, Z 334 by Henry Purcell
Performer:  Jeni Bern (Soprano), William Purefoy (Countertenor), Susan Bisatt (Soprano),
Christopher Robson (Countertenor), Thomas Guthrie (Bass), Ian Honeyman (Tenor)
Conductor:  Robert Glenton
Orchestra/Ensemble:  Golden Age Singers,  Orchestra of the Golden Age
Period: Baroque 
Written: circa 1685; England 
Date of Recording: 05/1995 
Venue:  Grammar School, Manchester, England 
Length: 12 Minutes 30 Secs. 
Language: English 
73.
Sonata for Trumpet and Strings in D major, Z 850 by Henry Purcell
Performer:  David Staff (Natural Trumpet)
Conductor:  Robert Glenton
Orchestra/Ensemble:  Orchestra of the Golden Age
Period: Baroque 
Written: ?1694; England 
Date of Recording: 05/1995 
Venue:  Grammar School, Manchester, England 
Length: 4 Minutes 35 Secs. 
74.
The noise of foreign wars by Henry Purcell
Performer:  Jeni Bern (Soprano), Christopher Robson (Countertenor), Susan Bisatt (Soprano),
William Purefoy (Countertenor), Ian Honeyman (Tenor), Thomas Guthrie (Bass)
Conductor:  Robert Glenton
Orchestra/Ensemble:  Golden Age Singers,  Orchestra of the Golden Age
Period: Baroque 
Written: England 
Date of Recording: 05/1995 
Venue:  Grammar School, Manchester, England 
Length: 6 Minutes 48 Secs. 
75.
Hail, bright Cecilia, Z 328 "Ode on St Cecilia's Day" by Henry Purcell
Performer:  Susan Bisatt (Soprano), Ian Honeyman (Tenor), Christopher Robson (Countertenor),
William Purefoy (Countertenor), Thomas Guthrie (Bass), Jeni Bern (Soprano)
Conductor:  Robert Glenton
Orchestra/Ensemble:  Golden Age Singers,  Orchestra of the Golden Age
Period: Baroque 
Written: 1692; England 
Date of Recording: 05/1995 
Venue:  Grammar School, Manchester, England 
Length: 17 Minutes 21 Secs. 
76.
Vespers, Op. 37 by Sergei Rachmaninov
Performer:  Raissa Palmu (Soprano), Erja Wimeri (Alto), Eugen Antoni (Tenor)
Conductor:  Eric-Olof Söderstrom
Orchestra/Ensemble:  Finnish National Opera Chorus
Period: 20th Century 
Written: 1915; Russia 
Language: Russian 
77.
Stabat mater by Gioachino Rossini
Performer:  Mirco Palazzi (Bass), Majella Cullagh (Soprano), Marianna Pizzolato (Mezzo Soprano),
José Luis Sola (Tenor)
Conductor:  Antonino Fogliani
Orchestra/Ensemble:  Württemberg Philharmonie Reutlingen,  Poznan Camerata Bach Choir
Period: Romantic 
Written: 1832/1842; Italy 
78.
Giovanna d'Arco by Gioachino Rossini
Performer:  Marianna Pizzolato (Mezzo Soprano)
Conductor:  Antonino Fogliani
Orchestra/Ensemble:  Württemberg Philharmonie Reutlingen
Period: Romantic 
Written: 1832/1852; Italy 
79.
Requiem by John Rutter
Performer:  Nicholas Collon (Organ)
Conductor:  Timothy Brown
Orchestra/Ensemble:  Clare College Choir
Period: 20th Century 
Written: 1985; England 
80.
Arise, shine by John Rutter
Performer:  Nicholas Collon (Organ)
Conductor:  Timothy Brown
Orchestra/Ensemble:  Clare College Choir
Period: 20th Century 
Written: England 
81.
Come down, O Love divine by John Rutter
Conductor:  Timothy Brown
Orchestra/Ensemble:  Clare College Choir
Period: 20th Century 
Written: England 
82.
Musica Dei donum by John Rutter
Performer:  Karen Jones (Flute)
Conductor:  Timothy Brown
Orchestra/Ensemble:  Clare College Choir
Period: 20th Century 
Written: England 
83.
A Clare Benediction by John Rutter
Performer:  Nicholas Collon (Organ)
Conductor:  Timothy Brown
Orchestra/Ensemble:  Clare College Choir
Period: 20th Century 
Written: England 
84.
Go Forth into the World in Peace by John Rutter
Performer:  Nicholas Collon (Organ)
Conductor:  Timothy Brown
Orchestra/Ensemble:  Clare College Choir
Period: 20th Century 
Written: England 
85.
Variations on an Easter Theme "O filii et filiae" by John Rutter
Performer:  Nicholas Rimmer (Organ), Nicholas Collon (Organ)
Period: Modern 
Written: 1983 
86.
Toccata in Seven by John Rutter
Performer:  Nicholas Collon (Organ)
Period: 20th Century 
Written: 1974; England 
87.
Romanzen und Balladen i, Op. 67 by Robert Schumann
Conductor:  Marc Michael De Smet
Orchestra/Ensemble:  Aquarius
Period: Romantic 
Written: 1849; Germany 
Length: 11 Minutes 29 Secs. 
Language: German 
88.
Romanzen und Balladen ii, Op. 75 by Robert Schumann
Conductor:  Marc Michael De Smet
Orchestra/Ensemble:  Aquarius
Period: Romantic 
Written: 1849; Germany 
Length: 12 Minutes 5 Secs. 
Language: German 
89.
Romances i, Op. 69 by Robert Schumann
Conductor:  Marc Michael De Smet
Orchestra/Ensemble:  Aquarius
Period: Romantic 
Written: 1849; Germany 
Length: 13 Minutes 2 Secs. 
Language: German 
90.
Romanzen und Balladen iii, Op. 145 by Robert Schumann
Conductor:  Marc Michael De Smet
Orchestra/Ensemble:  Aquarius
Period: Romantic 
Written: 1849-1851; Germany 
Length: 10 Minutes 4 Secs. 
Language: German 
91.
Romanzen und Balladen iv, Op. 146 by Robert Schumann
Performer:  Marc Legros (Flute), Pieter Martens (French Horn)
Conductor:  Marc Michael De Smet
Orchestra/Ensemble:  Aquarius
Period: Romantic 
Written: 1849-1851; Germany 
Length: 11 Minutes 9 Secs. 
Language: German 
92.
Romances ii, Op. 91 by Robert Schumann
Conductor:  Marc Michael De Smet
Orchestra/Ensemble:  Aquarius
Period: Romantic 
Written: 1849; Germany 
Length: 14 Minutes 17 Secs. 
Language: German 
93.
Missa pastoralis in G major by Johann Baptist Vanhal
Performer:  Mary Enid Haines (Soprano), Nina Scott Stoddart (Alto), Steven Pitkanen (Baritone),
Colin Ainsworth (Tenor), James Tibbles (Organ)
Conductor:  Uwe Grodd
Orchestra/Ensemble:  TOWER Voices New Zealand,  Aradia Ensemble
Period: Classical 
Language: Latin 
94.
Missa solemnis in C major by Johann Baptist Vanhal
Performer:  Colin Ainsworth (Tenor), Nina Scott Stoddart (Alto), Mary Enid Haines (Soprano),
James Tibbles (Organ), Steven Pitkanen (Baritone)
Conductor:  Uwe Grodd
Orchestra/Ensemble:  TOWER Voices New Zealand,  Aradia Ensemble
Period: Classical 
Language: Latin 
95.
Gloria in D major, RV 589 by Antonio Vivaldi
Conductor:  Nicholas Ward
Orchestra/Ensemble:  Schola Cantorum Oxford,  Northern Chamber Orchestra
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 1993-94 
Venue:  St. Peter's Church, Hale, Cheshire 
Length: 30 Minutes 3 Secs. 
Language: Latin 
96.
Magnificat in D major, BWV 243 by Johann Sebastian Bach
Conductor:  Nicholas Ward
Orchestra/Ensemble:  Schola Cantorum Oxford,  Northern Chamber Orchestra
Period: Baroque 
Written: circa 1728-1731; Leipzig, Germany 
Date of Recording: 1993-94 
Venue:  St. Peter's Church, Hale, Cheshire 
Length: 29 Minutes 39 Secs. 
Language: Latin 
97.
O cohors milicie floris virge by Hildegard of Bingen
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Medieval 
Written: 12th Century; Germany 
Length: 15 Minutes 48 Secs. 
98.
O successores fortissimi leonis by Hildegard of Bingen
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Medieval 
Written: 12th Century; Germany 
Length: 8 Minutes 21 Secs. 
99.
O vos imitatores by Hildegard of Bingen
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Medieval 
Written: 12th Century; Germany 
Length: 6 Minutes 34 Secs. 
100.
O dulcis electe by Hildegard of Bingen
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Medieval 
Length: 6 Minutes 18 Secs. 
101.
O victoriosissimi by Hildegard of Bingen
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Medieval 
Written: 12th Century; Germany 
Length: 9 Minutes 37 Secs. 
102.
O cruor sanguinis by Hildegard of Bingen
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Medieval 
Written: 12th Century; Germany 
Length: 6 Minutes 5 Secs. 
103.
O vis eternitatis by Hildegard of Bingen
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Medieval 
Written: 12th Century; Germany 
Length: 8 Minutes 57 Secs. 
104.
O splendidissima gemma by Hildegard of Bingen
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Medieval 
Written: 12th Century; Germany 
Length: 12 Minutes 32 Secs. 
105.
Her Sacred Spirit Soars by Eric Whitacre
Conductor:  Noel Edison
Orchestra/Ensemble:  Elora Festival Singers
Period: 20th Century 
Written: 2002; USA 
106.
A Boy and a Girl by Eric Whitacre
Conductor:  Noel Edison
Orchestra/Ensemble:  Elora Festival Singers
Period: 20th Century 
Written: 2002; USA 
107.
Water Night by Eric Whitacre
Conductor:  Noel Edison
Orchestra/Ensemble:  Elora Festival Singers
Period: 20th Century 
Written: 1995; USA 
108.
This Marriage by Eric Whitacre
Conductor:  Noel Edison
Orchestra/Ensemble:  Elora Festival Singers
Period: 20th Century 
Written: 2004; USA 
109.
Lux aurumque by Eric Whitacre
Conductor:  Noel Edison
Orchestra/Ensemble:  Elora Festival Singers
Period: 20th Century 
Written: 2000; USA 
110.
Little Tree by Eric Whitacre
Conductor:  Noel Edison
Orchestra/Ensemble:  Elora Festival Singers
Period: 20th Century 
Written: USA 
111.
When David Heard by Eric Whitacre
Conductor:  Noel Edison
Orchestra/Ensemble:  Elora Festival Singers
Period: 20th Century 
Written: 1999; USA 
112.
Leonardo dreams of his flying machine by Eric Whitacre
Conductor:  Noel Edison
Orchestra/Ensemble:  Elora Festival Singers
Period: 20th Century 
Written: 2001; USA 
113.
Songs of Faith (3): no 3, I thank You God for most this amazing day by Eric Whitacre
Conductor:  Noel Edison
Orchestra/Ensemble:  Elora Festival Singers
Period: 20th Century 
Written: 1999; USA 
114.
Sleep by Eric Whitacre
Conductor:  Noel Edison
Orchestra/Ensemble:  Elora Festival Singers
Period: 20th Century 
Written: 2000; USA 
115.
Little Birds by Eric Whitacre
Performer:  Leslie De'Ath (Piano)
Conductor:  Noel Edison
Orchestra/Ensemble:  Elora Festival Singers
Period: 20th Century 
Written: USA 
116.
Blow thi horne hunter by William Cornysh
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Renaissance 
Written: England 
Date of Recording: 03/1994 
Venue:  Hertford College Chapel, Oxford, England 
Length: 2 Minutes 42 Secs. 
Language: English 
117.
Ah Robyn, gentle Robyn by William Cornysh
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Renaissance 
Written: England 
Date of Recording: 03/1994 
Venue:  Hertford College Chapel, Oxford, England 
Length: 2 Minutes 16 Secs. 
Language: English 
118.
Hey trolly loly lo by Anonymous
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Renaissance 
Written: England 
Date of Recording: 03/1994 
Venue:  Hertford College Chapel, Oxford, England 
Length: 5 Minutes 42 Secs. 
Language: English 
119.
Draw on sweet night by John Wilbye
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Renaissance 
Written: 1609; England 
Date of Recording: 03/1994 
Venue:  Hertford College Chapel, Oxford, England 
Length: 5 Minutes 41 Secs. 
Language: English 
120.
Thule, the period of cosmographie by Thomas Weelkes
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Renaissance 
Written: 1600; England 
Date of Recording: 03/1994 
Venue:  Hertford College Chapel, Oxford, England 
Length: 4 Minutes 54 Secs. 
Language: English 
121.
Weepe, mine eyes by John Wilbye
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Renaissance 
Written: by 1609; England 
Date of Recording: 03/1994 
Venue:  Hertford College Chapel, Oxford, England 
Length: 5 Minutes 11 Secs. 
Language: English 
122.
As Vesta was, from Latmos hill descending by Thomas Weelkes
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Renaissance 
Written: 1601; England 
Date of Recording: 03/1994 
Venue:  Hertford College Chapel, Oxford, England 
Length: 3 Minutes 51 Secs. 
Language: English 
123.
Sound saddest notes by Richard Carlton
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Renaissance 
Written: England 
Date of Recording: 03/1994 
Venue:  Hertford College Chapel, Oxford, England 
Length: 4 Minutes 52 Secs. 
Language: English 
124.
The First Set of English Madrigals: Fair Phyllis I saw sitting all alone by John Farmer
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Renaissance 
Written: by 1599; England 
Date of Recording: 03/1994 
Venue:  Hertford College Chapel, Oxford, England 
Length: 1 Minutes 57 Secs. 
Language: English 
125.
Sleep fleshly birth by Robert Ramsey
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Baroque 
Written: 17th Century; England 
Date of Recording: 03/1994 
Venue:  Hertford College Chapel, Oxford, England 
Length: 5 Minutes 25 Secs. 
Language: English 
126.
Lay a garland on her hearse by Robert Lucas Pearsall
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Romantic 
Written: 1840; England 
Date of Recording: 03/1994 
Venue:  Hertford College Chapel, Oxford, England 
Length: 3 Minutes 31 Secs. 
Language: English 
127.
Brigg Fair by Percy Aldridge Grainger
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: 20th Century 
Written: 1906/1911; England 
Date of Recording: 03/1994 
Venue:  Hertford College Chapel, Oxford, England 
Length: 3 Minutes 11 Secs. 
Language: English 
128.
Trees they grow so high by Traditional
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Written: England 
Date of Recording: 03/1994 
Venue:  Hertford College Chapel, Oxford, England 
Length: 3 Minutes 44 Secs. 
Language: English 
129.
Pastyme with good companye by King VIII Henry
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Renaissance 
Written: 16th Century; England 
Date of Recording: 03/1994 
Venue:  Hertford College Chapel, Oxford, England 
Length: 1 Minutes 45 Secs. 
Language: English 
130.
The First Set, beeing Songs of Divers Ayres and Natures: Mother, I will have a husband by Thomas Vautor
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Renaissance 
Written: by 1620; England 
Date of Recording: 03/1994 
Venue:  Hertford College Chapel, Oxford, England 
Length: 2 Minutes 4 Secs. 
Language: English 
131.
Partsongs (8), Op. 119: no 3, Blue Bird by Charles Villiers Stanford
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Romantic 
Written: 1910; England 
Date of Recording: 03/1994 
Venue:  Hertford College Chapel, Oxford, England 
Length: 3 Minutes 49 Secs. 
Language: English 

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